Book Description
New, information-packed introduction and extensive captions accompany more than 120 full-page plates of magnificent, elaborately carved, museum-quality masks worn by actors playing gods, warriors, beautiful women, feudal lords, and supernatural beings. A unique introduction to classic Japanese theater for westerners and an excellent reference for students, scholars, and enthusiasts of No drama. Captions.
Book Description
Japan's output of manga is massive, accounting for a staggering forty percent of everything published each year in the country.Outside Japan, there has been a global boom in sales, with the manga aesthetic spreading from comics into all areas of Western youth culture through film, computer games, advertising, and design.
Manga: Sixty Years of Japanese Comics presents an accessible, entertaining, and highly-illustrated introduction to the development and diversity of Japanese comics from 1945 to the present. Featuring striking graphics and extracts from a wide range of manga, the book covers such themes as the specific attributes of manga in contrast to American and European comics; the life and career of Osamu Tezuka, creator of Astro Boy and originator of story manga; boys' comics from the 1960s to the present; the genres and genders of girls' and women's comics; the darker, more realistic themes of gekiga -- violent samurai, disturbing horror and apocalyptic science fiction; issues of censorship and protest; and manga's role as a major Japanese export and global influence.
Customer Reviews:
Concerning this book and it's controversy.......2006-07-24
In terms of English language academic works on the subject of Japanese manga, this book is easily in the top five titles in quality, exceeded only by Frederick Schodt's Manga! Manga! Few comprehensive references on manga have ever been produced, and this is something of an update to Schodt's work, which dates from the early 1980s. It is an excellent academic and artistic source--however, this academic nature is what has given the book some of its controversy.
In the United States, the prevalent judgement by parents and many people outside of comic and manga fandom communities is that comics of all kinds are predominantly targeted to young children. In Japan, however, manga is targeted for a diverse audience, from young children, to adults, with genres driven towards female readers of diverse age ranges, which is relatively rare in the US. There are categories of manga directed towards sophisticated adult readers, as well as categories delivering explicitly pornographic or challenging sexual content, or stories written for gay and lesbian interests. Though Japan is somewhat more socially liberal on allowing some access by younger kids to sexual content, these categories are distinctly targeted to different age groups, genders and interests.
Of course, to ignore any single aspect of manga is to sacrifice the broad scope that the art form has manifested itself. Gravett casts a wide observation over as many different categories and examples of manga as he could deliver in a reasonably sized format. Examining the book shows that it is clearly targeted for at least a late-teenage readership if not higher, as Gravett presents historical and business information as a backdrop to the artistic content of the Japanese manga industry. Even despite the sexual content, this is far from a children's oriented book in text content and reading level alone.
As far as the sexual content goes, there are less than twenty pages with sexually explicit content on them, which is only about eight percent of the overall 176 page book. Some readers would naturally find the content objectionable, but the amount and contexts are hardly excessive--and in some cases, such as the work of Maruo Suehiro, the work is of very fine quality of value to students of Japanese comic art. The work may not be to everyone's taste, but it is far from artistically irrelevant.
(Besides which--having seen some wide examples of even harsher sexual material--Gravett's selections are far from the worst ones available).
As a result of the sexual content in this book, it was removed from the libraries of San Bernadino (California) County's Public Library system. Both sides make compelling and passionate arguments, but this has given the book an unfortunate notoriety apart from the excellent academic content. Many of the press remarks (which are available on the author's website) seem to refer to the book as excessively pornographic or x-rated, when much of it is compartmentalized in the two or three chapters dealing with adult-oriented manga in the latter half of the book. Obviously, interested readers would be encouraged to examine the book for themselves before drawing their own conclusions as to whether the book exceeds their own personal tastes or not, but they should also be aware that much of the press coverage seems to have overemphasized the book's sexual content.
It is important to know that for readers interested in an objective, comprehensive source on Japanese manga done with high academic standards, this book is a must. Unfortunately, there do not seem to be many books targeted towards a young readership that are a general reference on Japanese manga, but much of the published content in manga is oriented towards a pre-teen readership, including most of the "how to draw" manga books, Shonen Jump, Shojo Beat and Newtype magazines, and much of the publishing lines of Viz, Tokyopop, ADV and others. There is a wealth of manga content available for kids outside of material which parents would find sexually objectionable.
In short, this book is in no way targeted for children, though of course as a comprehensive examination of manga it includes some content which, on its own, is accessible to a children's audience. With any luck, this book will continue to recieve attention for the quality academic work it offers instead of controversy.
Not for Children.......2006-01-09
This is a great book about Japanese animation. I ordered it for my twelve year old daughter as a Christmas present since she loves anime. You should be aware that there are many graphic sexual drawings that leave nothing to the imagination. It is borderline pornographic. Expect to tear out lots of pages if this is for children.
Manga Mania Made Sense.......2005-11-12
It's been six long years since Frederik L Schodt updated his seminal 1983 study, Manga! Manga! World of Japanese Comics. Since then manga's unstoppable rampage across the West has become inescapable. So it's appropriate that someone took stock of this comic 'sub-genre' and updated and re-examined what has become the world's most prevalent comic art form. Paul Gravett manages not only to cover the history of manga, but in doing so explores the social and cultural evolution of Japan from its post-war reinvention to its modem-day literary imperialism. Gravett's book excels not only in discussing such, but also by displaying hundreds of examples of artwork in glorious detail. Everything is here from the crassly commercial Dragon Ball Z and Yu-Gi-Oh! to the grotesque Grand Guignol artwork of Hideshi Hino. It even made this jaded cynic get excited about Nipponese comics once more. No mean feat. Authoritatively written and exquisitely designed, this book demands space on your shelf.
Most up to date and comprehensive guide available.......2005-01-14
In this spectacular book, Paul Gravett captures a brief but thorough historical look at Manga. He reviews the various genres within the Manga art form and gives a well layed out history for the events which have led to Manga's global fame.
Gravett focusses on key events, and covers all of the major authors of Manga who have had a hand in pushing this Japanese art form to new limits. He discusses everyone from Tezuka Osamu -creator of Astro Boy and considered the founding father of Manga; to contemporary artists like Ogure Ito -artist of the super popular teen manga series Tenjou Tenge.
In between his in depth historical analysis of Manga he writes about how all of these creators, key historical moments, and various Manga which have led to become such a popular artform today. With over 500 pictures, this book is an amazing compilation of the historical progress of Manga to the present both in written and pictorial form. Gravett's insite into Manga is not only an educated one, but also an enjoyable read. Anyone interested in learning the real history of the art form must pick up this book!
Sumptuous Artwork, Thoughtful Analysis.......2004-08-27
"Manga" is a first-rate introduction and analysis of one of the world's most significant new forms of art - Japanese comics. The book not only has beautiful artwork, much of it in full color, but also glossy pages in an oversize format. Gravett covers the visual history of manga from Osamu Tezuka to modern European comics that have been influenced by manga. There are chapters devoted to boys' (shonen) and girls' (shojo) manga, gekiga ("drama pictures" - a kind of gritty realism), sexually explicit manga for adult men and women, and a fascinating discussion of less mainstream manga done by idiosyncratic artists and editors. The illustrations are clear, well-printed, and very well selected - Gravett has a first-rate eye for some of the most gorgeous manga artwork, ranging from Riyoko Ikeda's "Rose of Versailles" through Masamune Shirow's "Ghost in the Shell, part 2" and the horror manga of Hideshi Hino. Mechas, swordfights, pretty girls, stalwart heroes, nymphomaniac Tinkerbells, beautiful men, Princess Sapphire, Akira, Dragonball - a wide and representative range of manga styles and genres are all included. The hardest part of doing the book was probably choosing what not to include in a finite number of pages! Together with the artwork - which is worth the price of the book - Gravett has written thoughtful, historically and culturally accurate discussions of the social, aesthetic, and political background of manga. These essays are also worth the price of the book. Until now, the only two substantive books about manga as a medium were Frederik L. Schodt's 1983 "Manga! Manga!" and his 1996 "Dreamland Japan." Gravett's book is a worthy successor to Schodt's, and is essential for any fan of manga, anime or cartooning - or anyone interested in popular culture in a globalizing, transnational world. And for anyone else - well, the art is just so beautiful and the writing so well done that you too should get it.
Customer Reviews:
Naruto Artbook.......2006-04-09
If you're a fan of Masashi Kishimoto's artwork or just Naruto in general, you need this! I just received mine today and it's incredible. All of the familiar characters are present in these lively, marker illustrations that any fan of Naruto is sure to enjoy.
Uzumaki: Naruto Art Book.......2005-09-29
Uzumaki is a Japanese art book that contains many color illustrations of Masashi Kishimoto's hit series Naruto (currently being translated by Viz).
The art is beautiful. The majority of the book contains only color drawings and illustrations (that's why it's an art book). If you aren't familiar with the series or have only read Viz's translation, some characters and illustrations will be unfamiliar. (In Japan, they're up to chapter 277) All the art is from the manga, however. No anime sketches or stills are present.
The paper is high-quality. Naruto is my favorite series so it is natural that I enjoy this book. The colors are great and the the artwork is truly magnificent. It also contains a fold-out poster. The other portion of the book has a follow through of the creation of the cover drawing that shows Naruto and the 4th Hokage's Rasengan. The rest has an interview and comments on the drawings. NOTE THAT IT IS ALL IN JAPANESE.
If you are a fan of the series, I would recommend this books purchase. It's a reasonably good price and is good quality. If you're new to Kishimoto's masterpiece, I'd start with Naruto Vol. 1.
Average customer rating:
- Japanese Designs Coloring Book
- Review of Japanese Designs Coloring Book
- Great for homeschool
- Beautiful
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Japanese Designs Coloring Book (Dover Pictorial Archives)
Y. S. Green
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Decorative Tile Designs Coloring Book
ASIN: 0486423778 |
Book Description
This ready-to-color collection of 30 full-page designs depicts popular motifs in the best Japanese artistic tradition — from highly stylized creatures of the sea and air to lush blossoms and sinister dragons. A delight for colorists of all ages, a versatile source of inspiration and royalty-free art for designers, artists, and craftworkers.
Customer Reviews:
Japanese Designs Coloring Book.......2007-09-03
Nice book - received in good shape and timely. Also was informed another similar book I ordered was not going to be available for several and was given the option of cancelling the order (which I did). I thought that was an extra step in good customer service and wanted to pass it along.
Review of Japanese Designs Coloring Book.......2007-06-08
This book is filled with beautiful black and white designs which can be used in making arts and crafts and which can inspire other designs. I find that all the books I have bought from Dover have been high quality and, considering their value, inexpensive to own.
Great for homeschool.......2007-04-16
My little girls (8, 5, and 3) love to color when I read, and I like the coloring page to be related to topic. The coloring pages help keep them interested in the topic, and stop fights from starting. Dover coloring books really made school easier and more fun for all of us.
Beautiful.......2006-11-13
I love how the pictures were made because it looks like it's from Japan. And somebody printed it just that day and shipped it off. I love the book.
Book Description
Anime is from Japan, so it's full of all sorts of cultural details that are downright perplexing . . . unless you're Japanese or unless you've got The Anime Companion. Find out why characters wear belly bands and what nosebleeds really mean. Learn about the Edo Jidai and those games they play at New Year's. Gilles Poitras has taken his popular anime website and created a new print version that's filled with curious details and fresh insights drawn from dozens of the most popular anime. And for students of Japanese, The Anime Companion is a great way to learn about Japan while indulging in your favorite pastime.
"Combining personal passion with an intelligent sense of perspective, this enjoyable book is just right for dipping into, full of amusing and informative snippets which fans will love and even non-fans can enjoy."-Helen McCarthy, author of The Complete Anime Guide
"I've worked on over 20,000 pages of manga over the last ten years, and I still learned quite a bit from this fascinating book. For anyone with more than the most casual interest in anime and manga, The Anime Companion should be on their coffee table right next to the remote control."-Toren Smith, Studio Proteus
"Entire generations of English speakers now receive their first exposure to Japanese culture through anime. But many cultural references can be puzzling. Gilles Poitras's book is like a Rosetta Stone for confused anime fans. Before slipping that next anime video into your VCR, make sure this book's handy!"-Frederik L. Schodt, author of Manga! Manga! and Dreamland Japan
Categories covered:
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Sample Entry: AIDORU (IDOL SINGER)
Pop singers. Idol singers are not unique to Japan; every modern country has its clean-cut prefabricated stars known for their short careers. In Japan highly competitive management companies maneuver to get their latest singers in the spotlight for as long as they can before the nex
Customer Reviews:
Great.......2007-04-28
This is a really great book, lots of fun to read. You'll learn a lot of interesting things about Japanese culture, but it doesn't feel like a text book or a learning book. Highly recommended.
Professionalize, please........2005-12-27
The fannish attitude expressed in the book's introduction ("go read a bestseller," you inferior being you) almost made me stop reading, as did the lame illos, "rants" about topics like breast sizes, etcetera. I was also frustrated by certain entries that told me what an item was and what anime it appeared in, but not what its cultural significance might be. (For instance, the shrub in a certain cartoons was a hydrangea. In the first place, duh. In the second place, what does that hydrangea mean? Anything? Nothing? Does this plant carry the cultural baggage of, say, cherry blossoms/sakura, or is it just set dressing?)
All gripes aside, this is a fascinating intro to Japanese culture as well as anime that could benefit from a little professionalizing to take it beyond the fanboy level, since the author obviously knows what he's talking about. I'd definitely supplement this book with Levi's Samurai From Outer Space and/or Napier's Anime: from Akira to Princess Mononoke.
This book went wrong from page 1..........2005-08-21
I am glad I was not the only person on here who rated this book with less than 3 stars. As I was reading this, I was pretty disgusted, but when I got to Amazon to do my review, I was shocked to see this book had as high as a rating as it did. I did feel a little better after I read some of the reviews that shared the same concerns I had, however.
This book is not for a "veteran" anime fan, not by any means. There are many interesting tidbits of info, but it all comes in the form of a dictionary, and unless you like to sit down with your Webster's and have a good read, I suggest you pass on this book and look elsewhere for your info. All the entries are alphabetical in Japanese, which means you are going to have a hard time finding the info you want if you are indeed looking up something, unless you are pretty fluent in the language. The organization is bad and the sidebar "rants" the author has are annoying. He claims in the first "rant" that he has a right to whine all he wants in his book, but to that I say "No you don't, not when you are attempting to be professional." I'm all for fun in books, but there is a thin line between fun and immaturity, and I'm sure you can guess where this guy is. Some of the things this guy rants about are boobies, guns, boobies, guns, boobies, boobies, boobies. You get my drift? It's VERY insulting to female readers. He even talks about his ex-Asian girlfriend's breasts. Like we care!
Other problems include the author's sources...While he claimed he was limited because of the only 100 or so titles he had available to him at the time, he pretty much refered to the same 6 anime titles when he did his entries, and 90% of those references were Rumiko Takahashi references. I don't like Rumiko Takahashi's art or stories at all, but even her fans are complanining in their reviews that enough is enough and that there are many other talented manga artists and animes this guy could pull references from. If you are not a fan of Takahashi or have never seen her work, how are you supposed to know what these things are or where they came from?
Yet ANOTHER problem are the pictures and artwork for this book...you may have noticed the cover is very ugly, it looks like some bad fanart laminated, the inside illustrations are the same way, and the screencaps that you do get to see are black and white and blurry. Over all, this is terrible design, and I cannot understand how the editor let this pass through his hands without gagging.
This book only further progresses the bad anime fan stereotype. The author talks about how anime fans are loud, like to complain, and obnoxious, among other things. He whines that "dubs suck lol, subs forever!". We know that there aren't a lot of good dubs out there, but if you are writing a reference book about anime and anime in the United States, you can't be a snob and only focus on subtitled shows. I know a lot of fans who appreciate both. He also constantly uses the word "Otaku" to describe himself and other anime fans...this is a very derogatory word used by the Japanese, and any true fan would be nuts to go around calling themselves that. If you have any respect for yourself or your anime hobby, you won't take this book very seriously, or better yet, you won't read it. I wouldn't even read it again if someone handed it to me off the street for free.
Don't buy this book, don't buy the second edition, and don't encourage this guy to write ANYMORE!
Gives translations/blurbs of Japanese language and customs.......2005-06-22
It's not bad for what it is, which is a concise and playful alphabetical listing of Japanese terms and customs that one might come across in Anime. But the blurbs are all very short, so if you're looking for deep essays on Japanese or Anime culture, look elsewhere. In other words, if you want a scholarly analysis of the Anime art style, portrayal of women, attitude toward sex or violence, etc., this book will NOT be of much value. However, it does have informative blurbs on Japanese holidays, foods, cram school, hygiene, school-girl uniforms, etc. (The better Fansubs out there usually provide crucial cultural information when it is needed, but this book can help to fill in the gaps a little further.) It also has some interesting tidbits on the more peculiar aspects of Anime, such as the preoccupation with panties, nosebleeds, and intergenerational romance. But don't expect anything in the way of real analysis or critique. You won't find it.
Terrific resource, and not just for anime fans.......2005-03-25
My kids were adolescents back in the `80s, when Japanese animation began to be seen on American TV, and for a long time -- even though I'd been interested in modern Japanese literature since college -- I unconsciously equated "anime" with Speed Racer. Then I learned better and became a semi-fan, enough to rent several of the best-reviewed series from Blockbuster. But I had never sat down to learn the milieu of the art form until I came across this author's two books on the subject. He covers a very wide range of Japanese cultural "stuff," from names of historical periods and the different types of bells you find in temples, to major writers whose work has been adapted in anime and the reason for the big-eye-pink-hair thing. You'll no longer wonder why guys in Japan get nosebleeds from looking at girls, what the sound of cicadas in the background are intended to imply, and why you shouldn't be upset that some anime meant for kids includes mild nudity. For that matter, he goes into the sexual psychology of various other Japanese folkways, too, with no embarrassment or leering, which supplies the cultural context you really need if you're going to understand this stuff. Actually, this book would be useful not only to would-be otaku but to any westerner puzzled by various aspects of Japanese society. There's a new, thicker edition coming out soon and I'm definitely going to have to acquire it.
Book Description
The visual wit and optical illusions of the master graphic artist and designer, Shigeo Fukuda, transcend cultures.
Shigeo Fukuda Masterworks is a compendium of the most famous work selected and arranged by the renowned graphic artist and designer himself. Sketches show the development of his concepts for each piece.
Born in Tokyo in 1932, Shigeo Fukuda graduated from the Tokyo National University of Fine Arts and Music in 1956. His unique style and provocative images earned him a reputation as one of the finest and most exciting poster artists in the world today.
Fukuda's solo exhibitions include the New York IBM Art Gallery (1967), the San Francisco Asian Art Gallery (1987), the Camper Modern Art Museum, France (1991) and the Japan Foundation in Toronto (1999).
Average customer rating:
- a first-rate addition to any Japanese art library
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Floating World of Ukiyo-E: Shadows, Dreams and Substance
Dr. Sandy Kita ,
James Douglas Farquhar ,
Lawrence E. Marceau , and
Katherine L. Blood
Manufacturer: Harry N. Abrams
ProductGroup: Book
Binding: Hardcover
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ASIN: 0810941694 |
Book Description
The exquisite, colorful Japanese woodblock prints that represent the art of Ukiyo-e first flourished in 17th-century Edo (now Tokyo). Today these "pictures of the floating world" are the most popular form of Japanese art. This elegant book takes a fresh look at Ukiyo-e, showcasing a never-before-published trove of Japanese prints, drawings, and books from the collection of the Library of Congress in Washington, D.C.
Known masterpieces by such names as Hiroshige and Hokusai stand alongside rare and unusual works. Colors are exceptionally vivid, in part because the art has never been exhibited and is rarely handled. The beauty of the book will delight art lovers, while the cutting-edge scholarship and unusually comprehensive bibliography will also excite the specialist and collector.
160 illustrations in full color, 232 pages, 9 x 11"September
Customer Reviews:
a first-rate addition to any Japanese art library.......2001-11-26
Writing on Edo-period Japanese prints tends to be dominated by studies of single artists, print series by single artists, and chronological histories. Against this background, "The Floating World of Ukiyoe: Shadows, Dreams, and Substance," produced in conjunction with an exhibition, is a most welcome contribution. Here the emphasis is on showcasing a diverse and rarely seen collection--the woodblock prints and woodblock-printed books of the Library of Congress-- and on presenting expert essays that put the genre of "ukiyoe" in a broad aesthetic and social context. Added bonuses include such features as the "raking light" photograph on page 118, which illustrates the effects created by print embossing. "The Floating World" has been superbly designed by Abrams and well edited. It is worth noting too that the index has been prepared with exceptional care. Meanwhile, the bibliography--which covers 309 items and runs more than 20 pages--is a wonderful guide to woodblock-printed books in the Library of Congress: for scholars of Japanese art, culture, and publishing, this alone will justify acquisition of this book.
Book Description
Chains, vines, florals, bamboo, lanterns, ships, calligraphy, feathers, fans, yang and yin, lutes, tortoises, and more: here are hundreds of authentic 19th-century Japanese designs, ranging from natural forms to abstracts and geometrics. A wonderful Eastern-inspired addition to art projects of every variety. 463 black-and-white and 96 full-color illustrations.
Average customer rating:
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Woodblock Kuchi-E Prints: Reflections of Meiji Culture
Helen Merritt , and
Nanako Yamada
Manufacturer: University of Hawaii Press
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ASIN: 0824820738 |
Book Description
Here is a pioneer exploration of a previously neglected genre of late-Meiji art: the type of handmade multicolor book frontispieces known as kuchi-e. Early European collectors assumed that the Japanese woodblock tradition came to an end in Western-tainted prints. Although many crudely colored prints of subjects such as steam trains and men in derby hats did flood the Japanese market, the works introduced in this readable volume make clear that there was another class of popular woodblock tradition unknown to foreigners that continued into the early twentieth century. In their examination of this late flowering of the woodblock print, the authors provide not only an introduction to a popular artistic tradition but also a new lens through which to view Japanese life at the end of the nineteenth century.
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