Book Description
An extraordinary new look at the world's most beloved Impressionist, this catalogue examines some of the artist's most important paintings, including the famed Giverny canvases, the iconic haystacks, and the Rouen cathedral series. Many rarely seen works are also featured and illustrate Monet's enduring ties to the Norman region. It was in Normandy that Monet began his painting career, and it was there that he met his first great mentor, Eugène Boudin. Monet developed a deep affection for the region. He would return time after time to depict its dramatic coastline, picturesque villages, and seaside resorts. Normandy has been a source of inspiration for artists over the centuries, and the catalogue puts Monet's work in context with those who came beforeâCorot, Millet, Courbet, Whistler, and Boudinâand his fellow revolutionariesâMorisot, Pissarro, Renoir, Degas.Featuring more than sixty master works, Monet in Normandy marks one of the largest Impressionist exhibitions to be on view in the United States. Illuminating the essays are works by other great contemporaries such as Pissarro, Morisot, and Degas.
Customer Reviews:
EXHIBIT IN A BOOK..........2007-07-01
I had the good fortune to see this exhibit when it traveled. I don't usually like to listen to the commentary on a headset, but I did so this time, and it really enhanced the experience. Looking through the book 3 months later, all that I heard came back to me as I recaptured the good feelings that come from all this beauty in one volume. It is organized nicely and a "must" for a coffee table book in the home of impressionist fans.
Wonderful book-great exhibit.......2007-05-02
I was able to see the Monet in Normandy exhibit in Cleveland, and for any Monet lover, it was fantastic. This companion book has beautifully done reproductions of all of the paintings in full color. The text associated with each painting is very interesting, and even though I have read many books about Monet, there is quite a bit of new information provided.
This book is the next best thing to being in the museum, seeing the paintings in person.
a little gem of a book.......2007-04-14
For those of us who were not able to travel to see the exhibition, this is a wonderful catalogue which shows many of Monet's best canvases of Normandy (haystacks, the Rouen cathedral, the Coast...). Each of the paintings is very well described with a complete listing of its provenance. Top-quality illustrations make this book a valuable addition to the already extensive literature on Monet.
Average customer rating:
- You've got to be kidding
- Never enough
|
Paintings of Paul Cezanne : A Catalogue Raisonne
John Rewald
Manufacturer: Harry N. Abrams
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ASIN: 0810940442 |
Customer Reviews:
You've got to be kidding.......2005-07-27
John Rewald,you should be ashamed.$400 for a lousy 50 color plates(I live in Australia,and it sells for $650).If you're going to put out a catalogue raisonne of an artist,you should have the majority of the works in color,no-one wants to look at b/w reproductions anymore.You just have to compare this with the magnificent catalogue raisonne's on Rothko,Gauguin and Sargent,to see how this work falls short.A major dissappointment.
Never enough.......2005-01-21
There's either never be the right info you're looking for or there's never enough!
Book Description
Astonishing creations by masters of the art, such as Escher, Dali, and Archimbolo; amazing visual trickery; and an illuminating foreword by the Pulitzer Prize--winning author Douglas R. Hofstadter make this 320-page, breathtaking collection the definitive book of optical illusions.
Rings of seahorses that seem to rotate on the page. Butterflies that transform right before your eyes into two warriors with their horses. A mosaic portrait of oceanographer Jacques Cousteau made from seashells. These dazzling and often playful artistic creations manipulate perspective so cleverly that they simply outwit our brains: we can’t just take a quick glance and turn away. They compel us to look once, twice, and over and over again, as we try to figure out exactly how the delightful trickery manages to fool our perceptions so completely. Of course, first and foremost, every piece is beautiful on the surface, but each one offers us so much more. Some, including Sandro del Prete’s charming “Window Gazing,” construct illusionary worlds where normal conceptions of up, down, forward, and back simply have no meaning anymore. Others, such as Jos De Mey’s sly “Ceci n’est pas un Magritte,” create visual puns on earlier work. From Escher’s famous and elaborate “Waterfall” to Shigeo Fukuda’s “Mary Poppins,” where a heap of bottles, glasses, shakers, and openers somehow turn into the image of a Belle Epoque woman when the spotlight hits them, these works of genius will provide endless enjoyment and food for thought.
Customer Reviews:
Something everyone would find interesting.......2007-08-06
I teach high school freshmen, and I keep this book on my shelf for students to look through on their own time. It is easily one of the most popular books, and after only three years the wear is beginning to prove this. I don't know how many times I have dropped it off at a student's table because they were bored, and dared them to not find something interesting in the book. Without fail, a students will be engrossed in the book within minutes.
One of the best features about this book compared to other books of its kind is that it contains dozens of examples of dozens of various types of art. Beyond the typical optical illusions, it features trompe d'loeil murals, artwork created with hair or chocolate syrup, artwork that can only be viewed with a reflective cylinder, and much more. As I mentioned before, nearly everyone will find something fascinating in this book.
SPECTACULAR VISUAL DELIGHT.......2007-06-08
For anyone with eyes, I recommend this book. I purchased for my girlfriend and she loved it. Dali and Echer are particular noteworthy in this collection of illusioins. It will renew your sense of wonder about how your brain works.
my new coffee table book.......2007-01-30
Wow - I chose this based on the chorus of 5 star reviews, submitted by others who seem much more knowledgeable in this field than I, and I am NOT disappointed! This is a great looking book - big, hardcover, suitable for your coffee table. As stated in other reviews, the book has a nice sampling of well known artists, plus an array of fun illusions, and EXPLANATIONS, which is something I had not seen in other books of illusions. This is just a very nice book, meeting the hype, and worthy of your coffee table or anybody else's for that matter .. definitely gift-worthy.
Fascinating imagery.......2007-01-19
Overall this is a fascinating book, interesting to read and fun to look through the pictures. My only complaint is with a few of the images which are too small to appreciate. 2 x 4 inches is not sufficient to enjoy Escher's detailed graphics, and I found myself using a magnifying glass at times. Thankfully this is the exception, and many images are almost full-page size. Even if you know nothing about art, this is an enjoyable book, because you will find yourself amazed by the clever images.
Wonderful family book.......2007-01-16
I purchased this book for my teenage son for Christmas. It was a big hit with everyone in the family, and with our friends who stopped by that day. And even after the holidays, I saw my son (an avid video gamer who refuses to read books) pick it up several times, and even share it with a friend.
The information about the different artists is fascinating, and the artwork is fun, inspiring and amazing.
Book Description
Since it was first published in 1992, this book has become one of the leading anthologies of art theoretical texts in the English-speaking world. This expanded edition includes the fruits of recent research, involving a considerable amount of newly-translated material from the entire period, together with additional texts from the last decades of the twentieth century.The features that made the first edition so successful have been retained:- The volume provides comprehensive representation of the theories which underpinned developments in the visual arts during the twentieth century.- As well as writings by artists, the anthology includes texts by critics, philosophers, politicians, and literary figures.- The content is clearly structured into eight broadly chronological sections, starting with the legacy of symbolism and concluding with contemporary debates about the postmodern.- The editors provide individual introductions to each of the 371 anthologized texts.Material new to this expanded edition includes texts on African art, on the Bauhaus and on the re-emergent avant-gardes of the period after the Second World War. Post-modernist debates are amplified by texts on gender, on installation and performance art, and on the increasing globalization of culture.
Customer Reviews:
just O.K........2007-07-10
my college library had the "feminist art theory" volume from this same series, and i LOVED that book to death.
since i liked that book so much, i thought it would be a good investment to cash in a recent gift certificate on this hefty volume.
i wish that i had gone for the feminist art volume-- it's much more relevant for anyone who is interested in art as political expression... that topic is really not addressed in this anthology.
it's probably still good as a reference if you're going to be writing a lot of papers for standard survey courses covering this time period, though.
A valuable reference book.......2005-08-11
Had I read the reviews about this book, I wouldn't have bought it.
I had to though, for my "Art: Language and Theory" class, in my second year of Graphic Design major. I was shocked with it at first, it's almost 1300 pages, with not a single image in it! It looked extremely dull. But the thing is, I found it extremely useful, and enjoyable to read at times too. It covers art theories in the 20th century, and has texts written by artists, philosophers, polticians and much more.
I now refer to it with every paper I write, every presentation I make and so on. There are also letters and notes in the book by artists such as Cezanne and Matisse, which are delightful to read. I use a dictionary sometimes, but not always, though I agree, the language is hard to comprehend at first glance.
I don't think any art student or teacher could do without this book, I used it as a beginners guide while studying art, and I won't stop using it. Don't be put off when you first get this book, you'll learn to value and appreciate it with little time.
Good Overview.......2003-12-28
I used this book for a graduate theory class and ended up reading pretty much all of it. The book provides an excellent overview of the major movements during the past 100 years but also misses out on a lot of the most current trends. I believe there were less than 3 articles dated after 1999. The writings seem to be obscure at times, with the editors trying to draw distant similarites between varying fields. Most of the passages used overly pretentious language, so keep a dictionary nearby. This book is not a beginner guide and it helps to have some knowledge of art history as well as a little world history. A better or easier read would have to be "Theories and Documents of Contemporary Art"...
Average customer rating:
|
Barcelona and Modernity: Picasso, Gaudi, Miro, Dali
William H. Robinson ,
Jordi Falgas , and
Carmen Bellon Lord
Manufacturer: Yale University Press
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ASIN: 0300121067 |
Book Description
During the years after the September Revolution of 1868, Barcelona experienced tremendous industrial growth and emerged as the most politically and culturally progressive city in Spain. Barcelona and Modernity examines this remarkable seventy-one-year period, when Barcelona also reigned as one of the most dynamic centers of modernist art and architecture in Europe. Focusing on the Catalan Renaixença, Modernisme, Noucentisme, avant-garde movements of the early 20th century, and artistic reactions to the Spanish Civil War, essays by an extraordinary international team of scholars offer new insights into the work of such Catalan artists as Antoni Gaudí, Pablo Picasso, Joan Miró, and Salvador Dalí, among others, by setting them in context with the art of their teachers, colleagues, and rivals.
With approximately 350 works in a variety of media—painting, sculpture, photography, furniture, decorative arts, and architectural design—this intriguing book also explores how Catalan artists derived inspiration from local traditions while contributing their own innovations to international modernism. Broader in scope than any previous treatment of the subject, this book is sure to alter popular perceptions of Catalonia and become a fundamental text for years to come.
Customer Reviews:
Beautiful, but confused.......2007-04-28
The catalogue for an exhibition held at the Cleveland Museum of Art in 2006 and at the Met in NY in 2007, this book is beautifully illustrated and very well written. It is a treasure trove of information on the history of Barcelona and enables the reader to discover some great and overlooked artists like the painters Ramon Casas (a sort of Spanish Manet) and Santiago Rusiñol, or the architect and designer Josep Puig i Cadafalch and many others, responsible for the intellectual growth of this city between 1868 (the September Revolution) and 1939 (the power seizure by Franco), which is the period the exhibition covers. Obviously, the most famous personalities are not forgotten (Picasso, Miro, Dali and Gaudi whose names appear on the front cover).
Now, the organization of the book is somewhat confusing. Divided into 9 chapters, from the Rebirth ("Renaixença")in the late 1860's to Modernism (seen through painting, sculpture, graphic arts, society, architecture and design)and "Noucentisme" (the classical renewal) up to the Avant-Gardes and the Civil War in the late 1930's, it follows a more or less chronological logic. However, the checklist of the artists, at the end of the book, is very confusing: it is very difficult to know the location of the paintings or works of art illustrated and you constantly have to refer to that list to have the dimensions of the works. Instead of a list by artists, I think a list by works displayed in the exhibition and illustrated in the book would have been more suitable.
On the whole, a scholarly publication, but a little difficult to follow.
Product Description
Illustrated with over 350 duotone photographs and floor plans, many published here for the first time, North Shore Chicago recounts the stories of Chicago s great industrial and merchant families including the Armours, Donnelleys, and McCormics and their creative interaction with both the region s leading architects David Adler, Daniel Burnham, Howard Van Doren Shaw, and Frank Lloyd Wright and their national counterparts Delano & Aldrich, Harrie Lindeberg, and Charles Platt. Their collaboration produced some of the finest examples of American residential architecture
Customer Reviews:
North Shore Chicago.......2006-03-02
Question-
Does this book contain both first and second floor plans for each house?
If a book can be elegant, this one is.......2005-02-15
Very well put together from start to finish. The pages are luxurious to the touch and the binding is amazing. It even comes with a satin book mark. It hits the finest houses on the North Shore and it showcases some of Adlers best work. I agree wholeheartedly with the previous reviewer about the quality of this publishers work. You will not be disappointed in this book, it is well researched and has just he right mix of pictures and text. The B&W photos are just beautiful. Mr. Cohen should be proud of this work and I want to thank him and the publisher for putting out such an wonderful work of art.
Another great book from Acanthus Press........2004-12-28
I own every book this publisher issues. They are some of the most beautiful books I have in my library (and I have over 4000 books!). With great photography and thorough text, Cohen and Benjamin must have spent years researching this book. Thank you for your efforts.
Book Description
History of Modern Art has long been recognized as the authoritative, encyclopedic history of painting, photography, sculpture, and architecture from the mid-19th century, when modern art emerged, to the present day. Revising author Marla F. Prather's contributions to the new Fourth Edition include:
More biographical information about each artist.
An entirely new chapter on Cubism.
A lively sense of social and historical context.
Coverage of work in nontraditional mediums, such as video, installation, and performance art.
More than 30% new illustrations and text and nearly twice the number of color illustrations as in previous editions.
A culturally diverse selection of artists and a much broader selection of works by women.
Chronological reorganization of the text, an updated bibliography, and a complete index.
Marla F. Prather is curator of 20th-century art at the National Gallery of Art, Washington, D.C.
The late H. H. Arnason was a noted art historian and museum administrator.
Customer Reviews:
History of Modern Art : Painting, Sculpture, Architecture & Photography.......2006-09-07
This is the best art history book around; I got it in college in a course by Dr. Donald Kuspit at S.U.N.Y@ Stony Brook I have this book from 1990 and still to this day I use it as a reference. There is no stone left unturned with this book about modern art. I suggest it for all artists, students and professionals who are in the art field and for everyone who wants a good book on this subject. It is the best one out there!
~Duke Crescent of Deviantart
Best book on its subject.........2003-05-19
"History of Modern Art" is, in my opinion, the very best general overview of modern art (i.e., the last 125-150 years or so) published to this date.
Although it is intended to be a textbook, the format and writing make the tome sufficient as a great general reference and a very good read. The illustrations are excellent, although I wish there were more color reproductions.
Anyone who enjoys fine art should have this book in their personal library.
Get yourself a BIG dictionary........2002-12-31
I just completed a 20th century art course here in Southern California with this book as the chosen textbook. I would consider it at the medium to advanced level. It was much cheaper on Amazon than the college bookstore or the museum store! Like the title of this review suggests, the authors were pre-occupied with their knowlege of uncommon words in the English Language. I would never encourage the "Dumbing down of America" but the word usage in this book is to the point of distraction. The new Oxford Essential Business and Office Dictionary makes it a point in it's forward to point out that usage like this is superfluous. Er, I mean needless. The reproduction is outstanding and the physical structure is very good. I have every intention of making this book part of my permanent collection. And yes, agreeing with the other reviewers above, it is heavy. But hey, with a few extra sit-ups and one or two extra laps and you'll be just fine.
Mike
How to read modern art.......2002-07-13
Since first published in 1968, this book has widely used as textbook. As a text, artwork could be explained in various ways. Gombrich¡¯s ¡®Story of Art¡¯, for example, focuses on the interaction between the visual art and its time. Since the book deals with the entire time span of Western visual art, that kind of approach would be better suited to inform readers what and how was the artwork in those times. So distant from our time is it that it¡¯s hard to understand the meaning of the work without referring historical context of the work. All the text presume its reader (or audience). And reader or audience reads the text according to the established convention of the time. The conventions to read the work were so different from ours. But when it comes to the contemporary art, things are more complicated. Robert Hughes¡¯ ¡®The Shock of the New¡¯ follows the line of the contextual explanation. Hughes paints not detailed picture of modernism but overall characterization from bird¡¯s eye view. Thus he didn¡¯t touch all the works canonized. It¡¯s more adequate to make a consistent impression of modernism. However, this book was intended to inform the reader the encyclopedic knowledge on Western visual art from the 19th century to postmodernism. Moreover, the coverage of the book is not restricted to the painting but includes sculpture, architecture, and photography. With that kind of coverage and time span dealt with, one can¡¯t benefit from time¡¯s filtering out like Gombrich¡¯s. to be a coherent text as a history, the author cannot but take the view that ¡®artwork tells itself¡¯. The accounts of this book is focused on teaching the reader how to listen to the voice of artwork. With in-depth analysis of distinguished works one by one, you could learn how to listen. But you can ask: to get such an eye, should I swim through heap of paper (yep it¡¯s bulky) and thousands of pictures? As for art, you can take pleasure with art as much as you know classics. Therefore, the encyclopedic approach of this book is reasonable. And that, it¡¯s not boring at all to follow through explaining artworks one by one. Like other arts, visual art has its convention to interpret text which varies from age to age. One should learn how to read it. This book is a good guidebook to practice and learn how to read artwork. With closing the last page, you could overview the history of visual art since the 19th century and enjoy viewing artwork. And that, you could boast your good taste to your friends ;)
A very informative, but ponderous tome.......2001-08-31
I like the previous review that said this was a metric ton of a book. Yes, it is -- I carried it around for a semester when I was taking a 20th century art class. Lots of color plates and tons of black and white illustrations, and it is printed on very high quality paper (which is why it's so heavy.) It provides a good, reasonably readable survey of what was going on in art from just before the modernist movement up to almost the present day. If you want to acquaint yourself with a broad survey of modern art including all the media, this would be a good one to consider.
Book Description
Richly illustrated and clearly focused, this book surveys the genesis, development, and culmination of modern European/American painting, sculpture, architecture, and conceptual art—from Post-Impressionism through the most recent developments in the 1990s. It avoids the typical encyclopedic approach of surveys in favor of examining selected but highly representative works in greater depth and from an enlarged spectrum of critical discourse. Organized along chronological lines, topics explore the ideas, forms, events, artists, and works—with each chapter devoted to a style, movement, or decade—from Cézanne, Seurat, Gauguin, and Van Gogh through Minimalism and the general reaction known as Post-Modernism. Ideal for readers with a general
Average customer rating:
- Comprehensive tour du force
- The Ultimate Collection of Monet Paintings
|
Monet: Catalogue Raisonne
Daniel Wildenstein , and
Claude Monet
Manufacturer: Benedikt Taschen Verlag
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Binding: Hardcover
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ASIN: 3822885592 |
Customer Reviews:
Comprehensive tour du force.......1999-09-02
A must-have for any student of Monet. Volumne I contains covers his biography proper, while volumes II-IV provide a COMPLETE record of the artist's body of work.
Wilderstein protrays Monet life for the most part as that of a debtor. However to his credit, he tempers the romantic "suffering artist" idealism with insight into Monet the creditor. By illustrating what a jackass the artist could also be, the author creates a deep and lively narrative.
Most of the personal insight into Monet come to us by way of coorespondance with Alice Hoeschede. Due to 'appearances' however she requested of Monet her letters be destroyed immediately and thus we're sadly left with a one-sided portrait of the man. While his artistic talents we're unparalled, it's his devotation to correspondance that allows Wildenstein to bring him back to life. Without giving away the ending, it's Monet's inability to write rather than paint that signals the end.
The Ultimate Collection of Monet Paintings.......1998-02-08
This is the most comprehensive collection of Monet's Paintings as its name implies. The handsome 4-volume set, published in 1996, comes with 2,580 illustrations in 1,540 pages.
Volume I is a complete biography of the Artist in details, that also contains partial correspondence.
Volumes II-IV catalogue 2,050 paintings, listed in Wildenstein Number in chronological order, with text in French, English, and German. Each entry includes:
1. Technical data ("W" number, title, size (in centimeters), and signature
2. List of Exhibitions
3. Exhaustive Bibliography
4. Provenance, detailing history from its origin
5. Brief commentary
Volume II: W1 (1858) - W968 (1885)
Volume III: W969 (1885) - W1595 (1899-1901)
Volume IV: W1596 (1900) - W1983 (1926), and the Donation to the Musee de l'Orangerie, Paris
Including in Volume IV: Exhaustive Bibliography; List of Expositions from 1858 to 1995; Index of Collectors, Galleries, and Museums; and Analytical Index of the Subjects.
Its previous 5-volume black-and-white edition cost more than US$10,000, and were found only in large museums or major universities' art department. This is the chance for any serious Monet fan to own this monumental work at a highly affordable price!
Book Description
John Singer Sargent returned to Venice many times during his life, endlessly fascinated with this enchanting city. In paintings filled with vivid colors and dazzling light, he sought to capture its vitality and unique ambience, often working while afloat in a gondola. This gorgeously illustrated book presents nearly seventy of Sargent’s oil and watercolor paintings of Venice, many of them famous but others only rarely seen. The book also contains fascinating new photographs of actual sites depicted in Sargent’s paintings.
Sargent’s early works in Venice were created in 1880-1882, and he undertook a second, larger body of work in the city during visits from 1900 to 1913. His responses to Venice—its local figures, its buildings and waterways, its extraordinary light—reflect his changing interests over time as well as his lifelong ability to extend his own reach as a creative artist. The book considers various aspects of Sargent’s work and milieu in a series of informative essays by international scholars. They discuss the evolution of Sargent’s style, the topography of his work in Venice, his connections with Henry James and other Americans in Venice, Italian artists in Venice in the nineteenth century, and American artists in Venice in the nineteenth century.
Customer Reviews:
Another Venetian Master.......2007-05-07
SARGENT'S VENICE is a book that makes Sargent more than a great portrait painter. It reveals that he could be equally good at landscapes of the world's most beautiful city. His views of Venice are intimate, exploratory, perceptive, Venice seen from a gondola snaking its way through the canals. The prow of the gondola figures in many of his paintings. Venice has been the province of great painters since Tintoretto and Sargent now joins their company, thanks to this book.
beautiful book.......2007-03-27
Thoroughly enjoyed the exhibition, and this book is a wonderful keepsake illustrated with abundant, good quality color reproductions. I would highly recommend this book. I appreciate Amazon's hassle free, speedy delivery as well.
Sargent's Venice.......2007-01-04
If you love Venice, and if you love Sargent--then you will love this book. There are a few new items in this book, but for the most part they are reapeated images from now all the numerous volumes of Sargents books that have flooded the market in the recent years. The text is intersting and the insightful written by Mr. Warren Adelsen and Mr. Richard Ormond two Sargent experts-- are worth reading, if you want to add to your knowlege of Sargent and Venice.
One of the most satisfying books on John Singer Sargent.......2006-12-14
Richard Ormond has collected the watercolors and drawings and oil paintings that were John Singer Sargent's response to that most mystical and romantic of cities - Venice, Italy - from two separate periods of time in Sargent's prolific career. The selected works are from a fecund period from 1880 to 1882 and the second even larger body of works date from his visits there from 1900 to 1913. Comparing the two periods is illuminating on many levels, but despite the separation in time, Sargent's manner of capturing the magic that is Serenissima is unmatched in works of other artists.
That Sargent was influenced by his friend and colleague Henry James is patently obvious. Were the reader to read 'The Aspern Papers' along with this picture voyage through the canals and paths of Venice the feeling of actually being there in time and place would be unavoidable.
Sargent seems more comfortable in the aqueous métier of watercolor for the views and atmosphere of Venice. He manages to paint the fogs and mists that rise from this water city, to reflect the relaxed tranquility of the people within the island, and he is attuned to the alterations of light as it strikes and reflects off the water, altering the subject matter in a way only those who have been to Venice can appreciate fully.
Along with the mood of the works elegantly reproduced in this volume is Ormond's narrative. He has selected photographs of many of the places Sargent painted, allowing the reader to appreciate the interpretation Sargent achieved in his artist impression as well as in his keen observational skills. This is a book of languid beauty, one that will satisfy on many levels. Very Highly Recommended. Grady Harp, December 06
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- Painting Beautiful Watercolors from Photographs
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- Photography
- Pots in the Garden: Expert Design and Planting
- Presentations: A Passion for Gift Wrapping
- Professional Painted Finishes: A Guide to the Art and Business of Decorative Painting (Whitney Library of Design)
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Recommended Books
- John Steinbeck: Travels with Charley and Later Novels 1947-1962: The Wayward Bus / Burning Bright /
- Dragon of the Red Dawn
- Winning Shopping Center Designs: 29th International Design and Development Awards
- A Reed Shaken By The Wind: Travels Among The Marsh Arabs Of Iraq
- Art, Space and the City: Public Art and Urban Futures
- Cells, Embryos, and Evolution: Toward a Cellular and Developmental Understanding of Phenotypic Varia
- Captain Sir Richard Francis Burton: A Biography
- Matisse: The Artist Speaks
- Your Pregnancy Workout: The Essential Guide to Staying Firm, Fit and Healthy
- Manual of Bacterial Plant Pathogens
Monet's Years at Giverny (Abradale Books)
Renoir Landscapes: 1865-1883 (National Gallery Company)
Monet on the Normandy Coast: Tourism and Painting, 1867-1886
The Unknown Monet: Pastels and Drawings (Clark Art Institute)
Monet in Normandy Postcard Book
