History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Comets, Stars, the Moon, and Mars: Space Poems and Paintings

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A "Universal" treat!

Comets, Stars, the Moon, and Mars: Space Poems and Paintings
Douglas Florian
Manufacturer: Harcourt Children's Books
ProductGroup: Book
Binding: Hardcover

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ASIN: 0152053727

Book Description

Blast off with Douglas Florian's new high-flying compendium, which features twenty whimsical poems about space.

From the moon to the stars, from the Earth to Mars, here is an exuberant celebration of our celestial surroundings that's certain to become a universal favorite among aspiring astronomers everywhere.

Includes die-cut pages and a glossary of space terms.

Customer Reviews:

A "Universal" treat!.......2007-05-05

I think Douglas Florian's new book, 'comets, stars, the moon and mars' is his most expressive yet.

Beginning with the poem "skywatch," two children look at the sky. The next poem is "the universe."

Die cut "planet" holes move the reader deeper and further through space. From "mercury" to "venus" to "the earth" to "the moon" the poems continue in order according to their distance from the Sun. Comets, black holes and the mystery of what lies beyond are also addressed. Florian's ability to weave facts and fun are on full display here.

The bright color palette echoes the amazing views from the Hubble space telescope. This generation of kids has grown up looking at Seymour Simon's books about the solar system and the Universe. They have seen the colors that are out there.

Check out the Harcourt page about the book and download Florian's Poetry Kit. The "Practical Poetry Pointers" are some of the most best tips for writing poetry with kids that I have ever seen.

You have Gotta-Have-It.

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Not just for toddlers!
Great idea, but...
Fantastic for all ages
my toddler loves this book!
Two in One Book

Museum ABC
The (NY) Metropolitan Museum of Art
Manufacturer: Little, Brown Young Readers
ProductGroup: Book
Binding: Hardcover

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ASIN: 0316071706

Book Description

Museum ABC is a unique and colorful picture book that uses the alphabet to introduce children to more than a hundred works of art.A full spread is devoted to each letter of the alphabet and four pictures of the object represented. This simple presentation scheme allows readers to see how objects can be both the same and different in the eyes of various artists, cultures, and time periods.Children will be fascinated to discover that boats, roses, trees, or even windows can be so different from one another and from those they see every day.Adults will love the visual and cultural richness of this alphabetical tour through the Metropolitan Museum's collection.A fact section at the end of the book provides more details about each piece of art and its creator.

Customer Reviews:

Not just for toddlers!.......2007-04-30

I recently visited Chicago and had time to visit their art museum. When I came home, my daughter was entranced with the pictures I had taken and the fact that I stood in front of famous paintings, like "American Gothic" and "Sunday in the Park".

She's turning 9 and I'm buying this book as a birthday gift for her. Most art books are limited to a single art style or artist and I wanted a broader range collected in one book. It's great to show the books to toddlers, but don't forget older children who are starting to develop a true interest in things outside their own little world.

Great idea, but..........2007-01-11

The implementation lacks something to be desired. Maybe a version 2 will be better.

Fantastic for all ages.......2006-12-20

The recommended reading level for this book is ages 4-6, but my almost 2 year old son LOVES it. I really enjoy it as well. I think this is a wonderful way to introduce children to art and letters.

I really appreciate that all the artwork is cited in the back of the book. My son doesn't care about that now, but I do! What I love MOST about this book is that the four paintings featured for each letter are so very different. It enhances a child's imagination and abstract thought. This is a favorite in our collection.

I also highly recommend the other two books in this series, "Museum 123" and "Museum Shapes."

my toddler loves this book!.......2006-10-26

this is our first alphabet book. my 16-month-old loves to identify the objects in the paintings. it's a beautiful book. since it really is good for kids younger than the suggested 4-year-old range, i left off half a star b/c it would be ideal if it were a board book.

Two in One Book.......2006-02-16

This book is a great book for kids to learn their ABC's and to begin art appreciation. Each letter has different pictures to go with it representing a word that starts with the letter of the the alphabet. There is a wide varitey of pictures in the book. Great book for young kids.

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Mythic and Magical Art
myth and magic
Best Delivery
Does Justice To The Artist
Simply Fantastic

Myth and Magic
John Howe
Manufacturer: HarperCollins Publishers
ProductGroup: Book
Binding: Hardcover

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ASIN: 0007107951

Book Description

For the first time ever, a portfolio of illustrated work from the award-winning artist, John Howe, which reveals the breathtaking vision of one of the foremost fantasy artists in the world. Myth and Magic is arranged into six sections, which looks at the books by J.R.R. Tolkien that have inspired John, as well as a fascinating tour through the paintings that he has produced for some of the finest fantasy authors working today. From the beloved painting of Smaug which decorates The Hobbit, his numerous and bestselling calendar illustrations, the world famous "Gandalf" picture, which is synonymous with the HarperCollins one-volume edition of The Lord of the Rings, this large-format hardback will delight fans of Tolkien, and anyone who has been captured by the imagination of the artist who so brilliantly brings to life the literary vision of J.R.R. Tolkien.

Customer Reviews:

Mythic and Magical Art.......2007-07-16

As one of the foremost fantasy illustrators of the past twenty years Canadian born John Howe has done more to define the look of Tolkien's world than almost any other illustrator apart from Alan Lee. He captures in vibrant and dramatic images the grandeur and majesty of Middle Earth, in calendars and on book covers alike. But he is much more than just a visual interpreter of Tolkien's work, getting his big break in Time Life's: The Enchanted World series in the 1980s his art has graced the covers of some of the bestselling fantasy authors of today. He has illustrated books on myth, legend and fairy tale; he's even written and illustrated several enchanting children's books.

His magical art for the book: A Diversity of Dragons or his book on medieval armour with its complex and detailed illustrations has cemented his already well earned reputation. John Howe also occasionally tries his hand at science fiction illustration, but only when he gets the chance. Though of course and with good reason he is mainly famous for his work exploring fantasy, myth, legend, folklore and fairytale. This book is a stunning portfolio of some of the most significant and beautiful masterpieces that have marked his career thus far, and an exploration of what inspires him (like ravens or horse-shoe crabs) as an artist.

With revealing commentary from some of the people he has collaborated with over the years this insightful volume explains why he is so sought after as a fantasy illustrator. There is even a fascinating chapter on his passion and hobby, creating medieval arms & armour for a re-enactment society in Switzerland, where he also lives. While many of the pictures are a bit on the small side and hence fail to do justice to his art, and I also think the text is a bit thin... one can't really complain. As one of my favourite modern illustrators I was very pleased when this long overdue book was finally published, now for one on Alan Lee!

myth and magic.......2007-05-13

i recommend this book not only to fantasy art lovers but also to tokien fans, since most of the movie costumes and scenery were inspired by john howe's piantings

Best Delivery.......2005-09-06

This book was purchased as a gift for my husband. Thanks for sending it so quickly and without any sort of damage.

Does Justice To The Artist.......2005-01-18

This book shows how it should be done.

If you had to condense decades of brilliant art work into one volume this is about right.

It is obvious that the volume was put together with love. The paper and color are good, and the pictures (why most of us want to buy this book), are many, varied and quite often large.
** (Lesson for "Realms of Tolkien" editor: There are many double and single page spreads, with no white space!)

For the person who wants to know about John Howe, (not just his Tolkien work), there is quite a bit of information, although I would have liked to have seen and read more about the technical side of how he works.

There is quite a bit of his non-Tolkien work, which I found really interesting and just as good, (artistically) as his Tolkien stuff.

If you like the work of John Howe this is the book for you!

The only way to improve it would be to add another volume, (hint to the editor...).

Now if they could just do the same thing for Ted Nasmith...

Simply Fantastic.......2004-03-01

If you haven't got this book yet and you are into fantasy art, don't hesitate and buy it. Trully fantastic artwork. John Howe is without a doubt one of the best illustrators of the world. He was one of the concept artists of Peter Jackson's The Lord Of The Rings movie trilogy.

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A GLORIOUS COLLECTION
AN AMAZING COLLECTION

Golden Age of Watercolours
Eric Shanes
Manufacturer: Merrell
ProductGroup: Book
Binding: Hardcover

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ASIN: 1858941466

Book Description

Since its creation in the early years of the twentieth century, Sir Hickman Bacon's collection of British landscape drawings and watercolors has been recognized as the best private holding of such works anywhere in the world. Sir Hickman Bacon had advanced tastes for his time, favoring the late, ethereal Turner watercolors that became widely popular only with the advent of abstract painting in the 1940s and 1950s. Turner's friend Thomas Girton, one of the first artists to exploit watercolor as a medium in its own right, is also prominently represented, demonstrating the visual, spatial, emotional, and technical breadth of his landscape art. One of the glories of the collection is its group of watercolors by another of Turner's contemporaries, John Sell Cotman. Sir Hickman Bacon began collecting these works, astonishing in their apparent modernity, long before the First World War, when the artist's reputation was only just beginning to emerge from total obscurity; his work really began to become popular only in the 1920s. Other nineteenth-century watercolors, by both English and French artists, anticipate Impressionism in their growing freedom of expression. This, the first English-language publication on the collection, offers a critical text and full-color reproductions of these important and little-known works.

Customer Reviews:

A GLORIOUS COLLECTION.......2001-12-15

Sir Hickman Bacon was a man ahead of his time as is reflected in his magnificent collection of British landscape drawings and watercolors. It is now the largest collection of English watercolors still in private ownership.

As an accompaniment to a London exhibit The Golden Age Of Watercolours presents the best of this collection - works by artists who painted during the mid nineteenth century and the early part of the twentieth century.

We find J. M. W. Turner, premier watercolorist, who, it is said, painted with his doors locked so as not to risk anyone discovering the secrets of how he obtained the effects of depth and breadth in his paintings.

Thomas Girtin, a rambunctious artist who was imprisoned for defaulting on his apprenticeship, was also favored by Bacon. While incarcerated Girtin amused himself by covering the walls of his cell with landscapes. A guard was astonished to see this artwork, and played a part in Girtin's eventual release.

The inventiveness of John Sell Cotman was recognized by Bacon long before Cotman won popular approval, as was the work of Richard Parks Bonington.

Art historian Eric Shanes has penned an essay recounting the making of this collection which accompanies the glorious illustrations.

- Gail Cooke

AN AMAZING COLLECTION.......2001-12-08

The inventiveness of John Sell Cotman was recognized by Bacon long before Cotman won popular approval, as was the work of Richard Parks Bonington.

Art historian Eric Shanes has penned an essay recounting the making of this collection which accompanies the glorious illustrations.

Customer Reviews:

Excellent Intro to Poerty.......2007-07-29

I found this book a valuable resource for getting young children interested in poetry. I have used this book for three years now and the response from my 2nd and 3rd graders has been fantastic. Many of the poems in this book, the kiddos can associate with making for interesting reading. This is a must buy for anyone trying to introduce poetry in the classroom.

Beautiful Book.......2003-04-19

This is a wonderful book . The pictures work the imagination and the poems are beautiful. The dual language format will intrigue young readers and just may get them interested in a 'different' language. In addition this will expose youngsters to some of Mexico's rich culture. I know several college professors who have adopted this book to use in their Children's Literature and reading courses. Truth be told, I liked it so much I bought it for myself several years ago and have been 'advertising' it ever since.

Beautiful Words and Inspiring Art!.......2001-09-07

Being a beginning self-taught student in Spanish with a special interest in Mexican Spanish by way of my residency in Texas, I took a chance on purchasing this bilingual book and was more than delighted by what I found inside. The convenient side-by-side text of the poems and short stories makes it easy to follow the translations and improve language skills. However, the real treasures in this book are discovered slowly, as one peruses the glowing artwork by various Mexican artists in conjunction with the inspiring words that seem to interweave themselves into the pictures. This is a book to sit back and savor during personal quiet time, or to read to your children. The melodic rhythms of both the Spanish and English texts rock the heart and soothe the soul.

The Tree is Older Than You Are: A Bilingual Gathering of Po.......2001-08-07

This book may turn out to be my all-time favorite book of bilingual poetry. The frosting on the cake, so to speak, turns out to be the art work accompanying the poetry. Each time I read one of the poems I like it better than the last time. And these are carefully selected, excellent quality poems: with writers such as Octavio Paz, Alberto Blanco, Rosario Castellanos (and many more) how could they not be terrific? A lasting gift for any occasion, especially for someone interested in bilingual stories from Mexico.

Beautiful Words and Inspiring Art.......2001-06-23

A Month in the Country (New York Review Books Classics)

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A man's troubled soul is unlocked by an ancient painting
Tender, nostaligic, haunting
enchanting
Lyrical, poetic escape
We Are Creatures Of Hope, Always Ready To Be Deceived Again

A Month in the Country (New York Review Books Classics)
J.L. Carr
Manufacturer: NYRB Classics
ProductGroup: Book
Binding: Paperback

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ASIN: 0940322471
Release Date: 2000-10-31

Amazon.com

Any good reader has, well, had it with novels of healing. The culture of confession has given rise to novels that begin with an unspeakable act (graphically described) and end in redemption (this part is usually more vague). That's not how it works in J.L. Carr's quiet, brief, dreamy A Month in the Country. Writing in 1978, Carr's narrator, Tom Birkin, recalls the summer of 1920. A veteran of the Great War and a cuckold, Tom arrives in Oxgodby to restore a medieval mural in the church. His single season in this town in the north of England passes quickly: he sleeps in the belfry, makes a friend or two, falls secretly in love with the vicar's wife, and, chipping away at plaster and dirt, uncovers a lost masterpiece. These events seem to melt past Tom in the heat of the perfect, fleeting English summer: "The front gardens of cottages were crammed with marjoram and roses, marguerites, sweet William, at night heavy with the scent of stocks. The Vale was heavy with leaves, motionless in the early morning, black caves of shadow in the midday heat, blurring the sound of trains hammering north and south."

Carr devotes many fewer words to Tom's time in the war. The vicar's wife tries to ask him about it. "'What about hell on earth?' she said. I told her I'd seen it and lived there and that, mercifully, they usually left an exit open." His healing consists of not talking about his past--perhaps a revolutionary notion these days. A Month in the Country, with its paean to a lost, good place, oddly recalls Alain-Fournier's Le Grand Meaulnes. But where that novel was elliptical, Carr's work values clarity and simplicity above all. These are rare enough qualities, but to find them in a novel of romance and healing is a rarer pleasure still. --Claire Dederer

Book Description

In J. L. Carr's deeply charged poetic novel, Tom Birkin, a veteran of the Great War and a broken marriage, arrives in the remote Yorkshire village of Oxgodby where he is to restore a recently discovered medieval mural in the local church. Living in the bell tower, surrounded by the resplendent countryside of high summer, and laboring each day to uncover an anonymous painter's depiction of the apocalypse, Birkin finds that he himself has been restored to a new, and hopeful, attachment to life. But summer ends, and with the work done, Birkin must leave. Now, long after, as he reflects on the passage of time and the power of art, he finds in his memories some consolation for all that has been lost.

Customer Reviews:

A man's troubled soul is unlocked by an ancient painting .......2007-04-26

If you have seen the movie you will love the book.If you have read the book then you will love the movie.1920 England has slowly climbed out of the Great War and many are still finding their way in the aftermath of it all.Tom Birkin is an art restorationist who is called to the North English town of Oxgodby in order to uncover a 500 year old painting in the the nave of the village Church.There he is met with the most unusual likeable and unlikeable characters who are there to help,hinder or confuse Birkin during the hot summer months as he tirelessly and obsessively works to reveal a Judgment Scene that will play as the key to unlock his troubled heart and soul.J.L Carr's book is extremely intimate and personal,told more from the thoughts and observations of Birkin than dialogue from supporting characters.The 1987 film version is incredibly accurate and is extremely good in bringing out the subtleties of the book.I highly recommend both.

Tender, nostaligic, haunting.......2006-03-26

The main theme of this charming novel is how important it is to understand the irretrievable passage of time and to savor the good times that come along. The narrator tells the story of an enchanted summer he spent in Cornwall uncovering an ancient painting in a country church. He looks back upon this time (1920) as one of the most wonderful, important periods of his life. He meets several villagers who make an indelible impression upon him and pleas with us to appreciate our own little "months in the country"--those days when things are going well. Such a good, kind, fully-alive character. I was moist-eyed by the final pages (it's a very short novel) and didn't want it to end. Sweet, powerful, and as lovely as a summer day in the country.

enchanting.......2005-10-22

This is one of those works of art that falls into a category of its own. Carr's writing is impeccable and it took on a magical quality where the past and future were perfectly brought together through the voice of the protagonist Tom Birkin. I'm on my fourth reading of it.

Lyrical, poetic escape.......2005-05-24

When I was reading this book I often felt as if i was either there or the author was telling the story directly to me. My only objection is that it was too short!

We Are Creatures Of Hope, Always Ready To Be Deceived Again.......2005-05-04

J. L. Carr's A Month In The Country (1980), which is set in the 1920s, is the story of Tom Birkin, a budding restorer who accepts a job uncovering a church mural in a small Yorkshire village, a village predictably populated by greenhorns, cranks, and eccentrics of all stripes and colors. What is immediately apparent is that the novel is not a product of the earlier era in which it is set, nor is it an attempt to recreate the style of the period.

Though Carr attempts high British humor in the grand 20th century tradition of P. G. Wodehouse, Evelyn Waugh, Ivy Compton-Burnett, Stevie Smith, Denton Welch, and Muriel Spark, much of what is supposed to be funny throughout the novel is in fact only obvious, smug, and not nearly as intelligent or crisp as Carr apparently believes it to be. Thus, when Birkin's employer warns him about a scythe that hangs in the outdoor privy, Birkin speculates whether "it was the loss of life or only manhood he was concerned about," and most of the attempted humor continues at about this level.

A Month In The Country might have been saved by a compelling plot or theme, or simply a collection of perceptive insights uniquely expressed, but none of these elements are present, and so what little story there is merely plods cutely along. Whether is it is Carr himself, or merely Tom Birkin, who is so self-satisfied is difficult to say; either way, the combination of the anemic first person narrative and the idiosyncratic attempts at humor, in which the author indulges himself at every turn, sink the book quickly.

The Art of Domestic Life: Family Portraiture in Eighteenth-Century England (Paul Mellon Centre for Studies in British Art)

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The Art of Domestic Life: Family Portraiture in Eighteenth-Century England (Paul Mellon Centre for Studies in British Art)
Kate Retford
Manufacturer: Paul Mellon Centre BA
ProductGroup: Book
Binding: Hardcover

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ASIN: 0300110014

Book Description

This book is the first to explore English family portraiture in the 18th century, a varied category ranging from small-scale conversation pieces to grandiose, full-length images. Kate Retford probes this much-loved genre to trace the values and meanings behind these compositions.
While early images by artists such as Arthur Devis depicted sitters stiffly posed, later in the century scenes of affection and intimacy were created by portraitists like Thomas Gainsborough and Joshua Reynolds. In the country-house collections, portraits first emphasized ancestry and inherited virtue, but later emphasized the domestic merits of the family. The Art of Domestic Life contributes a wealth of visual evidence to the history of the family. It offers important insights into both the innovations and traditions in family portraiture of this period, drawing on in-depth research into paintings, the lives of the sitters depicted, and the domestic spaces in which portraits were hung.

Published for the Paul Mellon Centre for Studies in British Art

People Who Live at the End of Dirt Roads

Average customer rating:

So enjoyable to be reminded of things the way they were.
Rite On....what we lost and where were goin.....
is book is excellent,

People Who Live at the End of Dirt Roads
Lee Pitts
Manufacturer: Gibbs Smith
ProductGroup: Book
Binding: Paperback

General | Instructional & How-To | Arts & Photography | Subjects | Books

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ASIN: 0879056738

Customer Reviews:

So enjoyable to be reminded of things the way they were........1998-06-18

So happy to get ahold of this book. The author put you right back at the scene and brought out lost feelings. Hope to share it with others.

Rite On....what we lost and where were goin............1998-03-27

Its colorful writing about everyday stuff that is simply not like it used to be. Touches on many aspects of todays changing and regressing ways. Makes you think.

is book is excellent,.......1997-06-24

Lee makes you stop and reflect on what it used to be like and what we have lost in our fast pace in todays living. He makes you laugh and cry, the book is excellent

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