Average customer rating:
- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
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History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
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History: Fiction or Science? Chronology 2 (Chronology)
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They Cast No Shadows: A Collection of Essays on the Illuminati, Revisionist History, and Suppressed Technologies
ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Customer Reviews:
Indespensable.......2006-02-19
Quite frankly I think every student of Yoruba culture should own this book. While Gelede is the central object of study, the books touches on multiple aspects Yoruba and Orisa spirituality. The amount of information is so overwhelming that you will literally have to read it over and over again.
A very good book.......2000-12-06
I do recommend this nice book to all those engaged in the practice of the Yoruba cult. The author gives a good persp- ective of what is behind the cerimony. Mo juba Iyami Osoronga!
Worth reading for student & practitioners of Yoruba religion.......1998-06-22
This is a fairly good book on the subject of Yoruba masks and drumming. Contains good pictures of masks (Gelede) and is very informative with regards to ceremonies performed at the Gelede.
Is recommended reading for any of the followers of the Yoruba religion and to students as well.
I would have liked to have seen a more in depth review of the ceremonies and religious aspects of the Gelede, therefore I have not rated it a 5 Star.
Nonetheless, I would still read it all over again !
Average customer rating:
- Extremely beautiful, interesting book (and series).
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Inside Africa: North & East Africa
Frederic Couderc , and
Laurence Douguiuer
Manufacturer: Taschen
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ASIN: 3822848166 |
Book Description
Plunge into Africa: North and East
We've searched far and wide, through Africa's deserts and jungles, cities and wildlife reserves, islands and mountains, to uncover the continent's most inspirational dwellings; our goal was to find the kind of interiors that defy description, and we think the results will definitely leave you speechless. Nestled within these pages you'll find lush modern homes mingling with mud huts, funky artists' studios, elegant lodges, minimalist houses, ornate traditional homes, townships and much moreall lovingly built and decorated with sensitivity, creativity, craftsmanship, individuality, and sensuality. Inside Africa captures the beauty and diversity of African living.
Beautifully bound with an African tribal motif cloth cover
Highlights include:
Italian sisters Carla and Franka Sozzani's fairy-tale palace in the Medina of Marrakech
shoe designer Christian Louboutin's modest-yet-elegant Cairo home
a lodge in Tanzania whose interior columns are formed by the trees around which it was built
multi-level terracotta Troglodyte dwellings in Tunisia
opulent mosaics, breathtaking courtyards and rooftop lounges in Marrakech
Customer Reviews:
Extremely beautiful, interesting book (and series)........2007-06-04
This book and the companion North and East volume are extraordinarily beautiful and offer images of a rich array of African homes -- traditional, contemporary and intermingled. The photography is excellent and offers images of architecture, art, landscapes and lives. Highly recommended.
Book Description
The Traditional Art volume presents a panorama of 6,000 years in the history of African art by highlighting archetypal and iconic works from various regions and important historic periods-400 objects beautifully reproduced in full color. This immense artistic and historic fresco highlights the beauty and force of these works from regions now comprising Nigeria, Benin, the Congo, Gabon, Guinea, the Ivory Coast, Mali, and Sudan. The book also examines the influence of African art on 20th-century Western masters such as Picasso, Modigliani, and Brancusi.
Customer Reviews:
Genuinely Beautiful Book.......2007-01-13
The book is essentially an exhibition catalogue, but beautifully bound and presented. The book is broken up into a number of sections. Roughly 200 pages are devoted to ancient African art - things you may find only in museums or at high-end auctions, 50 pages are devoted to African ivories, and 100 pages are devoted to traditional African art - the types of art such as statues & masks most commonly associated with African art and collected in the last 150 years or so. There are also about 20 pages that describe the re-discovery of African art in Europe at the end of the 19th century and beginning of the 20th century.
The quality of the pictures in this book is excellent. They are mostly full-page photographic quality pictures that give a fine appreciation of the works discussed.
I'd recommend this book to serious African art enthusiasts looking to extend their reference book collection. This is a great catalogue of really high-grade African art with an expert commentary to accompany it. It could also be a nice coffee table book. Although it does serve as a survey of African art over 7000 years the book isn't set up as a narrative of African art. I think it would be less appropriate for those just starting out in African art - or looking for an overview.
Amazon.com
As Western lavishness collided with striking native elements in the vast reaches of the East African savanna, the Safari style was born. Blending ethnic African with colonial European, the look emphasizes relaxed yet luxurious living, drawing on an elemental approach to texture, color, and pattern, and on indigenous materials and design. Exploring 21 spectacular homes in glorious color, Safari Style takes us on an expedition through a fantastic Moorish residence in Kenya, a hotel in Zanzibar masquerading as a Persian palace, an Italianate villa on a former coffee plantation in Nairobi, a tree house hideaway perched in the Ngong hills, and a host of other extraordinary dwellings. Though most of us will never live anywhere so unique, we can certainly find countless great ideas here to incorporate into our own more humble abodes. This is about a lot more than a few animal-print pillows and some swags of mosquito netting; it's about Old World elegance and evocations of the pleasures of exotic travel, even if we only get to enjoy it from the comforts of a cushy mudcloth-covered armchair. --Amy Handy
Book Description
Renowned photographer Jon Ortner spent ten years documenting New York City in its best light, those moments before sunrise and at sunset when the city emanates a radiant beauty. In this lavishly produced volume, he presents 200 full-color photographs of the city's neighborhoods and landmarks, including breathtaking views of its skyline, from the George Washington Bridge and the Statue of Liberty to Rockefeller Center and the Chrysler Building. Perhaps most moving of all are the portraits of the World Trade Center Towers, a tragic loss to the city preserved here in the muted colors of twilight. Captions reveal little-known facts about Manhattan and two glorious foldout images present panoramic views.
Customer Reviews:
what decor style you see.......2007-07-25
The majority of interior photos do show interiors you would find in that area of the world, and they're well-done. I bought this book because of a description stating that it had a lot of "British Colonial" style, and although it has a lot of very plain furtniture and a lot of mosquitoe netting, it does not have the neutral walls and heavy wooden furniture of British Colonial. It definitely does NOT have British Colonial India style, which is regular BColonial w/ splashes of decor found in India.
As useful a memory guide as a hunting trophy.......2003-11-09
One should not get the idea that the "camps" depicted in SAFARI STYLE have anything to do with the experience of safari. I have stayed in both tent and cabin camps and they were comfortable. They were not, emphatically NOT, anything like these. However, after safari is only a memory and an anticipation, a room decorated with ideas put forth in this volume will help soothe the longing until you can really go back. Whether your goal is to compile your memories in photos, watercolors, or traditional heads and horns a "trophy" room decked out in Safari Style will end up being the most satisfying in the home.
Romanitc,exotic living found here, but not for the timid!.......2001-08-03
Safari Style is the quintessential insiders design source for creating African interiors. At over 200 pages, literally every other page has a full page color photo on it! While this book is a feast of exotic interiors, exteriors are featured too, they include a wide array of domiciles: rugged tents to palaces to tree houses, and game camps to very exclusive lodges. In fact, at the back of the book, the author has generously offered up a ýSafari Guide,ý complete with addresses and phone numbers of many of the books featured sites, for those of you inspired to go to these places!
Designers will appreciate the clear arrangement and large scope of design possibilities. You will see everything from salvaged heavy teak wood platform beds with misquote netting, baskets and carved masks in very rustic bedroom settings, to contemporary eclectic dining rooms with ever so slight touches of favorite and hard to find African objects strewn within more modern houses. Part of what makes this such a fantastic book is that the ýlooký you wish you could achieve in your own home are possible; Classical, Stylish, Simple, Eclectic, Exotic, Masculine or Feminine, Rustic, etc. For example - a photo of a patio with a raw timber pergola covered with fucia bougainvillea and a casual wood four person dining area replete with plants, chaise lounge and ethnic lanterns could easily fit into a Southwestern home. Another example of the diversity of style in the ideas found in this book is the Modern Romantic open loft room. Here is where a tanned leather couches gently separate the space between the living and dining areas. Additionally, the Modern Romantic has silver columns with only a little mudcloth wrapped around the bottom, raw wood tables and lighting treatments, bamboo blinds and a large abstract oil on canvas taking up an entire wall in the dining area. This second example could be found in a Manhattan apartment or a swank L.A. house with only subtle nuances to a mixed African style.
A plethora of native craft objects such as, paintings, carvings, textiles, spears, shields, shells, bowls, and pottery, which make their appearance throughout. I would also like to site that more architectural elements like treatments for roofs, ceilings, walls and floors, balconies, chimneys, sinks and showers, windows, doors, corridors and more are all part of what makes these places so enticing. Natural elements are key ý stone and wood, rough woven textiles, baskets, mats, and so on. If you like more eco-friendly living (such as the books Earth to Spirit, or the New Natural House Book both by David Pearson), you must at least look at this Safari Style for reference material. Indian, Asian and Coastal / subtropical blends on the African tradition are perfectly woven into the concept of creating foreign spaces yet comfortably beautiful living arrangements.
Indeed this book makes no argument that it borrows from the land and native cultures. Black and white photos from the 1920ýs accompany historical text exploring the British colonization of south and eastern regions of Africa. Very fortunately, I counted less than ten photos, which depict hunting trophies, animal skins or taxidermy, which I had previously associated with a safari style. I find this refreshing! Donýt be mistaken that Tin Beddowýs book departs from more than an exploration of sites into adventures. Not a single image shown within depicts humans, native or non-native, beyond the introduction. Safari Style does not whatsoever portray, with even the remotest sense of accuracy, how any native African peoples live, their homes or villages. Then again, this subject is hardly broached.
It is easy to promote this book to the both the novice interior designers and design student, professional interior design firms, architects and possibly contractors, the curious eclectic artist, hermits and meditative spirits, romantics and in general, to travel lifestyle enthusiasts. (Stay away Ralph Laurent platinum card waving wannabes and homogenized Martha Stewart rip-off artists, or youýll ruin a good thing.)
Luxurious lives of the expats.......2001-01-08
One side of me recognizes that the younger sons of the Empire without great resources "went out" to Africa where they could live like princes on comparatively little [comparative only for Europeans, of course]. The other side wishes I had enough decadence in me to have lived in Happy Valley. There is no pretense that this is anything other than splendid housing for Europeans, not native Africans, and it is honest about malaria and the like, without mentioning politics. Nonetheless, I am happy to put this on my shelf with more technical works on indigenous African architecture. The work offers splendid structures built of simple materials on simple plans in which I could happily end my days relishing the elegant detail. The rich melange of styles effectively denies any dim notion of East African cultural isolation. Here Arab, Persian and Indian met and married native genius, and biologists know the offspring of heterosis are often ravishing.
Awonderful book to emulate or sojourn........2000-07-08
If you loved the interiors depicted in such films as Out of Africa, Queenie, and The English Patient, you'll adore the interior design of Safari Style. Twenty-one interiors are beautifully captured in all their romantic splendor. White walls act as backdrops to the teracotta floors, bamboo or mahogany, red or deep blue cushions, solo hats for the sun, mosquito nets over beds, and panoramic views from windows. The vicarious visitor is welcomed to homes in Mozambique, Kenya, and nineteen other locations. Floors are usually tile with occasional oriental or persian rugs. The views run the gamut of near primitive to exotic Moroccan. If the reader enjoys these details for their home, there are shops that carry pottery, masks, mosquitto netting, solos, bamboo furniture to incorporate into a safari style. Designer Tricia Foley also has a book that inspires this approach to decorating as well. It is British Colonial Style.
Book Description
Morocco is an exhilarating combination of vivid sensuality and intense spirituality, an intoxicating blend of cultures. Berber, Arab, French, English, and Spanish: the country's rich mixture of heritages is matched by its geography, which ranges from coast to mountain to desert. This revised edition of Living in Morocco celebrates the indigenous arts of a country at the height of a cultural renaissance. Morocco is known for fine leather and for pottery that dates back a thousand years. Berber rugs are justly famous, and there is a thriving tradition of woodworking, especially in the native thuya wood. Most extraordinary, though, is Morocco's decorative painting and tilework, where, forbidden by religion to depict human figures, craftsmen have developed a vocabulary of pattern and ornament. The book is filled with brightly colored ceilings, decorated courtyards and walls, plaster of Paris carved and painted in intricate geometrics, tiles so small that 150 could fit in a matchbox. Lavishly illustrated chapters on decorative and folk arts alternate with chapters on Moroccan life today. We visit Chaouen in the Rif Mountains (a city only recently open to Westerners), where the town's undulating surfaces are painted a bone-chilling blue-tinted white. We peer into an abandoned kasbah in the Sahara, and absorb the sights, sounds, and smells of the frenzied souk. We take time out in the shady blue-and-pink environs of the Majorelle Gardens, laid out by French painter Jacques Majorelle, and explore the story behind La Mamounia, the famous hotel that has welcomed such guests as Winston Churchill. Most important, we see Morocco's arts brought to life in its homesfrom former harems to traditional Hispano-Moorish houses. Glorious photographs make this a treasure for the armchair traveler, while the documentation of Morocco's houses, arts, and crafts make it an invaluable resource for decorators and designers. Published in hardcover under the title Morocco: Designs from Casablanca to Marrakesh. 346 color photographs.
Customer Reviews:
LIVING IN MOROCCO.......2007-08-24
BOOK ARRIVED IN POOR CONDITION WITH THE BACK UNGLUED. OTHERWISE IT IS A BEAUTIFUL PHOTO ESSAY
Aboslutely Stunning.......2007-06-13
The photography is inspirational -- whether you are a shutter bug or trying to grasp the details that make this part of the world's interiors so beautiful. Striking colors, well-chosen compossions -- this book is a must have. My only regret is the lack of printed information that would educate me on the fine details and intricate subtilies of this design form.
Still, a must have for anyone with interest in photography or the striking vistas on can create for their home or garden.
A completely different take on interior design.......2007-05-14
This book is really very beautiful. I have transgressed Asian and southwestern design and this book is just what I wished for.
Wonderful Examples.......2001-09-04
I really liked this book, as well as Moroccan Style. I felt this book was a little more comprehensive on the styles by region of Morocco and showed more traditional design.
Average customer rating:
- Awesome
- Fresh, lively ideas for creating beautiful living spaces
- African adaptability
- in love with this book.
- Beautiful and practical
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African Style: down to the details
Sharne Algotsson
Manufacturer: Clarkson Potter
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African Accents: Fabrics and Crafts to Decorate Your Home
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Spirit of African Design
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African Interior Design (Designpocket)
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Safari Style
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Harlem Style: Designing for the New Urban Aesthetic
ASIN: 0609605321
Release Date: 2000-10-24 |
Amazon.com
Brimming over with vibrant photography and inspiring projects, African Style sheds light on traditional textiles, colors, and materials used in a variety of African cultures and ways of adapting them to modern living. From the basic importance of paint to the fine details of accessories, author Sharne Algotsson (Spirit of African Design) and photographer George Ross have brought together a fabulous blend of creative inspiration, geographical and historical information, and easy projects that will have readers itching to add new style to their homes.
Algottson's suggestion of creating a color board when creating a new look for a room is invaluable. With a simple 11 x 17 sheet of art board, you can combine color chips and fabric scraps to achieve just the right look before making the more permanent commitment of painting the walls and buying new window coverings. Detailed explanations of color--indigo, orange, deep brown, red--will have you ready to take some risks and use those flamboyant shades in your home, while at the same time educate you on the cultural meanings behind some colors. Accompanying all these unique ideas and fascinating information are some truly stunning photographs captured with a playful eye. Ross uses a variety of unusual angles and lighting in his work that capture these glorious interiors in a fresh manner that will encourage you to beautify everything from the walls of your bedroom to the legs of your creaky old footstool. Patterns from Zulu baskets, Ewe cloth, Ashanti Adinkra symbols, and Asoke textiles are used with flair in every corner. Specific suggestions are included for recovering seat cushions, painting small pieces of furniture, and upholstering a headboard--all surprisingly simple projects that require little more than a paintbrush, a staple gun, and an artistic vision. --Jill Lightner
Book Description
"Today more and more of us are striving to bring personal meaning and beauty into our lives and homes. African style is the perfect way to express that joy in living, whether your look is formal, traditional, minimal, casual country, or eclectic," writes Sharne Algotsson in her stunning new book,
African Style: Down to the Details. Following on the success of her first book,
The Spirit of African Design, written with Denys Davis, Sharne now offers a gorgeous, hands-on guide to decorating any home with the richness of Africa.
Bursting with hundreds of full-color photographs,
African Style: Down to the Details looks at a full range of home decorating options, with chapters on Color, Paint, and Pattern; Textiles; Furniture; Accessories and Display; and The Mix, which reveals how to coordinate all the elements to create a harmonious whole. Sharne offers a number of simple, inexpensive but exciting how-to projects that can revitalize a room, such as an African-Style Padded Window Cornice, as well as dramatic before-and-after photographs of quick makeovers for chairs, tables, mantels, and more.
Written by the leading expert in the field, this book is a treasure trove of practical advice, decorating tips, and insider shortcuts for incorporating the vibrant beauty of Africa into any home, on any budget. In addition, an extensive resources section makes it easy for readers to locate hard-to-find specialty stores and suppliers of textiles, furniture, and accessories. Whether you want to redecorate your entire home or simply add a few fresh accents,
African Style: Down to the Details is a dazzling celebration of the continent's unparalleled aesthetic.
Customer Reviews:
Awesome.......2006-08-22
I was given this book as a gift...inspiration in my quest to add African design to my new home. Initially, I presumed it was a book of templates I could use in my home. Not at all! This author teaches you how to design and consistently encourages you to "interpret Africa in your own way". She expounds on the differing design styles in north, south, east and west Africa and the influences that explain the wide variety of styles. Should this author publish another home design book, I will purchase it. Guests in my home are in awe of the beautiful African designs!!!
Fresh, lively ideas for creating beautiful living spaces.......2002-03-16
I love this book and have already re-done my bedroom and study "African style". I bought this with "Spirit of African Design" and together they have given me new ideas on how to use color, fabric and paint to create beautiful living spaces. I had gotten so bored with the standard decorating ideas, and this has opened a whole new world to me. I cannot wait to do more!
African adaptability.......2001-05-22
I purchased African Style hoping it would help me decorate my Master Bathroom in an African theme. Although there is not a decorated bathroom in this book, that didn't matter. I was able to adapt all of the elements I admired into this room. Therefore , I find the book to be highly adaptable for any room in anyone's home.
The listed resources and contacts remind the reader that there is a real, tangible person on the other end who is willing to help!
in love with this book........2001-04-09
Hats off to Sharne Algotsson. I love This second book. The color palettes are breathtaking, the design ideas are easily digestble anf the text was clear and to the point. What a great book.
Beautiful and practical.......2001-03-20
Sharne Algotsson has managed the feat of writing a book that is both a coffee table book, thanks to the beautiful color palettes and G. Ross' magnificent photography, as well a a useful how-to book. This book will be attractive to anyone who would like to beautify their interior, even if they are not specifically searching for "Africanness": the color combinations are so elegant and warm, any home will benefit!
Book Description
A major, lavishly illustrated study of contemporary art being produced by the leading artists working in sub-Saharan Africa. Painters, photographers, sculptors and installation artists are represented from nineteen countries: Angola, Benin, Botswana, Cameroon, Democratic Republic of Congo, Ethiopia, Ghana, Ivory Coast, Kenya, Madagascar, Republic of Mali, Mozambique, Namibia, Nigeria, Senegal, Sierra Leone, South Africa, Tanzania and Togo. Artists include Frédéric Bruly Bouabre, Seydou Keita, Samuel Kane Kwei, Chéri Samba and Malik Sidibé, among many others. African Art Now offers a rare glimpse into the latest currents in contemporary African art, showing how artists share an awareness of both local and global cultures, thereby acknowledging the complex heritage that African artists face today. An important and compelling book that will appeal to anyone interested in contemporary art and culture.
Customer Reviews:
Africa Emerges.......2005-05-09
With the signing of the comprehensive peace treaty between the Khartoum government and the Sudanese People's Liberation Movement (SPLM) in January of 2005 - the oldest running civil war on the African continent came to an end.
It is no coincidence that Andre Magnin published this book of the Pigozzi Collection at that time. Africa Emerges from a lost decade (perhaps century) to become a far more important part of the global landscape in this millenium.
The study and understanding of African culture will be an important part of the welcoming of these nations into the world economy. The time is now.
This book is a must read for those seeking a glimpse of the future of Africa. Jean Pigozzi's vision and Andre Magnin's tireless efforts have assembled, with absolutely no doubt, the preeminent collection of African Art on the planet today. They are early - agreed, but they are on to something very important.
But don't buy the book because the work is important; buy it because it presents some of the most visually beautiful, funny and compelling artwork you have seen in a long time. I promise you this will be the most looked-at art book on your coffee table.
Customer Reviews:
An Essential Guide for World Music Lovers.......2006-06-14
Even after all these years, this book is an essential for world music lovers, from novices interested in learning more about something they just heard off the radio to seasoned music lovers interested in rounding out their collections. This encylopedic work (the first volume in the series) gives a brief survey of the different music traditions of Europe, the Middle East and Africa, divided by country, region, style or ethnicity. Each article was written by different authors, so obviously there is some variation, but they include very thorough details on the history, culture, background and style of the music, along with a sample discography at the end. Most articles include one or two profiles of famous artists from that country.
The first section, Europe, covers almost every country in Europe, as well as giving articles on the Saami people of Scandinavia, Gypsy music, regional cultures from Spain (like the Basques and Galacians), and Bhangra, the festive dance music of Britain's Punjabi diaspora! Everything you would expect is here, like Spanish flamenco, Portuguese fado, Greek rembetika, Norwegian fiddles, Scottish bagpipes, Celtic music from Ireland, Swiss alp horns, the haunting vocal music of Bulgaria and so forth. There are also quite a few surprises hidden in here too. Much of this section tends towards the folk, for obvious reasons.
The Middle Eastern chapter covers the music of Turkey, Iran, Israel, Armenia, Georgia and the Arab states (except for parts of North Africa), as well as Kurdistan and the Sephardic Jews. Theres alot of variety here, from the classical Arabic pop music of Oum Kalthoum, Fairouz and Abdel Halim Hafez, to modern Egyptian pop like Amr Diab, Natacha Atlas, and Hakim. Along the way, theres also the haunting sound of the Armenian duduk, Nubian music, Persian and Turkish classical traditions, Lebanese dabke, dervish rituals, Georgian polyphonic singing, Sephardic romances, Iranian-American pop music and Palestinean folk songs (which is great to see them acknowledge that Palestine DOES have a unique culture). This section is very good, with a very rich mix of traditions and cultures.
The biggest part of the book deals with Africa, with a very strong emphasis on regional pop music. Some countries (like Libya, Somalia and Namibia) are sadly overlooked, but all the powerhouses of African music are hero... Ethio-jazz, Algerian rai, high life from Ghana, Congolese soukous, Malagasy pop from Madagascar, Kenyan benga, South African gospel, Nigerian afrobeat, Senegalese mbalax, Moroccan gnawa, mbira music from Zimbabwe, Kabylie Berber music, east African taraab, recordings of the Pygmy people of Central Africa, Mande music of Mali... so much gets covered here, including numerous lesser known traditions (like the music of Zambia, Sierra Leone, or the Indian Ocean). Its by far the most exhaustive part of the book, full of great information, important artists and numerous CD recommendations.
Over all, its a wonderful introduction to the vast (and sometimes confusing) world music scene. The book was written in the late '90s, so some of the information is a little dated and a few REALLY great new artists or CDs aren't mentioned, but thats a minor detail. In fact, many of the CDs mentioned in the suggested listening section remain best sellers today! Theres also the occaisonal trend of focusing in on pop music or CDs more readily available in the west, but again, theres nothing wrong with this. Think of this book more as an introduction or a guide book and you'll be fine. Once you get into world music, or even just a particular culture or region, you'll be good. So check this book out and see what you like (or don't like).
Suriname has more than only tradional music.......2005-09-20
I love having both volume one and two. They have much useful information. But speaking about the Netherlands where I lived for 35 years as a professional Surinam musician: I didn't like the part about Surinam music because it was very uncomplete. The writers didn't mention the two best known Surinam bands Fra Fra sound and the Ronald Snijders band. They only mentioned traditional style groups like Carlo Jones band pretending that the others are jazz, which is ridiculous.
Every other country mentions it's musicians and bands who fusion their worldmusic with jazz, like Cuba's Irakere, Brazil's Milton Nascimento, Argentina's Piazola, South Africa's Dollard Brand and so on. But in case of Suriname they simple cut that important part away. This also happened in part two. Sad and incomplete, because the mayor part of the innovation, promotion, touring and study comes from these new style bands.
Ronald Snijders (flutist-composer, writer, drs ethnomusicolgy)
About as good as it could be in one volume.......2004-07-08
Although I wish that there was even more room to fit in all that's needed. I do notice that, for instance, there has since this volume a separate pocket-size one for Irish music, and no doubt others. I studied the areas I was most familiar with to see if any surprises emerged. A couple each time; unfortunately, these were impossible to find on cd (cassette even out-of-print in more than one instance) if you lived more than a few miles from the musician, I reckon!
This inevitable let down between supply and demand for those outside of the countries who want to hear the music does frustrate armchair listeners like me. Go to the Egyptian chapter, for example, and you'll find that most of the genre's picks are bootlegged as tapes in the market stands. Since 1999, I gather that this tendency keeps growing given filesharing and cd-burners, so I'm not quite sure how one would find much of the music on smaller regional labels today even from reputable importers.
This evolution aside and perhaps beyond RG's survey, this does whet your appetite for music. But be forewarned that much of it comes at quite a price from the net or a music store, if you're lucky enough to find what you want. The illustrations in the text, the sidebar profiles, the list of merchants appended: all these represent a labor of love and a fine reference source.
I do wish, finally, that RG had kept their guides on the Net (as it had at least with the Rock Guide in the later 1990s) so they could be updated as CDs go in and out of print.
This book RULES!!!.......2004-05-27
I love this book - it would be utterly useful to everyone except the MOST savvy World Music person with a big ol' advanced degree.
I do a radio show of Arab music (WHPK 88.5 FM in Chicago!) and consider myself an educated aficionado, and I refer to it CONSTANTLY. This is truly the current ultimate guide to World music - just great. They are righ when they say "your CD collection will GROW" It will!
The best World Music's Guide released since today.......2000-06-26
Walk inside the universe of World Music is not easy. You have the feeling to moove in a jungle of names, titles and unknown instruments. A Guide is necessary to understand and help you for orientation. This book is good for primers and experts, speaking about generes, origins, musicians and their best records. From the 1994's first edition the new release is more rich and reflects the high number of World Music records released in the last five years. I think you are in presence of the best guide you can buy today on the matter.
Books:
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
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