Book Description
Bulls, bears, and the price of shares-the daily tallies of the stock market are on everyone's mind. The contemporary investor usually measures ownership via a confirmation blip on the computer screen; nevertheless, since the eighteenth century, stock certificates have visually charted the evolution of American industry. Now highly collectible, these documents are the ultimate melding of art and commerce, and The Art of the Market 200 years' worth of stocks on their artistic rather than their financial merits.
In the days before advertising and annual reports, the stock certificate projected a company's image of quality to the world through artwork and embellishments that epitomized the times-from the bold engravings of locomotives stamped on the shares of nineteenth-century railroad tycoons, to the sleek Art Deco styling from the early automobile era, to the graphic images for today's high-tech media giants. The Art of the Market presents more than 200 certificates that collectively render America's social and economic history through wars and peace, panics and prosperity. Each certificate is fully analyzed in artistic terms, while the lively text offers a compelling historic background on the capitalist mosaic.
Customer Reviews:
A great coffee table book.......2000-07-18
This book is an excellent reminder of a time when stocks meant more; when stock was something tangible you held vice keystrokes gone in the blink of an eye or memory stored on your computer. In the era of online trading, art such as this is sorely missed. The commentary is not particularly deep, however the art and the history is, for lack of a better word, neat. I think this book is well suited for the coffee table and a nice reminder of how things were "back then."
Great business history.......2000-05-12
I received this book as a gift, and was struck at first by its amazing "look"--it has top-notch graphics. The individual stock certificates are remarkable, and the book's authors make these images come to life as symbols of American business. The engraving of the certificates is treated as a vanishing art form, and this collection offers a reminder of just what is being lost as the market becomes more and more "virtual." At a time when more Americans own stock than ever before--and almost none of them, as the authors point out, have ever seen a stock certificate--this book represents nothing less than a hidden history of an American institution. I would recommend it to anyone interested in the stock market, but also to anyone interested in the history of American business and its influence on our culture.
Fantastic book for scripophily!.......2000-04-23
Wonderfully illustrated book showing the true definition of financial art. Beautiful full-color illustrations of stock certificates. Best part of the book is the price. Very affordable (a bargain for the art!)
A book where research of companies is at a minimum.......1999-12-26
I received this book for Christmas and just spent ten minutes laughing at the history of Xerox. The authors called the company's beginnings as the Harold company, then changed its name to the Harold Xerox Company. The original company's name was the Haloid Company, not the Harold Company. In my ten minutes of reading there was 4 more errors of company names or historical facts of the stock certificates. I did not read the "history" portion but feel if the authors can't get the histories of Xerox, Exxon, Playboy, Admiral, etc correct, why bother....The stock certificates are admirable, though
Average customer rating:
- amazing..got here so fast..it is perfect
- production and prepress
- Good for entry level information
- Educationally Priceless!
- If you need a book like this, you can do better.
|
Getting It Printed: How to Work With Printers and Graphic Imaging Services to Assure Quality, Stay on Schedule and Control Costs (Getting It Printed) 4th Edition
Eric Kenly , and
Mark Beach
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Similar Items:
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Forms, Folds, and Sizes: All the Details Graphic Designers Need to Know but Can Never Find
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Official Adobe Print Publishing Guide, Second Edition: The Essential Resource for Design, Production, and Prepress (2nd Edition) (Publishing Guide (AP))
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Getting it Right in Print: Digital Prepress for Graphic Designers
ASIN: 1581805772 |
Book Description
Designers can save time, money and frustration with this essential guide to printing. Covering all of the topics that have made it a popular title for years, along with the latest developments in the industry, Getting It Printed features:
* A comprehensive look at how to work with printers--everything from estimates, pricing and negotiating to trade customs and quality guidelines
* Easy-to-follow explanations of the top printing processes and techniques
* All of the information designers need to choose the right papers and inks for their projects
* Hard-to-find knowledge about proofing, output and color
Whether they're independent, in-house or students, designers will want to have this book at hand. It's the ultimate printing resource!
Customer Reviews:
amazing..got here so fast..it is perfect.......2007-09-30
book is brand new great shape, it got here so fast didn't miss a class without a book.
production and prepress.......2007-06-16
This book is a great learning tool for printing... production and prepress. This is a great book to have as a graphic designer or design student. There is a great deal to be learned about printing to get the results you want, and this book will help you along the way. There are amazing terms and definitions to aid in expanding your printing industry vocabulary.
It is broken down into 10 chapters:
Chapter 1 Overview: Planning for Results
Chapter 2 The Parts: Type and Graphics
Chapter 3 Assembling the Parts: Prepress
Chapter 4 Outputting the Parts: Film and Flats
Chapter 5 The Magic of Color
Chapter 6 Using Paper and Ink
Chapter 7 Exploring Offset Printing
Chapter 8 Exploring Other Printing Methods
Chapter 9 Techniques for Finishing and Binding
Chapter 10 Working with Printers
Good for entry level information.......2007-01-22
I use this book to teach a Graphic Production class. This is a good entry level book to wet one's interest in the broad scope of each part of the printing production process. It touchs on everything from scheduling to design to prepress to actually getting it on press al the way through the bindery and shipping processes. Without this basic understanding, new design students have no understanding of what they are creating. This gives a brief snippet about each process. The early designer then at least has an idea of how their final products will possibly be used.
Each area of print production can have its own book and ideally designers will learn these processes in depth. As an entry level book however this has all of the basics without overwhelming the student. It also delivers the dry information that creative folks need in simple clear form. After thirty years in this industry I welcome the simplicity this book provides.
Educationally Priceless!.......2006-06-29
The chapters in this book cover the following:
1) Project Planning: Scheduling Time, Matching Cost & Value, Workflows, Service Expectations, Involving Your Printer, Working with Managers & Copyright Concerns
2) Font Types & Graphics: Fonts, Faces & Families, Duotones, Illustrations & File Formats
3) Assembling the parts of Prepress: Workflow & Process Standards, Producing a Process, What Tools to Use, Word-Processing Applications, Vectors, Image-Editing Applications, Page-Layout Applications, Fonts, Databases & Digital Printing Applications, File Preparation & Preflighting, Imposition, Trapping & Assessing Financial Liability
4) Film & Flats: Proofs, Proofing Technology, Remote Proofing, Costs & Brands, Plates & Saving Prepress Work
5) Color Management: Proper Viewing Conditions, Color Language, RGB & CMYK and converting them, Spot & Process Color, Dot Gain & Color Reference Systems
6) Paper & Ink: How Mills Make Paper, Grades, Ratings & Brands, Samples & Dummies, Printer/Merchant Relationships, Reducing Waste & Spoilage, How Paper Looks/Feels, How it is Measured, Bond & Writing, General-Purpose Offset, Luxurious Text, Sophisticated Coated, Sturdy Cover, Misc. Grades, Specifying Paper, Printing Inks, Protective Coatings & Toner
7) Offset Printing: Best for Most Jobs, Press Components, Press Types, Sizes & Features, Quality Expectations, Misc. Quality Problems, Press Checks & When to do them
8) Other Offset Printing Methods: Print On-Demand, Ink-Jet, Flexography, Letterpress, Screen, Gravure, Engraving & Thermography
9) Techniques for Finishing & Binding: Imagery in Binding, Cutting & Trimming, Drilling & Punching, Scoring & Perforating, Folding, Collating, Laminating, Adhesive Bindings, Mechanical Bindings, Case Binding, Selective Binding, Converting, Packing, Final Counts & Storage & Transit
10) Working with Printers: Your Regular Printers, Occasional Printers, Specialty Printers, Printing Away from Home, In-Plant Printers, Locating Printers & Print Buyers, Pricing Practices, Requesting Estimates, Evaluating Quotations, Interpreting Alterations, Negotiating Problems, Industry Quality Guidelines & Clarifying Trade Customs
This book teaches you everything you want to know, need to know and more than you can remember after you've read it. "Getting It Printed" is definitely a great reference book to keep close by your side for an immediate informational refresher upon a moments notice. I used this book for an online print production course and will not resell it due to its priceless contents.
If you need a book like this, you can do better........2006-06-25
I have two books currently which are much better than this one. I'm not really interested in spending the next hour of my life typing up a really exhaustive commentary on this book, as this is the first one I've ever done, but I'm just hoping to save you some time and money and I feel very strongly this is a bad book and a waste of your efforts.
It was the required textbook for my Print Production class, and I could've gotten a better understanding of Print Production by sniffing the ink on my local newspaper. The glossary is substandard, the chapters are, to say the least, hardly informative, and the author is often contradictive of his own statements. It doesn't seem as though he has an understanding of Print Production at all. I spent days staring at this book wondering why I didn't understand print, till I realized it wasn't my brain, I had bought a crappy book.
I won't say some of the elements aren't useful, but you'd be better off shopping at the used bookstore by my school, for example, and picking up a used copy for ten bucks. There will be plenty there. You can get everything useful in this book from the Graphics Master (a much better book) or any other Print Production book.
Try Kaj Johansen (spelling... sorry) or Adobe's Print Production Guide. Also, International Paper occassionally prints a guide. Don't buy this one. Graphics Master Seven or Eight would be of MUCH more use to you.
Book Description
graphic novel, intro Thomas Mann
Customer Reviews:
A beautiful biography --.......2006-12-18
-- or is it? Masereel's remarkable little book declines to explain itself.
These 165 expressive woodcuts present snapshots from the life of one man, or so we assume. He's not all that special - he's not a great hero, leader, or lover, though he's each at one point or another. He doesn't rise above or sink below anyone else, except in the usual ways. As with Copland's "Fanfare for the Common Man," this book celebrates the ordinary. And, when seen in such detail, the ordinary becomes quite extraordinary.
The book opens with the un-named man's arrival by train. The crowd and surroundings excite him, as does the mechanism of the train itself. Then, he's off to his new life in the city. We see that life in an uneven, even surreal pace. Masereel's vivid, expressive images hopscotch through the years of his life. Sequences of unrelated images seem to compress years into just a few pages. Other times, long sequences examine individual stories in detail - the adoption of a daughter, his happiness in her, and her final illness and death may be the most moving. It's a life-changing event, and sets the anonymous man off on a lengthy voyage, perhaps to lose himself or to find himself again. He returns to the city life, and eventually retires. The imagery changes radically at this point. It suggests Van Gogh's "Sunflowers" and "Starry Night," and also hints at Van Gogh's death.
Or maybe not. The imagery speaks volumes, but speaks a different volume to each viewer - and will probably speak differently to me when I read it again. Although it's an illustrated story, it's not for children. It is for anyone who wants to see the grandparents of today's illustrated fiction, or who appreciates woodcut in itself. This Dover edition is a beautiful reproduction, with richly saturated blacks but paper opaque enough to keep each page from bleeding through. It's easy to enjoy - so go ahead, enjoy it.
//wiredweird
Powerful Catalyst.......2000-05-23
Like the Tarot, the images here are universal and transformative. They have the additional benefit of a wry sense of humor and subtle undercurrents of a humanist sensibility.
A must have for any searcher or thinker.
Pure Inspiration.......1999-05-01
When my sister gave me this book for my birthday, it was one of the greatest presents I ever received. I was inspired, comforted, and emboldened by Masereel's wordless tale of a questing spirit. Despite the fact that I've read it literally hundreds of times (almost every night when I was working in Calcutta), I always see something new in the subtle, highly expressive woodcuts. Besides the brilliance of his technique, the story Maserel tells is exciting, complex, hilarious and moving. A treaure I wouldn't trade for practically anything.
reviewing the reviewer.......1998-08-24
I do not agree with the reviewer that wrote the following lines concerning Masereel's work: "We can no longer flip through it with the passion and mounting excitement which Mann describes in his introduction. For us, such journeys seem to end very close to where they began." This commentator seems to arrive at this statement from an overly-pessimistic outlook. Perhaps it would be better to comment merely on the genius of the work rather than make broad socialogical/philosophical judgements which are not well grounded, (or rather which are grounded in the reviewer's own pessimism). I suggest weekend outings as a alternative to staying home and reading a novel.
a transcendant, wordless novel.......1996-06-01
Frans Masereel made this "Novel in 165 Woodcuts" in 1919. With these 165 beautifully stark images, Masereel tells the story of a man's life - his love, his grief, his awe, his despair - without using a single word. "Passionate Journey" unfolds like a silent film; its attempt to communicate the reality of a lived life across boundaries of language (and literacy) gives it a quality of spiritual striving and - ultimately - transcendence. A small, luminous masterpiece.
"Look at these powerful black-and-white figures, their features etched in light and shadow. You will be captivated from beginning to end..." - Thomas Mann
Average customer rating:
- Excellent academic text on Picasso's Prints of 1930s
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Myth and Metamorphosis: Picasso's Classical Prints of the 1930s
Lisa Florman
Manufacturer: The MIT Press
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Picasso's Vollard Suite (Painters & Sculptors)
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Picasso: The Man and His Work - Part 1 (1881-1937)
ASIN: 0262062135 |
Book Description
Previous studies of Picasso's involvement with the classical have tended to concentrate on the period immediately following the First World War, and to attribute that involvement to both the rise of political conservatism in France and the domesticating influence of the artist's marriage to Olga Koklova. Focusing instead on the later, classicizing prints of the 1930s, this book offers a radically different view of Picasso and the "classical" -- a view that aligns his work much more closely with Surrealist, and specifically Bataillean, revisions of antiquity.
The book's argument is built around detailed analyses of several separate print series: Picasso's illustrations for Ovid's Metamorphoses, the etchings of the Vollard Suite, and The Minotauromachy. Common to all of them, the book shows, is a strong engagement not only with the classical, but with the viewer. In the latter, Picasso's prints are clearly at odds with the understanding of the relationship between classical art and its audience that prevailed throughout most of the nineteenth and twentieth centuries -- an understanding that held the work's purported autonomy to mirror the viewer's own. By exposing that autonomy as a fantasy, Picasso opens the "classical" work and its viewer alike to the entanglements of desire and the dissolution of boundaries it inevitably brings.
Much of the argument turns on close readings of key Surrealist texts by Georges Bataille, Michel Leiris, and Roger Caillois. Even more important, however, are the prints' numerous references, heretofore unnoticed, to specific works by, among others, Rubens, Rembrandt, and Goya. These references effectively create an alternative "classical" tradition out of which Picasso's etchings can be seen to have emerged.
Customer Reviews:
Excellent academic text on Picasso's Prints of 1930s.......2007-03-24
Academic but laid out so well that it is a pleasant and informative read for non-academics. Well researched and illustrated, in easy-to-follow chapters. The notes and references are excellent too, but it is the layout that is exceptional.
Book Description
Most of us know him as one member of the band Crosby, Stills, Nash and Young, but what you may not know is that at the same time Graham Nash was rocking the world, he was also pursuing a parallel career in photography and digital imaging. Nash Editionsâthe world’s premier fine-art digital printmaking studio, which Graham co-founded with R. Mac Holbertârepresents the pinnacle of those efforts. This book uses thought-provoking essays and glorious artwork to sum up not only Nash Editions’ achievements but also the state of fine-art digital printmaking. After a brief history of printmaking, you’ll reach the heart of the book: an essay by Holbert on the genesis of Nash Editions and fine-art digital printing (which details the studio's interactions with major artists like David Hockney); an essay by MoMA consultant Henry Wilhelm (which includes a technical comparison of traditionally and digitally prepared prints); and commentary from Nash Editions artists. The book’s more than 100 illustrations include Nash Editions artwork, photos of artists in the studio, images of the machines used in digital printing, and illustrations of the proofing process.
Customer Reviews:
Inspiration Through Examples and History .......2007-06-16
With respect to the nature of this book's content and message Eric Burrows' review title hit the nail on the bean: "Not how to do it but how it happened". Don't buy this book with the expectation of learning technical tricks for printing. Rather, "Nash Editions; Photography and the Art of Digital Printing" is a retrospective look at the pathfinding inkjet printing work of Mac Holbert and Graham Nash. The book actually consists of several essays by various authors, including Mr. Archival Permanence himself, Henry Wilhelm.
I found this book to be a fascinating stroll down the relatively short (to-date) path of fine art inkjet printing. But I also found it strangely inspiring. After spending a couple of hours with this book I felt compelled to devote even more effort to my own printing.
A must have book, but ..........2007-06-14
Nash Editions deserves all credit for kick starting the fine-art/inkjet revolution but I'm not sure this book adds much to what is already well known. For sure there's lot of great images herein, but the presentation is a bit sloppy. We hear the same story over again from multiple participants and (in my copy at least) the more interesting narration from Holbert ends mid sentence. If you're interested in the history of the inkjet, this is a book you'll have to have but the lack of care/thought in its presentation does seem a little like exploitation.
High expectations.......2007-05-06
Just a few years ago the terms "art" and "inkjet print" weren't tolerated in communal context. Now, as with many media evolutions, sensibilities have to a large degree changed. One of the forces instrumental in altering the art community's entrenched mindset against the inkjet process has been a small digital fine-art inkjet photography studio by the name of Nash Editions. Through the collaborative pioneering of a handful of deep-pocketed, influential, and very determined artistic entrepreneurs, Nash Editions helped develop, refine, and establish broad acceptance for the digital fine-art inkjet printing. This is their story.
At first blush this lavishly printed (and expensive) book promises a consuming elegance that sweeps you away. It has star power too, with one of the leading personalities none other than Graham Nash of Crosby, Still & Nash fame. It also includes rich and very personal histories of the birth and labored growth of the digital printing service company, of permanence in various photographic media, and of photography itself as a medium of expression. The book also includes images by a broad selection of visual artists spread throughout in an eclectic smorgasbord.
But there are a few elements that detract somewhat from the book's rich objectives. With several authors contributing, certain parts of the story get repeated - several times in fact - and the tone at times begins to sound slightly obsequious and self-lauding, to the point that one is led to the impression that Nash Editions (the company) was pretty much the sole entity that dragged digital printing from practically nothing in the early 1990s to it's high level of sophistication and acceptance today. While Nash Editions can certainly claim historic "firsts" in several categories within the digital printing revolution, a thoughtful person might wonder if there weren't just a few other significant contemporaries working toward the same goals. And on a purely technical note, one of the sections of the book ends in the middle of a paragraph, leaving the reader guessing as to the intended conclusion; perhaps a little tighter editing would have been helpful.
So, should you buy this book? Yes, if you're a photographic artist interested in the history of the digital printing process or the concept and science of photographic media permanence. And of course it will serve too as visual stimulation and a contemporary two-dimensional artwork study; one can learn a great deal by looking carefully at other artist's work.
Not how to do it but how it happened.......2007-03-31
Although I knew roughly of Graham Nash's involvement in the early days of digital printing I did not know the detail. Having been fooling around with digital printing about as long as Nash, but without his money or expertise, I found the book fascinating. This book will not tell you how to get the best print, but it does tell the story of the people who had the vision and knowledge to start it all off. A good read with some good essays by photographers who were involved. I think that it is a worthwhile addition to my photographic library. An eye opener to those who just push the button and a good print comes out.
A beautiful work..........2007-01-15
Most of the time when you view photography, you think about the image and composition, not the process of how the image is put on paper. In Nash Editions: Photography and the Art of Digital Printing by Nash Editions, you'll think more about the printing process than usual. And there's some really stunning photography, to boot!
Contents:
Introduction - Graham Nash
The History of Nash Editions - R. Mac Holbert
The Four Stages of Photography - Richard Benson
A History of Permanence in Traditional and Digital Color Photography: The Role of Nash Editions - Henry Wilhelm
Selected Bibliography
Acknowledgements
Index
This book consists of four essays centered around the process of image creation on paper. Nash Editions focuses on the creation of high-end digital image printing, and as such has learned a lot about the process and history of how photos are transferred to paper. From the chemical-heavy techniques of the early days of photography to the digital printing processes of today, you'll gain insights into issues such as color fidelity and permanence. I now know why all those pictures of the sixties faded out so badly... The more visually stunning part of the book consists of the large number of images throughout the book. From black-and-white landscapes to portraits to abstract compilations, each page turn gives the reader another treat to ponder and enjoy. Very beautiful compositions... If this were a hardbound book, it'd be a classic "coffee-table" book. As a paperback, it doesn't have quite the same outward impact as other books similar to this. But it definitely holds its own in terms of content.
This is a book that any serious photographer would enjoy owning...
Customer Reviews:
Outstanding introduction.......2006-08-11
If you're going to have just one book on the wide world of printmaking, make it this one. Despite its heft, over 400 pages in large format, it almost comes across as rushed. I don't mean sloppily done, quite the opposite, but with just so much to say that the pages can barely hold it all.
Saff and Sacilotto start with relief techniques, the processes that are easiest to intuit and that have the longest histories. This isn't just a history book, though, it includes modern materials and techniques, all in enough detail for a beginner to get going on. The next section, on the many kinds of intaglio printing, is equally thorough. It covers the whole range of ways that people can create images on printing plates. That includes familiar etching, engraving, and drypoint techniques, but also lift, aquatint, mezzotint, mixed technique, and more. The discussion covers every step, from preparing a plate to take the ground on through to printing the edition and cancelling the plate.
The section on litho, though, is where this really comes into its own. It's an exhaustive discussion of everything about the process, from the chemistry of stone or metal, to creating multiple lithographic stones in good registration, to surfacing the stone, to drying the finished prints. And, unlike many other discussions of printmaking, these authors never shy from photographic techniques and technological support. I really appreciate the fact that they see the artistic potential in everything, not just some purist list of historical techniques. The last section on printmaking covers serigraphy, and does just as complete a job as the other sections did. Final chapters cover papermaking, blind impressions, framing, and curatorial care.
There's not a lot to object to here. The authors often recommend formaldehyde as a preservative, something that only the best-equipped shops would attempt to handle today. Likewise some of the more aggressive etchants - HF is so hazardous that its use seems hard to justify for most purposes. Well, in the nearly 30 years since this was written, attitudes toward work place hazards have changed a lot. On the positive side, though, it's illustrated with 675 black and white figures and forty color plates, another reason this book seems so dense. There's more information per page in this book than in any other I can think of, and far more pages than in most other books. It has my highest recommendation.
//wiredweird
Printmaking: A History and Process.......2000-06-22
Excellent!Printmaking along with The Complete Printmaker and The Tamarind Book of Lithography are the shop manuals for Parsons School of Design and New School University Printmaking Studio.
A must have for printmakers.......2000-04-26
This book is an absolute must-have for printmakers, professionals as well as amatuers and students. I'm an art student whose focus is in printmaking and this book was strongly recommended to me by my professor. It is an encyclopedia of information on printmaking, including not only the "how-to" but the history and development as well.
Average customer rating:
- Excellent overview of Rothko
- there IS a problem with the color
- a beautiful exhibition
- Great book for moder art students and personal enjoyment
- Mark Rothko by Jeffrey Weiss
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Mark Rothko
Jeffrey Weiss
Manufacturer: Yale University Press
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The Essential Mark Rothko
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Richard Diebenkorn
ASIN: 0300075057 |
Book Description
This richly illustrated book reproduces in full color more than one hundred of Mark Rothko`s paintings, prints, and drawings, including some of the stunningly simple yet enthralling rectangle paintings for which he is famous. The volume provides commentary on various formal aspects of Rothko`s work, interviews with contemporary artists who reflect on Rothko`s artistic legacy, and a chronology of the Russian-born artist`s life (1903-1970).
Customer Reviews:
Excellent overview of Rothko.......2007-08-07
I saw the original show that went with this book. While the book cannot do justice to the works one can still appreciate the greatness of Rothko by reading/viewing it.
there IS a problem with the color.......2007-08-04
I recently bought this book, and I want to comment on the discussion regarding the color - the color is NOT great, and it does NOT show Rothko's work in its best light. Anyone who says differently should get their eyes checked. That being said, other than that it seems to be a very nice book, and I'll still be glad to have it in my library. I just need another book for better color reference.
a beautiful exhibition.......2007-04-07
This is the catalogue for a beautiful exhibition that was held at the Beyeler Foundation. Many of the works reproduced are hidden in private collections (e.g. a huge 1958 canvas in black, white and red) and it is great to be able to admire them. Nothing replaces the live experience of being engulfed in a Rothko, standing a short distance from the canvas itself, but this book is undoubtedly a valuable addition in any art library.
Great book for moder art students and personal enjoyment.......2007-02-06
It was nice to see the transition that Rothko made throughout the years from complex modern art (ala Picasso and Dali) to more simplistic yet rich in colors.
Mark Rothko by Jeffrey Weiss.......2006-11-22
As an artist, I am known for my color, and this book is bursting with color.
I was able to view three of his pieces at the Chicago Art Institute. One of
the paintings at the Institute was a transitional piece that I had just been
studying, so to my surprise I was delighted. When I receive a book I rarely
know if it will have color plates. This book and all of the research is the
best I have found on Rothko. After twenty years of reprentational art, it
will be a focus of the colors of Rothko that I may be using in my workings
back to abstract. This is a large book, it is a heavy paperback and has
many, many pages to puruse. I have enjoyed it abundantly. Also the history
is useful in the tranistion of his work. A+ joe Coon A.K.A. artist joemonroe
Book Description
135 fantastic and grotesque scenes depict the passion and grandeur of one of Dante's most highly regarded works — from the depths of hell onto the mountain of purgatory and up to the empyrean realms of paradise. Includes plates produced for The Inferno, Purgatory and Paradise. Illustrations accompanied by appropriate lines from the Longfellow translation.
Customer Reviews:
Dore Illustrations.......2007-04-11
Book arrived in promised condition, and in a timely fashion. I would buy from this seller again.
Skip this comic book.......2007-01-21
This guy is pretty much in the same league as Jack Kirby. Whereas Kirby's all soft lines and images pancaked on the page, Dore looks like he's carving his cartoons into a tree. And all these scary demons and things look tired, like they've been running marathons all day. The victims kind of look like they're enjoying it, so I guess if you're into S&M, I could recommend it. Me, I prefer "Spawn" by Todd McFarlane. The Violator? Now that's a monster you can sink your eyeballs into. And I know it's like super-uber hip, but I don't know why these illustrators feel they are so special when they work exclusively in shades of black. Like my momma used to say, "A little rouge really accents the cheekbones."
An Excellent book for the Doré or Dante lover.......2006-08-01
The quality of this book - along with an amazingly affordable price tag - quickly persuaded me to pick up a copy. Its really everything you could ask for in an art book;
The pictures are all very big, but not overwhelming; Its easy to see minute detail, and the overall scope of the image. I actually blew up some of the prints in photoshop and printed them on huge poster paper for my room, while not sacrificing a drop of detail.
Also, I had to put quite a good deal of pressure onto the spine of the book in order to get a good scan from them, and im happy to say that doing so didn't even leave an annoying "bookmark" crease in the book, and the spine didn't even crease. Dover books really did produce a fine quality book, and the note on the back really is true: This book IS permanent.
If you have read or are reading the divine comedy this book is a great reference to glance at every now and again to truly suck you into Dante's epic poem, and bring you to the Heights of Heaven, The Depths of Hell, or the pain of purgatory in a way you could never have imagened.
The woodcuts done here by dore are so elaborate and vivid you could spend a good portion of a day just gazing into the faces of cursed souls writhing in hell, or the beauty of millions of angels soaring in the highest heaven. Dore illustrates every picture so full of movement and depth its the next best thing to a movie.
Absolutely Wonderful (Really 4 and a half stars).......2006-06-07
I have looked at a variety of Dante artists. Some well known and some are not. Suloni Robertson, John Flaxman, Willam Blake, Sandro Botticelli, Sandow Birk, Herb Roe. Do a google search to look at the works of some of these like Sandow Birk. There are some that are more obscure which in a way documents the Comedy, more specifically the Inferno. I'm not going to say who I don't like but Dore is the best. I am rather specific about artists. Dore makes the grade. He is good, really good and when you look at this book, you feel like you are in the terrible depths of hell. I like purgatorio too. I feel the religious prayer songs in my head as I see Beatrice's entrance. There is so much symbolism in these pictures, especially in Paradiso. Though I do disagree with the depiction of Muhammad in hell, the rest is fantastic. I mean that he looks more like he's British then Middle Eastern. I imagine him with blonde hair in the plate. The tortured look on Dante's face in the plate with Betrand de Born, (The cover pic) is extraordinary. I felt how he felt. That is why Dore is so good. I had also hoped for more detail with Ugolino because his story is fantastically horrifying.
The book is a must for any Dante fan. I look at it a lot, even if I have seen the pictures hundreds of times. I really don't think that you can get bored with this. There is always something new to look at. Some detail you looked over. Buy this book because the scans online don't give the justice that this book has. Buy it, look it over, get inspired by it. Maybe we will see your work on Amazon in the near future.
The Dore's Illustrations for Dante's Commedia are great........2006-03-15
The Illustrations from the 1st canto in the Inferno to the last of Paradiso are great because they help as a visual aid when reading the Divina Commedia. One can really see how and in which ways Dore, when he design the illustrations, followed the text very closely.
Book Description
The Print is the third and final book in The Ansel Adams Photography Series--the seminal guides fully revised by Ansel Adams shortly before his death in 1984. The Print, now available in paperback like the other volumes in the series, belongs on every photographer's shelf. It covers the entire printmaking process, from designing and furnishing a darkroom and experimenting with your first print, to mastering advanced techniques such as developer modifications, toning, and bleaching, and burning and dodging. This thorough guide is filled with indispensable darkroom techniques and tips, and amply illustrated with photographs and technical drawings. It is an indispensable tool for mastering the complex art of photographic printmaking.
Customer Reviews:
with great knowledge comes great responsibility.......2007-06-27
Ansel Adams is the master of photography, black and white, but still photographic principles and concepts have been throughly tried and tested by him and he teaches you so much in his series starting with "The Camera" and ending up with this book which focuses more on the final piece. The 2nd book in the series is also so very crucial because it outlines and describes his "Zone System" in great detail. A must have for any avid photographer and a great shelf reference for any professional. Now go out and shoot.. waste some film for crying out loud and get some awesome shots :)
A great reference book for almost any photographer.......2007-06-19
In this third part of Adams' technical writings, you'll find a guide to go from what a camera recorded (it talks about a negative, but can be well applied to a digital raw file) to a fine print delivering "what you saw and felt" to the viewer.
Even if it applies to B&W, I find that much of the content can be applied to color work if you think a bit more about it - mostly now, in the digital age with separated luminance and chrominance controls.
You'll also read some good ol' kitchen recipes about developers and toning... These will be less and less useful, but can bring back the smell of the darkroom to your memory ;o)... And quite often, the principle that based the recipe can be applied to another media.
A reference, whether shooting film, digital or glass plates (and of invaluable interest for the two former).
content excellent, one little remark for the publisher........2007-04-24
The book is excellent. Although these techniques are not widely applied today, with appropriate experience and thinking this knowledge can be applied and transferred to modern software like Adobe Photoshop. It can help relate modern and classic photography printing processes (traditional vs computerized).
One little remark would be for the publisher. The paper the book is printed is gloss with quite a high reflectance index. This results in making reading the book at certain angles quite impossible for your eyes.
This is great book.......2004-06-14
In this book, Adams said Expression is more important than reality, idea more important than fact, the print more important than its subject. For it is only in the print that such magnificence can be unfailingly orchestrated. Those words made me think that what is good photograph. The book opens with a thoroughly enjoyable, albeit brief, history of photography before getting down to explain printing techniques.
The majority of the text concentrates it's efforts in educating the reader in the art of B&W photography. This book tells readers that what are good prints making techniques. After reading this book you will feel like that your printing skills are very improved. The reader will see many wonderful pictures as examples, that will surely create a better impression as to what type of pictures Adams takes.
Excellent Book for any Serious B&W Photographer.......2003-12-25
This is one of a few books in this Ansel Adams series. He discusses a number of aspects of the print, it's limitations, and many techniques that can be used to exploit print characteristics. I highly recommend this book to anyone who is at all serious about B&W photography whether developing your own prints or not.
Average customer rating:
- German or Latin
- Extraordinary find
- Another exquisite book from Taschen
- It's been a while since I drooled in a book store...
- The most beautiful book you'll ever own
|
Hartmann Schedel: Nuremberg Chronicle (Taschen Jumbo Series)
Hartmann Schedel
Manufacturer: Taschen
ProductGroup: Book
Binding: Hardcover
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ASIN: 3822812951 |
Book Description
MUST-HAVE HISTORY BOOK OF THE ENTIRE WORLD ... FROM 1493
Hartmann Schedel's Chronicle of the World, widely known as The Nuremberg Chronicle, after the German city in which it was created, was a groundbreaking encyclopedic work and, at the time, the most lavishly illustrated book ever printed in Europe.
Both a historical reference work and a contemporary survey of urban culture at the end of the 15th century, the Chronicle had a remarkable influence on the cultural, ecclesiastical and intellectual history of the Middle Ages. In over 1,800 superb woodcut illustrations the Chronicle depicted events from the Bible, human monstrosities, portraits of kings, queens, saints and martyrs, and allegorical pictures of miracles, as well as views of a great number of "modern" cities, many of which had never before been documented.
Today, copies of the Chronicle sell for up to $400,000. TASCHEN was granted rare access to an extraordinary hand-colored copy, and has created a complete facsimile of outstanding quality, true to the original in every respect. In case you don't read Old German, the comprehensive annex, with summaries of the book's main stories, provides a user-friendly way to explore this amazing historical masterpiece.
**Hardcover covered in padded and embossed velvet.
Customer Reviews:
German or Latin.......2007-04-08
I cannot reconcile this "old German" facsimile with the original Nuremberg Chronicle which was written in Latin. There was a "pirated" version produced in 1496 in German in which the pages were smaller.
Is there a simple explanation for this?
Yvonne van Wensveen (myblackhen).
Extraordinary find.......2003-05-23
I am a confirmed "bookaholic."...With my purchase of Taschen's edition of Schadel's Weltchronik...I may never buy another book...I became aware of the availability of the book at Taschen's website and was delighted to learn Amazon.com actually had it in stock (as well as Taschen's edition of Luther's Bible...my next acquisition).
This is a very substantial book. Attractively bound. And, the reproductions are wonderful. It is an enjoyable window into printing and woodcuts and world of 16th Century thought. I found my (mediocre) skills in German enhanced my appreciation of the work, but I think that even without understanding the text, the book-as-art stands up well by itself.
Füssel's commentary was interesting and informative and a substantial addition to an already fine volume. Lacking specific background, I could not read it critically but I enjoyed it very much.
Finally, the book, it seems to me, is an incredible bargain at the price.
Another exquisite book from Taschen.......2003-05-12
It isn't necessary to be familiar with old German to appreciate the beauty of this book. It is a wonderful object just to look at.
The one drawback for me is the colouring of the woodcuts. I enjoy coloured woodcuts, but unfortunately the job of colouring these was given to someone unusually inept, a genuine 15th Century donut, who performed the task with neither ability nor care.
But you have to go with what you can get - and this book is still worth it.
It's been a while since I drooled in a book store..........2002-12-23
If you're here, and know what the heck this book is, then I can readily recommend that you snap it up without reservation. Seriously now, how often do things like this get reprinted? The Liber chronicarum isn't exactly mass market, now is it? ;) There really are only two drawbacks to this edition. First, the cover is an artificial suede that is -really- suceptiable to damage. Be careful with it, and consider making or purchasing some sort of cover for it. The second drawback is merely personal preference - this edition reproduces a hand-colored version of the text. This book is absolutely beautiful in it's reproduction, but I've never been a big fan of colored woodcuts. If you like your woodcuts chromatically enabled, all the better.
The most beautiful book you'll ever own.......2002-08-03
Wow. This is a stunning book. I'm a real book-o-holic but this is the first book I feel priviliged to own. If you're interested in the medieval period this should really be in your bookcase. Or maybe even in a display case.
The book is a reprint of a 1493 chronicle. The entire history up until then is covered through their eyes, including, of course, the bible. Since Columbus hadn't returned yet, the discovery of the Americas isn't even covered yet, a fact that really made me feel in touch with just how old this chronicle really is.
I especially like the way the chronicle reflects the renaissance spirit, neatly weaving the long-known stories of the bible, the rediscovered Greek and Roman sagas (Illias etc) and 'modern' history into one coherent chronicle.
A slight warning, however: if you want an easy-to-read history book, you'd better shop around some more. The letters are gothic, and the chronicle itself is in middle-German. The introduction is in English however, and the woodcarvings are beautiful enough to warrant buying this book even if you can't make out exactly what it says.
If you ever want to buy someone who loves (medieval) history a special gift, get him/her this book. You'll make a friend for life :-)
Books:
- The Children of Húrin
- The Doubtful Guest
- The Homeowner's Guide to Renewable Energy: Achieving Energy Independence Through Solar, Wind, Biomass And Hydropower (Mother Earth News Wiser Living)
- The Quilts of Gee's Bend: Masterpieces from a Lost Place
- The Red Tent
- The Remarkable Potters of Seagrove: The Folk Pottery of a Legendary North Carolina Community (A Lark Ceramics Book)
- The Ultimate Book of Kid Concoctions: More Than 65 Wacky, Wild & Crazy Concoctions (Ultimate Book of Kid Concoctions)
- The Ultimate Verbal and Vocabulary Builder for the SAT, ACT, GRE, GMAT and LSAT
- The Watercolorist's Essential Notebook: Landscapes
- Verbal Judo: The Gentle Art of Persuasion
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