Book Description
Graphic Artists Guild Handbook: Pricing & Ethical Guidelines, 11th Edition is the industry bible, containing information all graphic artists and their clients need to buy and sell work in a totally professional manner. This edition has been revised and updated to provide all the information you need to compete in an industry moving at lightning speed.
Customer Reviews:
If you are serious, you need this.......2007-09-30
You need this if you want to start thinking as a professional. There's templates for contracts and wording you would never think of as a newbie. It is, however, just a guideline when it comes to pricing. Illustrator Brad Holland said that pricing guidelines are "nothing more than a survey of what current prices are. It should be obvious that if you base future fees on a statistical average of what current prices are, you'll preserve the status quo. Many artists believe these guidelines are one of the reasons that illustration fees have stagnated for 30 years."
But, if you're new like me, you're clueless. Every bit helps.
The book no graphic designer should be without!.......2007-07-04
I think the true title of this book should be "The Book No Professional Graphic Designer Should Be Without: Things Your Client Might Not Want You to Know About the Design Business". That pretty much sums up this book. Contains tons of info about copyrights, trademarking, legal issues, ethics and everything else a graphic designer, freelance or otherwise, would ever want to know about the art buying and selling business. Applies to illustrators and traditional artists just as much as graphic designers. The 'artist's business bible' in a nutshell. Created by the Graphic Artist Guild, a society established to promote fair, ethical treatment and legal protection for artists of all types.
Must have book for anyone in the design field.......2007-05-16
My professor recommended that I purchase this book, boy am I glad she did. It is an amazing resource for any ethical and pricing questions you will have. I am starting a job at an advertising agency soon and this book really helped me understand and prepare for what i'm in for as far as salary and other specifics go.
Graphic Artists Pricing and Ethics.......2007-05-08
The GAG Handbook is a must book to have if you are a Graphic Artist. Everything you need to know about pricing, contracts, headhunters, etc., are in this book.
a fair way to do business.......2007-04-01
great reference book for pricing your art works. it has many different categories to go by. of course, i only need one field, but good to know other ones too, just in case.
Book Description
The definitive, practical guide to all the tools, techniques, and materials of paintings, drawing, printmaking and related visual arts. Over 1,000 illustrations and 175,000 words of text.
Customer Reviews:
Great reference material........2005-12-10
I keep this around for when I'm bored and just want to browse and think about materials, but it's most useful for when you forget things. For instance, when you forget exactly how much dammar resin to soak in turpentine, like I did today. I found the answer in seconds and went back to work. Very, very handy. On the other hand, if you're not doing two-dimensional work, this won't be so handy. This is a great text on painting, drawing, and formal aspects and techniques in those areas.
A great resource for artists.......2003-09-28
This book is an important resource for artists. Ray Smith has a complete knowledge of art materials, and he gives a complete and detailed description of each material and how they are used. It covers a wide range of art materials including paints, grounds, pencils, inks, printing equipment, cereamic tiles, stained glass, and so forth. Also included is information on color, perspective, framing, photography, and exhibiting your work. Basically it's a complete guide to the 2D mediums of art. if you're interesting in 3D arts such as sculpture or pottery, you're not in luck. Those fields aren't covered.
For me, it's interesting to just look through this book and examine the wide range of techniques and materials presented in it. You can find a lot of new ideas to try out. Even if you're an experienced artist, I think you can find something new that you will be excited to try. Check it out. It's worth it.
ADDIT TO LAST REVIEW I SUBMITTED.......2003-05-09
When recommending an alternative text in the last review I wrote of this book, I suggested Robert Gottsegan's book. His real name is Mark David Gottsegan. Apologies for this mistake.
Good but contains some bad advice.......2003-05-09
I agree with the preceding reviewers but must add I found this book to be so general as to require supplementation by other books such as those by Ralph Mayer(somewhat out of date but still useful) or Robert Gottsegan. Ray Smith does offer some very dubious advice in parts of the text eg. he suggests that after priming your support with the traditional lead primer, you should sand it to smooth the surface. This is a TERRIBLE suggestion. Lead is very dangerous when inhaled--it only becomes inhalable when sanded or when used in pigment form. Sanding it is an absolute no-no.Ralph Mayer is a chemist, so his advice on safety issues is a lot more reliable than Mr Smith's. Of all three books, that by Gottsegan is probably the one I would recommend most as it is far more up to date than Smith's or Mayer's.
Get this book!.......2002-01-06
Quite simply this is a fantastic book. The things you can learn from it are amazing. Starting from the very first chapter a very in-depth analysis of pigments, their types, chemical structures, lightfastness, reactions to different types of binders, etc. are given. And that's only the beginning because the next chapters cover different types of oils, resins, glues, starches, gums, solvents, waxes, and additives...and all of this just for the paint in the tubes or the mediums you use with it. Then the author moves on to an in-depth look at various supports (wood, canvas, steel, copper, fiber, etc). Paper and grounds each get its own chapter.
All this before ever discussing the media you can choose to use. The obligatory big four are covered in detail (watercolor, acrylic, soft pastel and oil) but what makes this book such a treasure is the coverage of so many less well-known media. Just some of the media that get their own chapters are pencils and graphite sticks, colored pencil, oil pastel, chalk and conte crayons, charcoal, silverpoint, scratchboard, pen and ink, brush and ink, egg tempera, gouache, encaustic, fresco, dry wall (aka mural) painting, stained glass, ceramic tiles, enameling, and a bunch of chapters on various kinds of print-making (woodcut, linocut, intaglio, lithography and screen printing). There are chapters covering color theory, perspective, painting restoration, making frames, repairing damaged paint films, varnishing, photography, computer art and even a chapter on how to set up a well-lit, well-ventilated artist studio and exhibiting your art. The last chapter gives formulas for making your own paints or pastels. The book finishes up with a glossary, bibliography and an index.
The only things I would've liked to see included but didn't (maybe they'll add them in a second edition?) are chapters on casein, calligraphy and various types of sculpting and glass etching. Even so, that is a minor quibble. Overall, I really have high praise for this book. Definitely give it serious consideration as a reference for your bookshelf.
Book Description
The artistic versatility of tattoo artists has frequently been overshadowed by the negativity that surrounds tattooing in general. Many tattoos are made by would-be artists who copy overused designs. A perfectly tattooed body requires the skills of a professional and talented artist, who creates a unique and personal design. These designs are often inspired by one or more of the various tattoo styles of Japanese, Maori or other tribal origin. The Sketchbook offers the reader a selection of 80 of these unique designs by well-known and less famous, but very promising, tattoo artists from around the world. Each artist was requested to create a sketch unrestrained by commercial demands and which reflects their own personal motivations.
The book is divided into two sections: the first comprises an explanation of how this collection was brought together, along with a brief illustrated overview of the history and various styles of tattooing. The second section is devoted to the artists, each sketch being accompanied by a biography and favourite quote.
The concept of this book was developed by Marco Bratt, a tattoo artist from The Netherlands, and his partner, Germanborn lifestyle photographer Nancy Heimburger, who also wrote the introductory chapter.
Customer Reviews:
Not as Expected, very disappointed!.......2006-08-31
Sadly I purchased this volume based upon other reader reviews. Although I have given it 3 stars- as the book production itself was very nice- oversize square small coffee table book, printed on high quality thick stock, with well printed art work- makes this volume attractive on the outside. The contents and sketchbook is rather a let down. 60% of the sketches are very crude and unattractive (even considering them just sketches from a sketchbook) and the remaining art being just okay, maybe there is 10-12 eye opening pieces. If your looking for inspiration or eye candy this is not your book
Ever feel like you've been swindled?.......2005-12-22
I'm not an artist, but I do have a few tattoos. Just over 100 hours of custom work all done at the Smilin' Buddha in Calgary, Alberta. I've even managed to get 3 pictures of my work (one full page) in Paul Jefferies' vanity press book celebrating his 25 years in the industry.
In the course of getting my work done, I've bought more than my share of tattoo books and have looked through dozens of books at the Buddha including the owner's private library and I'm sad to say that this book is tied for last place with one other book.
The previous reviewer, the one who's an artist with 35 years experience says it best.
The work in this book for the most part is sub-par. Except for a few, the work in this book looks like it was done by scratchers not artists. There's no way in the world I'd leave this book on my coffee table, let alone wear anything done by most of these "artists".
BTW, I'm pretty sure one reviewer here must have ties to this book. My guess is the publisher.
Save your money. I wish I had.
Crappy Bar napkin sketches.......2005-11-24
The following is an opinion for which we are all entitled: Although this book does tell you something about each artist and shows one sketch from each artist, it is more like a "Collection of bar napkin sketches". Most are of poor quality as if the artist could care less when he/she had drawn them and a very few are of some quality. As an award winning artist of over 35 years experience, I felt it was a complete waste of money as far as being helpful to further my talents or to "just plain enjoy". I would never show such "doodles" in a book to represent what I can do. For something to glance through to kill time, I would say fine, go nuts. Overall....I AM NOT IMPRESSED!
graphic gems from tattoo artists: a pathbreaking book.......2004-11-03
Rarely has the tattoo art form enjoyed a presentation in a volume as remarkable as Heimburger and Bratt's "The Sketchbook: 80 Unique Designs by the World's Finest Tattoo Artists." For starters, the "Sketchbook" does not feature photographs of tattooed bodies but rather brings together a set of original graphic designs produced by artists expressly for this collection. Then there is the beauty and quality of the book itself, which has been published by Hotei, the Leiden-based publisher best known for its first-class books on Japanese prints.
Most of the artists represented in the "Sketchbook" are fairly young and, with the exception of several members of the Leu Family of Lausanne, are not yet well-known. Their work is complex, however, and the short autobiographies provided by each artist provide insights into the special world and close relationships of the international community's best tattoo practitioners. Traditional Japanese tattoo themes dominate the graphic work, but fans of modern art in general will note and enjoy the resemblance of much of the work to that of the 20th-century surrealists and even to the specialized art genre known as exquisite corpses. Indeed, the artwork presented is so fascinating and potentially rich in symbolism that I wish it had been displayed at The Drawing Center in New York's Soho district and introduced by scholars of modern graphic art.
A very different kind of artbook.......2004-08-10
The Sketchbook is a large coffee-table compendium showcasing eighty unique designs by some of the world's finest body art tattoo experts. An introductory essay explores the history of body tattoos, and both Japanese and Western views of the art practice. The eighty designs themselves are showcased largely in black-and-white, in their original drawn concept form rather than a photograph of the tattoo on human skin. With a photograph of its artist along with a paragraph by the artist about his or her background and philosophy. A very different kind of artbook, in which East truly meets West.
Customer Reviews:
the end all reference guide for artists.......2007-05-23
If you are searching for a book that will explain materials and tools for the artist this is the first book you should turn to. I have been referencing this book for a decade now and still have a lot to learn from Ralph Mayer, a man who spent his life investigating various techniques of painting.
If you open this book up, you will come across just about any question you might have. For instance, I recently used Mayer for egg tempra painting. In his book he has a few pages regarding the subject, not many, but enough to fully explain the basics and get you started properly. He covers brushes, pigments, paints, from the obscure to the most basic.
One section of the book that I am keenly interested in is his break down of a massive number of pigments where he goes into more detail on each than any other source I have come across.
This is not exactly a how to paint or draw book. This book is intended for those who want to make a serious study of process practices in the correct manner for archival purposes. This is a must have book that should be in any painters studio.
One last item of note: If you have used this book before and found it of interest, I highly suggest that the next time you are around New Haven CT that you visit the Yale 'Ralph Mayer' center. Yale itself has many museums and buildings worth visiting and the Mayer center is just one small highlight. Its staff was very kind when I visited. When I showed an interest in Mayer, they were eager to share some of the more interesting aspects of the collection.
Very good on pigments, but definitely painting not drawing oriented........2007-02-20
While I don't work in oils, the coverage of oils seemed exceptionally deep. Material on pigments also was relevant to watercolor (something in which I dabble) and pastels (one of my major areas). I was disappointed not to find any real discussion of charcoal, graphite, or colored pencils. It would have been nice to get a slight discussion of materials not "professional", such as wax crayons.
A must have for your library.......2007-01-25
This is a must have for your library. If you need to know the why's and the what for's this is the book to have. It covers techniques, materials, safety and much more.
Artist's Bible.......2007-01-12
This is THE bible for fine artists. Chock full of all the information you would want, need to know, or don't even know you don't know. Recommended by my painting professors at the Savannah College of Art and Desing. This is a heavy book - both material-wise and weight-wise. The anchor of your book shelf if you are a fine artist.
Technically Valuable Info.......2006-12-02
I haven't read the book yet, but I play to order it soon, based on the sample pages I read on the AMAZON site and the other reviews. I found the unformation valuable, and I "could't put it down". It seems to be a great book for the curious, obsessively detailed, intelligent readers who just always want to learn more and more details about what they are doing. I suspect the word "intelligent" may be the operative word here because, judging from a single review (by Victor A. Coronel "Armando") who said the book was useless, and the way his review was written, it sounds like it may be just a tad too difficult for Victor to understand, so he found it useless. I hope that other readers can tell by all the other reviews that this is probably the case, and the book may just be a little above the reading comprehension level for some readers.
Average customer rating:
- Lazzari's book is a vital tool, for serious studio artists.
- Not for a serious visual artist
- Been looking for a second copy...
- Fantastic and Very Helpful from one who knows
- The best book on learning to deal in the art world!
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The Practical Handbook for the Emerging Artist
Margaret Lazzari
Manufacturer: Wadsworth Publishing
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Binding: Paperback
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Similar Items:
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Writing the Artist Statement
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Taking the Leap: Building a Career as a Visual Artist
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Letters to a Young Artist
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In The Making
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The Artist's Marketing and Action Plan Workbook
ASIN: 0155062026 |
Book Description
Primarily designed to help visual art students make the transition from art school to their own practice, this book is also an excellent resource for practicing artists. This new edition continues to focus on all aspects of the emerging artist's career-studio practice, including developing ties in the art world, documenting work, exhibiting art, writing about art, taking on curatorial responsibilities, addressing financial and legal concerns, and attending graduate school. The text demonstrates how students can make things happen for their careers, in addition to helping them find and approach already-existing outlets for their work.
Customer Reviews:
Lazzari's book is a vital tool, for serious studio artists........2004-02-28
It is a long road from Art School graduation to solo shows in major galleries. Lazzari's book is a vital tool to help navigate that road. The book is filled with practical information, on the business of being an artist, and opportunities in the arts.Much of the information is information you don't, normally, get in Art Schools.
Every serious artist needs help with the practical out of the studio stuff. If you do not have a dealer (you trust) or someone who manages your career and finaces, you can use this book. I have bought this book for friends and serious students in the arts.
Not for a serious visual artist.......2003-01-08
Sorry to disagree with Ms Lazarri's friends but this book should be accurately titled "artist-lite". It is strictly for an amateur - a Sunday painter - and not for an artist serious in pursuing a career in the visual arts.
If this is how you define yourself then this is a book for you.
Been looking for a second copy..........2002-07-27
I gave my old copy to a friend that was starting out as a sculptor. This book is a comprehensive handbook for anyone wanting to become an artist, or one that has already started. I love that it has a section that shows how to take proper photographs of your artwork to send slides for shows. It is also nice that there are parts where established artists tell a little on how they do it and give helpful advice. It is very helpful. A must for the emerging artist.
Fantastic and Very Helpful from one who knows.......1999-08-01
I bought this book two years ago and never forgot the section on applying to grad schools. I followed Lazzari's advice and got into six of the seven grad programs I applied to. I cannot say how important this book is to anyone wishing to further their lives as a creative person. The advice and suggestions are invaluable.
The best book on learning to deal in the art world!.......1999-05-21
Lazzari, is an amazing artist, as well as writer. I used this book for a Gallery Managment course at El Camino College in Torrance, CA taught by Christian Mounger. While taking this course, we exhibited some of Lazzari's work's in our Gallery, and she gave an insightful lecture on this subject. It is excellent! I am still using it, and recommending it to others. It is well written, in sightful, and useful! A must have for all seaching a career in Art.
Book Description
Since 1998, the award-winning, How To Be Your Own Booking Agent has been among the top selling music and performing arts business books. It is regularly selected each semester by professors teaching music business and the performing arts and continually recommended by musicians and performing artists worldwide. Jeri Goldstein's unique step-by-step guide and resource book is artfully organized into 492 pages of savvy advice, realistic methods and action plans for the performing artist and is now available in its Revised 2nd Edition. This completely updated edition provides current information about immigration regulations for touring artists, new technology advances in digital and electronic press kits and web design basics along with exciting new insights from experienced professionals in the entertainment business. There are 24 chapters enhanced with completely updated resource sections following each chapter packed with recommended books, directories, web sites, businesses and new conferences helping artists achieve their career goals and this revised edition is truly THE Musician's & Performing Artist's Guide To Successful Touring. How To Be Your Own Booking Agent THE Musician's & Performing Artist's Guide To Successful Touring tackles such topics as: The Art of Negotiating; How to Make Cold Calls; Setting Long Term Goals; Effective Telephone Techniques; Creating An Effective Promotional Package; Contracts; The Art of Touring; Managing the Road; Conferences; Trade Shows and Industry Events; Funding Sources; Crossing Borders--U.S./Canada Touring; Marketing Your Act; Accessing the Media: Print, Radio, Television and The Internet; Working with Your Record Company; Working with Managers and Agents; When to Quit Your Day Job; Hiring Help and Ethics and Attitudes.
The information is visually accessible with worksheets and a variety of forms included throughout the book that may be copied for the artist's use and convenience. Jeri has answered most of the burning questions, provided immediately usable methods and tackled many of the foreseeable problems. Most importantly, though, she offers the performing artist a step-by-step guide to create a successful touring career.
Customer Reviews:
oh yeah!.......2006-05-27
this book is excellent book when combined with the works of ty cohen and is music industry type books such as "How To Make A Furtune In The Music Industry By Doing It Yourself: Your Personal Step-By-Step Guide To Having A Successful Career In The Music Business. ... To Sell Music, Book Shows And Get Noticed!"
Helpful but..........2006-02-27
This book was not what I was expecting. Very helpful if you have never booked a show and are just starting out. Some of the information is a little basic.
Essential!.......2005-11-30
No one in the music industry, be they a musician, club owner, festival manager, booking agent, band manager, merch salesman, etc. has any good excuse NOT to read this book.
It's essential for those who are just starting out, and useful for those who have been in the game for many years. Goldstein's writing is clear and concise, and the book is organized well and peppered with real-life examples and "hot tips", which keep it interesting.
There are dozens of fabulous books on the music industry, from how-to guides to high-level marketing strategy books, but no one should bother reading any of them until they've read this book. It's absolutely essential.
Simply great.......2005-04-28
This book is great. It's well written and it covers all you need to know about booking and more. If you're serious about your music, this book is a must. Recomended!
Gold standard for Music Business books.......2004-11-19
Review written by
Kerry Dexter
Dirty Linen Magazine
Dec.2004/January 2005 Issue
Jeri Goldstein fairly well created the gold standard for music business books that are both practical and wise when the first edition was released in 1998, offering succinct ideas on setting goals, planning for a long-range future as a musician, when to quit your day job, and when to rethink your music career. Along with those came big-picture straight forward advice on negotiating with venues, planning tour routing, how to set up an office, what to include in a letter of intent, and what to look for in a contract, among other things.The latest edition includes all that, organized into bite-sized chapters packed with information and seasoned with sidebar quotes and tips from music industry professionals...There are updates to the resources sections included with each chapter, added information about immigration issues for artists and about creating and using electronic press kits, and materials on web design. New edition or old, it's a book that belongs on the shelf of anyone who wants to know more about the many-faceted business of performing arts, touring and presenting, and integrating that part of a musician's life into a successful career.
Average customer rating:
- More Making Books by Hand: Exploring Miniature Books, Alternative Structures, and Found Objects
- BEWARE
- Making small books
- Inspiring!
- Getting into more detail
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More Making Books by Hand: Exploring Miniature Books, Alternative Structures, and Found Objects
Peter Thomas , and
Donna Thomas
Manufacturer: Quarry Books
ProductGroup: Book
Binding: Paperback
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Pockets, Pull-outs, and Hiding Places: Interactive Elements for Altered Books, Memory Art, and Collage
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Making Books by Hand: A Step-by-Step Guide
ASIN: 1592530745 |
Book Description
This must-have book for newcomers to the popular art of bookmaking teaches all the basics and features easy and interesting projects that allow self-expression and experimentation. More experienced bookmakers and paper enthusiasts will also note that it offers a wealth of practical tips and techniques in one handy resource.
All the basic bookmaking techniques include lots of specialized tips. Simple book structures, miniature books, and a wide variety of projects that highlight themes such as travel, music, even wearable books -- a book necklace and earrings -- provide creative variations on traditional ideas.
The authors share innovative, unique, and previously unpublished binding structures that incorporate scrolls, flaps, folders, and more. In addition, some book projects are made from unusual materials or found objects, such as a book out of a ukulele, a real accordion book, a book diorama in a cigar box, and other experimental creations.
Customer Reviews:
More Making Books by Hand: Exploring Miniature Books, Alternative Structures, and Found Objects.......2007-09-13
EXCELLENT illustrations! This book not only provides excellent ideas, it also CLEARLY shows you how to execute the techniques necessary to complete the project! Excellent reference book for anyone who wants to create their own professional looking books!
BEWARE.......2007-02-16
The book "More Making Books by Hand: Exploring Miniature Books, Alternative Structures, and Found Objects" is, contrary to expectation, not a supplement or addition to the book "Making Books by Hand: Exploring Miniature Books, Alternative Structures, and Found Objects", but merely a REPRINT of exactly the same material. It differs only in the additional word 'More' in the title.
DO NOT PURCHASE BOTH BOOKS IN THE ASSUMPTION THAT YOU ARE ACQUIRING MORE INFORMATION. You are merely buying two identical books.
With regard to the value of the information found in this book, there are others that are more informative, definitive and inspiring.
Making small books.......2006-08-07
For a beginner, I found everything I needed in this book, from materials to step-by-step instructions. Very easy to follow.
Inspiring!.......2006-02-25
This book is divided into two sections. The first one is an introduction to the techniques and materials used for bookbinding. The technique are illustrated with clear drawings to show you what to do. I don't know anything about bookbinding so I can't tell if this part of the book describes best practices, traditional techniques, or modern adaptations. I can say, however, that it was perfectly understandable and clear. The materials are all common and easy to find...though I would have liked to see more brand names mentioned, just so that I was EXTRA sure I was getting the right stuff at the store.
The second part of the book contains instructions for a series of projects. Unless you are a pretty good artist, there's no way you will be able to reproduce these incredible miniature books since many of them include original artwork. But WOW, are they cool to look at! And of course you can design your own pages using stickers, clipart, cutouts, rubber stamps, or anything else.
Keep in mind that when the authors say "miniature," they mean it! The projects are all very small. (The techniques section in front will help you learn how to make books of any size, though.)
Getting into more detail.......2005-08-31
This book is good for the crafter with a bit of experience. It has some great ideas for someone who has a little bit of knowledge about making books by hand. The instructions are pretty easy to understand and the end projects are wonderful!
Book Description
This savvy resource helps artists and art professionals generate the publicity that keeps their artwork and business in the public spotlight. Provided are practical tools for attracting the media's attention and building bridges between artists, their galleries, and collectors, and between museums and their audiences. This new edition provides the latest word on new art markets; how to research the Internet, build a Website, and launch e-mail publicity campaigns.
Customer Reviews:
Very Helpful.......2007-08-23
Fine Art Publicity has some very good ideas about marketing and publicity. We just opened an art gallery, and have already had a few articles published in local newspapers thanks to the suggestions in this book.
Book will be a great help.......2005-09-16
I am writing a business plan to open an art gallery.
Even though I already know how to market service businesses,
I need to learn a lot about marketing an art gallery. I
found a trove of very good advice in this book. I appreciate
the easy layout and readability also. I expect anyone
with an art business can find ideas here.
A 'must' for aspiring artists and gallery owners alike.......2005-06-10
The majority of art career guides come from either career counselors or artists themselves, so it's refreshing to note that Fine Art Publicity: The Complete Guide For Galleries And Artists, appearing in its second updated edition, is written by an industry publicist backed by the knowledge of her profession. Galleries and artists receive the basics of marketing to the art community; from researching a media list for both local and national contacts to locating businesses connected to the arts, and gathering a library of samples for targeted publicity contacts. Simply an outstanding reference; a 'must' for aspiring artists and gallery owners alike.
This book is great.......2003-09-06
I dont usually write reviews, but I completely disagree with the bad review on here. This is an incredibly useful book for art galleries. I can't express how helpful this book has been to me. This is a guide for galleries not artists, so maybe that's why the last reader had issues.
Search Elsewhere.......2002-12-12
I buy alot of books but I have never before seen a book written for an adult audience spread so thinly over so many pages. I suppose this was done to try to create the illusion of there being more information here than there really is. What little useful information this book contians seems to be repeated over and over. I would guess again to fill pages. I feel there is virtually no practical information here for an artist and very little for a gallery. I usually don't have an interest in writing book reviews but I was so disappointed in this book that I wanted to alert others to search elsewhere for useful information.
Book Description
Every day, ceramic artists encounter techniques, processes, materials, problems, and more that leave them with questions such as: How? Why? Where? Clay: A Studio Handbook answers those questions with authoritative, comprehensive coverage of topics ranging from studio safety, finding, making, and improvising tools and equipment, firing processes and theory, and much more.
Drawing on more than 30 years of experience in ceramics, Pitelka has created the most practical, all-inclusive studio handbook for students, studio artists, educators, and all those interested in the art of clay. Ten chapters, addressing the full range of ceramic processes, bring a lifetime of ceramic knowledge directly into the hands of potters. Written with concern for safe and efficient studio operation, diligent attention is paid to safety practices. A thorough table of contents, glossary, and index make finding answers quick and convenient. Numerous step-by-step illustrations guide readers through the many techniques.
Selected Contents
Clay and Claybodies
Handbuilding
Throwing
Plaster Working, Mold Making, and Slip Casting
Surface Decoration on Greenware
Glazes and Glazing
Kilns and Firing
Mixed Media in Ceramics
Studio Safety and Sensible Studio Practice
Studio Design, Setup, and Operation
Appendixes
Index
Customer Reviews:
Pitelka's "Clay:A Studio Handbook".......2005-08-26
I have read several books (library) on pottery and technique and THIS book, for all inclusive information, beats them all. One definitely that should be in everyone's studio. Easy to quick reference. Easy to read and understand. I actually could visualize making forms as I read the text. It gets right down to the molecular events that happen in the kiln, things I didn't know before. Wonderful work!! Take a class, then read this book. You'll want to play with clay the rest of your life.
Perfect studio handbook.......2002-03-15
This book is wonderful. It contains information on everything from properly wedging and centering clay, to how to set up your own studio and select equipment. It's informative without being so academic that it's hard to read. I would recommend it to anyone who is trying to supplement their knowledge of ceramics. I have more hands-on pottery experience than academic, so this answers all the little things I've been wondering about such as "What is the difference between earthenware and stoneware?", "How does a noborigama work?", or "What is the proper way to photograph my work?" This is the perfect studio reference book.
For anyone with a yearning to create three-dimensional art.......2001-11-09
Vince Pitelka's Clay: A Studio Handbook is a comprehensive, highly detailed manual on all the myriad ways to create and enjoy clay sculpture, from hand-building to potter's wheels to kiln firing and glazes, to exhibiting and marketing finished works. Written in sensible language easily understandable to the lay reader or novice hobbyist, yet covering all the material a professional needs to know, Clay: A Studio Handbook is the perfect guide for anyone with an interest in learning or improving their clay craftsmanship, whether for fun or for profit. Black-and-white photographs and drawings visually model the many styles and techniques presented, making them easy to imitate. Clay: A Studio Handbook is strongly recommended for anyone with a yearning to create three-dimensional art.
Book Description
Artists need help with the business side of their career, and this 302-page, twenty-one-chapter volume answers all the questions they could have. Ultimately, it guides artists to create both a long- and short-term marketing plan so they can become independent businesspeople. It educates them to gain a competitive edge in the marketplace, honing their business skills and knowledge of their legal rights.
Artists will learn about: overcoming roadblocks, the secrets of successful artists, alternative avenues for selling art, building name recognition, sales and publicity tactics, pricing artwork, planning an exhibition, creating a beautiful portfolio, photographing artwork, the proper way to contact a gallery, succeeding without a rep, promotion, maximizing value, and much more.
Constance Smith began her career as an art rep in California. She has been assisting artists nationwide for over twenty years. She is co-author of
Art Office and
Internet 101.
Customer Reviews:
Took so many notes...........2006-07-17
I took so many notes when reading this as a library book that I've decided I'd better just own it. One of the best books on marketing my artwork and making a living as an artist that I've ever come across, and I've read several.
Marketis.......2006-03-21
The book is an eye opener for artists that have painted for years and they have no clue as to how to sell their art.
It is wonderful !
Art Marketing 101.......2006-03-01
This guide to art marketing is especially usefull for the individual artist. Concise, precise, very user freindly with plenty of usable advice on getting into the marketplace and being a success.
Great Book ........2005-03-07
This is a wonderful book if your looking some place to start as an artist. Can be helpful to the experiance or some one caught inbetween. I also suggest to the company's webstie wwww.artmarketing.com . this book help tremendously!
Well worth reading..........2004-11-22
This is one book that a working artist can actually learn from. It covers many topics that other books do not even touch on. Although some information needs updating (i.e. websites and books), most of the info in the book makes it well worth reading.
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- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
Books Index
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