Book Description
The first career retrospective of the great Archie comics artist.
Dan DeCarlo was one of the greatest artists working in humor comics in the latter half of the 20th century. He was without a doubt the most prolific, and for that reason was often referred to as "The Jack Kirby of humor comics." But he might have been likewise compared to pinup artist Gill Elvgren for his ability to render the female form in a way that was at once funny, charming, and unbelievably sexy. DeCarlo worked mostly on wholesome all-American features like Archie's Girls Betty and Veronica and My Friend Irma, but he populated these innocent stories with his irresistibly attractive women. This unique blend of hilarious homespun humor and libido-sparking art made DeCarlo's work outshine the competition.
For nearly six decades, DeCarlo entertained the world with his special talents. Though best known as the definitive Archie Comics artist and creator of Josie and the Pussycats, DeCarlo also brought his unique style to dozens of other characters including Millie The Model, Willie Lumpkin, Sabrina the Teenage Witch, Big Boy, Batman and even The Simpsons.
In 2005, Fantagraphics published The Pin-Up Art of Dan DeCarlo, a beautiful two-color knock-out of a collection featuring his best pin-ups from the 1950s/'60s Humorama digest. With Innocence and Seduction: The Art of Dan DeCarlo, Fantagraphics Books presents a fitting tribute to the life and art of one of the world's all-time best cartoonists in a wider-ranging career retrospective. DeCarlo fan, friend, and fellow cartoonist Bill Morrison has written and produced the ultimate book on this remarkable artist, lavishly designed with over 300 illustrations. Included are rare World War II-era cartoons, original Humorama pinups, seldom-seen newspaper strips, examples of his justly famous commercial comics work, and of course, lots and lots of those fabulous DeCarlo girls!
Customer Reviews:
Excellent book for DeCarlo and Archie comics fan.......2006-11-06
Informative history of Decarlo. Lots of great artwork. Recommended!!
Book Description
It's no secret that most New Yorker readers flip through the magazine to look at the cartoons before they ever lay eyes on a word of the text. But what isn't generally known is that over the decades a growing cadre of women artists have contributed to the witty, memorable cartoons that readers look forward to each week. Now Liza Donnelly, herself a renowned cartoonist with the New Yorker for more than twenty years, has written this wonderful, in-depth celebration of women cartoonists who have graced the pages of the famous magazine from the Roaring Twenties to the present day. An anthology of funny, poignant, and entertaining cartoons, biographical sketches, and social history all in one, Funny Ladies offers a unique slant on 20th-century and early 21st-century America through the humorous perspectives of the talented women who have captured in pictures and captions many of the key social issues of their time. As someone who understands firsthand the cartoonist's art, Donnelly is in a position to offer distinctive insights on the creative process, the relationships between artists and editors, what it means to be a female cartoonist, and the personalities of the other New Yorker women cartoonists, whom she has known over the years.
Funny Ladies reveals never-before-published material from The New Yorker archives, including correspondence from Harold Ross, Katharine White, and many others. In addition, Donnelly has interviewed all of the living female cartoonists, many of their male counterparts, and editors and writers: Roger Angel, Lee Lorenz, Lillian Ross, Harriet Walden (legendary editor William Shawn's secretary), Bob Mankoff, William Hamilton, Eldon Dedini, Dana Fradon, Frank Model, Bob Web, Sam Gross, Gahan Wilson, Joe Farris, among others.
Combining a wealth of information with an engaging and charming narrative, plus more than seventy cartoons, along with photographs and self-portraits of the cartoonists, Funny Ladies beautifully portrays the art and contributions of the brilliant female cartoonists in America's greatest magazine.
Customer Reviews:
A history of how women performed in the narrow career path of cartoonist.......2007-03-19
"The New Yorker" is universally considered to be the best magazine and it regularly runs cartoons. Unlike many other cartoons noted for their in-your-face approach, the message of the cartoons in "The New Yorker" is generally very subtle. Many great cartoonists have had their work featured in the magazine, and some of them were women. This is their story.
It is one that in general is concurrent with what happened in the rest of society. In the early years, there were few career opportunities open to women and their work was evaluated in different ways. The twenties were a time of advancement, but the hard reality of the depression in the thirties had an overall negative effect on the status of women. Once the Second World War began, women were needed in every capacity, so their stock once again rose, only to fall back down after the war and into the reactionary fifties. Finally, the overall advancements in the role of women in the sixties and seventies destroyed all barriers to women cartoonists.
Through it all, the pioneers struggled with their drawings and captions, using them to make important statements about the world that existed around them. It was a world that they struggled against, yet eventually emerged triumphant through the success of those of their gender that succeeded them. As much as anything, this book is a chronicle of the emergence of women from the "pedestal of assumed inferiority" to one where their work is appreciated, respected and expected.
A wonderful, vivid overview........2006-09-24
FUNNY LADIES: THE NEW YORKER'S GREATEST WOMEN CARTOONISTS AND THEIR CARTOONS could easily have been featured in our 'Cartoons and Graphic Novels' section, but is reviewed here for its ability to appeal beyond the usual confines of the cartoonist fan's world. Over the decades a growing core of female artists has been creating New Yorker cartoons weekly: Liza Donnelly, herself a New Yorker cartoonist for over twenty years, provides a history of women's humor and its evolution, pairing an anthology of cartoons with a survey of the genre in a wonderful, vivid overview.
Diane C. Donovan
California Bookwatch
Average customer rating:
- The Greatest Portrait Artist of All Time!
- the best of his generation.
- Great textural works!
- Fascinating creativity
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Stars by Kruger
Sebastian Kruger
Manufacturer: Morpheus International
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Stones by Kruger
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The Movie Posters Of Drew Struzan
ASIN: 1883398274 |
Book Description
Sebastian Kruger is considered the finest caricature painter in the world. His parody images of the famous and infamous have appeared on countless magazine covers and in galleries and museums around the world. In his latest calendar, he riffs on Andy Warhol, John Wayne, Sylvester Stallone, and more, capturing the essence of his subjects with humor and a surprising pathos.
Customer Reviews:
The Greatest Portrait Artist of All Time!.......2006-09-05
This book is filled with some of the greatest portrait art I have ever seen! Kruger uses a wide variety of styles. Some images seem to be caricature in nature, while others are more realistic, and still others are totally unique in style and hard to catagorize. The common thread of all the images in this book is that they portray the character of the subject with unmatched accuracy and ability. The images in this book can best be described by one word, 'WOW'! The high quality of this book's printing also does great justice to these astounding images. All in all I give this book 'two thumbs up' 'way up'! Highly recommended for those interested in art that is innovative and masterful.
the best of his generation........2001-12-26
sebastian kruger is the best caricaturist of his generation. i would put him up there with levine and hirshfeld. but unlike those two kruger doesn't have a style. his consistency lies in his constant exploration of other styles. He approaches each celebrity with a fresh eye. No two pictures in this book look the same, but all are done with impeccable skill. This book is wonderful at showing some of his more popular subjects. The reproductions are great except for two blurry images. I would definitely recommend this book to anyone interested in celebrities, caricatures, acrylics, airbrushes, and people with big noses.
Great textural works!.......2000-08-21
No need to say that it is again the collection of Mr Kruger's brilliant caricutures of stars from which you can find out those great brush strokes stand out.
Fascinating creativity.......2000-06-18
Outstanding illustrations of celebrities in verious fields, such as movie stars, singers... Great reference and resource for character design.
Book Description
Based on interviews with Stan Lee and dozens of his colleagues and contemporaries, as well as extensive archival research, this book provides a professional history, an appreciation, and a critical exploration of the face of Marvel Comics. Recognized as a dazzling writer, a skilled editor, a relentless self-promoter, a credit hog, and a huckster, Stan Lee rose from his humble beginnings to ride the wave of the 1940s comics books boom and witness the current motion picture madness and comic industry woes. Included is a complete examination of the rise of Marvel Comics, Lee's work in the years of postwar prosperity, and his efforts in the 1960s to revitalize the medium after it had grown stale.
Customer Reviews:
A Great, Concise Comix History BUT..........2006-06-24
This book has some pluses and minuses. It DOES desperately need illustrations; however it's well-written and a fascinating read. Raphael and Spurgeon do a great job of overviewing the history of comic books, describing the business side of the industry, and explaining the importance of Stan Lee's contribution. However the authors' finale is, IMHO, unfairly negative. Lee gets needled here, not I think out of bias, but as a bit of fudging the truth for entertainment purposes...
Comic books were invented in 1934 and the first superhero, Superman, debuted in 1938. Stan Lee entered the field shortly afterwards as a go-fer at the publishing house of his cousin, Martin Goodman. Lee soldiered on for Goodman as the boom times gave way to bust, and essentially single-handedly kept Marvel going during the mediums' '50s decline. If Lee hadn't been Goodman's cousin, or if Lee had just given up on the medium and looked for other work, the history of comic books would have been VERY different. Instead Lee created the environment in which superheroes were reinvented in the '60s, reinvigorating the mainstream. He then became essentially a PR person for Marvel in Hollywood.
Lee is an engaging and relentless promoter of the medium in general and Marvel in particular, and in the cynical '80s he was castigated for taking too much credit for his role in creating characters produced by the collaborative model he invented for comic-book production. Raphael and Spurgeon give a qualified defense of Lee against these charges but are not, IMHO, entirely fair in evaluating Lee, particularly in the terms of the complex circumstances surrounding Jack Kirby's claims on the "Marvel Universe." Ultimately the authors condemn Lee as a phoney and almost a hack, a conclusion I think is very unfair.
As someone who was reading comics from the late '60s into the '70s, I don't remember fans of the MEDIUM under-appreciating the contributions of Kirby or Ditko. On the contrary, those interested in comics as an art form tended to give FAR more credit to the artists of the mainstream than to Lee and his fellow editor-writers at DC etc. Fans of the Marvel LINE undoubtedly did worship Lee - and therefore bought the comix, which was really the whole point of the Lee persona! As for Lee not giving credit to his collaborators, Marvel was THE comix publisher that trumpeted who the artists were: try reading a '60s Dell, Gold Key, Tower, or even DC comic and try to figure out who the penciller, inker, writer, or colorist were!!! Lee, editor, writer, office manager, chief-cook-and-bottle-washer, put that info on page one, in BIG letters: step one to getting the artists the credit and remuneration that even Bill Gaines never gave away. Kudos to Stan Lee!
Not just for true believers.......2006-06-05
An awful lot of fun to read. Moves quickly without leaving major gaps. It's a balanced telling of Lee's growth and influence within the comic book industry while addressing the changes the industry also went through. The book doesn't lay the story down in black and white. We hear of wise choices and poor choices made by most parties involved through Stan's years. If you have grievances with the man, you may feel it falls a little short; if you are a fan, you'll feel twinges of regret when some thoughts, actions, and motives are revealed. In either case, it's hard to dismiss the infectious spirit and nature Stan Lee carries with his work and you have to admit his influence continues to be felt in the comicbook/storytelling world.
Great overview of Lee and Marvel.......2005-08-18
This book gives an excellent overview of Stan Lee and his contribution to Marvel and the history of comics. It came across as a balanced view, praising Lee's strengths as well as showing his weaknesses (and we all have them.)
As I read, though, I wanted more detailed information on the 1960s glory years of Marvel; instead, this decade had the same amount of information as the rest and sometimes not as specific. I would've liked some interviews with others as to what they thought of Lee's working relationship with Kirby and Ditko, for example. Overall, though, highly recommended!
Comprehensive and balanced account of a controverisal figure.......2005-04-13
Stan Lee has been the center of debate in the comic book world for years as to his being an innovative genius or a credit-stealing hack. As this book ably demonstrates the truth is closer to the middle. The authors use extensive research and in-depth interviews to make their case that despite Lee's grabbing of other credit that belonged to other artists, Lee's legitimate contributions to comic books should establish him as true innovator. The book asserts that Lee was able to create unique personalities and dialogue for his characters that distinguished them from other comic books as well as each other. This approach made Marvel's characters different from the cookie cutter personalities that DC had to offer at this time. However, Lee failed to acknowledge the invaluable contributions of other artists to his "Marvel Method," and this has hurt his reputation significantly. This book is balanced in its treatment of both Lee and his critics.
Stan is his own man, and has taken lumps to prove it........2005-01-16
In comicdom, there are a few creators (Stan Lee, Jim Shooter, various editors at DC Comics, et al) who are seen as bad guys for one reason or another.
Here we have what I think is a balanced account of Stan Lee, who has been seen as everything as a genius to a thief to a visionary to a hack.
Did Stan lie about his creator status of the Marvel Universe. Yes. Did he overstate his role in the creation of Spider-Man, the Fantastic Four, Iron Man, Doctor Doom, etc.? Yes, and he has sometimes stated as much (with an uncomfortable squirm, I bet).
Is he a bad guy for doing so? Well....if honest is the best policy, Stan is one for bad policies, I guess.
Love him or hate him, he IS one of the great figures in comic books and it is easily argued that without Stan Lee's contributions, comic books would not have been the social force and just plain fun that they were in the 1960's and certainly Marvel would not be, to this day, on top of the heap of comic book companies.
This book is well-written and holds back only in the slightest. Stan gets the black eye he deserves. But he also gets the pat on the back he deserves, too.
I'll now go on to read his own "Excellsior" with one eye on this book to remind me of the hype that Stan is famous for pulling.
This is a fast read and very entertaining. It offers super pictures (which Ronin Ro's biography of Jack Kirby sadly lacks) of Stan at various stages of his life. ALL Marvel fans and fans of the Silver Age of comics should read it!
Nuff Said!
Book Description
This hilarious book of dog cartoons reminds us why we give them free room and board. Jack Ziegler can't resist the occasional comment on human affairs in dog disguise, but he also has a lot to say about pups on their own terms. From howling at the moon to refusing to fetch, from the merits of canned versus dry food to those irresistibly wagging tails, these cartoons—some of which have appeared in The New Yorker, though many are published here for the first time—will brighten any canine-lover's day.
Book Description
Humor's Edge is the first book to explore the brilliant work of Pulitzer Prize-winning editorial cartoonist Ann Telnaes. A compendium of more than 85 of Telnaes's most important and remarkable works from 1996 to 2004, Humor's Edge reveals the depth of Telnaes' convictions about issues at the core of public life, from presidential politics to international women's rights. These full-color and black-and white cartoons are accompanied by descriptions of the social and political context of the issues addressed, along with an introduction by acclaimed cartoonist Ben Sargent, an essay by Martha H. Kennedy, an in-depth interview by Library of Congress curator Harry Katz.
A tireless indignation powers Telnaes' streamlined drawings. She takes on the important and complex issues of the day, distilling their essence and expressing her sense of humor and her sense of justice—and injustice. No one and no thing is spared, whether Washington pols, international bullies, or "sacred" societal institutions, but she also celebrates human resilience. Bringing a humorous yet cutting original spirit to her art, Ann Telnaes sheds a distinctive light on contemporary issues.
Customer Reviews:
More About the Cartoonist.......2005-11-11
"A board member of the Cartoonists Rights Network, Ann Telnaes worked several years at Walt Disney Imagineering as a designer. Her editorial cartoons have been exhibited in Washington, D.C., and Paris. Her many awards include the National Press Foundation's Berryman Award (2003); the Pulitzer Prize for Editorial Cartooning (2001); and The National Headliner Award for Editorial Cartoons (1997)."--© Pomegranate
An hilarious collection of editorial cartoons .......2004-08-08
Humor's Edge is an hilarious collection of editorial cartoons by Ann Telnaes. Each sharply worded, briskly and cleanly drawn cartoon offers a scathing insight into recent matters of cotemporary politics or daily life, and captions explaining the news events driving the cartoons make their often dark meaning crystal clear. As edgy as the title suggests, and as thought-provoking as it is entertaining, Humor's Edge is a political cartoon compilation that cuts to the quick.
Some books are for entertainment, others are for instruction. A few of them in every generation are sources of an inspiration that change s lives and alters destiny.
Book Description
“Comprehensive and entertaining...far more material in a cleaner format [makes] the reader laugh on every page....Thus, one learns that of 6,000 submissions to King Features Syndicate, only three are accepted, and...how to make snacks while preparing one of those submissions.”—Library Journal. “A wealth of information...Hall does everything but make the cartoon for you.”—Art Times.
Customer Reviews:
Good Cartoon Book.......2007-04-17
the cartoonist's workbook is a great book that just about goes over every thing needed to make a cartoon. of course since the book is only around a 100 pages it doesnt go into great detail on every issue. its a great recourse as it has around 20 pages of just gag ideas, useful poses etc...
Anyways the book teaches you a very 90's looking type of cartoon which i happen to like. I would recommend this book for anyone trying to draw some cartoons. This book assumes you know almost nothing and cant draw so its for absolute begginers. i highly recommend this book.
Helpful, Concise and Inspiring.......2006-07-16
This book is very helpful. I've had some experience before with attempting cartooning and I've been drawing seriously for years. However, this book teaches a different method for cartooning and drawing that is different than what I've been using before and reading it inspires me again to do more cartooning.
The way he writes is just encouraging, friendly and it is quick to get to the point. He accompanies his writing with illustrations that look comfortable and accomplished. The author is obviously a capable cartoonist and it allows you to feel like you are being taught well. He assumes you know nothing and I'm certain that his methods would seem comfortable to even the most inexperienced artists.
The gag writing section of the book is interesting too but it isn't as good as the rest of his book. This is understandable given the nature of writing humor. Even though it doesn't do as well as the drawing sections, it still is the best guide to writing humor I've ever seen. Like the rest of the book, it inspires me to write humor of my own. It's shortcoming though is that unlike the cartooning section, the examples don't seem accomplished. Though the methods he teaches seem promising with practice, his own stuff is not very funny.
Regardless of the flaws in the humor-writing sections, the whole of the book is just so inviting that it makes the book a great purchase. It's a useful and fun book and I'd have gladly paid twice what I did for it.
An unexpected art resource..........2006-06-22
I've worked with fine art for years, and I was looking for a way to loosen up a little, do some simple sketching. Among art books there isn't much to choose from if you want to draw loose! I came across this book at a bookstore and I just liked the drawing style. I brought it home and within hours the looser style I wanted to achieve had emerged. If it's helped me this much, I can imagine what it would do for someone who actually wants to draw cartoons! It's a great reference for the simple basics of drawing everything from people to common objects. A great book!!!!
Its well made............2005-04-22
I found this book comprehensive and inspirational, covering need-to-know ground. It helped me (and I can draw more advanced things than cartoons) to get to know cartoon bodies. I'm used to more realistic bodies.... Anywho, about the book. The book started with basic body formation-how to draw "Ken"-, and most importantly in that section told you to practice it over and over. Than it goes on to show you some basic what-to-does and what not-to-does. It shows you how shadows work, how to balance your character, how to show motion and tons and tons of useful poses for cartoons. It show you how to draw more advanced characters, but that isn't as in depth as the information on Ken. It show you different types of lips, hair, noses, eyes, accessories, etc... This book was written for people who don't have natural talent in drawing. So, wether or not you think you can draw, this part of the book is very useful. Then there is the gag writing section, snicker snicker. This section, to, was very helpful. It showes you the building blocks of writing jokes, like potentially funny situations, developing your characters and branching out your ideas. And finally,the last section gives you information on how to hire yourself out in the industry.
1 last note: I like this guy's drawing style. It is loose, not to scribbly, and still looks nice. It is not perfectionist, you can tell he didn't meditate over every line. In short, he makes drawing cartoons seem easy without intimidating the reader.
Awesome Book for Beginners and Beyond.......2003-11-13
This book starts off with the absolute basics, which is just what I needed(my stick figures even looked bad). In just the first pages you get what I think is the most valuable lesson in drawing - practice. Practice until you can do it easily, one step at a time.
I highly recommend that you don't underestimate what this book can do for a novice artist. I find myself refering back to this book especially when I get stuck on some of the more advanced manga books.
Remember this is a workbook, not a reading book.
Good luck.
Book Description
ATTITUDE 3: THE NEW SUBVERSIVE ONLINE CARTOONISTS features the work of 21 cartoonists who are moving from the world of print into the Internet to produce some of the funniest, outrageous and innovative comics around.
In keeping with the format of the first two volumes in the ATTITUDE series of comics anthologies, ATTITUDE 3 includes cartoons by, interviews with and personal ephemera (like childhood photos) of each creator. Featured are innovative artists who focus on politics, others on social commentary and still more who are out to make you laugh. Find out why webcomics are the hottest new comics around through this primer to some of the medium's brightest talents!
The featured cartoonists are:
1. Rob Balder: "Partially Clips"
2. Dale Beran and David Hellman: "A Lesson is Learned But the Damage is Irreversible"
3. Matt Bors: "Idiot Box"
4. Steven L. Cloud: "Boy on a Stick and Slither"
5. M.e. Cohen: "HumorInk"
6. Chris Dlugosz: "Pixel"
7. Thomas K. Dye: "Newshounds"
8. Mark Fiore: "Fiore Animated Cartoons"
9. Dorothy Gambrell : "Cat and Girl"
10. Nicholas Gurewitch: "The Perry Bible Fellowship"
11. Brian McFadden: "Big Fat Whale"
12. Eric Millikin: "Fetus-X"
13. Ryan North: "Daily Dinosaur Comics"
14. August J. Pollak: "XQUZYPHYR & Overboard"
15. Mark Poutenis: "Thinking Ape Blues"
16. Jason Pultz: "Comic Strip"
17. Adam Rust: "Adam's Rust"
18. D.C. Simpson: "I Drew This" & "Ozy and Millie"
19. Ben Smith: "Fighting Words"
20. Richard Stevens: "Diesel Sweeties"
21. Michael Zole: "Death to the Extremist"
Customer Reviews:
Any cartoonist particularly those interested in alternative graphic novels and works will find this absorbing.......2006-09-05
Attitude 3: The New Subversive Online Cartoonists covers online web cartoonists: over twenty daring, original creators whose works appear on the Net. From love and politics to humor and fun, Attitude 3 brings alternative cartooning to an offline audience in book form, presenting works and interviews with over twenty leading online cartoonists who are not limited by big media constraints and rules. Any cartoonist particularly those interested in alternative graphic novels and works will find this absorbing.
Average customer rating:
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Hirschfeld: Art and Recollections From Eight Decades
Hirschfeld
Manufacturer: Scribner
ProductGroup: Book
Binding: Board book
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ASIN: 0684193655 |
Books:
- It Was Good: Making Art to the Glory of God
- LabVIEW for Everyone: Graphical Programming Made Easy and Fun (3rd Edition) (National Instruments Virtual Instrumentation Series)
- Landscape Painting Inside and Out: Capture the Vitality of Outdoor Painting in Your Studio With Oils
- Learning Spanish Like Crazy Light
- Literacy for the 21st Century: A Balanced Approach (4th Edition)
- Logo Font & Lettering Bible: A Comprehensive Guide to the Design, Construction and Usage of Alphabets and Symbols
- Louis Comfort Tiffany and Laurelton Hall: An Artist's Country Estate (Metropolitan Museum of Art Publications)
- Making Polymer Clay Beads: Step-by-Step Techniques for Creating Beautiful Ornamental Beads
- Materials and Components of Interior Architecture (6th Edition)
- Molecular Biology of the Cell, Fourth Edition
Books Index
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