Book Description
The Third Edition of Michael Doyle's classic Color Drawing remains the ultimate up-to-date resource for professionals and students who need to develop and communicate design ideas with clear, attractive, impressive color drawings.
Update with over 100 pages, this Third Edition contains an entirely new section focused on state-of-the-art digital techniques to greatly enhance the sophistication of presentation drawings, and offers new and innovative ideas for the reproduction and distribution of finished drawings. Color Drawing, Third Edition Features:
* A complete body of illustrated instructions demonstrating drawing development from initial concept through final presentation
* Finely honed explanations of each technique and process
* Faster and easier ways to create design drawings
* Over 100 new pages demonstrating methods for combining hand-drawn and computer-generated drawing techniques
Step-by-step, easy-to-follow images will lead you through digital techniques to quickly and easily enhance your presentation drawings.
Customer Reviews:
gerat book for any designer.......2007-03-22
this book is an awsome book for any designer intrested in improving their presentations, the book is very thorough and deals with a wide range of subjects....very recomended!!!!
It's well written.......2007-03-10
It is a very handy book, but this edition is leaning more towards photoshop capabilities. The tips it gives for computer rendering are nice to know but I think it's sacrificing a bit of the hand rendering information which I would have liked to see more of.
great book.......2007-02-20
I am an Interior Design major and my professor recommended this book for the use of Prismacolor markers. It gives you great advice on how to render (coloring using the Prismacolor markers to show colors and shadows) and different techniques so you can get the effect you want.
Good Reference Book.......2007-02-08
This book is a great reference book if you'd like to learn historical techniques used in rendering, such as diazo printing, as well as for basic guidance using Photoshop for rendering. However, I highly recommend using the 3rd edition along with a current Photoshop tutorial, or other rendering software for utilizing current digital techniques (all of the outdated Photoshop instructions have been removed from the 3rd edition).
Only Book Of Its Kind.......2007-01-10
I'm thrilled that I finally have a book that tells how to digitally as well as manually color architectural and landscape drawings. It gives tips on using a scanner to get drawings or photographs into a layer of Photoshop and then how to manipulate the layers including opacity and filters. The technics for using markers and colored pencils to achieve realistic wood, rocks,leaves, water, and chrome are outstanding. Includes great tips on paper colors, and what to include or leave out of a drawing to give it visual punch. The entire 414 pages are drawings and tips specifically dedicated to the needs of architects, landscape architects, and interior designers though any graphic person would find tremendous value in this book.
Average customer rating:
- Outstanding book
- Color Drawing: Design Drawing Skills and Techniques for Architects, Landscape Architects, and Interior Designers, 2nd Edition
- Outstanding Resource
- EXCELLENT rendering help
- Color Drawing Book
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Color Drawing: Design Drawing Skills and Techniques for Architects, Landscape Architects, and Interior Designers, 2nd Edition
Michael E. Doyle
Manufacturer: John Wiley & Sons
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ASIN: 0471292451 |
Book Description
Stunningly updated, totally redesigned, practical, and ready to use This new edition of Michael Doyle's classic Color Drawing is the ultimate up-to-date resource for professionals and students who need to develop and communicate design ideas with clear, attractive, impressive color drawings. In an easy to use, step-by-step approach, this comprehensive guide presents a total system of color design drawing that encompasses approaches to sketch communication as well as more finished presentation drawing. Totally redesigned to provide quick, easy access to key information, this Second Edition covers the basics of color phenomena, media, techniques, and approaches to illustrating materials necessary to communicate design ideas. With nearly 400 new color illustrations, it contains a new section on color and design principles for creating more sophisticated presentation drawings and offers innovative ideas for the reproduction and distribution of finished drawings. Color Drawing features:
* A complete body of illustrated instruction that demonstrates the development of design ideas from initial concept through presentation drawing
* Finely honed explanations of each technique and process
* Faster and easier ways to create design drawings
* Methods for combining hand-drawn and computer-generated drawing techniques
This remarkably versatile volume is both an illuminating textbook and a completely reliable self-teaching tool, as well as a handy quick reference. It is an excellent guide for students at any level and an unparalleled resource for design professionals.
Customer Reviews:
Outstanding book.......2007-06-05
It's really hard to say too many things about this book. Even older editions of Color Drawing are great, but this newest one goes above and beyond the call of duty. In an age when a lot of books get re-released as new editions with few substantive changes, Color Drawing breaks the mold by updating the techniques with current technology (i.e. Photoshop). It's great to see that the author and publisher realize that pure hand-drawing and rendering is quickly becoming a thing of the past and that the practitioners of today and tomorrow need to have excellent computer skills too. This book is full of very useful tips for combining Photoshop with hand drawings to create great effects. So even if you have an earlier edition, do yourself a favor and buy the new one anyway because you will learn a lot.
Color Drawing: Design Drawing Skills and Techniques for Architects, Landscape Architects, and Interior Designers, 2nd Edition.......2007-01-06
This is an excellent resouce for the study of rendering. After detailing the elements of color and design, it describes, step-by-step, how to achieve many finishes both interior and exterior. It is both instructive and informative.
Outstanding Resource.......2007-01-03
This is the standard for rendering in architecture and interior design as far as I am concerned. It will most definitely become a required textbook for my classes in visual presentation in the years to come. Doyle takes you step-by-step into the process of rendering with marker, color pencil, and pastels. But he doesn't just spoon feed you the recipe for each material rendering, he presents the basis for a process that allows you to render virtually any material not found in the book.
EXCELLENT rendering help.......2006-02-25
My rendering skills have improved HUGELY scince recieving this book. It helps with marker, colored pencils, pastels, how to treat light, etc. My renderings look amazing and it is a great reference for when I'm not sure how to treat a surface/object. I would absolutely recommend this book.
Color Drawing Book.......2005-09-26
I needed this book expedited and it got to me even before the dates listed on my confirming email. Very pleased.
Book Description
Architecture and drafting students and professionals alike will find a rich range of instructional and ready reference materials in this source. The author demonstrates proven techniques for clearly expressing a wide variety of architectural forms - from loose sketches and easy line drawing, to detailed renderings and final presentations.
Customer Reviews:
Don't Do It!!!!!.......2007-08-17
If you are buying this book because it is required text for his talk, do youself a BIG service and get your refund immediately. He promises to deliver how to teach you graphics in 7 or 12 days, depending on the location, and he will not deliver. He takes your money, teaches, perhaps what equates to two days of real teaching and continously tells you how privileged you are to learn these things from him. The remaining time is spent on his non-stop blathering about non-related ideas like his philosophy, websites (like myspace), etc., etc. He wastes your valuable time and your hard earned money. Be forewarned!
rendering techniques are easy to understand.......2007-01-17
it is avery fantastic book im very happy to have it its educational and a very paowerful reference for rendering, it is time saving and easy to apply, wonderful colour schemes, i recomend this book to all architectural renderers & architects as well
Awful.......2006-01-11
I bought this book and disliked it so much that it was the one and only book I have ever returned to Amazon. It was terribly dated which would have been acceptable if the content was there but it wasn't. Save some money AND get what you're looking for in Color Drawing: Design Drawing Skills and Techniques for Architects, Landscape Architects, and Interior Designers by Michael E. Doyle. That's what I replaced it with and I love it!
Description misleading.......2005-10-23
I just want to emphasize to someone interested in purchasing this book...there is NO verbal technique given on how to render any drawings. There is a drawing only...with a description of paper, medium, etc...but no "how to" on reproducing it. I am a professional artist and I was hoping to learn from this book how someone else might create a drawing with certian papers, paints, etc....but, there is no information of the steps taken...just the end result.
No techniques, just references.......2005-09-21
Overall, a feeling of disappointment. The title claims techniques but there is absolutely no guidance, no comments, and no insight for the reader. This is a picture book filled with a collection of renderings with minimal captions noting materials used and acknowledgements. Flipping page after page the reader begins to recognize the styles of the recurring artists. This book may help you identify a style (although dated) to pursue but it ultimately becomes the reader's burden to try to reproduce selected rendering through trail and error.
Book Description
Pure color is pure inspiration for all artists. It celebrates the limitless possibilities of pastel through a showcase of more than 125 glowing works from the top pastel artists working today.
Artists will find:
-A diverse range of contemporary styles and subjects
-Insightful commentary from the artists themselves on their creative processes and techniques
-Oversized pages that reveal the rich color and striking detail of every piece
Customer Reviews:
Good presentation of other artists' work only.......2007-04-29
I was looking for a book that would show other artists' work AND also give me some insight into how they chose the colors they did and a little about how they composed the piece, at least if I want the book to keep in my own library. This is a beautiful book, but doesn't teach me anything about working with pastel colors or about composition. For that, look at "All About Pastels" and for hands-on practice, I loved the book "Pastel Workbook," which is coming out in paperback soon. I did enjoy looking at this book from the library, but don't see a need to own it.
Pure Color: The Best Of Pastel.......2007-01-07
This one is the most comprehensive book on pastel art I've seen. Beautifully presented, it's the ideal companion to my other art books. Carefully chosen artists show their work and describe the process involved in creating each masterpiece.
Best of the "Best" so far.......2006-03-19
This edition of Pastel Paintings is outstanding for the quality of the artwork. It goes beyond the usual predictable landscapes and still lifes. There is a variety of painting styles, many loose and free. The inclusion of a beautiful figure drawing among several portrait and figure paintings is refreshing. This is a wonderful book to add to your collection of pastel art. The color and style of these works are supremely exciting.
Cover Hype.......2006-03-09
I was challenged to buy book based on the cover review. Upon receiving the book, I was somewhat disapointed in the content within. I expected a higher caliber of colorists than illustrated.
Jim Gola, Sec
NW Oil Painters Guild
www.oilpantersguild.com
This book is superb !.......2006-01-30
I began collecting books this past year on successful pastel paintings. This particular collection is my latest and as someone who's always loved the medium of pastels, I think Pure Color is truly the finest and most inspirational book of its kind...makes me feel like happier than a kid in a candy shop! I also appreciate begin able to have access to the artists' contact information located at the end of the book; going to their web sites is like having an extension of the hardcover version of the book and makes the experience of reading the book exponentially better.
Book Description
"Everything was alive, pulsing with light and color."
--Susan Sarback
This is more than a how-to-paint book. It's a how-to-see book ... specifically, how to tune in to nature's glorious subtleties of light and color.
Forget complex theories. "Full-Color Seeing" is based on direct observation. It's about overcoming preconceptions and perceiving true color based on the colors that surround it, the way light hits it, time of day, season, weather conditions, and too many other factors for a mere formula to incorporate. You'll learn to see your subject--any subject--just as life truly presents it to you. This is the secret to capturing the living, breathing sense of atmosphere so celebrated in the works of the Impressionist painters.
A revision of Susan Sarbacks' illuminating Capturing Radiant Color in Oils, this book offers twelve more years of fresh insights, new paintings and expanded coverage on soft pastels. The concepts explored here have been handed down through generations of artists: Sarback was taught "Full-Color Seeing" by master painter Henry Hensche, who learned it from Charles Hawthorne, a contemporary of Claude Monet. This step-by-step approach will add greater vitality to your artwork and forever change the way you see.
Customer Reviews:
Capturing Radiant Light & Color in Oils and Soft Pastels.......2007-04-10
This book is excellent and very helpful. There are many tips and stages presented in a carefully thought out way. I have Susan Sarback's earlier book and this is a stellar update! She shares much of her immensely improved talent and knowledge. Although I am a beginner, I believe this to be helpful to artists of all experience. I highly recommend it.
A serious book.......2007-03-05
In my opinion this book must be compared with "Painting the impressionist landscape", from Lois Griffel; the focus of both books is the same: explaining a simple step-by-step method to paint with full-spectrum color.
In Sarback's:
-The "block studies" (painting colored wood blocks) are not so well explained. Griffel gives a lot more insight in the selection of colors, and the cloudy day example is completely missing in Sarback's.
-There are more step-by-step "real landscape" demonstrations, but they are not so well explained as in Griffel's. Just 4 pictures of preliminary states of the painting. Nevertheless the final pictures of these demonstrations are much better in Sarback's.
-There is a comparison of different color approaches to painting that is interesting: expressionist, abstract, local, etc.
-She does not explain how to select colors (which warm? which cool?) or how to compare their values. There is nothing similar to Griffel's idea of a chart for comparing values.
-She gives tips about brushstrokes or using different types of edges. These subjects are not included in Griffel's.
-Portrait and figure paintings are not covered at all. Griffel's at least shows some beautiful paintings of this kind.
-The pages are almost full of text and beautiful paintings. There are no quasi-empty pages.
-The soft pastels coverage is minimal, but oils coverage is also lacking. The book talks about general principles: do not expect low-level (paint layering, I mean) advice.
A "must have" book? I am not sure, but I think that if you follow Sarback's tips, you will paint beautiful "masterpieces". If you are a beginner consider buying Sarback's DVD "The difference a day makes". The DVD is too short (30 min or so) and a bit dissapointing, but if you want to observe the way she paints wet-on-wet, may be it is cheaper than a trip to California to attend Sarback's workshops.
A Must Have.......2007-02-27
Detailed teachings from a master painter -- can it get better? This is the absolutely best how-to book on painting in the Hensche/Hawthorne tradition that is out there right now. It is a bit surprising that it is called a revised edition, as, IMHO, it is a new and even better book. The method is explained clearly and logically, easy to follow. Many step-by-step demonstrations with clear explanations teach how one can see and paint one's own still-life or landscape.
Although, in honesty, a book can't beat studying with a master in person, I'm convinced that Sarback's new book is so clearly written that a beginner in this method can learn as much of it as is possible. For those who already paint with the light-and-colour method, it is invaluable, and can take you steps and leaps further on seeing and painting light.
My impression is that master painter Sarback does gives it all, and does not "keep secrets". The very best teachers encourage students to become even better than they are, and does not hold back on advice and teaching. This book is a cornucopia of principles, method, and practical advice. I will wear it out, as I progress as a painter of light-and-colour.
Customer Reviews:
great book.......2007-08-16
Helen is a great teacher. I have taken art classes and learned 1/10th of what I learned by reading her book. I am colorblind and people argue with me about it because of my ability to use the right colors. I only wish she was still here so she could produce even more information etc.
Helen Van Wyk's Favorite Color Recipes.......2007-04-02
An excellent book that covered many subjects of painting, and how to use particular colours successfully for that area, I found this very helpful and informative.
Helen Van Wyk's Favorite Color Recieps.......2007-03-20
I have not had enough time to give a very detailed review on this book 'however from what I have read I am very impressed with the clarity in her descriptions on mixing colors and their use.
HIGHLY recommended by this professional artist.......2006-10-16
Because I knew that Helen Van Wyk was a "TV painter" I was skeptical, but I discovered that Helen was light years past any of the painters I ever saw on TV. Her talent was outstanding and her teaching is clear, sensible, and utterly practical for painters at any level from absolute beginner on up. I have a degree in fine art; I make a living painting custom murals, and I'm still learning all kinds of useful things from Helen. My work has definitely improved as a result of applying just a fraction--so far--of the information here. It's a shame this wasn't among our textbooks in college; it could've saved me so much time and struggle. Oh, and money. This book will more than pay for itself in savings on paint and supplies.
Why only four stars out of five? Because this book isn't complete on its own. I'm online today to buy "Color Mixing the Van Wyk Way", which I recently borrowed from a friend and now must own. That one goes into more depth with the entire process of building a painting--some stuff I learned in art school, and a lot that unfortunately I did not, because modern painting instruction is sorely lacking in real foundations. Van Wyk can help you fill the gaps if you've been painting a long time, or start you out right if you're new at this.
A Treasure!.......2001-11-03
If you are going to buy one book about color mixing in painting, this is the one for you. She explains the best colors to use and gives helpful hints as to what mistakes not to make. She does so in a straight forward understandable way. I want to buy more of her books!
Customer Reviews:
I guess it depends on what you mean by serious.......2007-04-08
When she says serious... in the last few pages she tells you about becoming a full time artist, pros and cons kind of thing and options. She gives suggestions of places you can look into to show your work, but does not tell you how, just where to go. She does however say to go to the library to find out more or the internet. I guess most people don't know that, to me it is obvious. But hey, now you know and you didn't have to buy the book!
The artwork in the book sucks. It lacks depth and looks flat. Sure there is color, but it all seems to have the same pressure to it. Some may be better than others, buy my eyes don't want to look at it long. So, a tip that I know in becoming a serious artist is that if you actually want people to buy your work, you will want to create something that captures the attention of the viewer and keeps them there. The more they look at your work or the longer, the more likely they will buy it. The only one in there that looked pretty cool was the monopoly picture.
It's odd, she shows some basic examples of creating the illusion of 3D using tonal values from light to dark as well as discussing form, volume and space... but does not fully carry it through in her own work.
I just think if your going to learn from an artist, you would want to learn from someone who can give a good example. Why not learn it the right way the first time? There are too many other books that could do it better for ya. Check out books by Ann Kullberg, Janie Gildow, Gary Greene, Vera Curnow, or even Bernard Poulin. These artists have books for beginners and advanced, check them out and find the level best for you. They are better examples to follow. And if you want to start selling find a book strickly for that. Though Ann Kullberg, in "colored pencil portraits step-by-step has a section where she explains how she sells her portraits.
Are you kidding?.......2007-03-30
How did this artist ever get this published? The artwork in this book is so amateurish I did not even want to read what he/she had to say. I don't want my pieces to look like theirs. It looked like junior high artwork. The proportions of animals were totally incorrect, color wasn't eye catching, pieces looked like crayon drawings. This must be self published. I returned the book I didn't even care that I lost my shipping costs, I would never look at it or read it again.
Not for beginners.......2007-02-06
I think this may be a fine book for more advanced artists. There was little help for true beginners,even"serious " ones. There was much philosophy and opionion, but little practical help.
THE book on Colored Pencil........2007-01-25
If you can only have one book on colored pencil, let it be this one. I had to buy another one when my professor saw it. It is another book that I read with pen and highlighter in hand. I couldn't just read it I had to study it.
The only book you need.......2006-10-29
If you can only buy one book on the art and craft of colored pencil, buy this one! If you have a hundered books on art, I'd still say: you need this one! Bet Borgeson is well known for her intelligence, wit, humor, and her refusal to "talk down" to the reader or student. Page for page, there is more useful information in this book than in any other art book on my shelves -- and most of it is invaluable for artists working in any medium. From the basics of "getting started," to the philosophy of an artist's life, this book is jam-packed with useful and thought provoking information. Its richness and quality call to mind Richard Schmid's _Alla Prima_ or Rex vicat Cole's _ The Artistic Anatomy of Trees_, two of my other personal favorites. I love this book!
Customer Reviews:
Gives us a bass.......2001-07-06
I believe that Douglas Dawson is a sincere teacher, but I found this book to be a litany of rules, tricks, and gew-gaws for obtaining effects -- without a governing vision. (Contrast the similarly-named "Capturing Radiant Color in Oils" by Susan Sarback, which is above all a book about seeing and reporting what you see, and in spite of its title the most helpful book I have found for my approach to pastels.) Some of Dawson's rules are in the category of "duh!" and others make no sense. His points are usually illustrated by his own work, including landscapes (quite interesting), cityscapes (often dramatically lit but oddly unmoving), and portraits (sappy, sentimentalized, and including a few real bodice-rippers). The old saw says, "give a man a fish and he eats for a day; teach a man to fish and he eats for a lifetime." Dawson gives us a bass, and not a very fresh one.
Pastel beginner from Dallas digs Doug's book........2000-10-09
The book starts with Dawson explaining the difference between the handling of lines--drawing--and the handling of shapes--painting. He then explains and illustrates two pastel painting techniques: working from big to small shapes and working from shape to shape. Then he combines drawing and painting to launch into ways of being creative with color and light. The book ends dealing with backgrounds, depth, and finding new ideas.
Appropriate to an art instruction book, there is an abundance of illustrated examples, step-by-step pictorial demonstrations, and very stunning completed paintings. The book was easy to read, and Dawson's thoughts, examples, and techniques are very easy to follow.
I like this book very much. The most valuable thing I learned from reading Dawson's book was how to turn my drawings and paintings into works of art.
Book Description
Almost all artists have room for improvement when it comes to drawing, the fundamental skill of all realistic art. Now they can tap the proven techniques and collective drawing wisdom of more than a dozen of The Artist Magazine's and North Light Books' most venerable artists. The book features:
-Solid, easy-to-follow advice for drawing in a realistic style
-14 step-by-step demonstrations culled from some of the best art instruction published today
-A range of popular subjects, including landscapes, portraits, still lifes and seascapes
The Pencil Box covers basic supplies and tips for improvement in addition to dozens of drawing techniques, so readers will find everything they need to start drawing better in one comprehensive package.
Contributors include Cathy Johnson, Bill Tilton, Jerry McClish, Stanley Maltzman, Janie Gildow and Paul Leveille.
Customer Reviews:
The Pencil Box.......2007-02-14
I found this book to be very helpful. I am getting back into drawing after many years and the author provided many good points and great illustrations. The section on colored pencils was especially helpful. I bought the pencils listed in the exercises and did a few of the drawings. The suggestions for blending and shading were wonderful.
Customer Reviews:
excellent art companion.......2007-01-04
Her books are terrific for choosing colors and mixtures. This particular book is quite expensive due to out of print status. If you can find it and are using colored pencils, buy it!!
Very useful book.......2004-04-23
Wonderful book on mixing colored pencil colors. This is difficult information to find in other books. It is layed out very nicely and any colored pencil artist would find this to be very useful.
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Space Planning Basics
