Book Description
The national retail apparel business has grown to a $172 billion per year industry, and the employment rate for designers is expected to outpace that of all other occupations through the year 2008. The Fashion Designer Survival Guide is a must-have for the thousands of talented designers who want to see their dream of creating an independent fashion line become a reality.
Mary Gehlhar, author, industry authority, and consultant to hundreds of designers (including newcomers Alicia Bell, Keanan Duffty, and Milly), gives readers behind-the-scenes advice and essential business information on creating and sustaining a successful career as an independent designer. The Fashion Designer Survival Guide provides the necessary tools to get a fashion line or label up and moving on the right track, including: •Start-up costs and financing •Legal issues •Business plans •Public relations and sales •Marketing and manufacturing •Distribution-trade, trunk, and runway shows
This book also provides case studies from independent designers at different stages of their careers, including tough letdowns and exciting successes. Young designers weigh-in on topics important to them when they were starting out, while several top name designers offer personal perspectives on a single question, providing a window to their world and a variety of answers.
Designers are bursting with creativity but often fall flat going into business as an independent. The Fashion Designer Survival Guide provides designers with the one thing design school didn’t-intelligent and successful business practices.
Customer Reviews:
Everything you need to know and more.......2007-06-10
This book is the most concise source of information on how to mindfully start one's own clothing line. Detailed and clear, it outlines everything one needs to know from inseption and development through financials, incorporation, press, factory relations, shows and beyond. It is, by far, the most complete resource for any aspiring designer.
A must have.......2007-06-01
I f you are starting a business this is the best book you can find.
You ll find a lot of advices that will be very helpful.
Don't waste your time or money........2007-03-20
Ok I read this book and this other book called Fashion For Profit. This author obivously does not sound like she has really worked in the garment industry. It would be very scary to start a business taking advice from this book. It kind of reminds me of that old sewing lady professor you have in home economics class trying to tell you like you are a 4 year old trying to run a company, scary stuff if you ask me. I got all I ever needed out of Fashion For Profit. That book is strictly business. It's twice as much ,but you get what you pay for. Apparently the author of Fashion for Profit has been voted numerous times in the top 10 most influential in the California Apparel Industry by the California Apparel News. Bottom line you get what you pay for.
This book is absolutely fabulous! .......2007-02-13
I would recommend this book to anyone thinking about starting their own fashion design business. It answers any and all questions and best of all it provides resources that we all need (especially if we have no one to guide us). If you're a student of course you would have the resources provided to you by the school itself, but for someone who is doing this from natural talent and ideas, it's GREAT!!!
Great!.......2007-01-19
This is a wonderful book for anyone thinking about entering into the retail business on your own. It cover the basics so you know what elements to consider before you take the plunge. Other than this book, you still need to do quite of abit of research on your own.
Book Description
Captures the unique style of fashion maverick Iris Apfel and her exuberantly idiosyncratic personal chic.
With remarkable panache and discernment, Iris Apfel combines styles, colors, textures, and patterns without regard to period, provenance, or aesthetic conventions. Now in her mid-eighties, she is a unique style icon.
Over ninety sumptuous color plates, photographed by Eric Boman, show off a selection of Apfel's extraordinary outfits on wittily posed mannequins, some sporting her trademark outsized spectacles. The originality of her style is typically revealed in her mixing of Dior haute couture with flea-market finds, Dolce & Gabbana lizard trousers with nineteenth-century ecclesiastical vestments, pink Lanvin worn with ropes of Navajo turquoise. Apfel's eclectic pieces might come from a Parisian couture house, an American thrift shop, or a North African souk, or they may have been made to her own design in a tiny studio.
Detailed captions describe every aspect of the outfits, including names and dates of designers, plus full information on fabrics and accessories. A selection of audacious accessories also comes under the spotlight: a giant necklace made of bear claws, a turn-of-the-century Indian horse ornament worn as a necklace, a parrot's-head brooch in colored glass and rhinestones.
The book includes an introduction by Harold Koda, director of the Costume Institute at the Metropolitan Museum of Art, and an essay by Apfel herself, describing her lifelong love affair with style and illustrated with vintage photographs from her personal collection. 169 illustrations, 149 in color.
Customer Reviews:
A delightful inspiration.......2007-06-11
This book reminds all its readers that true style grows from individuality. In a time were you would recognize a stylist's style easier than the style of a designer, Iris Apfel's approach to and interpretation of fashion is the light at the end of the tunnel, she certainly has nudged me into the one or the other "true to myself experiment". Iris Apfel's witty introduction perfectly accessoirizes the clothes and jewellery presented, not only poviding background information on how this exhibition came to life but also shedding light on a certainly most interesting and colorful life in a warmhearted and humorous way. This book most certainly will be a longterm occupant of my coffee table.
Need more like her!.......2007-05-22
Loved, loved this book. The comments, the photography and most importantly the crediting of designers to each style was extremely well done. This rare bird of fashion serves us notice that we should embrace our individual style and glory in it and not follow the herd or be shy about manifesting our true "feathers".
Iris Apfel, what a rare bird indeed..........2007-04-02
I was lucky enough to view the exhibit 'Iris Apfel - Rare Bird of Fashion' at the Norton Museum in Palm Beach, and what a visual treat it was... Not only is she an icon of fashion, but her style, her combinations of colors and her very different approach to the matter is something everybody should see and study. I have seen and met her in New York, she is the most terrific person!!! The book is amazing as well, great photography!!! I will always treasure this book and every time I open it, there is something else to marvel at or read about... An absolutely great source of inspiration, that simply makes you smile! One could only wish there will be other 'rare birds' to follow her lead.
Book Description
Gabrielle "Coco" Chanel (1883-1971) is a fashion icon unlike any other. She invented modern clothing for women: at the height of the Belle Époque, she stripped women of their corsets and feathers, bobbed their hair, put them in bathing suits, and sent them out to get tanned in the sun. She introduced slacks, costume jewelry, and the exquisitely comfortable suit. She made the first couture perfume-No. 5-which remains the most popular scent ever created.
In this beautiful volume, the glorious life of the incomparable Coco Chanel shines again through hundreds of illustrations and the lively prose of Edmonde Charles-Roux, her official biographer and close friend. Chanel knew and collaborated with the likes of Picasso, Diaghilev, Stravinsky, Cocteau, Jean Renoir, and Visconti-even as she matched their modernist innovations by liberating women from the prison of 19th-century fashion and introducing a whole new concept of elegance. The staggering collection of photographs amassed by the over decades of friendship with Chanel sheds new light on one of the great stories of the modern age. AUTHOR BIO: Edmonde Charles-Roux began her journalistic career at Elle and ultimately became editor-in-chief of French Vogue. She has published three novels, among them To Forget Palermo (Oublier Palerme), which won the Prix Goncourt in 1966.
Customer Reviews:
Chanel!.......2007-05-28
I paid almost full price for this book and I don't regret it. I found this coffee table book just lovely.
I am not a fashion expert. I'm just a reader interested in interesting people, so I was looking for a book on CHANEL that gave a brief background on her life and photos of Coco and some of her fashions. Well, this book seemed to fit the bill---for me. I was not disappointed.
I have enjoyed this book very much and it sits on my living room table , ----for the book to be browsed by others.
Entertaining book with mostly pictures.......2007-04-08
I was looking for a book showing photos of Chanel's clothing designs and styles. This book focuses more on her life and the celebrities and cultural/social trends of her era (spanning 1910's - 1950's), so if you are looking to see her clothing styles and designs, you will be disappointed as there isn't that much coverage of the actual clothing. However, it is a very absorbing, encyclopedic, pictorial collection of the people of Chanel's time and you can spend many a lazy Sunday afternoon thoroughly exploring les temps perdus. There are many many pictures of Coco Chanel - like Madonna, she looks different every few years, a real chameleon. It retails at $65, so the $37 Amazon price is a good deal. It is a heavy thick book with glossy pages.
Chanel and Her World.......2007-04-06
I was disappointed in the text. I guess from the title I should have expected some world history. The story line is somewhat incoherent and doesn't seem to present her life very well. I had to use the index to find a couple lines of reference to her "Boy", a romance started in the story and then dropped, only to be finished much later and with no real detail. Either Chanel was very closed mouth about a lot of her life or the author didn't know her that well. Also, there are a lot of pictures of rather irrelevant items. I wouldn't purchase it again.
Coco Chanel: The French self-made woman.......2006-06-01
From an orphanage in France to the Ritz hotel in Paris, Coco Chanel created an entire style empire that lives on. A French fasionista version of Eva Peron for the couture world. Coco remains an icon and legend.
A designer of authentic beauty.......2006-05-26
This is a substantial book in both size and pictorial content.
As an ideal complement to the Metropolitan Museum's Chanel exhibit last spring (2005), this book actually exceeds - and outlasts - the exhibit itself.
More than just an intelligent, fascinating woman, Chanel was a fascinating opportunist in the way that she manipulated and transformed the trends of her times (and many men of her times), turning them to her advantage. She was as much a businesswoman and social and cultural politician as a fashion designer, and to see her in this book's big, beautiful photographs, modeling her own creations, is an inspiration to any woman who disbelieves that humble beginnings and a less than conventionally perfect countenance can lead to high achievement.
The best photograph of all - the photograph that tells all - graces the book's cover: one look at that face of intelligence, intensity, self-composure, and elegance, and one knows what the book is all about (philosophically as well as biographically) even before opening it.
The classic Chanel endures as a legend and lesson in the achievement of authentic beauty, i.e., defined by compelling creation rather than passive, taken-for-granted standards of acceptance.
Book Description
A sumptuous retrospective of one of the greatest houses in international fashion
Balenciaga Paris traces the designer's collections year by year, from 1937 to 2006, using photos, press cuttings, sketches, and other archival material. The book explores two main periods in depth: 1937-1968, when Cristobal Balenciaga made his name during Paris's golden age of fashion; and 1996-2006, charting the dramatic revival of the House of Balenciaga under Nicolas Ghesquière, one of the most widely admired and celebrated new designers in contemporary fashion. He has co-directed the book's production with Pamela Golbin, curator at the Musée de la Mode et du Textile, Paris, who has compiled the text.
Described by Christian Dior as "the master of us all," Balenciaga's bold genius with cut, line, and fabric mark him out as one of the most daring and original designers in the world of haute couture. His virtuoso command of technique and imaginative exuberance recall his Spanish roots as well as assuring his place in the pantheon of twentieth-century style and elegance. 280 illustrations, 200 in color.
Customer Reviews:
As a history, wonderful. As an exhibition catalog, worthless........2007-09-02
As a history of Cristobal Balenciaga, the founder of the original Balenciaga house of haute couture, this volume is quite good in its informative and studied approach to the origins and success of M. Balenciaga. However, as an exhibition catalog it is, in a word, worthless. Nowhere in its 227 pages does it show any of the creations displayed in the Parisian exhibition. All associated with this publication should be ashamed for offering this as an exhibition catalog and should have paid heed to such genuine exhibition catalogs as The Philadelphia Museum of Art's 2003 Shocking! The Art and Fashion of Elsa Schiaparelli by Dilys Blum (at this juncture the absolute gold standard for Costume exhibition catalogs) or The Costume Institute's 1996 Christian Dior by Richard Martin and Harold Koda. Ms. Blum accomplishes what Balenciaga is unable to accomplish, the mix of history within the context of a present reality. By this I mean, she offers the reader a detailed, exciting read by supporting her text with specially commissioned photographic examples of the creations actually displayed at her museum during the exhibition. For me, such exhibitions are marvelous, as one is afforded to see just how certain creations have weathered the storm of time, something not afforded in the Balenciaga catalog.
Also, while I grasp the marketing reason behind this particular catalog, it should be pointed-out that Balenciaga, as it exists today, is no longer a house of haute couture, but a resurrected brand of ready-to-wear apparel. Anyone viewing the original creations of M. Balenciaga should be able to see at once, how ill-suited is Nicolas Ghesquière to be passed-off as the torch bearer of Cristobal Balenciaga. It's perfectly horrendous to view page after page of M. Balenciaga's exquisite creations to then be faced with the ugliness of M. Ghesquière's.
Historical but not enough photos.......2007-08-31
This book is good if you are interested in contemporary reviews of Balenciaga shows and information about the house and the designer. But it is not as well illustrated as I might have wished. For fashion retrospective books such as this, I want hundreds of clear color photos of garments! I am not as interested in reading about fashion as I am in looking at it. At the risk of sounding like a kid who can't read, this book has too much text and not enough pictures.
A tale of two Balenciagas.......2007-06-22
This gigantic book by Pamela Golbin (author of the excellent overview "Fashion Designers") really tells the story of two houses of Balenciaga - the original, helmed by the great Cristobal Balenciaga, and the modern-day couturier. I'm not a huge fan of the 2000's Balenciaga lines, so I won't say much about them here - though, in all truth, this book does cover modern-day Balenciaga quite thoroughly for anyone who's interested.
The real heart of the book for vintage-fashion mavens, however, is the first half of the book, detailing the work of the illustrious Senor Balenciaga. The gentleman was probably the finest designer of the "New Look" era after M. Dior himself, and worked for much longer than Dior did. He excelled particularly, in my own opinion, at lush, silken, flowing gowns, which are copiously - and beautifully - detailed here. It's all here; biographical information, design sketches, behind-the-scenes photographs, catwalk shots. If you've been having trouble finding Marie-Andree Jouve's huge (and very expensive) Balenciaga retrospective, this is a perfect way to satisfy your desires!
EXCELLENT FASHION REFERENCE.......2007-05-27
A beautiful history of the great Balenciaga. His work was wonderful.
A true artist and a fine gentlemen.
the master.......2007-05-20
My third book on Balenciaga and what a thrill it is. But if you love his work as much as me, you can never get enough. To my great relief more than half the book is on 'the master' and not the 'new guy'. Nothing nice to say about the new guy, so best not to say anything.....BUT the other....I'm a nut for fashion (lots of the great designers I like) but Balenciaga was inspired by Heaven, I think. I wish I could have been at one of his shows!
Customer Reviews:
YOU'VE GOT TO HAVE IT!!!.......2006-03-17
My teacher recommmended that I get this book and I absoulutely love it. Karen Hagen is a great illustrator and gives a variety of ideas of different mediums to use and how to coordinate them all together. This book is also great for those who don't quite know how to draw. There are step by step instructions and the illustrations are great!
Fab!!! Well worth the money!.......2006-01-18
This book is worth every penny- it is clear and concise and shows you the basics of fashion illustration.
Amazon.com
If you want your notched collars to lie smoothly like Ellen Tracy's, your pants zippers to be as invisibly fused with the inseam pocket as Giorgio Armani's, and your topstitched facings to have the impeccable look of Chanel, this is the book to have. Home sewers need and want exactly the kind of painstaking construction tips that Claire B. Shaeffer provides. She not only tells you how to add designer details such as those mentioned above, but also how to copy any garment, alter a sleeve, change seams to darts or folds (or vice versa), and make a basic pattern. This is one of the best intermediate sewing guides on the market.
Book Description
Internationally known sewing expert Claire Schaeffer reveals the secrets of high-fashion legends such as Geoffrey Beene, Ralph Lauren, Oscar de la Renta, Yves Saint Laurent, Liz Claiborne, and Calvin Klein. Claire's illustrated, step-by-step instructions let you duplicate the design details made famous in expensive ready-to-wear. Plus, Claire's timesaving patternmaking and copying methods can be used to create one-of-a-kind, original garments.
Only a few simple tools and patternmaking skills are needed to copy your favorite garments.
Customer Reviews:
I am torn on this book.......2007-09-24
It does have some great tips, and instructions on copying clothes etc. but one cannot deny that many of the "secrets" are indeed dated. For example, I can promise you that you will never need to know how to make a Double Flounce collar (page 79). Many of the designers highlighted here hit their popularity in the 80s and much of couture sewing in general (but especially couture of 20+ years ago) is just not relevent to every day style. Definitely use the "Search Inside" feature to see what I mean. Still, it is not very expensive and I believe that overall there is enough in here to warrant having it in my library.
great idea book.......2007-07-27
The book is good. The service fast. -just not exactly what I had expected for the type of book.
If you're still learning about sewing - BUY This book.......2007-03-30
There's a lot of books out thee - but if you're still learning a lot of the more advanced tricks - BUY THIS BOOK. Seriosuly - I am usually happy to get half a dozen new ideas out of a book - usually makes up for what I spend - but that is all this book is about. New Tips and Tricks.
I was estatic to see some of the coat lining techniques used in one of my Amrmani coats broken down and described so well. Its like "OH Ok - thats how its down" Its full of stuff like that.
Maybe if you've been sewing for 30+ years and have a college degree in fashion - you might know everything from cover to cover already - but if your a still new or an intermediate still learning - this book is an ideal find.
Wow!.......2007-03-17
This book packs in so many tips and techniques! The author could have written 10 books with all the material in it. This book is geared towards advanced sewing, and would be over the head of anyone looking for basic information. In addition to an unbelivable amount of information on finishing details, there is a section on pattern making. I thought this was kind of an odd subject change, but if you're doing advanced sewing, there does come a time when you just can't find what you need in a comercial pattern. I really liked this book, and would recommend it for anyone moving to the next level in sewing.
Pretty Good Stuff.......2007-03-09
This book is much more basic than Shaeffer's Couture book, and some of the style and design suggestions are a bit dated (copyright is 1997), but all basic instructions can be applied to more current and/or trendy styles and details, with just a bit of imagination and determination. Excellent construction, no matter how "now" your design may be, will always add that bit of flair, so the book is helpful in improving and adapting your sewing skills to produce garments that avoid that "home made" look.
Average customer rating:
- Madeleine Vionnet
- An excellent reference book
- Absolutely gorgeous!
- draped fashions
- Awesome Reference
|
Madeleine Vionnet
Betty Kirke
Manufacturer: Chronicle Books
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Historical Fashion in Detail: The 17th and 18th Centuries
ASIN: 0811819973 |
Amazon.com
Madeleine Vionnet's greatest distinction as a designer was her discovery of the bias cut. Cutting patterns along the bias forces the fabric to cling to the body and move with it, which created her trademark look of draped, form-conscious clothing. When designer Issey Miyake first saw a Vionnet dress, it was like the first time he saw Winged Victory at the Louvre: "I thought then that the statue of Nike had been reincarnated in the dresses by Vionnet. She had captured the most beautiful aspect of classical Greek aesthetics: the body and movement." Vionnet's long career as a dressmaker and designer began with the 20th century. Always conscious of women's bodies and inspired in part by modern dancer Isadora Duncan, she soon dispensed with corsets and other constricting garments, and used barefoot models to present her first solo collection. Though simple, her dresses were never plain; the use of a Cartier necklace as a halter strap is a classic Vionnet innovation. This inimitable combination of comfort and glamour made Vionnet's clothes a favorite among European nobility, Hollywood royalty--notably Marlene Dietrich, Gypsy Rose Lee, and Katharine Hepburn--as well as socialites and other trendsetters. Close to a century after its introduction, the bias cut remains an important element in clothing design.
Madeleine Vionnet is a tall book that echoes many of the designs inside. It is filled with contemporary photographs of the clothing, period pictures shot by Man Ray and Steichen, design sketches, and, perhaps most interestingly, patterns for the clothes. The accompanying text traces Vionnet's evolution from an 11-year-old seamstress, through her days apprenticing at the famed Callot Soeurs couture house in Paris, and on into the design empire that secured her an enduring spot in fashion history.
Book Description
Back in print at last, with a ravishing new cover, Madeleine Vionnet is "not only the best book on Vionnet, but perhaps the best book ever on a fashion designer" (Out). Madeleine Vionnet (1876–1975) was the greatest dressmaker in the world. Considered a genius for her innovations with the bias cut—the most difficult and desirable cut in clothing design—she has a fanatical following. Vionnet was a maverick, her results spectacular. She dressed the stars of the '30s, invented new pattern-making techniques, and eschewed corsets for her models. Vionnet's dresses are virtually un-copiable and highly coveted by vintage clothing collectors. Madeleine Vionnet is the definitive study of this venerated artist. Illustrated with more than 400 photographs, line drawings, and watercolors, it also includes 38 original patterns for Vionnet dresses. As the Art Deco Society of L.A.'s newsletter has said, anyone "interested in Art Deco or fashion must have this book."
Customer Reviews:
Madeleine Vionnet.......2007-08-19
This book is an absolute dream right through from the beautiful hard cover to the wonderful photographs, history and patterns. I am a Designer/Patternmaker and is the most beautiful book I have ever bought on fashion. Betty Kirke has put a lot of love and care into this treasure and any student of fashion, especially patternmaking and draping has to purchase this and learn a whole lot about bias cutting.
An excellent reference book.......2007-05-21
Madeleine Vionnet
A fascinating book on Madeleine Vionnet. Betty Kirke has plunged into the personal story, the career, but mostly the clothes, this avant garde fashion designer has made in the 20's and 30's. All young fashion designers should be grateful to Betty Kirke, the talented author of this book, who has given them the chance to study the patterns, the style, the technique of Madeleleine Vionnet.
Absolutely gorgeous!.......2007-04-13
Well worth the price. Saw this in a store and was mesmerized.Where Poiret is fun....this gal was ALL class.
draped fashions.......2007-03-16
I wanted to learn how to do this style of gowns for my fashion dolls. I saw this book on ebay go for $600 so figured it should be a good one. It has plenty of info and even the patterns for the gowns.
Awesome Reference.......2007-03-12
What a great book, excellent quality paper, production, layout, content--how wonderful that the author shared the patterns, this is a must have for any budding fashion designer.
Average customer rating:
- Good but could have been Great
- All you ever wanted to know about fashion
- Complete and beautiful guide!
- fantastic
- A mini lexicon perfect for any fashionista!
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The Fashion Book
Editors of Phaidon Press
Manufacturer: Phaidon Press
ProductGroup: Book
Binding: Hardcover
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ASIN: 071483808X |
Amazon.com
James Abbe, a 1920s fashion photographer, and Zoran, the designer whose simple, monochromatic clothes were extremely popular in the 1970s, anchor the 500 entries in this massive encyclopedia of fashion. Each designer, photographer, model, or icon gets a page with a large photo and informative but short caption. This has the wonderful effect of weighting each entry equally, thereby devoting the same amount of space to Charles Revson, creator of the Revlon cosmetics empire and relative makeup newcomer François Nars, pioneering clothing designer Mariano Fortuny and contemporary favorite Tom Ford.
Clearly, a good set of eyes edited this book. It's a tall order to choose just one image to define the many facets of a designer, model, or photographer. The choices made here are excellent and often surprising. The indomitable Coco Chanel demonstrates the ease of movement her designs afforded women by briskly swinging her arm out to one side, while Kate Moss is shown at the height of her waifdom, likely the mode in which she will best be remembered. Model Linda Evangelista is pictured with curly locks of hair. It's obvious, too, that the editors employed the haphazard juxtaposition created by the alphabetical organization. Facing entries, no matter how seemingly incongruous, are united by a visual theme, to spectacular effect. The ovals made by the either screaming or yawning mouths of Kurt Cobain and his infant daughter are mirrored in a 1937 Jean Cocteau illustration of an Elsa Schiaparelli design. A model in a 1930s outfit by John-Frederics faces a portrait of post-punk design queen Betsey Johnson, whose floral outfit echoes the flowery silhouette behind the model. A troika of Robert Lee Morris bracelets matches the arcs of a bombed-out London building in a 1941 Beaton photo of a Digby Morton design. The vibrant prints of Emilio Pucci and Lilly Pulitzer fall together naturally.
The reams of fabulous images and the inventive design alone make The Fashion Book a treat at any cost, but the low price-to-size ratio (like its cousins The Art Book and The Photography Book) makes it a real steal.
Book Description
James Abbe, a 1920s fashion photographer, and Zoran, the designer whose simple, monochromatic clothes were extremely popular in the 1970s, anchor the 500 entries in this massive encyclopedia of fashion. Each designer, photographer, model, or icon gets a page with a large photo and informative but short caption. This has the wonderful effect of weighting each entry equally, thereby devoting the same amount of space to Charles Revson, creator of the Revlon cosmetics empire and relative makeup newcomer Franois Nars, pioneering clothing designer Mariano Fortuny and contemporary favorite Tom Ford. Clearly, a good set of eyes edited this book. It's a tall order to choose just one image to define the many facets of a designer, model, or photographer. The choices made here are excellent and often surprising. The indomitable Coco Chanel demonstrates the ease of movement her designs afforded women by briskly swinging her arm out to one side, while Kate Moss is shown at the height of her waifdom, likely the mode in which she will best be remembered. Model Linda Evangelista is pictured with curly locks of hair. It's obvious, too, that the editors employed the haphazard juxtaposition created by the alphabetical organization. Facing entries, no matter how seemingly incongruous, are united by a visual theme, to spectacular effect.The ovals made by the either screaming or yawning mouths of Kurt Cobain and his infant daughter are mirrored in a 1937 Jean Cocteau illustration of an Elsa Schiaparelli design. A model in a 1930s outfit by John-Frederics faces a portrait of post-punk design queen Betsey Johnson, whose floral outfit echoes the flowery silhouette behind the model. A troika of Robert Lee Morris bracelets matches the arcs of a bombed-out London building in a 1941 Beaton photo of a Digby Morton design. The vibrant prints of Emilio Pucci and Lilly Pulitzer fall together naturally.The reams of fabulous images and the inventive design alone make The Fashion Book a treat at any cost, but the low price-to-size ratio (like its cousins The Art Book and The Photography Book) makes it a real steal.
Customer Reviews:
Good but could have been Great.......2007-07-09
I bough the mini-edition of the Fashion book,it's really small and compact although in relation to the size it has, it's quite complete and worth the money.
There is a small description per page of an icon,photographer, editor, designer etc., with some interesting facts or quotations made by /or on behalf of them.
However as said by other reviewers as some pictures are really nice and accurate, like Burberry's, Coco Chanel and Pierre Cardin some other pictures(leaving beside quality of image) were not representative enough of the work or the personality of who was being highlighted, like Dolce & Gabbana`s., which picture of a leopard dress looks more like a Roberto Cavalli's design or Iman which is portrayed in black and white which makes her look more like a pale geisha than the ebony-black beauty she is.
Misses as well some of my favorite icons (Just to name a few):
Anna Wintour Editor of Vogue Magazine.
Old Hollywood's Icons (Cary Grant, Fred Astaire)
Designers like Liz Claiborne, Roberto Cavalli
Patricia Fields Sex & city Stylist genius.
Present Pop Culture influences (Kylie Minogue)
Gianni Versace is on the book but Donatella is just ignored.
It would have been a five star book if they and some others have been included as well.
All you ever wanted to know about fashion.......2007-06-13
The Fashion Book is a first-class encyclopedia on fashion as a whole. The cross-references going with each entry make this book an even more entertaining and fascinating source of information as it reveals the entity fashion from different perspectives.
Complete and beautiful guide!.......2007-05-24
This book is a must have as a reference book. It has all the important names in fashion industry and a great editorial design that makes it hard to put it down. Although the size is a little bit tiring ("mini edition"...mmm, kind of says it all!), the pictures couldn't been better.
fantastic.......2006-11-08
This is a flawless example of beautiful, mesmeric art. Not only does this book capture the ongoing development of fashion through the years, it presents the designers, photographers, makeup artists, and even fashion retailers who made these pieces come to life. Phaidon has always impressed me with the quality of their books, along with the meticulousness they put into choosing the perfect photos for their final product.
A mini lexicon perfect for any fashionista!.......2006-01-10
This is a great referance book for anyone who loves fashion. It's an A-Z book of designers, illustrators, icons, photographers etc. Just about everyone is in here. This is a great book, because it's very inexpensive, small and great because you can look up just about anyone you would like. There are great pictures, and great informative blurbs, including birth and death dates and information about just what made the person so influential. If you love fashion/ fashion history, go out and get this book!
Book Description
The rags-to-riches story of Coco Chanel plays out in a wonderful picture-book biography as full of style and spirit as its heroine.
Gabrielle "Coco" Chanel was always different. And she vowed to prove that being different was an advantage! Poor, skinny, and orphaned, Coco stubbornly believed that she was as good as the wealthier girls of Paris. Tapping into her creativity and her sewing skills, she began making clothes that suited her (and her pocketbook) — and soon a new generation of independent working women craved her sleek, comfortable, and practical designs. Now an icon of fashion and culture, Coco Chanel continues to inspire young readers, showing just how far a person can come with spunk, determination, and flair.
Customer Reviews:
REVELING IN CORSET-LESS CHIC .......2007-05-08
As Maurice Chevalier sang, "Thank Heaven for little girls" . . . at least we can thank Heaven for one who grew up with an independent spirit, and an imagination for corset-Less chic. Coco Chanel (1883-1971) said "In order to be irreplaceable, one must always be different." The book's end papers reproduce other quotations from this fashion icon, including "Fashion is made to become unfashionable!"
Elizabeth Matthews has written a perfect Springtime fancy, and the pen & ink illustrations are every bit as lively, just right for introducing children & their very willing parents to a story about the little girl Coco who overcame her tough childhood with sewing skills learned in a Catholic orphanage. She could hold her own with snobby students of privilege and learned much by watching her peers. She later hung fabric on mannequin forms and basted in her relaxed styles which brought her fashion immortality.
The author, who graduated from the prestigious Rhode Island School of Design, chose Chanel as her somewhat innovative subject for children's picture books. Matthews is sure to have studied much about Coco Chanel and her clever "inventions" of the cartigan suit, and in 1926 "the little black dress." Reviewer mcHaiku isn't quite as old as the famed Chanel No. 5; it contained more than 80 ingredients, a new fact about 'parfum' for this reader. Chanel epitomizes a certain fortitude & determination that we hope young readers will try to replicate.
Perhaps they will remember another of her sayings: "INNOVATION! One cannot be forever innovating. I want to create CLASSICS."
Applause! Applause!.......2007-03-23
Children's non-fiction books have come a long way, not just in style but in subject matter. How great that Candlewick saw fit to publish a picture book biography of, astonishingly, someone the average child is probably unfamiliar with -- a woman who died long before the child was born, from a country not much studied in grade schools, representing a profession hardly mentioned at all: fashion designer. But Elizabeth Matthews, through text and pictures, has made Coco Chanel someone little girls (and open-minded little boys?) can identify with. Chanel's story is a literal rags-to-riches tale, and Matthews' enchanting art work captures her heroine's style and joie de vivre (not to mention chutzpah, to mix linguistic tags) beautifully. The cover image itself could be posted on a little girl's bedroom wall. And underneath, perhaps, the words "Dare to be Different. Like Coco."
CHARMINGLY ILLUSTRATED STORY OF THE FAMED COURTIER'S LIFE.......2007-02-28
First time children's book author/illustrator Elizabeth Matthews could haven't chosen a better subject than Coco Chanel. A graduate of the Rhode Island School of Design Matthews obviously has an appreciation of Chanel's numerous contributions and reflects that feeling in this charmingly illustrated story of the famed courtier's life.
Orphaned at the age of 12, Chanel and her two sisters were relegated to an orphanage. It was a mixed blessing because it was there that Chanel learned to sew. She had a lively imagination and often dreamed of being with a family again and being accepted by a society that now ignored her because she had no position, no funds.
Later, at the age of 18 she was dispatched as a charity case to Notre Dame, a finishing school. There the difference between rich and poor was more marked than ever so Chanel learned how to emulate the wealthy - she studied their manners, and the way they walked.
Upon leaving Notre Dame Chanel found work at a tailoring shop. Even then she was determined to better herself. Obviously, she couldn't afford to dress the way the rich women did, the ones she wanted to accept her. So, she made a life altering decision - she would deliberately be different. She made her own dresses, very unlike the corseted gowns the wealthy ladies wore. She carried this off with style and a touch of arrogance.
When a wealthy young man fell in love with her he bought her a small shop in Paris - the rest is fashion history.
"Different Like Coco" is not only an entertaining story for young readers but is also an example of how someone can "embrace their uniqueness and dream big."
- Gail Cooke
Wonderful.......2007-02-23
This is an adorable book for any little girl or boy who loves fashion. A great story with wonderful illustrations!
Book Description
Working quietly and without much public attention for more than 20 years, American fashion designer Ralph Rucci suddenly became a headline topic in 2002, when he was invited to show his collection at the haute couture in Paris—the first American to receive such an invitation since Mainbocher in the 1930s. This sumptuously illustrated book is the first to explore in depth Rucci’s life and work, including the inspirations behind the extraordinarily beautiful and very expensive clothes he creates.
The contributors to the volume explore many aspects of Rucci’s genius and emergence as a master in the fashion world. Valerie Steele places his life and work in the context of modern fashion history and discusses his connections with such figures as Balenciaga and Halston. Patricia Mears closely examines the garments he designs, reveals what makes them so special, and considers influences on his work. Clare Sauro describes Rucci’s accessories, which complete the aesthetic vision that his fashions embody. The book is enriched with more than 100 photographs that include runway images, fashion shots of Rucci’s clients, Chado Ralph Rucci garments from the collection of The Museum at the Fashion Institute of Technology and from his own archives, as well as various inspirational objects and fashions.
Customer Reviews:
Ralph Rucci.......2007-07-27
Terrific. I've bought his clothes for years and love his timeless works. Looks as if he has been discovered which is great for him and costly for me.
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