Book Description
Today, illustration appears in design-related projects in a wide range of styles. One can find drawings done fleetingly by hand just as often as polished vector graphics created on computers. Motifs are not only being produced in pencil, chalk, airbrush and marker but also by mixing media, for example by combining illustration, photography and wallpaper. But when so many alluring possibilities currently exist in illustration, how can one stay up to date and how should one evaluate new developments?
Illusive is a collection of contemporary illustration from around the world that addresses the variety of existing techniques and puts them into context with explanatory text. It features personal designs alongside fashion illustration and commercial work produced for books or magazines - a diversity that reveals how the medium of illustration functions independently from trends. At the same time the book is also a survey of current tendencies and design approaches. Features introducing leading protagonists supplement the examples shown.
The fact that it presents manifold methods by such a broad spectrum of international designers side by side makes Illusive stimulating and educational reading for the professional illustrator.
Customer Reviews:
Absolutely Amazing.......2007-05-04
This book is better than I expected, way better. Illusive has become a bottomless well of inspiration to me. Some of the art is a little out there and impractical, but thats what's great about this book. The art is both cutting edge and simple at times. My favorite chapter is the one that covers handmade elements combined with digital elements. If you're into cutting edge art and want to expand your skill set buy this book ASAP!!!!
A must have!.......2007-05-01
For all illustrators and designers!
This book is a must have.
It contains the most amazing collection of art works.
I am graphic designer and illustrator.
This book gives me tons of inspirations.
I highly recommend to add this book to your collection.
GORGEOUS!.......2007-01-05
I bought this book along with the "Bologna Annual Illustrators of Children's Books" catalogue and leave both of them on my coffee table. The illustrations as well as graphic artwork for anything from books to band posters and advertisements are beautiful and very inspiring. I find myself sitting on the couch flipping through it regularly. Well worth the money!
Great Compendium of Illustration.......2006-11-10
Anything you need to stay up-to-date with the most recent works on the field of illustration.
SIMPLY THE BEST COMPILATION OF ILLUSTRATIONS EVER !.......2006-08-06
Amazing pics, great essays a lot of reference! one of the you must see of this year!
Book Description
Arguably the first standard textbook of its kind, Exploring Illustration presents a curriculum methodology to learning illustration. Written in a friendly, conversational style with input from experienced instructors, this introductory-level book offers a "gallery" of representative approaches to illustration. Fundamental concepts, techniques, styles, and mechanics are highlighted in an approachable compare-and-contrast format, with functional, step-by-step visuals that enhance understanding. The result is an eclectic cross-section of the real world of illustration that is an innovative introduction for students and young professionals alike.
Customer Reviews:
Great Condition.......2007-09-25
I received this book in a timely fashion and the book was in excellent condition!
Great!.......2006-02-25
Great book for anyone who wants to know aliitle bit more about illustration. It comes fast to! Great service here!
Great Book on Learning How to Illustrate.......2005-06-04
I first saw this book at the library and thought it was so great I decided to buy myself a copy. It covers everything from the concept to how to make it happen. It also gives detailed info on different materials which I found very helpful. The books includes essays from various successful illustrators which not only provide info on how they proceed but encouragement for the aspiring illustrator as well. This book also covers digital art as well as more classic media. I really like the fact that the author includes exercises through out the book to fine tune skills or learn new ones.
Customer Reviews:
Creating Children's Books 101.......2007-05-17
Uri Shulevitz's book Writing With Pictures is a treasure trove of valuable information concerning writing/illustrating children's books. For those with no interest whatsoever in illustration, the book explains how illustrations enhance and fulfill the promise of the text. For those only interested in illustration, the book describes how to correctly construct illustrations so that they illuminate, rather than repeat, the prose.
The book is divided in four parts. Part one defines/contrasts picture books and story books; two, describes how to plan the book; three, explains the construction and purpose of illustrations; and four, provides instruction on how to prepare illustrations for reproduction for publishing.
Although the book could be used for college courses in both art and literature, it is easily readable, enjoyable and informative. For individuals serious about writing and/or illustrating books for children, this book is a must-have resource. It's a keeper!
Beautiful and Instructive.......2007-02-07
This book is a pleasure to read, and very inspiring to get drawing! His detailed instructions are as helpful as sitting in a drawing class.
Invaluable resource for children's fiction writers.......2006-09-06
I have read quite a few books on writing and illustrating for children, and in my opinion, this one is far and away the best. Uri Schulevitz communicates the essential elements of outstanding writing and illustration for children so clearly that I had one of those "light bulb" moments. He uses an abundance of examples (his own work and others) to explain what he means. Off and on for years, I have been working on several books for children, but certain aspects didn't seem to work. I knew my work needed refining, but I was unable to define specific solutions. Schulevitz has broken down the process so well that I have finally been able to clarify my story lines and flow. Although printing processes have changed immensely since this book was published (especially in pre-production such as scanning artwork), making that portion out-of-date, the other information is timeless. This is an invaluable resource for anyone involved in writing for children.
Make every picture tell a story.......2006-02-20
Shulevitz presents a clear, complete guide to the basics of creating a book for children. It starts with a brief discussion of plot, development, and resolution - maybe not what you remember about an illustrated children's book, but you know it when they're not well worked out. Given a story, the next step is in creating its pictures. Narrative illustration, the kind that contains a story and moves the reader through it, is a lot more than just the individual panels that make it up. Pictures may spotlight a few key events in the text, or they may take on the real load of the story-teller's task. It depends not only on the artistic decisions of the illustrator and writer (often different people), but also on the age range of the intended audience.
Next, the author starts getting into some of the mechanics of contemporary book construction. That includes the size and shape of the book, but also the number of pages (usually 32 or 48), including front matter. With that, Shulevitz discusses storyboards and dummies, where the art and story start to come to life. The book's longest section covers the artwork itself: media, composition, style, and all the mechanics of creating the images. Although worthwhile, this material may be more basic than the aspiring children's illustrator needs. This book gets back on track in the last section, on how printing is done and what that means to the book's creator.
Remember Dr. Seuss's flat expanses of one or two solid colors? They were required by the affordable printing processes of his time, up to about twenty years before this book was written (1985). Printing processes advanced in the twenty years since then, too, so some of the technical advice may be out of date for today's readers. Also, this book predates home computers capable of handling serious artwork - its computer-free tone may look quaint to today's readers. My real problem with this book, though, is that it assumes all children's books are fiction. Children's nonfiction, including histories, how-to books, and a lot more, simply are not addressed. Whatever else early readers might be, they are curious, intelligent people with many interests. Shulevitz's omission of what's real in favor of what isn't fails to serve the whole of the young and growing mind.
Still, it's a worthwhile reference. It lays out the basics, and encourages the reader to try an illustrated book of their own. For anyone with a color printer at home, it could be a thought to pursue.
//wiredweird
A book every children's book illustrator should have--and useful for writers and others too.......2005-11-23
This review is condensed from a longer review on my web site, The Purple Crayon.
The author of Writing with Pictures is a Caldecott medalist, and he gives the reader a master's class in the theory and the practicalities of picture book illustration in particular and of illustration more generally.
CONTENTS: This is a substantial book, large format, 272 pages, with over 600 illustrations (mostly black and white, many of them small). Shulevitz breaks it down into four sections: Telling the Story, Planning the Book, Creating the Pictures, and Preparing for Reproduction. There is also an appendix with advice on finding a publisher, a short bibliography, and a useful index.
Telling the Story: In this section, Shulevitz opens with the difference between a picture book and a story book. He then goes on to explain his theory of "visual storytelling," using many visual examples. He also demonstrates how text and illustration work together in a picture book, and closes with a discussion of the characteristics of a picture book, such as "linear continuity" and rhythm and repetition.
Planning the Book: In this section, Shulevitz shows the steps an illustrator goes through to create a book: starting with a story board; moving on to a dummy; working with text in a layout; playing with many possibilities of size, scale, shape; and dealing with the structure of a printed book. Step-by-step visual illustrations make this easy to follow.
Creating the Pictures: This section starts with theory: the purpose of illustration is to clarify or even illuminate the text, and thus the illustrator must at least make the pictures "readable." He then focuses on creating illustrations themselves. It covers such topics as drawing figures and objects, using visual references, composition, technique, and style, with copious examples.
Preparing for Reproduction: The book was originally published in 1985, and this is the only section that has become badly dated, as it focuses on the way to create pre-separated art, which used to be the predominant method used in children's books. Today, of course, almost all picture books are made by scanning original full-color art.
COMMENTS: It's not over-praising this book to say that there's no other book like it, and that it's an unmatched resource for anyone involved with children's book illustration. I've had a copy for several years, and I learn something every time I open it. Of course, I'm an editor, but the illustrators I know tell me the same.
If you want to understand the nitty-gritty of creating a picture book, from text to final illustrations and layout, there is no other book out there.
Book Description
The origins of Disney's masterpieces and the works the studio in turn inspired are the subject of this lavishly illustrated book.
While the works of Walt Disney rank among the icons of American mass culture, it is easy to forget that Disney's characters and stories were inspired by original works of art. Now the sources that motivated Disney's imagination--and the artists that his studio in turn influenced--are brought to light. From the launching of the Walt Disney Company until the founder's death in 1967, this book includes more than 300 original works selected from the Disney archives and from private collections, together with paintings, sculptures, drawings, photographs, and film stills.
Here Disney fans will discover the fairy tales behind Sleeping Beauty and Snow White; they'll learn that Pinocchio's village was modeled on the mediaeval city of Rothenburg in Bavaria; that Bambi's forest took its inspiration from fifteenth-century Chinese painting; that Dumbo's bird's-eye views drew on the work of Grant Wood and Thomas Hart Benton. One chapter is devoted to the mutually admiring relationship between Salvador Dali and Disney. Finally, the book looks at the myriad ways in which Disney's products became source materials for modern and contemporary artists, including Prokofiev and Leopold Stokowski as well as Christian Boltanski, Bertrand Lavier, Peter Saul, and Gary Baseman. A wonderful sourcebook for Disney enthusiasts, this colorful volume offers a unique perspective on the often-overlooked links between highbrow and popular culture.
Customer Reviews:
Chicken and Egg.......2007-08-23
Great book to see the images the Disney artists drew from for inspiration and design. Today the Disney images are considered the icons but to see their source material allows for an introduction to the original work, which is wonderful, and therefore have a deeper appreciation of each art form, both fine and animated. A worthwhile catalogue if you were unable to see the exhibit.
A cool cultural collage.......2007-05-03
Wow! Whether you're an art lover, Disney fan, or simply fascinated by Western culture, you owe it to yourself to add this remarkable book to your collection. Much thicker than a typical coffee-table tome, this big, heavy art anthology was published as a companion to an art exhibition of the same name, which collected works from both the Disney archive as well as 50 museums worldwide. The exhibit was shown in Paris last fall and is currently (spring 2007) on display at the Montreal Museum of Fine Arts. It was compiled by Bruno Girveau, a principal curator at the National School of Fine Arts in Paris.
A delight to browse through, the book reproduces hundreds of original Disney pen-and-ink sketches, conceptual watercolors and actual production pieces for films from 1937's "Snow White and the Seven Dwarfs" to 1967's "Jungle Book"; as well as many of the historic art pieces and other cultural material that inspired Walt Disney and his artists. For example, a section on the Evil Queen from "Snow White and the Seven Dwarfs" is brilliantly illustrated with a Gothic column statue from Naumburg, an 1898 French oil ("Woman in a Black Hat," George de Feure), a 1937 Disney production celluloid and a 1940 publicity shot of film actress Joan Crawford -- all of which appear to show the same person. (The text is good, too. This section includes a short essay pondering the effects of Walt Disney's hard-luck childhood.)
A chapter on pop art includes two interpretations of Donald Duck by Roy Lichtenstein and another by Andy Warhol -- and those are the dullest pieces! My favorite is David Mach's Matchstick Mickey, a real Mickey doll being eaten by a giant purple head made of nothing but purple matchsticks and glue. Other highlights in the book include more than a dozen gorgeous conceptual watercolors for "Alice in Wonderland" by Disney artists David Hall and Mary Blair, and a discussion that the Blue Fairy from "Pinocchio" is actually an animated homage to Hollywood's original blond bombshell, Jean Harlow.
My only gripe is the book's organization and index. The chapters are grouped not by film, but rather the exhibit's themes of "Disney's European Sources," "Walt Disney and Literature and Cinema," "Disney and Pop Art," etc.; and the index is only by artist. Still, what a find!
-- By Julie Neal, author of The Complete Guide to Walt Disney World.
Average customer rating:
- Steinbergiana
- Great Art, Weak Writing
- A must have
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Steinberg at the New Yorker
Joel Smith
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ASIN: 0810959011 |
Book Description
For six decades, Saul Steinberg's covers, cartoons, features, and illustrations were a defining presence at The New Yorker. As the magazine became a standard-bearer of taste and intelligence in American letters, Steinberg's drawings emerged as its visual epitome. This richly illustrated book, featuring Joel Smith's astute text and a captivating introduction by the artist's friend and colleague Ian Frazier, explores the remarkable range and unceasing evolution of a major American modernist-one whose art reached a grateful public not from museum walls but from the pages of the periodical he called "my refuge, patria, and safety net."
All Steinberg's New Yorker covers appear here in full color, along with over 130 examples of inside art, from black-line drawings to elaborate color portfolios. Also included are Steinberg's most beloved, intuitive, and brilliant inspirations, among them a New York populated with stoical cats, precocious children, puzzled couples, and a menagerie of vivid grotesques. A vibrant celebration of one of the most original and engaging artists of the 20th century, Steinberg at The New Yorker brings alive a genius, a magazine, and an era. AUTHOR BIO: Joel Smith has been the Fisher Curator at the Frances Lehman Loeb Art Center at Vassar College since 1999. He is the author of Edward Steichen: The Early Years. Ian Frazier is a frequent contributor to The New Yorker. His previous books include the national bestseller Great Plains.
Customer Reviews:
Steinbergiana.......2005-11-02
"Steinberg at The New Yorker" makes an important, even indispensable contribution to the understanding of Steinberg's work and life. Not since Harold Rosenberg's discriminating essays on Steinberg has there been such a good source of insight about his procedures and concepts. Ian Frazier's memoir fleshes out this otherwise mysterious character, Joel Smith's commentary offers brief but appropriate insights, the images themselves are wonderful, copious, superbly reproduced--many in full size. A monument to Steinberg and a key historical document at the same time.
Great Art, Weak Writing.......2005-07-17
This book was a disappointment to me. The writing is too removed from the subject. It has a strong chronological structure, however it is very impersonal. Most of the quotes seem to be pulled from interviews. I would prefer more information about Steinberg's life.
What did he like to eat? Write more about his relationship with Abstract Expressionists. Aren't there any stories about him being funny or having funny experiences in his travels? More about his relationship with Hedda Sterne. Did he speak with an accent? Was he fussy or snobby? Would he have a conversation with the newspaper vendor on the street? Did he feud with anyone besides Tina Brown? More about other New Yorker cartoonists and their relationships.
The book lacks insight and a personal feel. It is shallow and superficial account of his life. If this book were a trip to Europe, it would be like a package deal with a strict itinerary.
Every morning, you get on the bus and travel to another city. All meals are timed with great food. It is over planned and comprehensive. All major sights are seen. As apposed to a trip with a friend, who shows you their favorite restaurant, the unknown museums. Renting a car and exploring the countryside in a spontaneous that is open to discovery.
The art is superior. An awesome selection that shows the breadth and facile charm that attracts me to Steinberg's work.
A must have.......2005-06-05
Magnificent. Beautifully reproduced artwork of my favorite cartoonist/illustrator of all time. From pen and ink drawings you've never seen before to full-size New Yorker covers, this book is an amazing resource. I also like the fact that Steinberg's New Yorker covers are reproduced in miniature at the end, in chronological order. But this book is more than an art portfolio. Joel Smith's contributions, which range from the biographical to the curatorial, bring a new level of appreciation to Steinberg's work.
Book Description
This is simply the best and most complete course in botanical illustration ever produced, with each chapter a perfectly constructed and self-contained class. Created in conjunction with the internationally renowned Eden Project—home of the only jungle in captivity—it’s put together by two leading figures in the Project’s famed art school, and uses many beautiful works from its students. Artists and plant lovers will find a wealth of practical information, with easy-to-follow exercises and case studies. The priceless advice encompasses everything from honing observational skills and plant dissection procedures to color mixing and applying watercolor. Adding highlights, producing a pleasing composition, and developing a personal style—all the building blocks for achieving excellence are here.
Customer Reviews:
Botanical illustration.......2007-05-12
This is an in depth clear book about the process of botanical illustration. Well written and great pictures. Recommend highly!
Customer Reviews:
How to Draw and Paint Fairies: From Finding Inspiration to Capturing Diaphanous Detail, a Step-by-Step Guide to Fairy Art.......2007-09-27
I haven't had time to actually sit down and try painting, but the book was beautiful and I enjoyed looking through it. It was fun to let my imagination dream a little.
you can teach an old dog..........2007-03-18
...a new trick or two. i got more out of this book than just fairies...tips for the cobweb filled artist! trying to find the time and get back into my passion for art, i believe this book has done it! peace, angie
How To Draw Faeries.......2007-03-13
I think this book is fabulous. It helped tremendously. I like that the book explains the different mediums to use.
One Of The BEST Books On The Market For Learning Fairy Art!!!.......2007-03-01
The detail in this book is absolutely AMAZING!
This book is NOT for the complete beginner.
I would classify this book as being for the more advanced artist.
Explanations are clearly given in great detail.
I actually purchased this book for myself then GOT a SECOND copy from a friend of my mine who KNOWS just how intricately I draw fairies.
She didn't think I had the book yet so she sent it to me!
Definitely one of the all time BEST books ever made on designing fairies.
You will NOT BE DISAPPOINTED!
How to Draw and Paint Fairies.......2007-02-20
The book was beautifully illustrated and the several mediums explained in detail. The choices in designing a Fairie from the choices given of the faces and clothes were well detailed. I am enjoying trying new ideas and mediums.
Book Description
If you are anime/manga collector or fan, you have had a burning desire to learn how to draw the popular characters by yourself. However, you may be worried that you cannot draw as well as people in art clubs or in cartoon clubs because drawing is difficult - don't worry, many people feel the same way. This series was written to help those who are interested in drawing, but are worried about the challenges involved with it. If you change the way you look at an object - even just a little, you can succeed.
Customer Reviews:
total waste of money!!!.......2007-04-07
this book was not helpful at all!!!i had just recently got into manga and anime drawing so i thought that this book would be helpful to me you know with the title being "basics for beginners" and all. all it did was show me useless information.all it does is show you characters made out of these weird rectangle type things only and then the finished project (but thats all no hair no clothes no nothing), instead of step-by-step directions on everything. if you are a beginner i would highly reccomend NOT, i repeat NOT getting this book!!! it confused me and didn't actually show me how to draw anything!!!if your a beginner and don't know where to start, your not alone!!! although this is the first book i ever got on the whole anime subject i would suggest some other how to draw manga books but definately not this one. try how to draw manga ultimate manga lessons volumes 1-6 and more how to draw manga volumes 1-4. believe me if you want, if you think diferently and want to try it any way be my guest but in my oppinion it's a total waste of money!!! hope this helped!!!
How to Draw Anime & Game Characters VOL.1 Review.......2007-01-18
I would say pick this book up, because i am not a beginner but i still got alot out of it. If you want to get into drawing anime or game characters or you want to be pick this one up. This book really helped me brush up on my basics.I also fully intend to follow up with all the rest of the books in this sereies.
Nice Book.......2007-01-10
Bought it as a Christmas gift for one of my nieces. I looked through it before I gave it to her. The book looks like it's got alot to offer. Maybe I'll get one for myself in the future.
tasteless.......2006-06-28
This book tasteless. There are comics in the back of the book where there is a pedophilia scene. A young boy is seduced by a older man. It's not very nice. It also shows how to draw seductivley. This book is not appropriate for young people.
It's awesome .......2005-11-06
I would recommend this for all beggining artist in magna, it has helped me alot, now i'm on the search for a magna book that teaches to draw clothing. This will really increase your drawing prowess
Average customer rating:
- Loving it
- Beautiful
- Great Pin-Up Art from a Bygone Era
- An Excellent Collection of Art & Artists
- From The Garage To The Coffee Table
|
The Great American Pin-Up (Midi)
Charles G. Martignette , and
Louis K. Meisel
Manufacturer: Taschen
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Customer Reviews:
Loving it.......2007-01-30
I love this huge book. It gave me background on the artists that I wasn't expecting, and discovered new artists that I hadn't seen before. Covers a wide spectrum of styles too. It's my #1 coffee-table book.
Beautiful.......2005-01-20
An absolutely brilliant book. It bridges the gap between coffee table book and text book. An excellent overview of pinup art with glorious reproductions of the original pinup girls.
Great Pin-Up Art from a Bygone Era.......2004-12-23
This coffee table book is a good cross-section of sexy pin-up art of a bygone era that knew that showing less was more. These renderings are definitely more enticing than a lot of today's artists who don't leave anything to the imagination by showing a girl spread-eagle on the hood of a car.
Definitely a "must-buy" or at least a "must-peruse" the next time you see it at a bookstore or on someone's shelves.
An Excellent Collection of Art & Artists.......2003-06-02
This is one of the finest collections of pin-up art from the talented artists that brought these beautiful women to life. These were very risque for their time but they were a true celebration of women. This is the kind of open mindedness and genuine appreciation missing from today's society. Women are wonderful, intelligent, beautiful people and life would be a tragedy without them. There...I said it!
From The Garage To The Coffee Table.......2003-02-04
This is an excellent overview of the genre, on an artist-by-artist basis, from the classic era of the mid-twentieth century. All of the artists here are deserving of recognition, though only a handful of them are truly well-known and adequately documented in print elsewhere. All of the many artists here are well-represented; the reproduction is flawless, and the commentary is intelligent and well-researched. The original edition is my point of reference here, so I can't vouch for this one fully, but it appears to have maintained the integrity of the earlier printing and is a very handsome production as well.
Customer Reviews:
Botanical Painting.......2006-11-10
It is a nice book and the explain it good the art of flowers. I recommanded on every the draw with flowers.
Absolutely the best.......2006-04-08
I've bought all sorts of books on botanical painting but this is the best of the best. The illustrations are fabulous, the instructions clear and comprehensive. Have you ever heard of "botanical gray"? This book is something you can't live without.
Possibly the best available book on Botanical Painting.......2004-12-31
What a fabulous book!
If you paint flowers in watercolour or are enrolled on a course of Botanical Illustration, as I am, then this is the book for you.
Written by Margaret Stevens in association with the Society of Botanical Artists, the book takes the reader briefly through the beginnings of Botanical Art to a useful chapter on materials including paper, watercolours and brushes. Whilst it doesn't proscribe a palette of colours, the great majority of the illustrations detail the colours used. The chapter on plant anatomy is useful for the non-botanist as is the one on drawing technique for those new to this aspect of painting.
What gives this book a considerable edge over others of this type is that its other purpose is as the text book for a two-year diploma course in Botanical Illustration run by the SBA. (The author is the course director.) There are up to a dozen examples of work covered from start to finish over several pages produced by members of the SBA, some of whom are tutors on the course. There is excellent detail of watercolour technique and superb coverage of the production of varied coloured leaves and flowers and the colours used in their painting. The chapters on composition, working in the field and painting fruit and vegetables are extremely useful. All chapters are illustrated by high quality botanical paintings, mostly by SBA members.
A beautiful book to own, better as an inspiration to painting but best of all as a reference when painting flowers in watercolours.
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