Average customer rating:
- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
- History as Science Fiction
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History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
ProductGroup: Book
Binding: Paperback
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ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Book Description
Best-selling author Alice Starmore combines style, practicality, and the mystery of the Celtic spirit in this gorgeous collection of knitwear designs.
Customer Reviews:
So many Sweaters, So Little Time.......2007-09-30
Alice Starmore is truly a design genius. Don't be fooled by the visual complexity and subtlety of these designs. With few exception, they are all knit with two strands of yarn at a time. She uses between 6 and 20+ various shades in various color palettes and makes tapestry rich sweaters a knockout. Follow her color recommendations or design your own, you won't be disappointed in the results. Stranded on a desert island, I would take this book, my needles and a boatload of yarn!
Knit something glorious.......2007-04-25
I actually have two copies of this book. The first was purchased more than 15 years ago, and is a much loved / slightly tattered hardcover. I recently received the paperback version as a gift to replace my much-used original.
I love patterns that have either lots of colorwork, or lots of texture. This is why I learned to knit in the first place. This book is heavily skewed towards color work. I have been making the sweaters from this book for various relatives for many years, and am currently working on a sweater full of celtic creatures for my daughter. You can also transpose some of the designs, such as the entwined dragons from the back of a child's sweater onto other projects as long as you keep the stitches even on either side.
If you look at the guages, you can substitute available yarns for the yarns listed in the book. Consider the colors and yarn selections in the photographs as "suggestions" and you will free yourself to make some personalized choices.
Warning: In the years since this book was published, some of the patterns have become dated. This is mostly due to the shape of the sweaters and ever changing fashion trends.
Have I mentioned that I love this book? I can't imagine not having it to reach for when the urge to knit something glorious strikes.
Beautiful book -- buy it while you can!.......2007-02-26
This is my first Alice Starmore book. I heard about her on a knitting forum site. I believe this is the only Alice Starmore book that is still in print. It is a lovely book and lives up to the high expectations raised about Alice Starmore designs on the knitting site. The beautiful sweaters are photographed on models in breathtaking natural scenery. It's a knitting book and travel book under one cover.
Her designs are based on traditional motifs seen on Irish jewelry and in illustrations in old Irish manuscripts. The colors are either beautifully subtle or strikingly bold.
I have found out why this is the only one of her books in print. There is a controversy surrounding Alice and her daughter Jade (which I will not attempt to explain) which explains why her other books will probably never be reprinted and no new books of knitting designs will be written by her. So buy this beautiful Alice Starmore book for a great price from Amazon while you still can!
A visual feast!.......2006-03-24
I got this book on a whim, not knowing much about what patterns I'd find within. When it arrived in the mail, I pored over all the beautiful things inside and then brought it to my knitting class that night. My knitting friends are all jealous and have found patterns they want to make too - but the work is pretty advanced. There are some lovely color patterns, some cable ones - just gorgeous - but not for the faint of heart. I like that there are some for children as well. The photos are stunningly beautiful and I know I'll get a lot of use out of this book.
A very good Alice Starmore book still in print.......2006-03-21
Alice Starmore is a very artistic and creative designer. Her out of print titles go for prices of $100-$700 on ebay, so order ths one while it is in print! Beatiful pictures and sweater designs with many shaded colors.
Product Description
`History: Fiction or Science? Chronology 2` is the second volume of the most explosive and astounding tractate on history ever written - however, every theory it contains, no matter how unorthodox, is backed by rock solid scientific data. The book is easy and pleasant to read; it is well-illustrated, contains hundreds of charts, graphs and illustrations, copies of ancient manuscripts, and countless facts attesting to the falsity of the chronology used nowadays. You will be amazed to discover: - That the chronology universally accepted today and taken for granted is simply wrong; - That ALL methods of dating of ancient sources and artefacts known today are erroneous or non-exact; - That there is not a single document that could be reliably dated earlier than the XIth century; The Author refers to the Middle Ages as the Antiquity and proves mutual superimposition of the Second and the Third Roman Empire, both of which become identified as the respective kingdoms of Israel and Judah. Furthermore, he asserts that the famous reform of the Occidental Church in the XI century by Pope Gregory Hildebrand was the reflection of the XII century reforms of Byzantine emperor Andronicus who in his turn identifies with Jesus Christ. The Trojan war counted by Homer happened only as late as of the XIII century A.D. and the great poet actually lived in XIV century A.D. No stone in history of Antiquity is left unturned. Literally. This book is the beginning of a major correction to the chronology we live with.
Customer Reviews:
Check and see.......2007-06-21
I don't care what other people say of this book. Those affirmig it's fake, they hadn't ever read it. Or have some special reasons to do so. "Living is easy with eyes closed, misunderstanding all you see..." This book won't make you feel comfortable. It'll make you feel free. It'll make you feel you're "not the only one" to feel you'd been lied to for centuries.
Suprise! Suprise!.......2007-03-22
Here is a serie of books which turns "the whole world" upside down. I learned a lot of it and I hope that a new book from A.T. Fomenko will follow very quick. A absolute must for everybody who is interested in history or even a little bit from it.
Prescient St Augustine?.......2006-02-05
We can so far divide the New Chronology into the following three parts:
a) The verifiable theory that proves consensual chronology wrong with the aid of astronomy, statistics and mathematics;
b) The new chronology hypothesis based on a new understanding of known historical facts and the most likely logical explanation of the most obvious inconsistencies inherent in the official version of history;
c) The history conjectures, that is experimental historical reconstructions based on assumptions that the authors believe to make sense in the light of their research and linguistic parallels - void of ironclad factual support to date.
Fomenko's theory complies with the most rigid scientific standards as a whole:
It gives a coherent explanation of what we already know.
- It is consistent: independent lines of inquiry all lead to the same conclusion.
- The predictions it makes are confirmed empirically.
Fomenko goes by the following axioms:
- Chronology is the basis of history;
- Human evolution has always been linear, gradual and irreversible;
- The "cyclic" nature of human civilization is a myth, likewise all the gaps, duplicates, "dark ages" and "renaissances" that we know from consensual history;
- The accumulation of geographical knowledge as reflected in cartography is a gradual and irreversible process;
- The chronological distance between a given manuscript and the events described therein is proportional to the amount of distortions it contains;
- There is no "useless" information in authentic ancient sources.
Why the mainstream historians do not shower mathematician Academician Dr.Prof Fomenko with thanks and laurels?
The Russians:
Because Fomenko asserts that there was no such thing as the Tartar and Mongol invasion followed by three centuries of slavery, providing a formidable body of documental evidence to prove his assertion. The so-called "Tartars and Mongols" were the actual ancestors of the modern Russians, living in a bilingual state with Arabic spoken as freely as Russian. The ancient Russian state was governed by a double structure of civil and military authorities. The hordes were actually professional armies with a tradition of lifelong conscription (the recruitment being the so-called "blood tax"). Their "invasions" were punitive operations against the regions that attempted tax evasion. Fomenko proves that Russian history as we know it today is a blatant forgery concocted by a host of German scientists brought to Russia by the usurper dynasty of the Romanovs, whose ascension to the throne was the result of coup d'état, charged with the mission of making their reign look legitimate. Fomenko proves Ivan the Terrible to be a collation of four rulers, no less. They represented the two rival dynasties - the legitimate rulers and the ambitious upstarts. The winner took it all! Over some 30 years of controversy, Russian historians have made a most remarkable transition - they were initially accusing the young mathematician Fomenko of anticommunist dissident activity and attempts to deface the historical legacy of Soviet Russia; nowadays the middle-aged mathematician is accused of adhering to "pro-communist Russian nationalism" and defacing the proud historical legacy of Great Russia.
The Westerners:
Because Fomenko blows consensual Russian history to smithereens, successfully removing a crucial cornerstone from underneath the otherwise impeccable edifice of World History. Fomenko adds insult to injury, wiping out one by one the Ancient Rome (the foundation of Rome in Italy is dated to the XIV century A. D.), the Ancient Greece and its numerous poleis, which he identifies as the mediaeval crusader settlements on the territory of Greece, and the Ancient Egypt (the pyramids of Giza become dated to the XI-XV century A. D. and identified as the royal cemetery of the Global "Mongolian" Empire, no less). The civilization of the Ancient Egypt is irrefutably dated to the XII-XV century A. D. with the aid of the ancient Egyptian horoscopes cut in stone. He was the first one to decipher and date all such horoscopes, coming up with mediaeval dates in every case. English historians rage at the suggestion that the history of Ancient England was de facto a Byzantine import transplanted to the English soil by the fugitive Byzantine nobility. To reward the English historians who consider themselves the true scribes of World History, the cover of the present book portrays Tintoretto's Jesus Christ crucified on the Big Ben.
The Chinese:
Because Fomenko wipes out the Ancient History of China outright. No such thing. Full point. The compilation of the so-called Ancient Chinese History is reliably datable to the XVII-XVIII century only. It is perfectly recognizable as the Ancient European history, reworked and transcribed in hieroglyphs as yet another historical transplantation, this time performed on the Chinese soil by the loving Jesuit hands. The Chinese are the next in line to go berserk. Chinese history is inevitably bound to get both more ancient and more eventful, proportionally to the growing involvement of China in the world affairs. Chinese historians will keep on finding valid proof of prehistoric Chinese spaceflights until the Politburo orders them to shut up.
The Arabs:
Too bad. Islam with all its key figures is datable to XV-XVI century A. D. Arabic historians may find consolation in the crucial historical role of the Ottoman Empire in the XVI-XVII century. The trouble is that this empire was initially a Christian state, with Hagia Sophia identifiable as Temple of Solomon, according to Fomenko! We can only guess if the acquisition of Alexander the Great (a Macedonian and a Christian) as the founder of the Muslim World Empire will make Fomenko's theories more acceptable to the Arabic mainstream. He certainly does not spare any holy cows at all, claiming The Stone of Qa'Aba in Mecca to contain the lost Arch of the Covenant.
The Divinity:
Despite of reiterated statement that his theory is all about chronology and not Religion, Fomenko stirs up a whole condominium of wasp nests. His collection of anathemas, fatwa, and other condemnations from all parties concerned is already considerable. Little wonder, considering that the history of religions à la Fomenko looks as follows: the pre-Christian period (before the XI century and JC), Bacchic Christianity (XI-XII century, before and after JC), JC Christianity (XII-XVI century) and its subsequent mutations into Orthodox Christianity, the Catholicism, Islam, Buddhism, and so on.
According to Fomenko we know strictly NOTHING about the events that predate the X century A. D.
St Augustin was prescient when he spoke unto us: "be wary of mathematicians, particularly when they speak the truth."
Something of a disappointment.......2005-09-09
After having read the first volume of this expected series of 7 volumes I was triggered by the thesis of these authors that ancient Greek and Roman history did in fact take place in the Middle Ages. So I started studying medieval history of the Middle East - also known as Islamic history - to find out if the opponents of the ancient Greeks and Romans - the Acheamenid Persians, Sassanids, Scythians, Egyptians, etc. - also have their duplicates in medieval history. My search was disappointing: none of the many medieval Islamic dynasties seemed to correspond to the ancient middle eastern rulers.
However, I did find a close correspondence between Herodotus' Persian kings and medieval events:
- the defeat and capture of an Anatolian king - the Lydian Croesus - by the Persian conqueror Cyrus is identical to the defeat and capture of another Anatolian king - sultan Bayezid - by the Asian/Mongol conqueror Tamerlane;
- the Persian conquest of Egypt by the cruel tyrant Cambyses reds almost exactly as the Ottoman conquest of Egypt by Selim the Grim (note the nickname!);
- Darius the Lawgiver of the Persian Empire looks very much alike to Sulayman the Magnificent, the Lawgiver in Islamic history;
- Xerxes, whose main claim to fame is to be defeated by the Greeks at the naval battle of Salamis, looks like Selim II (the Sot) whose main claim to fame is to be defeated by a Spanish-Italian alliance at the naval battle of Lepanto.
I should have expected Fomenko et al. to arrive at similar conclusions, however, they claim that the Persian kings are the alter egos of the Angevin kings of Sicily whose biographies do not contain the exploits of the Persian kings.
The similiarities I indicate lead to the conclusion that Herodotus must have written his Histories at the close of the 16th century. But this is extremely late, given that Herodotus is "the Father of History", so therefore all other "ancient" histories must have been fabricated even later. Yet, the founders of modern chronology - Scaliger and Petavius - laid their foundations also at the close of the 16th century and had the full corpus of ancient histories already at their disposal.
It seems to me that Fomenko has to address these inconsistencies, maybe in the forthcoming 5 volumes?
Another critique of their book is that the correspondencies between different rulers are often based on a superficial comparison of the biographies; upon a more thorough comparison many details appear that do not correspond at all.
Finally, the authors rely heavily on the works of Gregorovius (1821-1891!!) - his medieval histories of Rome and Athens - as the source of medieval history; these works are - at least in the West - hoplessly outdated and have been superceded by more up-to-date works (for instance, Julius Norwich's trilogy on Byzantine history is not even cited).
Romulus courts Helen, Paris founds Rome, Moses goes to Troy.........2005-07-30
If you agree with Fomenko that Roman chronology is basically the foundation of the entire edifice of global chronology; you would also certainly agree that despite its numerous gaps and inconsistencies, Roman history is the best-documented field of ancient history, and thus a reference scale. But how well is the actual date of the Eternal City's foundation known?
Firstly, Rome is supposed to have been founded by the Trojans who had to flee after the fall of Troy. Some claim Rome to have been founded by Aeneas and Ulysses shortly after Troy had fallen; others are of the opinion that there was an entire dynasty that ruled for 500 years between the fall of Troy and the foundation of Rome.
Well, that's just an innocent 500 years long misunderstanding compared with what heretic Fomenko says, asserts, proves in his second volume: Second Roman Empire, Third Roman Empire, Biblical Kingdom of Israel, Biblical Kingdom of Judah, Holy Roman Empire are stories about basically same events, written from different points of view at different times. The underlying events have actually taken place during xii-xv cy. These histories have been written and perfected by multitude of highly talented humanist and clerical writers of xiii-xvi cy disguised as "ancients" with glorious names like Homer, Pluto, Thucydides etc..Chronology 2.0 beta..
Historians are kindly invited to report the bugs.
Book Description
Scottish and Irish designs have long been a rich source of inspiration for knitters. Beautiful earthy colors and styles that range from simple chunky sweaters to intri-cate Fair Isles offer endless ideas. Now, in this marvelous new collection, leading knitwear designer Debbie Bliss presents more than 25 original Celtic-inspired de-signs for the entire family. For adults, there are rugged fishermen's sweaters, car-digans in delicate hues of heather and moss, a cabled tweed jacket, and a luxurious cashmere wrap. For infants and children, the adorable designs include Fair Isle jackets, socks, berets, and throws and a lace-and-cable sweater. With every de-sign illustrated in atmospheric color photos, Celtic Knits is another welcome addi-tion to the Debbie Bliss knitwear series. Debbie Bliss, who now designs clothing for Baby Gap, is the author of many successful books, including How to Knit, Great Knits for Kids, Family Knits, Bright Knits for Kids, and Classic Knits for Kids.
Customer Reviews:
not inspirational.......2002-04-30
This book is geared more towards the beginner, as the variety and patterns in this book are not really inspirational to more experienced knitters. This is quite a let down of a book, although there are a few pieces I may someday knit.
Celtic? Nah.......2002-01-08
What a lovely book this is, full of happy blond children lavishly photographed amidst charmingly rustic settings. However, the knitwear they're modeling, although clean-lined and attractive, isn't "Celtic" at all. Yes, there is one Aran-ish tunic in the collection, but unless you are a thirteen-year-old, it won't fit you. A terrific disappointment!
A Little Bland.......2001-09-17
As is true for all of Debbie Bliss' books, Celtic Knits contains beautiful photos and an attractive, accessible layout. Celtic Knits has a pretty good variety of patterns - mostly adults, but also a few child and baby patterns. Be warned, however, that the women's patterns seem to run on the small side; you might have to adapt if you want to make other sizes.
Unfortunately, many of the patterns seem either (a) like a great many other patterns you've seen lately, or (b) nice, but not particularly Celtic. I think the theory is that the colors used in the designs are supposed to have a Celtic 'mood,' but I just don't see it. Debbie Bliss' usual creative spark seems somewhat absent from this book.
The one pattern that really stands out is the Aran long-line tunic. This sweater, to me, at least, strikes a charming balance between traditional Aran knitting and a contemporary feel. The color, a sort of mauve-y rose, and the long shaping combine for a feminine, cuddly appeal.
With few other exceptions, the rest of the designs are unremarkable, if elegant and beautifully made. They would be perfectly at home under any title other than Celtic Knits. In sum, if you're looking for unique Aran and Fair Isle designs, there are better resources out there (e.g., Alice Starmore).
Again, a beautiful book from Debbie Bliss........2000-10-28
I keep reviewing books by Debbie Bliss. And I find myself saying the same things over and over. This book is no exception. The pictures are just lovely. Debbie Bliss's knitting books can serve as coffee table books for knitters. The layout is just delightful to look at. The patterns are for classic items that can be worn for years. However, having yet to knit anything from this particular book, I can't say anything about the difficulty of the patterns themselves. I would expect that they are similar to other books by this author. I generally make sure that I go over a Debbie Bliss pattern more than once before I start knitting. Often, having an experienced knitter look at it can be useful as well. However, whether you are a novice or an experienced knitter, you will enjoy looking at this book, even if you never knit from it. We have watched Debbie Bliss's kids grow up in the pages of her books--they are two of her models for the clothing found in this book again. Which brings me to one of the other joys of a Debbie Bliss book. The knitted items are pictured being worn by real people, not fashion models. I think it really helps you to picture the finished item on a normal person in a normal pose. Not a model posed to make the sweater look as nice as possible, while the person wearing it is contorted into some very funny stance!
Mainly for adults, less creative than her children's books.......2000-04-28
Bliss' book contains more sweater patterns for adults than for children. The children's sweaters lack the charm of Bliss' childrens books, which are fantastic, so if you are searching for a child's pattern, look at her other books -- particularly her books that contain Aran designs, which are quite unique and simple to knit, although all her children's books are equally wonderful. As far as designs for adults in Celtic Knits, I was both pleased and disappointed. The designs are nice and some are fairly simple to knit. One of the pullover Arans is actually quite splendid. But on the whole they aren't as Celtic as I'd expected -- there are a few fair isles (for children) that are rather plain in comparison to other Bliss designs. The sweaters on the whole are less Celtic and more English -- more like reading a Rowan knitting magazine, so they are very nice but not what you might expect. Also, if you are expecting these to be more or less adult versions of her children's designs, you'll also be disappointed. Bliss' style for adults is much less intricate and unique. The book itself is of high quality. The patterns are very detailed, although diagrams and measurements are missing, which makes it more difficult to be certain you are knitting to size or to adjust your gauge (I wish publishers would realize this -- they are giving those of us who rely on measurements user-unfriendly books). Photos of the sweaters, like in many of Bliss' books, are over-posed -- you see a stylish photo of the model and the background, but have very little chance of actually seeing what the sweater really looks like, and if you knit like I do, detailed instructions don't always reproduce what you see in the photo, so I at least would like to have had better pictures so I could knit directly from them and not struggle with the instructions. Bliss uses a variety of yarns, from Jaeger or Rowan: wool, cotton, and chenille. Thus there is something here for all seasons. She also includes a few men's sweaters. Despite some drawbacks, this is a nice addition to a knitter's library -- a quality book with a variety of sweater designs to satisfy any taste. If you are new to Bliss' designs, please do look into her children's books. I purchased Classic Knits for Kids first and fell in love with them, and they can be resized for adults with some effort -- but it's worth it. Bliss is one of the best British designers -- attractive, durable, and charming sweaters.
Average customer rating:
- Not just a bunch of patterns
- Create your own original Celtic knotwork design
- The queen of hearts....
- Detailed and Easy to follow
- Excellent Beginner's Book
|
Celtic Knotwork Designs
Sheila Sturrock
Manufacturer: Sterling
ProductGroup: Book
Binding: Paperback
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101 Celtic Knotwork Designs (101 Celtic)
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Celtic Art: The Methods of Construction
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Draw Your Own Celtic Designs
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Celtic (Crafter's Design Library)
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159 Celtic Designs (Dover Pictorial Archive Series)
ASIN: 1861080409 |
Book Description
“Sturrock shows the step-by-step process....Color renderings and good contrast in layout make this easier to use than other books on knotwork....A separate chapter shows examples of Celtic knot designs used in crafts such as needlework or ceramics.”—Library Journal. “An ingeniously simple technique that breaks down the steps into a series of curves and lines; you can make the most intricate and mysterious designs.”—Irish American News.
Customer Reviews:
Not just a bunch of patterns.......2007-03-09
This book is an excellent tool for learning how to create original designs. It leads the reader through the knotwork process step-by-step instead of giving a collection of knotwork designs for the reader to copy. I was most impressed by one of the final sections, which describes and illustrates how to embellish your knotwork designs with zoomorphics, or animal shapes integrated into the design.
Create your own original Celtic knotwork design.......2003-06-10
This book is for people who would like to be able to design Celtic knotwork for quilling, parchment craft, woodcarving, painting, counted cross-stitch, or needlepoint (to name a few examples). It allows you to design beautiful frames, invitations, carved boxes, greeting cards, pillows--let your imagination run wild! I used this book to design watercolor frames.
The author divided up her chapters according to the knotwork design's basic construction unit, e.g. small loops, hearts, fish, corner motifs, etc. There is also a chapter on "Creating Your Own Designs" and one on "Using Knotwork Designs in Other Crafts."
All of the illustrated patterns are based on angles of 45, 90, and 180 degrees and are plotted on a dotted grid, which makes them fairly easy to resize and replicate on graph paper. All you need in addition to the graph paper is a pencil and the ability to find a quiet spot and concentrate on your design.
The many colored illustrations are beautiful, and the knotwork diagrams are easy to follow if you give them the attention they deserve! The author has also written a handbook on Celtic knotwork, and one entitled "Celtic Spirals and Other Designs."
The queen of hearts...........2002-07-20
CELTIC KNOTWORK DESIGNS by Sheila Sturrock is a nifty little book. As complex as the Celtic knots appear, it all comes down to this, they can be reduced to curved and straight lines, the most important combination being the "small hearts". Sturrock says there are four basic hearts and she provides examples of each displayed against a grid. Almost anyone can create the grid as it consists of lines of dots applied with a ruler. These dots are then used as the basis for organizing the hearts, parts of hearts and straight lines that makeup the most complex design. The only other thing you need to study are the anima elements in the zoomorphic designs that also are based on hearts, parts of hearts and lines.
One needs the following for making Celtic knotwork: the materials listed by Sturrock, patience, imagination. Not everyone may be a gifted needleworker, but those willing to work at it will be able to master this straightforward art. I am using this book to instruct young girls.
Detailed and Easy to follow.......2002-07-16
If you want to learn to draw Celtic knotwork, you need this book. It explains in detail and excellently detailed color diagrams how to plot the points for many different kinds of knotwork. From simple two-strand braids all the way up to interwoven animals, it is simply gorgeous and comeletely easy to understand. I can barely draw a straight line, yet I can use this book to create intricate designs for t-shirts, jewelry, embroidery and more. I've even had a couple friends who are tattoo artists borrow it to improve their techniques.
Excellent Beginner's Book.......2001-10-25
After wrestling with the venerable George Bain, I turned to this book to get a handle on Celtic knotwork. Sheila Sturrock breaks down the framework of knots into simple, basic shapes, allowing the reader to start making decorative knots within minutes of picking up the book. It proved to be a good starting point for me.
Book Description
Appealing collection of 65 easy-to-apply iron-on transfer patterns featuring finely balanced Celtic designs that range from simple fretwork to elaborate wreaths, plus borders and frames that imaginatively incorporate animals and plants. Apply to any flat surface that absorbs ink. Easy-to-follow instructions are included.
Customer Reviews:
Great for crafters and sewers who love to embellish!.......1998-12-29
The designs in the book are all easy-to-see, and it progresses through the book from simple to elaborate. There are 24 plates in all. They include instructions for transferring the patterns to dark fabric and to wood. Neat stuff!
Average customer rating:
- An excellent book for those interested in Celtic Designs.
- History and construction of Celtic Sprial Patterns
|
Celtic Design: Spiral Patterns
Aidan Meehan
Manufacturer: Thames & Hudson
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Binding: Paperback
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Celtic Design: Knotwork : The Secret Method of the Scribes (Celtic Design)
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Celtic Borders
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Celtic Design: Animal Patterns
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Celtic Art: The Methods of Construction
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Celtic Design: A Beginner's Manual
ASIN: 0500277052 |
Customer Reviews:
An excellent book for those interested in Celtic Designs........2001-03-30
This is an excellent book for those looking to create celtic designs.
This book teaches about the prehistoric spiral, the megalithic spiral then goes through early & middle celtic spirals. It then follows into the insular and golden age spirals.
The book is best used when accompianied by Aidan's other Celtic Design books. I have 7 of the books in this series and love them all!
All in all this is a great book for someone looking to create celtic designs.
History and construction of Celtic Sprial Patterns.......2000-03-31
Meehan is not only the most proflific writer of celtic pattern books, but one of my favorite to read. A warning here, these are fairly serious books for people that are truly caught by the art of the Celts and wish to know more about it. These are not clip art books nor stencils. Meehan does a beautiful job of joining historical information and the construction. In reading books you know that he loves this subject. His books are full of tantalizing hints into another world that throws around terms like 'the Waldalgesheim pattern'. Which he does explain, but leaves one with the desire to run out and find a book specific to that subject and learn more. Short of doing what I suspect might be doctoral work on the subject, reading Meehan's books are the way to go. He also has a useful appendix of terms in the back. My favorites in this book however are the discussion on the triskele, the triple sprial patterns, which are not considered knotwork per se, and are therefore not to be found in the standard books on knotwork. This book also covers some of the more freeform curving designs that do not come under the knotwork category. Well worth the read.
Average customer rating:
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Celtic Fashions (Dover Pictorial Archives)
Tom Tierney
Manufacturer: Dover Publications
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Binding: Paperback
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Medieval Fashions Coloring Book (History of Fashion)
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Spanish and Moorish Fashions
ASIN: 0486420752 |
Book Description
Forty-five ready-to-color illustrations depict over 4,000 years of Celtic apparel
— from cloaks worn by European Celts circa 2000 BC to the elaborately embroidered costume of a 20th-century Irish step dancer. Fascinating archive with detailed captions also includes illustrations of period headgear, footwear, and jewelry, all waiting for your unique creative hues.
Average customer rating:
- stencils
- Not just stencils
- Great designs and very entertaining!
- Stunning collection of designs from medieval Celtic sources
|
Celtic Stencil Designs (Pictorial Archive)
Co Spinhoven
Manufacturer: Dover Publications
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Celtic Cut & Use Stencils: 61 Full-Size Stencils Printed on Durable Stencil Paper
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Ready-to-Use Celtic Designs: 96 Different Copyright-Free Designs Printed One Side (Clip Art Series)
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159 Celtic Designs (Dover Pictorial Archive Series)
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Celtic Designs for Artists and Craftspeople CD-ROM and Book (Dover Electronic Clip Art)
ASIN: 0486264270 |
Book Description
130 beautiful and dramatic designs in a great range of size, shape and complexity, all royalty-free, with subjects ranging from birds and beasts of myth and scripture to elegantly wrought abstract motifs. Ideal for graphic artists, textile designers, and many other artists and craftspeople.
Customer Reviews:
stencils.......2001-07-29
The stencils are great but you have to soak the paper in mineral oil,then cut them out your self,which means I might ruin them.Them designs are great
Not just stencils.......2000-05-03
This book comes with a wide array of designs, in solid black, so they can be cutout and used as stencils, but they could also be traced or scanned and used in computer graphics applications, scrap books, etc. The designs range from simple knots, to intricate designs taken from illuminated manuscripts like the book of Kells, and include large images (spirals, animals, human figures), repeating borders (spirals and knotwork that would look GREAT stencilled on a frame or along the edge of a table). So far I have used the designs in this book to stencil (onto blank stamp crafting postcards) Celtic boar framed in knotwork post cards, two tattoos on my husband, a few computer graphics for my website, and I've only had it for a week!
Great designs and very entertaining!.......2000-03-30
This was my first attempt of using stensils. Apart from the great designs found in this book, I must add that it was very easy for a beginer to use this book.
Stunning collection of designs from medieval Celtic sources.......2000-03-29
This book contains a collection of 130 designs gathered from the Book of Kells and other sources. The designs are dramatic and bold. Some designs are single figures such as the Evangelists from the Book of Kells, large round or oval medallions, and animals both simple and knotted. There is a nice selection of borders which range in width from 1 to 7 inches. Several borders can be repeated indefinitely. Designs are printed on both sides of the page on standard paper. You will need to transfer the patterns to heavy paper stock, frisket, or vinyl before cutting them. However, these designs are worth the effort. I only wish that the source of each design had been given.
Average customer rating:
- A Disappointment
- Anti-art for lazy people
- Good book, could have been better
|
Celtic Body Art
Aileen Marron
Manufacturer: Journey Editions (VT)
ProductGroup: Book
Binding: Paperback
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philosophy hope in a jar daily moisturizer
ASIN: 1885203780 |
Customer Reviews:
A Disappointment.......2000-01-16
I purchased this book as I was making the set from mehndi into woading hoping it might give me some pointers. It didn't. The brief chapters keep repeating themselves on how no one knows what woading really was. The designs are too complexed to ever be painted with anything but temporary tattoo ink or other paints. The kit includes a third rate plastic paintbrush and two small vials (black and blue) of body paint. No temporary tattoo ink for all the money the kit costs.
Anti-art for lazy people.......1999-11-21
Paint if you want to paint. Get inked if you want, but don't be lazy and use other people's stencils and stains to sport a dyed patch of skin for a month. Pathetic waste of time and money - use your time to read something which will stimulate your brain
Good book, could have been better.......1999-08-25
I enjoyed the book as far as the basic suggestions went, and the six transfers that were included with the book were very useful. It would have been vastly improved had there been more information on where to buy body-art supplies (temporary tattoo paint, henna, woad, etc) BESIDES through the author's company. Also, I found the ice-cream pastel colors and rebelliously trendy models a bit overdone as far as basic book design. For pure "information", the book is decent, at best.
Books:
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- International Mechanical Code 2003 (International Mechanical Code)
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