Book Description
One of Abbeville's most spectacular achievements, representing the highest standards in fine art printing, now available at a more economical price.
This marvelous edition of Audubon's Birds of America displays all 435 of Audubon's brilliant handcolored engravings in exquisite reproductions taken from the original plates of the Audubon Society's archival copy of the rare Double Elephant Folio. Although many attempts have been made to re-create the magnificent illustrations in Audubon's masterpiece, nothing equals the level of fidelity or scale achieved in this high-quality edition.
Completely reorganized and annotated by Roger Tory Peterson, who was America's best-known ornithologist, and issued with the full endorsement and cooperation of the Audubon Society, this volume is the first to rearrange the plates in a more scientific order. Peterson's fascinating introduction places Audubon in the context of the history of American ornithological art and also reproduces a wide sampling of the work of Audubon's notable predecessors and disciples, including Peterson's own justly famous paintings.
This new systematic arrangement of the prints, complete with informative commentaries about each bird, made it possible to correct many of the problems or errors in Audubon's original edition that later scholarship revealed.
Other Details: 428 full-color illustrations, 435 duotones.
Customer Reviews:
A Good Companion.......2007-07-14
Having recently read the biography of Audubon, I was very interested in seeing the actual drawings. The book I read had a few of them in black and white, but I wanted to see a larger sample in color. I decided to see if Amazon had anything and was very surprised to see that they offered all of the original drawings in color for a very small price. I realized the book would be smaller than the original life size drawings, but was a little surprised to find that the book was so small. That is my main problem with the book. Otherwise - WOW. To see these birds in all their glory in full color is just breathtaking. Furthermore, when you consider the original size, to have shrunk them down and still maintain the detail and the beauty is quite impressive. One can appreciate the drawings without having read about Audobon's struggle to create and then publish them, but I would suggest this book as a companion to a good biography of Audobon. Once you have both, his accomplishment can be fully appreciated.
Spectacular.......2005-08-02
This book is spectacular. The images are breathtaking, and the quality of their presentation is nothing short of superb. Wow!!!
Why reorganize a symphony?.......2004-11-30
Let me qualify my remarks by first saying that I have not even seen this version. I have no doubt that the printing is of the highest quality, but I have a serious reservation about the organization of this book. Audubon deliberately mixed his birds in a non-taxonomic order to maintain a freshness and an element of suprise. I recently acquired a large format copy published by Welcome Rain, which follows Audubon's original order. The effect is a delightful romp through nature, full of suprises, drama and movement. He never intended it to be a catalog with all his ducks in a row, it was to be an experience. I have seen an abridged, small format edition of his paintings arranged in the standard, dull taxonomic order of a typical field guide and the effect is nothing like seeing them in the order Audubon intended. Rearranging the plates for convenience of listers diminishes this work, and to a certain extent, is a disservice to the artist. While I am happy to see that his work remains in print and is being reproduced at very high standards, I would hope that it would be viewed as a symphony, not as a random collection of notes needing to be organized alphabetically.
Beautiful volume of audubon.......2004-07-16
If you are a birder and you collect all the great bird books, your collection is not complete until you get this. A beautiful book, contained in a hard case, with excellent printing. A steal at $250 at its original price, now knocked down between $125 to $185. Get this book! A great tribute to Peterson and Audubon.
Book Description
John James Audubon was a boy who loved the out-of-doors more than the in. He was a boy who believed in studying birds in nature, not just from books. And, in the fall of 1804, he was a boy determined to learn if the small birds nesting near his Pennsylvania home really would return the following spring. This book reveals how the youthful Audubon pioneered a technique essential to our understanding of birds. Capturing the early passion of America's greatest painter of birds, this story will leave young readers listening intently for the call of birds large and small near their own homes.
Customer Reviews:
Breathtaking!.......2005-03-18
My 5 children,ranging in age from 3-11 years,were absolutely captivated by this book. The author tells the story of a young John James Audubon and the illustrator brings the story alive thru rich mediums. This book is a perfect stepping stone to a variety of unit studies.
A survey of his pioneering observational techniques.......2005-01-03
John James Audubon loved nature and the outdoors as a child, and was determined to study birds in the wild rather than from books even as early as 1804. Jacqueline Davies' lively story of his youth and pioneering attitude will reach grades 3-6 with an excellent survey of his pioneering observational techniques. Drawings by Melissa Sweet provide lovely accompaniment to the story of the naturalist's early years.
Bird Lovers Take Note!.......2004-12-17
I loved reading this beautiful book with my nieces and nephew. There's so much to look at in the illustrations, and the writing flows naturally like the countryside Audubon explored. Children will be inspired to conduct their own investigations in the outside world after reading this. Each time you read this book, you find new things to look at and words to enjoy.
An Exquisite Marriage of Art and Text.......2004-12-16
Like a bird's song, the lyrical text by Jacqueline Davies is both simple and rich with undertones--the repetition of pattern, the careful selection of noun and verb, the staccato rhythm interspersed with longer musical lines. Paired with the exquisite collage art of Melissa Sweet, it is a perfect marriage. Children will love to pour over the tiny details in the illustrations. Teachers will revel in the biographical details of the text. All readers will come away with a feeling of enormous admiration for John James Audubon, whose passion gave the world so much knowledge and beauty.
Spectacular!.......2004-12-16
The Boy Who Drew Birds is one of those rare picture books that appeals to all ages. Young collectors will marvel when reading that Audubon's "Every shelf, every tabletop, every spare inch of floor, was covered with nests and eggs and tree branches and pebbles and lichen and feathers and stuffed birds . . ." Young artists may be shocked to discover that each year, on his birthday, John James removed the drawings on his wall that he had completed in the past 12 months, and burned them in the fireplace. All will be inspired by Audubon's inquisitiveness, his exploration of bird habits, and his ability to follow his passions (not to mention Melissa Sweet's amazing art). A beautifully written, gorgeous book!
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John James Audubon in the West: The Last Expedition: Mammals of North America
Sarah Boehme
Manufacturer: Harry N. Abrams
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Binding: Hardcover
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John James Audubon: The Making of an American
ASIN: 0810942100 |
Amazon.com
Only a generation after Lewis and Clark's expedition, the artist and naturalist John James Audubon captured his contemporaries' imaginations with his illustrations in Birds of America. John James Audubon in the West celebrates a lesser-known work, Quadrupeds of North America, which is the focus of a traveling exhibition organized by the Buffalo Bill Historical Center of Cody, Wyoming. Audubon's Quadrupeds presented colored lithographs far superior to the outline engravings that normally illustrated encyclopedias and scientific volumes of his day. They have the same liveliness and sense of movement as the bird illustrations; background landscapes are small masterpieces in themselves; imaginative settings add a theatricality to many pictures, such as a tawny weasel at the throat of a farmyard chicken or a cougar with his kill; and details like the fur of squirrels and wolves are very fine. Audubon's research included a six-month field trip up the Missouri in 1843 that resulted in the discovery of several new species, including North America's only native ferret, the black-footed ferret--though the project was more important as art than as science. The 180 illustrations in John James Audubon in the West include the most successful of the animal pictures, preparatory sketches, and comparative material such as contemporary Western landscapes. Four essays by Audubon scholars analyze the artist's style, his Missouri journey, scientific collaborations, and the technical and commercial context for the publication of Quadrupeds. While his birds will always overshadow his work on mammals, John James Audubon in the West introduces an important pioneering study and a fascinating piece of American history. --John Stevenson
Book Description
Millions of nature lovers are familiar with Audubon's exquisite portraits of birds in his great masterpiece, The Birds of America. Less well known yet of immense significance is a second masterwork by the noted artist/naturalist-a series of illustrations devoted to the four-legged mammals of North America. This splendid volume-created to accompany a traveling exhibition organized by the Buffalo Bill Historical Society, Cody, Wyoming-is the most comprehensive study ever made of Audubon's mammal paintings.
The superb draftsmanship and extensive field research that characterize Audubon's famous bird paintings are everywhere evident in the renderings of bison, foxes, deer, and much more. The text, by four noted Audubon scholars, places Audubon's mammals in the context of his life's work and evaluates his enduring scientific, artistic, and literary legacy.
SARAH E. BOEHME is curator of the Whitney Gallery of Western Art at the Buffalo Bill Historical Center.
ANNETTE BLAUGRUND is director of the National Academy of Design Museum and School of Fine Art, New York City.
ROBERT PECK is a fellow of the Academy of Natural Sciences, Philadelphia.
RON TYLER is director of the Texas State Historical Association, Austin.
180 illustrations, 80 in full color, 81/2 x 11"
Book Description
"Truly wonderful . . . Excellent work."--Tim Flannery, The New York Review of Books
In the century and a half since Audubon's death, his name has become synonymous with wildlife conservation and natural history. But few people know what a complicated figure he was--or the dramatic story behind The Birds of America.
Before Audubon, ornithological illustrations depicted scaled-down birds perched in static poses. Wheeling beneath storm-racked skies or ripping flesh from freshly killed prey, Audubon's life-size birds looked as if they might fly screeching off the page. The wildness in the images matched the untamed spirit in Audubon-a self-taught painter and self-anointed aristocrat who, with his buckskins and long hair, wanted to be seen as both a hardened frontiersman and a cultured man of science.
In truth, neither his friends nor his detractors ever knew exactly who Audubon was or where he came from. Tormented by a fog of ambiguities surrounding his birth, he reinvented himself ceaselessly, creating a life as dramatic as his fictionalizations of it. But when he came east at thirty-eight-broke and desperate to find a publisher for his Birds-he ran squarely into a scientific establishment still wedded to convention and suspicious of the brash newcomer and his grandiose claims. It took Audubon fifteen years to prevail in both his project and his vision. How he triumphed and what drove him is the subject of this gripping narrative.
Customer Reviews:
Audubon exposed!.......2006-07-03
I am pleased to give my unprejudiced review of Under A Wild Sky by William Souder, my son.
The author paints a picture, in words, of a 19th century complicated man, dedicated to giving his and future generations beautiful and accurate portraits of Birds Of America. This is a great book for all interested in learning about the life of the man and his work.
A Fascinating Account of Audubon and His Art.......2006-04-08
Souder's style is smooth and lively, making for a swift, engaging read. Anyone interested in birds, art, or Audubon shall read this book without regret.
Souder is strongest in two things. First, he frequently presents the scientific context to Audubon's work, though the reader is frequently reminded that Audubon was not exactly a scientist. For example, Souder discusses the history of taxonomic standards at one point, which was informative and quite interesting.
Second, Souder's narrative adaptation of Audubon's journals are excellent, particularly with regard to Audubon's accounts of the state of birds in the mid-19th century. For example, there is an astounding account of Audubon's encounter with a gigantic flock of Passenger Pigeons (now extinct).
A potential weakness of the book might actually be due to Souder's attempt to write a reasonably comprehensive biography of the man. Audubon's relationship with his wife was up-and-down, due to his travels that kept him away from home for years at a time. Their subsequent emotional roller coaster via letter-writing was chronicled by Souder at a level that shall not interest all.
More Insight to Audubon's Personality.......2006-02-24
William Souder doesn't just describe Audubon's personality. Souder appears to be Aubudon's best friend who has been watching Audubon for years. Now, Souder is telling the reader how his best friend works and what drove his friend to make "Birds of America."
A 'must' for any Audubon fan.......2005-10-12
It's been over a century since naturalist John James Audubon's death, but his fame is no less for it, and author William Souder's biography Under A Wild Sky: John James Audubon And The Making Of The Birds Of America provides both a well-researched biography and an inviting leisure read recreating Audubon's time and passion. Chapters tell of the lush abundance of species Audubon was called upon to catalog, and tells of his struggle to gain recognition for his work. A 'must' for any Audubon fan.
Vivid and facinating .......2005-01-23
Like most everyone, I have been slightly familiar with Audubon's Birds of America-but I had no insight into the man or the world that produced his famous series of meticulous paintings. From the first page, William Souder's excellent book drew me into its engrossing narrative, making the carefully researched details come alive. Because of the detail and the direct writing style, the world Souder portrays seems close and immediate-almost like today-but in many ways it was light-years from today's modern world.
In detailing Audubon the man, Souder shows us a fascinating, infuriating character, obsessive in his hunting, exploring and collecting efforts, relentless in his painting, while often oblivious to his domestic responsibilities and economic situation. Reconstructing an immense amount of research materials, Souder describes Audubon's acclaim and success in Scotland and England, leading to the historic publication of the monumental Birds of America. While cutting a flamboyant, confident figure in Europe, we also see Audubon's private torments. His incompetent letters to his wife- addressing her as "dearest friend"- provokes an extended almost tragic transatlantic misunderstanding. Reading these passages should make us forever grateful for telephones!
Under a Wild Sky is full of wonderful rich description, and for this we can thank Audubon and others for having kept detailed journals and letters. But I was most impressed with Souder's ability to write in a familiar, personal style that weaves it all into a highly readable, intelligent and entertaining narrative that-as I said before-really makes the subject come alive. Highly recommended.
Book Description
John James Audubon came to America as a dapper eighteen-year-old eager to make his fortune. He had a talent for drawing and an interest in birds, and he would spend the next thirty-five years traveling to the remotest regions of his new country–often alone and on foot–to render his avian subjects on paper. The works of art he created gave the world its idea of America. They gave America its idea of itself.
Here Richard Rhodes vividly depicts Audubon’s life and career: his epic wanderings; his quest to portray birds in a lifelike way; his long, anguished separations from his adored wife; his ambivalent witness to the vanishing of the wilderness. John James Audubon: The Making of an American is a magnificent achievement.
Customer Reviews:
Tenacity Incarnate.......2007-06-19
In its own way, this book reveals as much about the early 'natural history' years of the nation's founding as "Roots" does about early 'social history' years of Americans' tangled involvement with its imported slave population. Just as a national audience sat transfixed before TV sets watching a human drama unfold, so too, a reader following Audubon's manic treks back and forth from the East Coast to Louisiana to capture and sketch American birds, and his inspired obsession develop and finance a folio of ornithological plates by selling subscriptions in England, would marvel first at his tenacity, second at his self-awareness, and finally recognize that we live in a much less fecund animal world than the one he captured.
Audubon was an innovator of the first rank, in devising a systematic methodology (wire-frame supports) for accurately posing the bird in its natural setting, and a keen observer of the world he was both illustrating and helping to eradicate. Throughout his collecting and drafting career, he noted the transformations of habitats and ranges, and recognized that the 'natural' world he knew would look very different after his death. Large-scale conversion of woodlands to other uses, and the relentless pressure of colonization, exerted a profound impact on the distribution and range of avian species, and Audubon watched it happen in real time. His descriptions of the 'bird counts' he conducted tell the story. Repeatedly, he describes flocks that 'blacken the sky' - something we'll never see today.
Rhodes' biography is exhaustive, and a review should note that there is quite a bit of superfluous detail brought into the description of his early years. Furthermore, Rhodes in this effort did not turn out to be a great prose stylist, so some serious editing for length would have helped. Those criticisms aside, the Rhodes biography succeeds in bringing to life a vanished world, one in which colonists, pioneers and settlers were surrounded by 'wild nature,' and most of the people could actually name the animals (and birds) they saw!
Fascinating, Encyclopedic Study of Audubon and Early America.......2007-03-31
In the tradition of the great biographers, Rhodes leaves no stone unturned in his exploration of this remarkable fellow. The author carries us through the journey of the quintessential self-made man as he comes into maturity with his new country, the United States.
This is a study of a man, not an ornithological treatise. We all have seen the beautiful portraits of birds (terrific color plates in the paperback edition I have) and, through Rhodes efforts, discover Audubon's ingenuity in rendering them with the sort of lifelike quality he hoped to achieve. He earned his passage on many early excursions as the boat's hunter and trapper requiring lone forays into the hinterland. He clearly absorbed everything in his environment while he was making his way. His love for wildlife extended beyond avian society to all flora and fauna contained in the natural environment. He painted other animals and plants, as well. In his waning years, he executed a series of North American mammals with his sons. He had hoped to do much more.
Audubon's history is entwined with early America. He surely enjoyed his notoriety in European courts but always longed for his wild territory. In his later years (he died a decade before the Civil War), his assessment of the burgeoning nation was that it was becoming too crowded, overpopulated; ruined. THAT America was gone before Audubon died but Mr. Rhodes allows us an almost palpable glimpse at it as he illuminates one of it's most colorful citizens. Who would be a better guide into the young U.S. than this great naturalist, so skillfully revealed by this delightful writer?
Excellent book not just for birdwatchers!.......2007-01-22
If you want to really gain a great deal of insight into the forming of the American Frontier...read this book! It is really far more about that than it is about JJ Audobon although he is a very interesting character all by himself. A fascinating person at a fascinating time in history. I highly recommend it.
James James Audubon: The Father of American Ornithology chronicled in a fine biography by Richard Rhodes.......2007-01-21
John James Audubon (1785-1851) was born illegitimate in what is today the nation of Hati. He grew up in Nantes but his father sent him to Pennsylvania as a way to escape service in the army of Revolutionary France. Audubon came from a prosperous family and lived on a Pennyslvania farm owned by his family. He wed Lucy Bakewell an English girl who had immigrated to the United States from England.
The biography tells how Audubon operated a mill in Henderson,Ky. which went bankrupt. He was a constant traveler in the eastern United States drawing his beloved birds. Audubon traveled widely in Europe seeking to sell his lifework "The Birds of North America." Along the way he became famous meeting President Andrew Jackson; his literary idol Sir Walter Scott and being the second American to become a member of the Royal Society. Audubon was a complex man who loved America becoming a naturalized citizen. He was generally kind but could become volatile. Late in life he enjoyed drinking and profanity.
Audubon's life with Lucy was a great love story. His constant travel did put a strain on the marriage. His two surviving children were John and Victor. Audubon loved his family and was faithful to his wife.
Audubon pioneered painting birds in their natural habitat. His monumental "Birds of North America" shows him to be a supreme artist.
Pulitzer Prize winner Richard Rhodes quotes several journal entries and letters sent by Audubon during his lifetime. The book is well illustrated containing a section of beautiful Audubon prints.
This was a very interesting book for me and for anyone interested in
American history; art; ornithology and pioneer life. Recommended.
Unlikely Genius .......2006-10-25
My wife and I happened upon a complete 'Birds of America' exhibit at the National Gallery last year. I was mesmerized at the loving care put into these paintings and the exquisite variety of birds in America. Who was this artist, Audubon? I had seen greeting cards with his pictures and had heard of the Audubon Society, but who was he?
Audubon was self-taught immigrant from France who went into business on the frontier and failed at it because of the fragility of the economy and all the fits-and-starts associated with a new country. His avocation was painting birds, something he did in his spare time. Finally, he decided that it was what he was best at and the most likely means of supporting his family. At great personal cost and inconvenience, he spent lots of time away from his family to document these birds, both in picture, and in observation of their habits. He became the leading naturalist in the world for birds, came to meet President Andrew Jackson, the King of England, and was feted wherever he went, after he was established. He came out of nowhere to become an international celebrity.
Richard Rhodes does a remarkable job of piecing the story together. He was able to do so in large measure because Audubon spent so much time away and had to write to keep in touch. By the way, he barely kept his family together during these absences because of frequent miscommunications back and forth, partly because English was his second language. Rhodes won the Pulitzer Prize for 'The Making of the Atom Bomb', which I also read and found superb. 'Audubon' and 'The Making of the Atom Bomb' are remarkably different in subject matter, but both are handled with the same care that Audubon put into his painting.
A side benefit of this book is the chance to explore the early U.S. by living with Audubon and his family: the people he knew, the cities he went to, and especially the wilds where he painted (which were disappearing even in the early 19th century).
He was an ardent American, and transferred his citizenship at first opportunity when he got here as a young man in the early 1800's. He loved this country, as well as the birds he painted, and it shows.
I recommend reading this book while sitting at a computer so that you can access Google images of what is being discussed. It's a truly fascinating and worthy story, and the paintings are phenomenal.
Book Description
John James Audubon's sumptuous four-volume edition of Birds of America, published between 1827 and 1838, contains 435 hand-colored life-size prints of 1,065 individual American birds. A glorious union of science and art, it remains an unequaled achievement in ornithology illustration.
In tracing Audubon's quest to produce this groundbreaking work, Vedder draws on the artist and naturalist's own writings and the latest scholarship on his life and on Birds of America. Plates from the Huntington Library's double-elephant folio are reproduced in color, including the wild turkey, Baltimore oriole, bald eagle, and (once presumed extinct) ivory-billed woodpecker. Vedder provides with each plate a commentary on the unique characteristics of the species depicted, based on Audubon's own observations in the field.
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John James Audubon: The watercolors for The birds of America
John James Audubon
Manufacturer: New-York Historical Society
ProductGroup: Book
Binding: Unknown Binding
Audubon, John James
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ASIN: 0760706662 |
Customer Reviews:
A LANDMARK PUBLICATION.......2005-01-10
That John James Audubon was America's foremost naturalist there can be no doubt. That John James Audubon: The Watercolors for the Birds of America, published by Villard Books in association with the New York Historical Society, is a landmark publication there should be no doubt.
A companion volume to a museum exhibition, this magnificent presentation of 470 color illustrations is a significant contribution to the worlds of art, nature and ornithology. In addition to the stunningly reproduced art, the volume contains four excellent articles: Theodore E. Stebbins, Jr. examines Audubon's artistic development; Annette Blaugrund discusses his skills as an entrepreneur; Amy Meyers presents Audubon as a naturalist; and Reba Fishman Snyder sheds light on the technical aspects of the watercolors.
John James Audubon: The Watercolors for the Birds of America is a superb representation of the works of an artist and naturalist who knows no peer.
- Gail Cooke
Book Description
As a young man, John James Audubon, the renowned American woodsman and artist, had to make a choice between following his father's dreams for him and discovering his own special destiny.
In this beautifully conceived book, Robert Burleigh imagines a conversation in which Audubon tells his father why he has chosen to forgo the ordinary life of a shop-keeper and instead live out in nature to develop his art and his relationship with the world. Illustrated not only with sumptuous images by Wendell Minor, but with actual drawings by Audubon himself, this book will appeal to his fans of all ages.
Customer Reviews:
A Lovely Tribute to the Father of American Bird Conservation.......2003-03-25
This beautiful picture book is a real treat for any admirer, young or old, of nature and the work of John James Audubon. From first page to last, it is a tribute to an extraordinary man who had a passion for America's wilderness, as well as to the wilderness itself. Robert Burleigh tells the story of the pioneering environmentalist through an imaginary rhyming letter to his father, with accompanying excerpts from Audubon's journals. Wendell Minor, a renowned jacket artist and distinguished picture book illustrator, enlivens the text with some of his finest work, which is complemented by a few of Audubon's original paintings. Mr. Minor portrays the curious woodsman as he rambles through sun-dappled forests, investigates a cormorant's nest on the side of a rocky cliff, and admires the untamed spirit of a temporarily captive hawk. Later on, the story's tone changes from carefree revelry to a heartfelt plea for wilderness preservation, as Audubon mourns the loss of the woodlands and the birds he holds so dear. While holding a dying pigeon in his hands he remarks: "And as I watched it die I knew/The world I love is passing too. And I must paint it all because/We need this memory of what was. . ." These inspiring words are accompanied by some poignant pictures of a flock of now-extinct passenger pigeons--once the most populous bird in the world--streaming across the sky, and a once-mighty forest reduced to stumps. There is a hopeful note in the story, as well: "But listen, now, from every tree/I hear them calling out to me: The crow's ka-kow, the lark's ti-ti/The warbler and the chickadee." In order to preserve nature, we must first appreciate even the smallest aspects of it, from the the mighty bald eagle to the tiny chickadee. The book leaves one with a sense of hope about the conservation movement and a refreshed passion for the outdoors, especially birds, which are so plentiful and so striking in this country. With his paintings Mr. Minor has skillfully captured the personality of the man and the beauty of the birds he loved, and Mr. Burleigh has brought poetic words to help us remember Audubon not just as the vanguard in the American conservation movement, a mere icon of history books, but as a true woodsman who loved this country and its wilderness with his whole heart. INTO THE WOODS makes a lovely gift for any aspiring naturalist of age 8 to a lifelong birder of age 80. Pick up a copy for the child in your life and one for yourself. Also be sure to check out another new picture book, RACHEL: THE STORY OF RACHEL CARSON, which, like INTO THE WOODS, tells the story of a pioneering American environmentalist and is wonderfully illustrated by Wendell Minor.
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