History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

The Dinner Party: From Creation to Preservation

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THE DINNER PARTY
An excellent, illustrated guide to the art of Judy Chicago.

The Dinner Party: From Creation to Preservation
Judy Chicago
Manufacturer: Merrell
ProductGroup: Book
Binding: Hardcover

Quilts & Quilting | Crafts & Hobbies | Home & Garden | Subjects | Books

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Becoming Judy Chicago: A Biography of the Artist
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Judy Chicago
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ASIN: 1858943701

Book Description

Judy Chicago's masterpiece The Dinner Party is a monumental work of art conceived as a symbolic history of women in Western civilization. Strategically countering the traditional erasure of women's achievements, this epic installation honours 1038 iconic, mythical, archetypal and historical women. This, the most definitive book to be published on Chicago's masterwork, reveals more fully than ever before the art and the artist's expanded research into the rich history embodied in the installation. In lively contextualizing sections, Chicago discusses the creative genesis of The Dinner Party, the technical processes involved, and the work's early - often hostile - reception by the art world, and its subsequent preservation and permanent exhibition.

A magnificently produced book and the ultimate source on an iconic work that is taught in art history and women's studies courses around the world
Profusely illustrated throughout with documentary images and new photography that displays the work in detail
Publication coincides with the release of Gail Levin's major biography, Becoming Judy Chicago, followed by the opening in March 2007 of the Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, New York, permanent home of The Dinner Party

Customer Reviews:

THE DINNER PARTY.......2007-06-12

THIS IS A COMPREHENSIVE AND BEAUTIFULLY PRESENTED VOLUME ABOUT A COMPLEX AND HIGHLY ORIGINAL WORK OF ART.

An excellent, illustrated guide to the art of Judy Chicago........2007-05-19

The Dinner Party: From Creation to Reservation offers up an excellent, illustrated guide to the art of Judy Chicago. All other books documenting her DINNER PARTY are all out of print, but even when they were available, none offered such an extensive, full-color treatment as does THE DINNER PARTY: FROM CREATION TO RESERVATION. Documentary photos follow its creation and an essay by Judy Chicago surveys the history of women, the collaborative effort involved, and the history of the work's exhibition. Perfect for college-level art libraries; especially those with some works on Judy Chicago already in their holdings.

Diane C. Donovan
California Bookwatch

Along the Riverbank: Chinese Paintings from the C.C. Wang Family Collection (Metropolitan Museum of Art Publications)

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Along the Riverbank: Chinese Paintings from the C.C. Wang Family Collection (Metropolitan Museum of Art Publications)
Maxwell K. Hearn , and Wen C. Fong
Manufacturer: HNA Books
ProductGroup: Book
Binding: Hardcover

General | Museums & Collections | Arts & Photography | Subjects | Books

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Three Thousand Years of Chinese Painting
Issues of Authenticity in Chinese Painting
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The Lyric Journey: Poetic Painting in China and Japan (The Edwin O. Reischauer Lectures)
Poetry and Painting in Song China: The Subtle Art of Dissent (Harvard-Yenching Institute Monograph Series)

ASIN: 0810965410

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Art in China (Oxford History of Art Series)
Good introduction to the arts of China
Currently the best short introduction to art in China
BRILLIANT!!
challenging book

Art in China (Oxford History of Art)
Craig Clunas
Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Paperback

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ASIN: 0192842072

Book Description

China can boast a history of art lasting 5,000 years and embracing a huge diversity of images and objects - jade tablets, painted silk handscrolls and fans, ink and lacquer painting, porcelain-ware, sculptures, and calligraphy. They range in scale from the vast `terracotta army' with its 7,000 or so life-size figures, to the exquisitely delicate writing of fourth-century masters such as Wang Xizhin and his teacher, `Lady Wei'. But this rich tradition has not, until now, been fully appreciated in the West where scholars have focused their attention on sculpture, downplaying art more highly prized by the Chinese themselves such as calligraphy. Art in China marks a breakthrough in the study of the subject. Drawing on recent innovative scholarship and on newly-accessible studies in China itself Craig Clunas surveys the full spectrum of the visual arts in China. He ranges from the Neolithic period to the art scene of the 1980s and 1990s, examining art in a variety of contexts as it has been designed for tombs, commissioned by rulers, displayed in temples, created for the men and women of the educated ilite, and bought and sold in the marketplace. Many of the objects illustrated in this book have previously been known only to a few specialists, and will be totally new to a general audience.

Customer Reviews:

Art in China (Oxford History of Art Series).......2005-09-24

Beautifully illustrated, delightful and extremely informative. This book is a marvelous supplement to the typical art history text books.

Good introduction to the arts of China.......2005-03-08

I like the author's approach to writing an introduction to the arts of China. Instead of trying to touch at least all of the major artists/works from all of the major periods (which in the case of China would mean touching very many things in a very cursory way), the author focuses on the context for which works were produced. Some of them were meant to be "art" from the start, some were not. This offers ample opportunities to examine how some works influenced other later in history. Overall, I think the ideas presented are some of the most gripping I have found in Chinese art history books. The book includes recent discoveries and scholarship and uses Pinyin romanization (two great features - not all recently-published books do).

Currently the best short introduction to art in China.......2002-01-20

While not the easiest to read, Clunas's book is currently the best short modest-sized introduction to art in China. The title "Art in China" (not "Chinese Art") is intentional, for Clunas is one of the rare Occidental authors on this subject who transcend the limitations of their background and succeed in communicating some of the subtlety and complexity of the subject, so remote from Western tastes, but no less beautiful and profound.

For example, he points out that while Western art has concentrated on painting, calligraphy is the most esteemed art form in China. Furthermore, from its earliest beginnings, Chinese aesthetics has placed little emphasis on illusionism and perspective, even regarding these as juvenile and distracting from artistic self-expression. (In this respect, the Chinese anticipated "modern art theory" by centuries.) The very term "Chinese Art", he maintains, is a Western invention, since the art work in China was, until recently, never divorced from its political, religious or decorative functions. (That is to say, it was not "museum art" isolated from its context and consciously regarded as art.) Because of these characteristics, art in China has been little appreciated in the West.

Clunas's probing book should be read slowly-- and re-read. The illuminating text gives a relatively sophisticated and sympathetic account of art in China, unlike many books, which are simply naive, provincial and as full of trivial dates and abstractions as they are lacking in insight. The representative works, drawn from all periods of Chinese history--including modern times--are superb and well chosen, and the pictures are excellent, considering the book's modest size. I especially enjoy the full-page color reproduction of Guo Xi's masterpiece "Early Spring" which equals, if not surpasses, the finest landscape paintings of the Dutch golden age (of course, not in illusionist technique, but in sheer expressive and evocative power as it unveils a mysterious fantastic landscape reflecting an interior, as much as an exterior, reality).

My only complaint is that there is only one book on "Art in China" in the Oxford History of Art series, while there are at least 30 on Western art in the same series. One book covers Western art for a 25-year span (1920-45), but 5,000 years of high art in China--in painting, jade, ceramics, lacquer, porcelain, calligraphy and sculpture--gets only a single volume! Talk about provincialism! Certainly, this is no fault of Dr. Clunas, whose work seems all the more commendable in the midst of the naive insularity and ethnocentrism with which it has unfortunately been grouped.

BRILLIANT!!.......2002-01-15

In researching information regarding Sung Dynasty scrolls and artists, I found this book to be a most generous indeed. The author provides clear, precise information without the clutter of person guesses. He provides a wonderful assortment of pictures and resources. Clear, clean photographs of artifacts providing the reader with primary documentation .This is a MUST for anyone studying the Arts and Artists of early China. Thank you Craig Clunas!

challenging book.......2000-05-15

This is a challenging work.

He realizes 5 standpoints. He writes "What is historically called art in China, by whom and when?". Really, I feel it rather reflect unconscious attitude of 20th century collectors and scholars.

Art in the Tomb /Art at Court/Art in the Temple/Art in the life of the Elite /Art in the Market-Place

Following recent searching environment of artifacts; lifetime of painters, art-market, patrons, etc., as "Painter's Practice" by J.cahill, Mr. Clunas searched relations of arts-makers and the society. This approach is interesting and very suggestive. It may be the first try among such cheap and popular books about "Arts in China". For such character, I feel it should not be an elementary textbook.

Calligraphy was more focused than M. Sullivan's book"The Arts of China" in the chapter "Art in the life of the Elite". Short columns explain words and technical terms vividly. It is worth to buy it only for them. Bibliographical essays(231-237 p.) are very useful. Plates and figures are all fine. There is few inadequate item. Fig 83 and 87 shows as we appreciate in museums, i.e. shows its handscroll format. I think the author make effort to show surrounding textile of paintings and the format in some figs.

As an avocat d'diable, I notice some. The gong of Fig. 49 is not 8th century. Dragons and a beast should be genuine 8th century items. The gong is regarded 12-13th century Japanese artifact. The item of Fig. 82 may not be a representative work by Tang-Yin.

Both C. Clunas and Michael Sullivan edited catalogues of Sir Alain Barlow Collection(now in Sussex College). (ref. The Barlow Collection of Chinese Ceramics, Bronzes and Jades: an Introduction, The University of Sussex, 1997/Nov.) Sullivan did in 1963 and 1974. Clunas did in 1997. They might have share common intellectual environment according Oriental Ceramic Society, England.

Cave Temples of Mogao: Art and History on the Silk Road (Conservation and Cultural Heritage Series)
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Cave Temples of Mogao: Art and History on the Silk Road (Conservation and Cultural Heritage Series)
Roderick Whitfield , Susan Whitfield , and Neville Agnew
Manufacturer: Getty Trust Publications: Getty Conservation Institute
ProductGroup: Book
Binding: Paperback

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Religions of the Silk Road: Overland Trade and Cultural Exchange from Antiquity to the Fifteenth Century

ASIN: 0892365854

Book Description

The Mogao grottoes in China, situated near the oasis town of Dunhuang on the fabled Silk Road, constitute one of the world's most significant sites of Buddhist art. In some five hundred caves carved into rock cliffs at the edge of the Gobi desert are preserved one thousand years of exquisite
murals and sculpture. Mogao, founded by Buddhist monks as an isolated monastery in the late fourth century, evolved into an artistic and spiritual center whose renown extended from the Chinese capital to the far western kingdoms of the Silk Road. Among its treasures are miles of stunning wall
paintings, more than two thousand statues, magnificent works on silk and paper, and thousands of ancient manuscripts, such as sutras, poems, and prayer sheets, which in 1900 were found sealed in one of the caves and then dispersed to museums throughout the world.

Illustrated in color throughout, Cave Temples of Mogao combines lavish photographs of the caves and their art with the fascinating history of Mogao, Dunhuang, and the Silk Road to create a vivid portrait of this remarkable site. Chapters discuss the development of the cave temples, the iconography
of the wall paintings, and the extraordinary story of the rare manuscripts, including the oldest printed book in existence, a ninth-century copy of the Diamond Sutra. The book also describes the long-term collaboration between the Getty Conservation Institute and Chinese authorities in conservation
projects at Mogao as well as the caves and the museum that can be visited today. The publication of this book coincides with the centenary of the discovery of the manuscripts in the Library Cave.

Worshiping the Ancestors: Chinese Commemorative Portraits

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A unique picture book

Worshiping the Ancestors: Chinese Commemorative Portraits
Jan Stuart , and Evelyn S. Rawski
Manufacturer: Stanford University Press
ProductGroup: Book
Binding: Hardcover

Themes | History & Criticism | Arts & Photography | Subjects | Books

General | Arts & Photography | Subjects | Books

Portraits | Painting | Arts & Photography | Subjects | Books

China | Ancient | History | Subjects | Books
ASIN: 0804742626

Book Description

Despite their compelling presence and often exquisite quality, Chinese ancestor portraits have never been studied as a genre. This richly illustrated book is the first to explore in depth the artistic, historical, and religious significance of these remarkable paintings and to place them with other types of commemorative portraiture.

Customer Reviews:

A unique picture book.......2002-04-22

This is an unusual picture book that deals with Chinese ancestral portraits. Originally frowned upon by Chinese art critics, this book attempts to reevaluate their artistic significance but more importantly, this book has managed to highlight their historical value in capturing the likenesses of Qing officials. This book has captured quite a substantial number of portraits and with a text by Evelyn Rawski, the doyenne of Chinese scholars, its a winner!

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Detailed, practical, and user friendly

Painting on Ceramics
Kate Byrne , and Suzannah Gough
Manufacturer: Laurel Glen Publishing
ProductGroup: Book
Binding: Paperback

Decorating | Crafts & Hobbies | Home & Garden | Subjects | Books

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Painting China: Creative Ideas for Home Ceramics (Inspirations (Paperback Southwater))

ASIN: 1571456708

Book Description

More and more people are turning to the popular and rewarding craft of painting on ceramics. Now this imaginative book provides you with a surplus of ideas to copy and all the skills you will need to get started. No experience is needed to complete all the accessible and fun projects. Kate Byrne, one of England's most successful ceramic artists, guides you through 8 self-contained, step-by-step projects. She covers all types of decorative brush strokes, as well as how to create special effects with tissue, paper, stickers, and crayons in the introductory Techniques section. Over 45 templates and motifs are included at the end of the book. Illustrated with over 140 color photos and drawings.

Customer Reviews:

Detailed, practical, and user friendly.......2001-02-08

In Painting On Ceramics, expert ceramic artist Kate Byrne draws upon her many years of expertise and experience to provide the reader with a compendium of tips and techniques suitable for even the most novice ceramic art student for tableware, decorative pieces, and ceramic gifts ranging in styles from contemporary to tribal, 1950s to floral. Utilizing eight contemporary tableware projects for the home, Byrne shows exactly what is needed and how to proceed step-by-step. She even suggests design alternatives. Offering comprehensive, detailed, practical, user friendly, "how to" information, Painting On Ceramics is profusely illustrated with more than 140 color photographs and informative illustrations. Of special value is Byrne's instructions on using underglazes on bisqueware, and acrylics on glazed china. If you aspire to become a ceramic artist, professionally or just for fun, begin by reading Kate Byrne's Painting On Ceramics.

Art And Artists of Chinese Modern Painting: 1830-1949

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mapping of artists and art movements of first stage of Chinese modernism

Art And Artists of Chinese Modern Painting: 1830-1949
Yuheng Bao , Mu Lin , and Letitia Lane
Manufacturer: Edwin Mellen Press
ProductGroup: Book
Binding: Hardcover

Modern | Schools, Periods & Styles | Arts & Photography | Subjects | Books

General | Instructional & How-To | Arts & Photography | Subjects | Books

General | Painting | Arts & Photography | Subjects | Books

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All Titles | Qualifying Textbooks - Fall 2007 | Stores | Books
ASIN: 0773461167

Customer Reviews:

mapping of artists and art movements of first stage of Chinese modernism.......2006-04-02

Mu Lin is a professor of Chinese art and related subjects at China's Sichuan Normal University. the other two authors are associated with American universities. In these years when it was coming into contact with modernism, Chinese art ranged from paintings of flowers and other parts of nature in the traditional style of delicate colors and composition and artful brushwork, Buddhist subjects and themes, socialistic scenes of suffering and turmoil, to Cubist-like and other modernist styles. One sees that this was both a fertile and a formative period in Chinese art. Though it did not manifestly survive the Maoist years of enforced uniformity and cultural purges, this period is seen as a precursor and source for references and directions for Chinese art as it again takes a place among world art with China's growing economic strength, cultural influences (in cinema as well as art), and expanded, though yet tentative, freedoms. This is a work for a specialized interest in Chinese art, with its informative, but brief mention of numerous Chinese artists of the period and its 6-page bibliography containing many references which would not be found elsewhere. It's best looked at as a mapping out of the 60-year period rather than a full history or a critique of its art.

Chinese Painting Techniques for Exquisite Watercolors

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A beautiful presentation, but
Exquisite watercolors? A Simply Excuisite Book!
Fabulous Book!
BEAUTIFUL BOOK!
Beautiful Teaching, Beautiful Art

Chinese Painting Techniques for Exquisite Watercolors
Lian Quan Zhen
Manufacturer: North Light Books
ProductGroup: Book
Binding: Hardcover

Study & Teaching | Reference | Arts & Photography | Subjects | Books

General | Instructional & How-To | Arts & Photography | Subjects | Books

Watercolor Painting | Instructional & How-To | Arts & Photography | Subjects | Books

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The Sumi-E Book

ASIN: 1581800002

Book Description

Known for its simplicity and fluidity of line, traditional Chinese watercolors capture the essence of natural objects with a profound, unmatched beauty. Renowned artist Lian Quan Zhen shows newcomers how to paint in this loose, liberating style through a series of basic demonstrations.

Chinese Painting Techniques for Exquisite Watercolors:

* Combines classic Chinese painting principles with Western watercolor methods for breathtaking results

* Features 12 step-by-step mini-demonstrations covering everything from brushstrokes to composition

* Combines the use of ink and watercolor

Following Zhen's unique watercolor methods, artists will learn to paint entire compositions based on classic Chinese watercolor subjects, including flowers, birds and fish. Mini-demos ensure that artists will successfully render every detail, including eyes, scales, feathers, beaks, petals and more.

Customer Reviews:

A beautiful presentation, but.......2006-03-13

It wasn't much help beyond some technicalities of brush work and some reproductions of the artist's work. Okay for a pretty intro. and some history. If your goal is to reproduce someone else's paintings, this book does that; but I want to create my own so Chinese Brush Painting: A Beginner's Guide by Pauline Cherrett, actually gives directions: on how to care for your tools, how to compose your own paintings, how to make your paintings vibrant with energy and spirit, with enough "what not to do's" to be truly a useful beginners guide. I don't understand the 5 star ratings on this book. As to technical brush work; Chinese Calligraphy Made Easy: A Structured Course In Creating Beautiful Brush Lettering by Rebecca Yue; gives wonderful step by step directions for brush work that transfers to painting everything else.

Exquisite watercolors? A Simply Excuisite Book!.......2003-09-21

The title "Chinese Painting Techniques for Exquisite Watercolors" is, by all accounts, an understatement! Of the countless dozens of art technique books I've read over the years, this one is by far the most captivating, beautiful and unique.

Rarely have I ever been this impressed by a book on any topic, let alone one on art techniques, of which I'm generally rather critical. I'm so used to art books that leave too much information lacking, are unoriginal, show sloppy technique, or simply cannot keep my interest, that this book left me salivating for more! It is truly an exception!

The author, Lian Quan Zhen brings to life an interesting blending of Chinese painting techniques and Western watercolor methods to create a style of painting that is simply, well... exquisite!

The author begins by covering the basic tools and techniques of Chinese painting, from materials and supplies, to mounting of completed paintings. He covers the difference between Chinese paints and watercolor paints, painting in ink, and even shows the *correct* way to hold a paint brush!

Zhen goes on to give one of the best explanations of effective painting composition that I've seen yet. He covers everything from linear perspective and establishing the focal point of your painting (which he refers to as 'establishing priority'), to geometric organization of objects in arcs, circles, triangles, rectangles and s-shapes, and provides clear examples of each.

Next, the author beautifully conveys the three basic styles of Chinese painting, which he identifies as "detail-style" (gongbi), "spontaneous" style, and a blending of the two which he simply calls "half-detail, half-spontaneous," and throughout the book he gives many beautiful examples, and techniques for creating each of them.

Through the rest of the book, Zhen shares the creation of many beautiful compositions, not only in Chinese ink, but also in watercolor using many of the techniques he uses in his Chinese paintings, and showing how the two different methods can be used to create very original, beautiful works of art.

I cannot recommend this book more to anyone with an interst in watercolor, but I must warn that once you see this book, its very likely you will be equally drawn to Chinese painting.

As for myself, and my growing addiction to Chinese painting techniques, I've now traded in several hundred dollars for a plethora of Chinese art supplies, and I couldn't be happier!!

Many thanks to Lian Quan Zhen, for sharing his uniquely beautiful approach to painting with the rest of us, and for introducing me to a brand new way of looking at a blank sheet of paper, particularly xuan paper!

Fabulous Book!.......2003-08-15

I am a beginner watercolorist and I found this book to be a great help! It is so easy to understand and follow.

BEAUTIFUL BOOK!.......2003-05-01

Not only do you get detailed instruction and easy to understand illustrations with complete list of supplies, you have a beautiful picture book as well! Great addition to your art book library!

Beautiful Teaching, Beautiful Art.......2002-05-16

This is one of the clearest and easiest to follow beginning art books that I have ever read. The author manages to weave together traditional, modern and improvisational oriental brush art and watercolor in a practical useful guide. Early in the book, the author gives a detailed guide to mounting sumi-e style paintings made on shuan or rice paper. I haven't found a better mounting guide in any other book. The step by step pictures for mounting rice paper paintings is priceless. In the latter half of the book, the author describes his watercolor techniques and tools. I found this section useful. He emphasizes that you don't need hundreds of colors and dozens of brushes. Beautiful results can be realized on a very modest budget. Too often, beginning watercolor artists spend hundreds of dollars before they even paint a single picture. You don't have to and this book vividly demonstrates that. It is a superb teaching tool and I highly recommend it to student and teacher.

A Young Painter: The Life and Paintings of Wang Yani-- China's Extraordinary Young Artist

Average customer rating:

Art Educator and Mom
Wang Yani
"A great, compelling book!"

A Young Painter: The Life and Paintings of Wang Yani-- China's Extraordinary Young Artist
Zheng Zhensun , and Alice Low
Manufacturer: Scholastic
ProductGroup: Book
Binding: School & Library Binding

General | Ages 9-12 | Children's Books | Subjects | Books

General | Arts & Photography | Subjects | Books
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ASIN: 0590449060

Customer Reviews:

Art Educator and Mom.......2003-02-07

This is a wonderful book about a very talented young artist. Wang Yani is an extraordinary young woman who is an inspiration to us all. Her love of animals is something most children can identify with. I have read this book with 3rd graders and they loved every photo and detail about Wang Yani's life. The combination of reproductions and Wang Yani's own words make the book gripping for young children. A must-have for any class studying China or Chinese art.

Wang Yani.......2001-09-25

THE BOOK IS SUTPID DONT WASTE YOUR TIME AND READ IT!!

"A great, compelling book!".......1999-04-21

A fanscinating novel about the life and times of an amazing young artist, who went through many stages in her life and still is. A powerful, though-provoking book, also alot of tips for artists in the making! Wang Yani has had alot of parent influences, which cannot be stressed enough, and that is really what counts. It talks about her being China's prized possesion, or The Picasso OF China. Although I don't believe she is all that popular in Canada, I belive she will eventually reach that poing, whatever the time period. I would recommend this novel to anyone who enjoys all aspects of art!

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