Average customer rating:
- Emperor's New Clothes
- On reproductions
- Great book!
- Collectable
- If you have any sort of an interest in art...
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Vitamin D: New Perspectives in Drawing (Themes)
Emma Dexter
Manufacturer: Phaidon Press
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Vitamin P: New Perspectives in Painting
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Drawing Now: Eight Propositions
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Vitamin Ph: New Perspectives in Photography
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Art: 21 - Art in the 21st Century (Seasons One & Two)
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Art: 21: Art in the Twenty-First Century
ASIN: 0714845450 |
Book Description
Drawing has recently experienced a renewal of importance in the art world; in fact, it has rarely been as widely represented in the biennials, art fairs, and exhibitions as it is now. Similar in concept, scope and structure to Phaidon's successful volume Vitamin P, Vitamin D presents, in A to Z order, the work of 109 artists who have emerged internationally since 1990 using the medium of drawing. Whether representational or abstract, small or large in scale, using only one line or rich in colors and pattern, drawings have a highly descriptive and meticulously detailed quality that is being explored by an increasing number of contemporary artists. Extending beyond the traditional image associated with this medium, Vitamin D hopes to illustrate the complexity, variety, and relevance of the practice of drawing today.
Customer Reviews:
Emperor's New Clothes.......2007-09-25
Anyone who would call this art is either lacking an objective sensibility or has some measure of vested interest in the sales of this book. The "drawings" (lol) in this book are fine examples of why mainstream Americans no longer care about the fine arts.
One reviewer actually used the word "refreshing" in describing the contents. Are you kidding me? Refreshing, perhaps, if I had only been exposed to blank pages my entire life.
This is not art. This is the Emperor's New Clothes.
On reproductions.......2007-06-07
Vitamin D is an outstanding publication of drawings from contemporary artists which shows great depth in both subjectivity and theme, the one overwhelming issue seems to be the quality of the reproductions within. Context gives us the reason for this.. in that these are works by CONTEMPORARY artists and as such have not been digitized as throughly as say the often if not OVER reproduced imagery of Leonardo or Michelangelo, so yes some of the reproductions are less stunning however they are more than adequate and what is more important, they are reproduced well enough to spark interest in seeing the original. Artwork can never truly be reproduced, you must experience the original to truly appreciate the pieces. However Vitamin D does what it was designed to, as did it's predecessor Vitamin P, giving a contemporary overview of works and the artists who create them which have yet to be studied. These books are history in the making and that alone gives them more merit than most art publications. This series is more than worth owning and will prove to be volumes you will return to again and again.
Great book!.......2007-04-03
If you are interested in a wide range of edgy drawings..this book is terrific. It is inspiring, informative and current...not a "how-to" but a survey of all the wonderful and strange drawings being done today.
Collectable.......2007-02-04
Vitamin D, is complete inside and out. The binding is terrific, the type, the torn paper edges, the layout, everything that went into designing this book was well thought out. Its not only fabulous, but a pleasure to look through. The artists chosen are all exceptionally talented, and each with a unique edge. Nevertheless, all work presented will be a definite point of reference for many many years to come, including the work by my own mentor,and teacher.
If you have any sort of an interest in art..........2006-11-12
Then you will absolutely fall in love with this book. This book is full of images from a wide range of media and artists. The short bios on the artists are short but informative and don't take up much space (more room for pictures). If you're something of an artist yourself then you can certainly pull lots of ideas from this book. I definitely am glad I bought this book.
Book Description
Covers all the basics of drawing and brings the practice of drawing up-to-date, taking into consideration a more contemporary form and subject matter issues.
Customer Reviews:
good book.......2006-03-23
Good book, has great examples and the definitions are not that hard to understand. Ideal for any artist or reader that is interested in ART
Great Guide to the Process of Drawing.......2005-07-19
This book is an excellent resource. It is very clear and the examples are really very helpful. If you are a beginner or an artist of years, there is very much to learn from this book. The text does offer some excercises, but it's greater strength is from the explanation of processes. The book doesn't play out as an analysis of art pieces, but describes the process of creating an expressive and cohesive work in pretty much any style of drawing. It tells you how to practice and what to look for in a subject and in your drawing. This was the textbook we used in my drawing classes and it has been an invaluable resource since then.
This book will help you find ideas and transfer them into your unique art.
well written, well illustrated.......2001-08-17
While giving clear 'how to' instructions for those beginning drawing, this book treats drawing in a much broader way than simply the realistic rendering of the visual world. It's well written and illustrated with works by a good range of contemporary artists. As an art college lecturer I find this book very useful as a resource for both myself and my students.
Average customer rating:
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Twentieth-Century Russian and East European Painting: The Thyssen-Bornemisza Collection
Johne E. Bowlt , and
Nicoletta Misler
Manufacturer: Philip Wilson Publishers
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Binding: Hardcover
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ASIN: 0302006192 |
Book Description
At the heart of this pioneering study - the result of exhaustive comparative research in Russian, European and American collections - is an illustrated catalogue which provides detailed descriptions of each work in the context of the artist's career and the broader artistic developments of the age. The condition, provenance, and previous location of the works are also detailed.
The catalogue is introduced by three essays: The Russian Avant-Garde, the Hungarian Avant-Garde, and the history of the collecting of Russian Avant-Garde art. The volume concludes with artists' biographies, bibliographical information, a glossary and index.
A catalogue of 59 works, written by two of the most eminent scholars in the field.
Amazon.com
Scott McCloud's Understanding Comics was published in 1993, just as "Comics Aren't Just for Kids Anymore!" articles were starting to appear and graphic novels were making their way into the mainstream, and it quickly gave the newly respectable medium the theoretical and practical manifesto it needed. With his clear-eyed and approachable analysis--done using the same comics tools he was describing--McCloud quickly gave "sequential art" a language to understand itself. McCloud made the simplest of drawing decisions seem deep with artistic potential.
Thirteen years later, following the Internet evangelizing of Reinventing Comics, McCloud has returned with Making Comics.
Designed as a craftsperson's overview of the drawing and storytelling decisions and possibilities available to comics artists, covering everything from facial expressions and page layout to the choice of tools and story construction, Making Comics, like its predecessors, is also an eye-opening trip behind the scenes of art-making, fascinating for anyone reading comics as well as those making them. Get a sense of the range of his lessons by clicking through to the opening pages of his book, including his (illustrated, of course) table of contents (warning: large file, recommended for high-bandwidth users):
Book Description
Scott McCloud tore down the wall between high and low culture in 1993 with Understanding Comics, a massive comic book about comics, linking the medium to such diverse fields as media theory, movie criticism, and web design. In Reinventing Comics, McCloud took this to the next level, charting twelve different revolutions in how comics are generated, read, and perceived today. Now, in Making Comics, McCloud focuses his analysis on the art form itself, exploring the creation of comics, from the broadest principles to the sharpest details (like how to accentuate a character's facial muscles in order to form the emotion of disgust rather than the emotion of surprise.) And he does all of it in his inimitable voice and through his cartoon stand–in narrator, mixing dry humor and legitimate instruction. McCloud shows his reader how to master the human condition through word and image in a brilliantly minimalistic way. Comic book devotees as well as the most uninitiated will marvel at this journey into a once–underappreciated art form.
Customer Reviews:
Fun to read and very informative.......2007-08-25
I read Understanding Comics and liked it so much I decided to check this book out as well, and found it to be even more enjoyable. McCloud's artwork is very fun and whimsical, his writing is humorous and he puts many concepts about the writing and drawing of comics in very easy-to-understand language. I never thought about making comics before, but this volume was so inspiring I'm convinced it might be fun to try!
A Great Learning Tool.......2007-08-15
If you've ever wondered about the finer points of crafting a comic this is the book for you. This is not a how to draw book and if thats what you are looking for than this isn't for you. It IS a very intelligent and thought provoking insight into the story telling aspects of the creation of comics. This is a MUST HAVE for anyone serious about comics.
Scott McCloud is the Alton Brown of Comics.......2007-08-07
Alton Brown is not a world-class chef but 'Good Eats' is indispensible educational television. It's the same thing with Scott McCloud, reviewers who say he hasn't produced anything earth shaking in the comics medium are missing the point. Making Comics is a wide-ranging, free-wheeling and passionate examination of what makes comics (and much visual art) tick, and provides a toolbox we can use to create our own stories. This is the best thing since Understanding Comics and goes more into the details of visual storytelling, the chapter on facial expressions alone is worth the price of admission. I want to send this book to Edward Tufte. Anyone interested in visual communication needs to read this book, and that goes double for aspiring comics creators.
Must-Have for Aspiring Artists.......2007-07-05
You need to own Understanding Comics to accompany this one. Understanding Comics: The Invisible Art
Making Comics is a complete book that refers to many of the topics that Understanding Comics expands upon. It is a great starting point for aspiring artists to look at approaching their own comic. McCloud explains the mutlitude of styles involved and how each of them works to engage the reader. He is truly a master of his craft.
He strips away the layers of superhero masculine fantasy to reveal comics as a storytelling vehicle. Not your typical how-to-draw book.
Review of book.......2007-05-28
Excellent book - very well presented and detailed. Well worth the price. Our kids (9 and 7) are using it to create better comics
Average customer rating:
- A home filled with curiosities and wonders.
- Amazing
- Inside Edward Gorey's house...
- Not MUST HAVE, but definitely NICE to have
- A specialty item for the true Gorey collector
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Elephant House: Or, The Home of Edward Gorey
Manufacturer: Pomegranate Communications
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Ascending Peculiarity: Edward Gorey on Edward Gorey
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Amphigorey Again
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Cautionary Tales for Children
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The Other Statue
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The Willowdale Handcar: or the Return of the Black Doll
ASIN: 0764924958 |
Book Description
An intimate photographic journey through Edward Gorey's home.
Customer Reviews:
A home filled with curiosities and wonders........2007-08-09
This is a beautiful book of photographs and text that allows the reader an intriguing view of the home in which Edward Gorey lived and the collections of curious objects, books, and cats he filled it with.
The photographs are large and beautiful - haunting even - and there are lots of them. There is just the right amount of text to cast some light on the man behind the house and his elusive character - anecdotes about his life, his work, his friends and the things that inspired him.
If you are fan of Edward Gorey, or of eclectic interior decorating and design, and displaying collections of antiques, this book will be a treasure in your library.
Amazing.......2007-04-10
That's really all I can say. I have been waiting for this book for a long time, and it was the most incredible thing. Amazing photos. Read up on Gorey first, though. The details are some much better when you get the little visual jokes Gorey set up in his day-to-day life.
Inside Edward Gorey's house..........2006-02-01
If you are an Ogdred Weary fan...this is a truly wonderful book. Photographs of the exterior (peeling paint and kind of saggy porch) and the interior rooms of the house on Cape Cod in Gorey lived and worked, along with his cats and figbashes, piles of thousands of books, assorted rocks and oddish things, and the expected miriad of curiosities. Alas, or delightfully...just the environment one would expect of the eccentric Edward. A cabinet of curiosities...a delight!
Not MUST HAVE, but definitely NICE to have.......2005-09-10
This book wouldn't mean much to anyone who isn't already a Gorey fan. I own (and love) the compilations 'Amphigorey', 'Amphigorey Too' & 'Amphogorey Also', so have a head start. I also have the auto(?) biography 'Ascending Peculiarity', which is almost a necessary co-requisite to this book - it helps explain the cats, and many other Gorey details. Now that the individual books are available again, I'm tempted to get them too, because they are such nice objects - but only if the kids promise to share with me!
A specialty item for the true Gorey collector.......2004-04-05
Even dedicated fans of Edward Gorey will probably know very little about his personal life: he was an enigmatic recluse and few were permitted past his front door. Photographer Kevin McDermott's Elephant House will delight students of architecture and photography, providing rich duotone works of Gorey's intriguing home and its contents. A specialty item for the true Gorey collector, Elephant House is an impressive photographic showcase and a welcome addition to both architectural studies and photographic studies reference collections.
Book Description
This new detailed guide to learning the skills and techniques of drawing modern fashion and figure is also a rich reference source for a broad range of modern garments and accessories. Extensively illustrated, this introduction teaches by example, the power of drawing as a means of communication and expression and strives to show students how to perceive things in order to be able to draw them correctly. The first section is dedicated to drawing the human figure, while the second portion deals with how to draw a wide range of modern garments and accessories and the types of techniques used to render them convincingly and elegantly in different fabric designs and textures. This volume offers a complete presentation of proportions of the croquis, draping the figure, accessories, flats, and features an encyclopedia of details, how to draw textiles and real clothes, the art of illustration, and computers and fashion drawing. For designers, fashion professionals, teachers and students of fashion.
Customer Reviews:
GRRRRRRRRRRRRRRRRREAT BOOK.......2007-10-03
This book is a must have for anyone who is seriosly into Fashion Illustration. I do some of my teaching with it, and students go crazy over the simplicity of the explanations.
9 Heads.......2007-07-07
This book is a must have for anyone who wants to learn to draw human figures or wants to go into fashion design. The language is easy to understand and the results are great. Your drawing skills improve and your drawings become more realistic. A must have for artists and future fashion designers.
9 Heads is the best.......2007-01-12
Great book for fashion illustration beginners and an excellent book for anyone with fashion illustration/art experience. Glossy pages,rendering,shading folds etc,. Up to date illustration sketches; many sketched poses,and flats in this book. My classmates were borrowing this book from me during class. You won't regret this purchase. This book is really heavy;Cover is made cheap. The front cover has fragile thick plastic corners that tear.
9 Heads book.......2007-01-04
This was a gift for my daughter. This item came very quickly and in really good shape for being used. My daughter is a talented woman and she has designed clothes since she was 5 yrs old. This book is incredible for her to continue her gift and talent in designing.
Best sketching book out there!!.......2006-12-23
I was really weary of buying this book because of the price, but I actually got it for a discounted price and it's SO worth it. It's a huge book and this new edition includes chapters on men and children. Personally I got it because I'm applying to F.I.T in NYC and I need help with my sketching skills (I have none). I found this book to be the best that I have seen and it has helped me so much. The instructions and the "9 heads" theory (9 heads make up the human body) are very simple and easy to understand. I love that she uses the "box" method to help you draw faces. I have never been an artist and this book helped me to draw some fabulous fashion sketches. SO worth the money if you really need to learn to sketch for fashion design.
Customer Reviews:
Analysis is great.......2007-10-03
I like that he has a full page to show the drawing and on the facing page he has a smaller version with commentary. He places capital letters on the drawing so you can see exactly which line or shape he is discussing.
Definative.......2007-07-13
Robert Beverly Hale was one of the masters in teaching figure drawing. A must for serious students of figure painting.
Not written by an artist..........2007-05-08
Although this is one of the best compilation books of old master drawings
available on the common market, I would not put too much stock in what
the author says. The author is correct in saying that many of these
great artists had to learn and understand anatomy in order to "make it up"
(e.g., a figure of a rearing horse drawn by Titian, impossible to be
taken from life), but he goes overboard in trying to get the student to
learn about anatomy. For example, he says "Please buy some bones". That's right--the way to paint like Rubens is to...buy some bones. I don't think so. Even if you learned how to draw the figure well, after perhaps 10 years, you'd still have to tackle drapery and then learn how to compose your figures in a painting and, well, be an artist. I have learned after much figure drawing study that after a while, "studies are
useless" (Rubens said that also). It is better for the true artist to simply plan painting after painting, and ignore all this wasteful "study effort" as if art is a science. This is not to say any knowledge of anatomy is bad. But you need to know only as much as it takes to know that
a head looks too big, or a shoulder "doesn't look right", esp. if you are already working from life. I have studied anatomy and tried to draw from my memory, and although my drawings have all the attendant parts, you cannot "guess" at how the aspect of a vastus medialis changes when it is in 10 different positions. It's much easier and quicker simply to draw a model from life--it will look more correct, even WITHOUT a knowledge of anatomy. And if you are a figurative artist, you may even want to "clothe" your figures at some point (Watteau made a name for himself for knowing how to do just that) so knowledge of anatomy, although not to be entirely discounted, should run second to drawing from life, having artistic vision, and working on a plan to make a nice painting instead of engaging in hours of fruitless "studies." After you die, do you want to have a bunch of academic drawings with correct anatomy laying around?
Only the art matters. This book, although much better than those awful books which use hack artists as models of excellence, still falls short
of what you really need to do to become a strong figurative painter. And that is, "draw from life". Pose your friends and family and draw them.
That's what the masters did.
This is one of the best books ever!.......2007-01-25
This is a must have book. No matter what your subject matter you can benefit from reading and doing the exercises in this book. I read it with a highlighter and a pen. I don't usually write in my drawing books, but this one was too good to simply read I had to study it. I will be using this in my current class to help me draw people better. Lots of excellent examples. It doesn't matter what you are trying to learn to draw this book helps you think in terms of mass and shape, not legs, arms, faces, etc.
Must have book for all fine art students!.......2007-01-05
Robert Beverly Hale is the undisputed master of not only artistic anatomy, methods of drawing and the masters' techniques; but he is also a master at conveying ideas in clear concise language. He was the best lecturer on artistic anatomy. I attended his 10 session lectures twice before he died. The book reflects much of what he taught in his lectures, so it's the next best thing to having him in the room.
Average customer rating:
- fantastic
- Just when I thought it was ridiculous to get another anatomy book...
- Pretty Good for the Price
- Some sections need more diagrams
- A great reference
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Atlas of Human Anatomy for the Artist (Galaxy Books)
Stephen Rogers Peck
Manufacturer: Oxford University Press, USA
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Basic Figure Drawing Techniques (North Light Basic Painting)
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Virtual Pose 3: The Ultimate Visual Reference Series for Drawing the Human Figure
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Human Anatomy for Artists: The Elements of Form
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Constructive Anatomy (Dover Books on Art Instruction)
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Artistic Anatomy (Practical Art Books)
ASIN: 0195030958 |
Book Description
Stephen Rogers Peck's Atlas of Human Anatomy for the Artist remains unsurpassed as a manual for students. It includes sections on bones, muscles, surface anatomy, proportion, equilibrium, and locomotion. Other unique features are sections on the types of human physique, anatomy from birth to old age, an orientation on racial anatomy, and an analysis of facial expressions. The wealth of information offered by the Atlas ensures its place as a classic for the study of the human form.
Customer Reviews:
fantastic.......2007-08-14
My professor/adviser of art advised me to get this.
It was great advice :D
Just when I thought it was ridiculous to get another anatomy book..........2007-06-07
This book surprised me. I already have several dozen books on art anatomy, but Peck's book has more. He goes into expressions, cultural and age distinctions, and locomotion. Is this the only book you'll need in studying anatomy, probably not. But each book you get on the subject, and study (NOT JUST COLLECT) will hone your visual memory until drawing the figure becomes second nature. Note: Study means putting time and effort on that drawing pad!!! Also, nothing beats drawing from life or imagination! These books are to supplement these areas.
Pretty Good for the Price.......2007-01-11
This book is a cheap and good reference for beginning figure drawers. The diagrams are fairly clear but some of the hand-drawn references get confusing.
Some sections need more diagrams.......2007-01-09
I bought this book on the account of the positive reviews here. A part of me regrets buying this book because I expected a figure drawing book. It isn't. It's a reference to human anatomy and I guess half if not most of the book is useful. I just can't give it 4 or 5 stars because Mr. Peck uses more words than visual diagrams to explain how the body moves and where fat develops. The section about fat is purely textual. It would have been better if there's a diagram of an average person overlaid with outlines where fat develops.
I still use it to supplement Joseph Sheppard's Drawing the Living Figure though.
I ordered Anatomy of Movement by Blandine Calais-Germain and I hope the high reviews of that book reflect its actual quality.
I guess it's true that there is no one-stop shop book on anatomy and figure drawing. An artist must have access to a library - personal or otherwise - to learn from.
Again, Mr. Peck's book in my opinion doesn't deserve 4 or 5 stars but if you do buy it, you won't regret it as much as let's say buying an anatomy book authored by Christopher Hart (blech).
A great reference.......2007-01-06
This book is very informative, and the best anatomy resource for artists that I have ever used.
Average customer rating:
- should have been better
- Don't waste your money!
- DRAWING from the MODERN
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Drawing from the Modern (3 Volumes)
Gary Garrels ,
Jodi Hauptman , and
Jordan Kantor
Manufacturer: The Museum of Modern Art, New York
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Vitamin D: New Perspectives in Drawing (Themes)
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Drawing Now: Eight Propositions
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Vitamin P: New Perspectives in Painting
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Infinite Possibilities: Serial Imagery In 20th-Century Drawings
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Experimental Drawing
ASIN: 0870701665
Release Date: 2006-10-15 |
Book Description
Many of the key achievements in art of the last 125 years have been worked out on paper. From pictorial investigations that expanded the possibilities of vision to the invention of entirely new kinds of media, drawing has been the perfect laboratory for avant-garde experimentation. Drawing from the Modern traces such groundbreaking innovation through the unparalleled holdings of the drawings collection of The Museum of Modern Art. This three-volume set consists of Drawing from the Modern 1880-1945, with work by Kurt Schwitters, Georgia O'Keeffe and Paul Cezanne, among many others; Drawing from the Modern, 1945-1975, with work by Jasper Johns, Andy Warhol, Louise Bourgeois, Dan Flavin et al.; and Drawing from the Modern, 1975-2005 featuring Bruce Nauman, Gerhard Richter, Martin Kippenberger, Kara Walker and Luc Tuymans, to name just a few. Together these three deluxe volumes detail both the blossoming of different art positions on a broad, international scale, and the coming of age of drawing as an independent--and for many artists, primary--mode of expression.
Customer Reviews:
should have been better.......2007-09-13
I purchased book 1 & 2 from Amazon. The illustrations are far too small to be a professionally represented art book from MOMA I've decided to save my money rather than pay out for the 3rd edition. It sounds a good buy from its description but I don't consider this trilogy to be very satisfactory.
Don't waste your money!.......2007-08-09
This is not a good artbook. The images are way too small to be satisfying. This book could have been great, but falls way short of its potential. Don't buy it, you will be disappointed.
DRAWING from the MODERN.......2006-12-27
DRAWING from the MODERN is the first of a three part series published by MOMA as catalogue to accompany the chronologically arranged exhibitions of their drawing collection; in part, celebration of the seventy fifth anniversary of the founding of the Museum.
This first book looks at the late nineteenth century through the beginning of the twentieth. Care and preservation of these drawings dictate that they are displayed infrequently, paper being a delicate medium, subject to fading, discoloration and brittleness. The publication of this series then allows us to have at hand a history of drawings seldom seen, and a visual education demonstrating how problems of that era both evolved and worked themselves out.
The introduction by Jodi Hauptman is broad and well worth reading. Aside from her entertaining "end of art" stories, she addresses artists and process leading to the dissolution of prevalent notions: relationship of "mark" to "ground", took new form; spatial notions of an orderly page, questioned; the element of chance, explored as process; the ego relationship of an artist to work, dissolving. New imagery happened: collage, abstraction, grids, enhanced emotions, metaphors of feeling, the sublime re-imaged. New subjects explored brutalities of war, notions of "city", identity, the spiritual, and the abstract.
As perhaps with all process of art, the uncertainty of change brought forth much that is new. The 139 plates of drawings both demonstrate and give testimony by leading artists of the time to new era in process. Drawing as subject matter is fascinating. To be expected, the book is well printed. Of course, what is book one without book two and three?
Nancy Gutrich
Average customer rating:
- Excellent overview of Rothko
- there IS a problem with the color
- a beautiful exhibition
- Great book for moder art students and personal enjoyment
- Mark Rothko by Jeffrey Weiss
|
Mark Rothko
Jeffrey Weiss
Manufacturer: Yale University Press
ProductGroup: Book
Binding: Hardcover
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The Essential Mark Rothko
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Cy Twombly: A Monograph
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Richard Diebenkorn
ASIN: 0300075057 |
Book Description
This richly illustrated book reproduces in full color more than one hundred of Mark Rothko`s paintings, prints, and drawings, including some of the stunningly simple yet enthralling rectangle paintings for which he is famous. The volume provides commentary on various formal aspects of Rothko`s work, interviews with contemporary artists who reflect on Rothko`s artistic legacy, and a chronology of the Russian-born artist`s life (1903-1970).
Customer Reviews:
Excellent overview of Rothko.......2007-08-07
I saw the original show that went with this book. While the book cannot do justice to the works one can still appreciate the greatness of Rothko by reading/viewing it.
there IS a problem with the color.......2007-08-04
I recently bought this book, and I want to comment on the discussion regarding the color - the color is NOT great, and it does NOT show Rothko's work in its best light. Anyone who says differently should get their eyes checked. That being said, other than that it seems to be a very nice book, and I'll still be glad to have it in my library. I just need another book for better color reference.
a beautiful exhibition.......2007-04-07
This is the catalogue for a beautiful exhibition that was held at the Beyeler Foundation. Many of the works reproduced are hidden in private collections (e.g. a huge 1958 canvas in black, white and red) and it is great to be able to admire them. Nothing replaces the live experience of being engulfed in a Rothko, standing a short distance from the canvas itself, but this book is undoubtedly a valuable addition in any art library.
Great book for moder art students and personal enjoyment.......2007-02-06
It was nice to see the transition that Rothko made throughout the years from complex modern art (ala Picasso and Dali) to more simplistic yet rich in colors.
Mark Rothko by Jeffrey Weiss.......2006-11-22
As an artist, I am known for my color, and this book is bursting with color.
I was able to view three of his pieces at the Chicago Art Institute. One of
the paintings at the Institute was a transitional piece that I had just been
studying, so to my surprise I was delighted. When I receive a book I rarely
know if it will have color plates. This book and all of the research is the
best I have found on Rothko. After twenty years of reprentational art, it
will be a focus of the colors of Rothko that I may be using in my workings
back to abstract. This is a large book, it is a heavy paperback and has
many, many pages to puruse. I have enjoyed it abundantly. Also the history
is useful in the tranistion of his work. A+ joe Coon A.K.A. artist joemonroe
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