History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

History: Fiction or Science? Chronology 2 (Chronology)

Average customer rating:

Check and see
Suprise! Suprise!
Prescient St Augustine?
Something of a disappointment
Romulus courts Helen, Paris founds Rome, Moses goes to Troy..

History: Fiction or Science? Chronology 2 (Chronology)
Anatoly T Fomenko
Manufacturer: Delamere Resources LLC
ProductGroup: Book
Binding: Paperback

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ASIN: 2913621066

Product Description

`History: Fiction or Science? Chronology 2` is the second volume of the most explosive and astounding tractate on history ever written - however, every theory it contains, no matter how unorthodox, is backed by rock solid scientific data. The book is easy and pleasant to read; it is well-illustrated, contains hundreds of charts, graphs and illustrations, copies of ancient manuscripts, and countless facts attesting to the falsity of the chronology used nowadays. You will be amazed to discover: - That the chronology universally accepted today and taken for granted is simply wrong; - That ALL methods of dating of ancient sources and artefacts known today are erroneous or non-exact; - That there is not a single document that could be reliably dated earlier than the XIth century; The Author refers to the Middle Ages as the Antiquity and proves mutual superimposition of the Second and the Third Roman Empire, both of which become identified as the respective kingdoms of Israel and Judah. Furthermore, he asserts that the famous reform of the Occidental Church in the XI century by Pope Gregory Hildebrand was the reflection of the XII century reforms of Byzantine emperor Andronicus who in his turn identifies with Jesus Christ. The Trojan war counted by Homer happened only as late as of the XIII century A.D. and the great poet actually lived in XIV century A.D. No stone in history of Antiquity is left unturned. Literally. This book is the beginning of a major correction to the chronology we live with.

Customer Reviews:

Check and see.......2007-06-21

I don't care what other people say of this book. Those affirmig it's fake, they hadn't ever read it. Or have some special reasons to do so. "Living is easy with eyes closed, misunderstanding all you see..." This book won't make you feel comfortable. It'll make you feel free. It'll make you feel you're "not the only one" to feel you'd been lied to for centuries.

Suprise! Suprise!.......2007-03-22

Here is a serie of books which turns "the whole world" upside down. I learned a lot of it and I hope that a new book from A.T. Fomenko will follow very quick. A absolute must for everybody who is interested in history or even a little bit from it.

Prescient St Augustine?.......2006-02-05

We can so far divide the New Chronology into the following three parts:

a) The verifiable theory that proves consensual chronology wrong with the aid of astronomy, statistics and mathematics;

b) The new chronology hypothesis based on a new understanding of known historical facts and the most likely logical explanation of the most obvious inconsistencies inherent in the official version of history;

c) The history conjectures, that is experimental historical reconstructions based on assumptions that the authors believe to make sense in the light of their research and linguistic parallels - void of ironclad factual support to date.

Fomenko's theory complies with the most rigid scientific standards as a whole:

It gives a coherent explanation of what we already know.

- It is consistent: independent lines of inquiry all lead to the same conclusion.

- The predictions it makes are confirmed empirically.

Fomenko goes by the following axioms:

- Chronology is the basis of history;

- Human evolution has always been linear, gradual and irreversible;

- The "cyclic" nature of human civilization is a myth, likewise all the gaps, duplicates, "dark ages" and "renaissances" that we know from consensual history;

- The accumulation of geographical knowledge as reflected in cartography is a gradual and irreversible process;

- The chronological distance between a given manuscript and the events described therein is proportional to the amount of distortions it contains;

- There is no "useless" information in authentic ancient sources.

Why the mainstream historians do not shower mathematician Academician Dr.Prof Fomenko with thanks and laurels?

The Russians:

Because Fomenko asserts that there was no such thing as the Tartar and Mongol invasion followed by three centuries of slavery, providing a formidable body of documental evidence to prove his assertion. The so-called "Tartars and Mongols" were the actual ancestors of the modern Russians, living in a bilingual state with Arabic spoken as freely as Russian. The ancient Russian state was governed by a double structure of civil and military authorities. The hordes were actually professional armies with a tradition of lifelong conscription (the recruitment being the so-called "blood tax"). Their "invasions" were punitive operations against the regions that attempted tax evasion. Fomenko proves that Russian history as we know it today is a blatant forgery concocted by a host of German scientists brought to Russia by the usurper dynasty of the Romanovs, whose ascension to the throne was the result of coup d'état, charged with the mission of making their reign look legitimate. Fomenko proves Ivan the Terrible to be a collation of four rulers, no less. They represented the two rival dynasties - the legitimate rulers and the ambitious upstarts. The winner took it all! Over some 30 years of controversy, Russian historians have made a most remarkable transition - they were initially accusing the young mathematician Fomenko of anticommunist dissident activity and attempts to deface the historical legacy of Soviet Russia; nowadays the middle-aged mathematician is accused of adhering to "pro-communist Russian nationalism" and defacing the proud historical legacy of Great Russia.

The Westerners:

Because Fomenko blows consensual Russian history to smithereens, successfully removing a crucial cornerstone from underneath the otherwise impeccable edifice of World History. Fomenko adds insult to injury, wiping out one by one the Ancient Rome (the foundation of Rome in Italy is dated to the XIV century A. D.), the Ancient Greece and its numerous poleis, which he identifies as the mediaeval crusader settlements on the territory of Greece, and the Ancient Egypt (the pyramids of Giza become dated to the XI-XV century A. D. and identified as the royal cemetery of the Global "Mongolian" Empire, no less). The civilization of the Ancient Egypt is irrefutably dated to the XII-XV century A. D. with the aid of the ancient Egyptian horoscopes cut in stone. He was the first one to decipher and date all such horoscopes, coming up with mediaeval dates in every case. English historians rage at the suggestion that the history of Ancient England was de facto a Byzantine import transplanted to the English soil by the fugitive Byzantine nobility. To reward the English historians who consider themselves the true scribes of World History, the cover of the present book portrays Tintoretto's Jesus Christ crucified on the Big Ben.

The Chinese:

Because Fomenko wipes out the Ancient History of China outright. No such thing. Full point. The compilation of the so-called Ancient Chinese History is reliably datable to the XVII-XVIII century only. It is perfectly recognizable as the Ancient European history, reworked and transcribed in hieroglyphs as yet another historical transplantation, this time performed on the Chinese soil by the loving Jesuit hands. The Chinese are the next in line to go berserk. Chinese history is inevitably bound to get both more ancient and more eventful, proportionally to the growing involvement of China in the world affairs. Chinese historians will keep on finding valid proof of prehistoric Chinese spaceflights until the Politburo orders them to shut up.

The Arabs:

Too bad. Islam with all its key figures is datable to XV-XVI century A. D. Arabic historians may find consolation in the crucial historical role of the Ottoman Empire in the XVI-XVII century. The trouble is that this empire was initially a Christian state, with Hagia Sophia identifiable as Temple of Solomon, according to Fomenko! We can only guess if the acquisition of Alexander the Great (a Macedonian and a Christian) as the founder of the Muslim World Empire will make Fomenko's theories more acceptable to the Arabic mainstream. He certainly does not spare any holy cows at all, claiming The Stone of Qa'Aba in Mecca to contain the lost Arch of the Covenant.

The Divinity:

Despite of reiterated statement that his theory is all about chronology and not Religion, Fomenko stirs up a whole condominium of wasp nests. His collection of anathemas, fatwa, and other condemnations from all parties concerned is already considerable. Little wonder, considering that the history of religions à la Fomenko looks as follows: the pre-Christian period (before the XI century and JC), Bacchic Christianity (XI-XII century, before and after JC), JC Christianity (XII-XVI century) and its subsequent mutations into Orthodox Christianity, the Catholicism, Islam, Buddhism, and so on.

According to Fomenko we know strictly NOTHING about the events that predate the X century A. D.

St Augustin was prescient when he spoke unto us: "be wary of mathematicians, particularly when they speak the truth."

Something of a disappointment.......2005-09-09

After having read the first volume of this expected series of 7 volumes I was triggered by the thesis of these authors that ancient Greek and Roman history did in fact take place in the Middle Ages. So I started studying medieval history of the Middle East - also known as Islamic history - to find out if the opponents of the ancient Greeks and Romans - the Acheamenid Persians, Sassanids, Scythians, Egyptians, etc. - also have their duplicates in medieval history. My search was disappointing: none of the many medieval Islamic dynasties seemed to correspond to the ancient middle eastern rulers.

However, I did find a close correspondence between Herodotus' Persian kings and medieval events:

- the defeat and capture of an Anatolian king - the Lydian Croesus - by the Persian conqueror Cyrus is identical to the defeat and capture of another Anatolian king - sultan Bayezid - by the Asian/Mongol conqueror Tamerlane;
- the Persian conquest of Egypt by the cruel tyrant Cambyses reds almost exactly as the Ottoman conquest of Egypt by Selim the Grim (note the nickname!);
- Darius the Lawgiver of the Persian Empire looks very much alike to Sulayman the Magnificent, the Lawgiver in Islamic history;
- Xerxes, whose main claim to fame is to be defeated by the Greeks at the naval battle of Salamis, looks like Selim II (the Sot) whose main claim to fame is to be defeated by a Spanish-Italian alliance at the naval battle of Lepanto.

I should have expected Fomenko et al. to arrive at similar conclusions, however, they claim that the Persian kings are the alter egos of the Angevin kings of Sicily whose biographies do not contain the exploits of the Persian kings.

The similiarities I indicate lead to the conclusion that Herodotus must have written his Histories at the close of the 16th century. But this is extremely late, given that Herodotus is "the Father of History", so therefore all other "ancient" histories must have been fabricated even later. Yet, the founders of modern chronology - Scaliger and Petavius - laid their foundations also at the close of the 16th century and had the full corpus of ancient histories already at their disposal.

It seems to me that Fomenko has to address these inconsistencies, maybe in the forthcoming 5 volumes?

Another critique of their book is that the correspondencies between different rulers are often based on a superficial comparison of the biographies; upon a more thorough comparison many details appear that do not correspond at all.

Finally, the authors rely heavily on the works of Gregorovius (1821-1891!!) - his medieval histories of Rome and Athens - as the source of medieval history; these works are - at least in the West - hoplessly outdated and have been superceded by more up-to-date works (for instance, Julius Norwich's trilogy on Byzantine history is not even cited).

Romulus courts Helen, Paris founds Rome, Moses goes to Troy.........2005-07-30

If you agree with Fomenko that Roman chronology is basically the foundation of the entire edifice of global chronology; you would also certainly agree that despite its numerous gaps and inconsistencies, Roman history is the best-documented field of ancient history, and thus a reference scale. But how well is the actual date of the Eternal City's foundation known?

Firstly, Rome is supposed to have been founded by the Trojans who had to flee after the fall of Troy. Some claim Rome to have been founded by Aeneas and Ulysses shortly after Troy had fallen; others are of the opinion that there was an entire dynasty that ruled for 500 years between the fall of Troy and the foundation of Rome.

Well, that's just an innocent 500 years long misunderstanding compared with what heretic Fomenko says, asserts, proves in his second volume: Second Roman Empire, Third Roman Empire, Biblical Kingdom of Israel, Biblical Kingdom of Judah, Holy Roman Empire are stories about basically same events, written from different points of view at different times. The underlying events have actually taken place during xii-xv cy. These histories have been written and perfected by multitude of highly talented humanist and clerical writers of xiii-xvi cy disguised as "ancients" with glorious names like Homer, Pluto, Thucydides etc..Chronology 2.0 beta..

Historians are kindly invited to report the bugs.

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A visual treat
Indian Interiors
DELICIOUS!!
Hours of fun
Indian Interiors

Indian Interiors (Midsize)
Sunil Sethi , and Angelika Taschen
Manufacturer: Taschen
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ASIN: 3822835676

Customer Reviews:

A visual treat.......2002-09-17

We review a number of books and the first time we saw this one, we were very sure it was going to make to our top selections list. And we were not wrong.

A beautifully laid out book with 500 vivid color photographs is a visual treat. Recipedelights.com gives it a "must-buy" rating for interior designers and style lovers. One of the few books that correct the injustice done by western journalists and gives a positive spin to thousands of years of culture and history. It truly reflects the grandeur of Indian style by weaving a colorful mélange that will come as no surprise to anyone who has ever visited India. This book explores a spectrum of interiors ranging from Palaces to Havelis to Huts. It does not bore with endless text or try to influence the judgment of the reader. Short text (In English, German and French) accompanies each photograph though the pictures speak for themselves.

Indian Interiors.......2002-01-22

Excellent value for the money. Beautiful photos covering a broad range of interiors.

DELICIOUS!!.......2001-11-26

This totally sumptuous book has been beautifully produced and is proof yet again that Taschen are publishing some of the most beautiful books around. Apart from being a visual delight, each picture has accompanying text on the place featured. The book covers a wide range of interiors from palaces and havelis to Rajasthani huts and everything in between. Whether you are interested in Indian style or interiors generally, you will find much to like in this book.

Hours of fun.......2000-01-23

This LUSH book captivates the eye and provides such a visual feast of color, I feel saturated, then satiated, each time I dip into it. Good for hours of fun.

I have to say, I was lucky enough to meet Deidi on her travels in Ladakh and can tell you that she is one intrepid traveler. There was a war going on in Kashmir when she went to take these photos - although you'd never know it from these pictures which paint such a beautiful image of these sumptuous settings.

She is a great photographer, with three Taschen books to her credit (Gardens of France, and Fantasy Worlds). She also makes enormous photos of sacred trees in India which are exhibited in galleries - very dramatic and her best work yet!

This book focuses a great deal on Rajasthan, but also includes regional coverage of key areas.

A first of its kind and a good antidote to the predictable picture books of India. Everyone expects India photo books to show weird babas in Benares and starving people in Calcutta, so it's good for the West to see there's more to India than that.

Glad to see that scenes from the folk and peasant traditions are included alongside the fantastic royal palaces, proving that art has no boundaries.

Indian Interiors.......2000-01-03

This is a gorgeous book, beautifully laid out, with good photography and a vast range of type of interiors from palaces to village huts. Having spent significant time traveling throughout India, I frankly opened this book fully expecting to be disappointed and expecting it to be one more example of journalism not being able to do justice to the breadth and scope of India. We see that failure in all manner of books about India, from cook books, design books, culture books, and travel books; any subject that trys to cover the subcontinent in one fell swoop. Remarkably, this book achieves what no others I've seen has. In addition to photography of Deco interiors, British Revival, and Native Cultural Design, INDIAN INTERIORS wisely leaves the commentary to short blocks of text detailing the background of the property and the homeowners but not forming broad judgements or attempting to endlessly characterize and embellish. I have photo books on Village India, India Rail, Indian Design, etc., and they all try to do too much and not let the material speak for itself. This book is different, very different, and from what I've seen from this publisher in other venues, Taschen is one to watch for if you like your material presented succinctly and beautifully without gushing or extraneous filler.

Traditional Designs from India CD-ROM and Book (Dover Electronic Clip Art)

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Traditional Designs from India CD-ROM and Book (Dover Electronic Clip Art)
Dover
Manufacturer: Dover Publications
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Binding: Paperback

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ASIN: 0486995755

Book Description

This CD-ROM and book set draws upon a 5,000-year-old heritage, depicting motifs adapted from a variety of artifacts: coins and pottery from South India, Ajanta and Bagh murals, Muslim monuments, textiles from Gujarat and Punjab, as well as masks and other tribal arts. 800 black-and-white designs.

Indian Baskets (Schiffer Book for Collectors)

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If I could give it a higher rating, I would
The book I longed to find on this topic.

Indian Baskets (Schiffer Book for Collectors)
Sarah Peabody Turnbaugh
Manufacturer: Schiffer Publishing
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ASIN: 0764319000

Book Description

Explore the stunning diversity of North American Indian and Eskimo baskets, from little-known native basketry to the more common forms. This colorful book combines manufacturing techniques, raw materials, forms, and decoration with information on native lifestyles. More than 175 regional and tribal styles are documented in an easy-to-use and beautifully illustrated format. Readers will be able to identify their own Indian baskets using this guide's standardized terminology, identification keys, glossary, maps, and bibliographies. Hundreds of baskets were photographed for this volume in color and in black-and-white. Many are from the famous and unparalleled collection of the Peabody Museum of Harvard University where the authors began their basketry research in the 1970s.

Customer Reviews:

If I could give it a higher rating, I would.......2002-03-18

Completely indispensable text for the weaver, curator, researcher, student, collector or just plain curious. Not a theoretical text; rather, the intent is to enable the reader to identify any basketry work produced by Native North Americans from the Arctic to the Southeast.

This book has scores of photos, including a preliminary section where baskets from each geographical region are reproduced in good color photos. Good but simple overview of the history of Native basketry, *great* overview of techniques with schematic drawings. Also has a thorough bibliography. A must-have reference book for any Native American or art-focused library.

The book I longed to find on this topic........1999-08-26

I first learned of this book from a basket trader in Tucson who was explaining why I could never find any Pima baskets that matched a photograph in a booklet I had. He suspected the photographer used a brown filter to enhance the appearance. He pulled out a copy of "Indian Baskets" to show me the difference and told me if I was serious about baskets I needed to get this book. In it, I found along with beautiful photographs large enough to see in detail of many tribes' baskets: an encyclopedia of information including a list of tribes that still made baskets with descriptions of the designs each uses, detailed drawings and descriptions of the many different stitches used in baskets, a chart that can be used to find which tribes make baskets with your favorite stitches, and even a list of prices for baskets sold a few years ago. It was the book I longed to find on this topic. The one obvious omission was a list of sites where tribes sell baskets today, but fortunately that information is readily available from other sources.

The Peaceful Liberators: Jain Art from India

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Wonderful insight into Jain art

The Peaceful Liberators: Jain Art from India

Manufacturer: Thames & Hudson
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Binding: Hardcover

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ASIN: 050001650X

Customer Reviews:

Wonderful insight into Jain art.......2001-06-21

This is a wonderful book with many color and b&w illustrations of Jain art. The book also chronicles Jain history and culture and its relationship to Art

Bollywood: A Guidebook to Popular Hindi Cinema (Routledge Film Guidebooks)

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just an introduction
critic
Bollywood 101

Bollywood: A Guidebook to Popular Hindi Cinema (Routledge Film Guidebooks)
Tejaswini Ganti
Manufacturer: Routledge
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ASIN: 0415288541

Book Description

"Bollywood" - once a tongue-in-cheek term used by the English-language media in India - has become the dominant global term to refer to the prolific Hindi language film industry located in Bombay (renamed Mumbai in 1995). Characterized by music, dance routines, melodrama, lavish production values and an emphasis on stars and spectacle, Bollywood films have met with box-office success and enthusiastic audiences from Bombay to West Africa to Russia, and throughout the English-speaking world.

In Bollywood, anthropologist and film scholar Tejaswini Ganti provides a guide to the cultural, social and political significance of Hindi cinema, outlining the history and structure of the Bombay film industry, and its impact on global popular culture. Providing information and commentary on the key players in Bollywood, from composers to directors and stars, as well as material from current filmmakers themselves, areas covered in Bollywood include:

*Chronology
Main Themes in Hindi Cinema
*Key Characteristics of Popular Hindi Cinema
*Significant Filmmakers
*Significant Films
*Scholarship about Hindi Cinema
*Filmmakers Point of View

Customer Reviews:

just an introduction.......2006-06-23

Ganti's book is a brief but illuminating walk inside Bollywood. For someone who is perhaps not of Indian ethnicity, and knows nothing about Bollywood, the book explains much. You can learn about the sheer volume of production of movies each year. Though the budgets of each are lamentably much less than for a Hollywood movie.

The book also attests to India's increasing "soft power". Bollywood is one of India's main cultural exports, along with its cuisine. Several famous Bollywood movies are explained, in how they address universal human issues with an Indian touch.

critic.......2005-12-14

interesting and easy to read. A good first approach of the bollywood film industry. Not enough photos and no colours.

Bollywood 101.......2005-05-01

This little book by Tejaswini Ganti is the ideal introduction for anyone who wants to get to know Bollywood. Smart, concise, it's a very easy and informative read.

After an historical introduction to Indian cinema from the beginnings (just after the invention of cinema) to the glossy new millenium Bollywood of ZeeTV and NRI romances; Ganti procedes to a general presentation of the inner workings of the Hindi Film Industry (name usually prefered by scholars to the term Bollywood): how is a film made in Bombay ? who produces, how? who distributes, where? who has the power? This part along with the long historical introduction are the core material of the book, short but truly essential.

NB Ganti focuses on Bollywood (located in Bombay). for beginners who think that Indian cinema is Bollywood, take note: it's not. Therefore the book acknowledges Middle cinema, art cinema, tamil, telugu, bengali cinema but never deals with these topics.

After the "technical" part of the book, the rest is dedicated to an overview of the major films and personnalities of the profession. The major films chapter provides a very useful filmography that gives the neofit a very interesting selection of films to get to know Bollywood thru the ages. Each film has a detailed summary that sometimes includes historical insights or important trivia. Then there is the chapter about who's who in Bollywood, she lists major directors (although for most recent cinema many names are missing, as she herself underlines in the end notes), music and lyrics writers, actors and actresses (here again many recent actors and actresses box office sweethearts are overlooked but it's difficult to keep up with the star system and not all stars deserve such academic attention anyway, so if you're a Bollywood geek get over the absence of Salman Khan or Rani Mukherjee in that section).

The end of the book is a series of interviews with directors, actors, producers... and this is where you will eventually find the "new comers" such as ShahRukh Khan (in a really cute itw for that matter) ...

Ganti provides a short bibliography which is also very needed since ressources on Bollywood are not necessarily the easiest to find.

Overall a great little guide that can prove essential to any world cinema class or even (in my case) anthropology class.

as a complement to that guide I recommand Prasad's book Ideology of the hindi film a historical construction, a very insightful book with detailed analysis of such classics as Deewar for instance.

Talking Films: Conversations on Hindi Cinema with Javed Akhtar

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Talking Films: Conversations on Hindi Cinema with Javed Akhtar
Nasreen Munni Kabir
Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Hardcover

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ASIN: 0195649230

Book Description

This book features the well-known screenplay writer, lyricist and poet Javed Akhtar in conversation with Nasreen Kabir on his work in Hindi cinema, his life and his poetry. An original thinker and a brilliant conversationalist, Akhtar's sharp mind and unique skill in analysing films and his
own work will bring a new and rare insight into Hindi cinema. The volume includes a number of photographs.

Hindi, Urdu & Bengali: Lonely Planet Phrasebook

Average customer rating:

Not useful for learning the languages

Hindi, Urdu & Bengali: Lonely Planet Phrasebook
Richard Delacy , Shahara Ahmed , and Lonely Planet Phrasebooks
Manufacturer: Lonely Planet Publications
ProductGroup: Book
Binding: Paperback

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ASIN: 1740591496

Customer Reviews:

Not useful for learning the languages.......2007-03-15

Although this combined edition is more accurate than the previous separate phrasebooks for Hindi/Urdu and Bengali, do not expect to use it to actually learn the languages or even get beyond a couple of dozen phrases.

Perhaps in conjunction with a formal language guide to Bengali, this phrasebook would be more helpful, but at the time of my recent travels, there was no English language language study guide available for Bengali/Bangla (I think the Teach Yourself series has one, but that series is currently going through a one-by-one reissue as the cover format and typeface have changed).

The main problem is the Bengali to English dictionary, which is listed from the point of view of the written form vs. how things sound or how they transluterate to Latin characters. This requires first learning Bengali script, which is quite difficult due to the bizarre rules in all South Indian derived scripts (including Thai and Khmer/Cambodian as well as Hindi) vs. Cyryllic, Latin, Greek, Hebrew, and Arabic. And besides which, literacy is not and should not be a requirement for developing the more important day-to-day fluency of speaking and listening skills in a new language while traveling.

The publisher would also be advised to make clear that there are significant regional variants within Bengali (if not also Hindi/Urdu), and thus one is not always understood even with basic everyday phrases as they are published here. They might also be advised to include the related Punjabi language/dialect in the next edition, to be more complete.

Indian Popular Cinema: A Narrative of Cultural Change

Average customer rating:

Gives Indian Cinema a perspective
Excellent, , informative and eminently readable.

Indian Popular Cinema: A Narrative of Cultural Change
K. Moti Gokulsing , and Wimal Dissanayake
Manufacturer: Trentham Books
ProductGroup: Book
Binding: Paperback

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ASIN: 1858563291

Book Description

The book reviews nine decades of Indian popular cinema and examines its immense influence on people in India and its diaspora. Since it was published in 1998, Indian film has developed in new directions. As films today vie with Indian soap operas for popularity, film making in India has acquired 'industry status' and consequently has greater accountability to its public.

All this is reflected in this new and extensively revised edition of "Indian Popular Cinema". It tracks the rise of "designer cinema," reviews the increasingly significant Tamil cinema, and considers films made by Indians in the diaspora.

Customer Reviews:

Gives Indian Cinema a perspective.......2000-09-29

Most critics and scholars, especially in the west often dismiss and even ridicule popular Indian cinema owing to its idiosyncratic musical format, melodrama and playing to the gallery. This book provides a refreshing counter-argument, while analysing how popular cinema has affected the way of life in India, and how it might be significant to a western audience.

The book is well-researched and very enjoyable. Without going into too much details about specific films, it tries to highlight the trends and unique genres developed in Indian films over a century. Having grown up on Hindi movies all my life, I found the book interesting, but I think it is more relevant to the western audience. It provides a good introduction and starting point to those just discovering the magical world of Hindi movies.

For those who are into in-depth study of Indian cinema, I recommend "Encyclopedia of Indian Cinema" by Ashish Rajadhyaksha and Paul Willeman.

Excellent, , informative and eminently readable........1999-07-30

A knowledgeable and affectionate look at 90 years of Indian cinema, the cultural values it portrays and the influence it has had on the evolution of modern Indian society. I enjoyed it immensely and strongly recommend it both to cinema buffs everywhere and to all those interested in better understanding the complex web of traditions, prejudices and feelings that make India a compulsive focus of attraction to travellers and observers of social change.

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