Book Description
In the autumn of 2006, The Museum of Modern Art will present Brice Marden: A Retrospective, the artist's first major American retrospective. The exhibition, which will travel to San Francisco and Berlin, will constitute an unprecedented gathering of Marden's work, with more than 50 paintings and an equal number of drawings, balanced across the artist's career. The accompanying catalogue is the first book to take readers through the full course of Marden's work as it has developed over more than 40 years from the early 1960s to the present, showing his gradual, deliberate evolution, along with his constant exploration of light, color and surface at every turn. Marden's first 20 years of work, characterized by the luminous monochrome panels for which he won his first acclaim, will for the first time appear alongside the celebrated production of the past 20 years, which followed a shift in the mid-1980s to calligraphic gestures in shimmering grounds, and another shift in the past decade to heightened color. Two of Marden's newest paintings appear here for the first time. Gary Garrels interprets Marden's work and places it in historical context. Carol C. Mancusi-Ungaro, of the Center for the Technical Study of Modern Art at Harvard, examines issues of materials, processes and conservation. Richard Shiff, Brenda Richardson and Michael Duffy explore Marden's early use of a grid and his engagement with time and space in the studio, as well as his observation of the elemental qualities of nature, his representational links to nature, and the distinctive emotional effects of the abstract monochrome works for which he was initially recognized. Marden himself addresses his working methods in an interview, and a comprehensive chronology, exhibition history and bibliography close the book out.
Customer Reviews:
Brice Marden retrospective.......2007-06-08
When I saw his paintings at the SF Moma I was blown away. Especially his Cold Mountain work. I think Brice Marden is a great painter. This is a well written book and it shows a lot of his earlier minimal paintings, but leaving out a few paintings from the mid 90's. Interested to see what he does next.
QUICK and CAREFULLY PACKED.......2007-03-08
I received the item very fast but thanks that the postman knows me as part of the addres information was missing. Probably because it is an odd address for people overseas. We have a different system here. Apart from this, everything was ok
Brice Marden's retrospective at the MOMA.......2007-02-07
This handsome volume explores Brice Marden's illustrious career as an abstract artist of New York city from the 60's unto the present day. The reproductions seen here are first rate in quality color and the writing is direct along with Marden's interesting interview. A must-have for anyone who thoroughly enjoys abstraction and modern art --especially for those who are following Brice Marden's remarkable journey with large, great paintings.
Average customer rating:
- My daughter cried.
- Gorey Beautiful
- A Gorey story for kids and adults
- "It Betrayed A Great Liking For Peering Up Flues..."
- Grab your galoshes
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The Doubtful Guest
Edward Gorey
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ASIN: 0151003130 |
Amazon.com
Originally published in 1957, The Doubtful Guest serves as a prime example of the beauty, eccentricity, and brilliance of Edward Gorey's work. If the book was read aloud without revealing the accompanying black-and-white drawings, you might guess the tale came from the quirky genius of Dr. Seuss. The rhyming couplets and nonsensical verse (about an even more nonsensical creature) feel familiar, but in Gorey's skilled hands, the experience becomes altogether new.
The doubtful guest shows up unannounced and unwelcome, yet its presence is accepted after only a brief interlude of screaming. The staid, pale, Victorian inhabitants of the mansion alternately stare and glare at the doubtful guest as it tears out whole chapters from books, peels the soles of its white canvas shoes, and broods while lying on the floor ("inconveniently close to the drawing-room door"). Strangely, or rather, typically, as this is a Gorey book, the stymied occupants never ask the guest to leave--and in 17 years it has still "shown no intention of going away." Maintaining a matter-of-fact tone in spite of true oddity is pure, delicious Gorey, and his trademark drawings are not to be missed. The ghostly, stark, and undeniably amusing illustrations make The Doubtful Guest an entrancing tale in which reserved, insular lives meet with the unexpected and bizarre. (Ages 5 and older)
Book Description
“An artist and writer of genius” (New Yorker) gives us a small-format edition of one of his favorite tales-a deliciously twisted comedy of manners.
Customer Reviews:
My daughter cried........2007-08-03
I picked up a copy of the Doubtful Guest because I heard Steven Speilberg optioned the rights to turn this into a movie. Not sure how he's going to do it, because there really isn't a story to tell. It's about a weird-looking penguin that shows up at a house and doesn't leave. Big whoop. I love the art. I like the whole idea of the story. And I'm sure at the time, it was what children's book critics would consider 'avant-garde' and a bit dark. But, it just didn't do it for me. I read it to my daughter. She was so angry that she grabbed the book out of my hands, took it over to the fireplace and threw into the fire. Then she went PFFFTHTTPT! Whatever that means! Maybe she was tipsy on the expired-date cow's milk she was drinking. Maybe it was because she was teething. Maybe it was because she's only a year old, but she didn't like it at all. Would I tell someone else to buy this book? Not really. Although, on a personal note, I may check out more of Gorey's work. This guy may have been on to something.
Gorey Beautiful.......2007-02-07
A macabre classic. Perfect for any collection. Adds a little whimsy to any day you open the cover.
A Gorey story for kids and adults.......2006-03-18
Edward Gorey's humor is delightfully absurd. Although this particular tale is unlike any other Gorey story, the humor and pen & ink illustrations are beautifully done and unmistakably Gorey.
"It Betrayed A Great Liking For Peering Up Flues...".......2005-01-13
This is my single favorite Edward Gorey book, partially because of the amusing couplets it is written in, but mostly because of the appearance of the guest himself, which never ceases to amuse me. The concept of a strange creature who mysteriously visits and decides to stay (seventeen years) while exercising odd whims (like fits in which he removes all towels from the bath or hiding inside a soup tureen) is particularly suited to Gorey's odd brand of humor (although it is not one of his more unusual books, by any stretch of the imagination.)
I have liked Edward Gorey since I was in my teens, and still find him as unique and entertaining as ever. This is my very favorite Gorey book, and would make an excellent introduction to one of the oddest cartoonists of the twentieth century.
Grab your galoshes.......2003-12-05
You will not be doubting this book as a guest on your shelf. The Doubtful Guest is a Gorey masterpiece in all its pawky nature. If you find that you are fond of it, you might drop it in the pond, as the doubtful guest does to things it's fond of: "It would carry off objects of which it grew fond, And protect them by dropping them into the pond." You'll surely be all wet if you do, because you'll want to fetch it out for a read quite often.
Average customer rating:
- great stuff
- Shows Chris as the true artist that he is
- Monster talent!
- Acme Novelty Datebook
- Insight into Genius
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The Acme Novelty Datebook
Chris Ware
Manufacturer: Drawn and Quarterly
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Binding: Hardcover
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Jimmy Corrigan: The Smartest Kid on Earth
ASIN: 1896597661 |
Book Description
Acclaimed cartoonist Chris Ware reveals the outtakes of his genius in these intimate, imaginative, and whimsical sketches collected from the years during which he completed his award-winning graphic novel Jimmy Corrigan: The Smartest Kid on Earth (Pantheon). His novel not only won the Manchester Guardian First Novel prize in 2001 but it has sold over 100,000 copies. This book is as much a companion volume to Jimmy Corrigan --one of the great crossover success stories-- as a tremendous art collection from of one of America’s most interesting and popular graphic artist.
Chris Ware has a passion for drawing that is surprisingly wide-ranging in style and subject. This book surprises the reader on every page with its sense of spontaneous vision. Architectural drawings from Chicago and interplanetary robot comics collide with cruelly doodled human figures and quietly troubling studies of the still life. A must for people with a passion for modern design and old-fashioned style.
Customer Reviews:
great stuff.......2007-02-20
beautiful drawings...no matter how self critical mr. ware was back in the day. the book really allows the reader into the head of a master illustrator. if you're looking more for a graphic novel, don't start with this one (try his first real freshman work jimmy c, or his ACME novelty library, probably my favorite - you get a real sense of what ware is all about - clean lines, insane, or better put, anal details). anyway, back to this one...great book, if you're a fan of ware, there's no reason not to get this one, and if you're not yet convinced, this is a nice piece just to have - these same drawings and doodles that once inspired ware himself, now get me thinking. love it.
Shows Chris as the true artist that he is.......2007-01-13
I didn't think I would like this one. But after owning everything else the man ever made, I asked for this one for x-mas. Wow! I love it! There are spontaneous portraits of people on the bus, views from friend's rooftops, the rudiments of strips like: God, Jimmy the robot etc...
If you are a Chris Ware fan YOU WILL LOVE THIS BOOK! If you are not familiar with Chris, best to start somewhere else.
Monster talent!.......2005-10-24
The book is a record of an absolute monster drawing talent!
It collects tentative investigations, as a scrapbook of ideas and odds and ends. The amazing thing about it is its vitality.
Anything and everything becomes a source of inspiration and investigation into the nature of drawing. A coffee cup, a telephone in a waiting room, a washing machine, such mundane things seem to begin as notations but are transformed by Ware's observation of line and tone into their inner vitality - much like Van Gogh's peasant shoes. There are beautiful portraits. And beyond the observed notes, the book is positively brimming with characters, mutations, and cartoons from his eccentric imagination. The fantastical musings and the observed notations blend, merge together, separate like DNA strands through the book, adding up to a rich record of creativity
Acme Novelty Datebook.......2004-06-18
I just finished reading this, and it's a real treat. Fans of Jimmy Corrigan or Acme Novelty Library will enjoy drafts of these but expect differences in style. This gives a better look at Chris Ware than his other publications that I've read. You can really feel his frustrations in this work. I reccommend this to both fans and non-fans.
Insight into Genius.......2003-09-28
If you want to see inside Chris Ware's head, this is the book. There's next to no Jimmy Corrigan or Acme Novelty, just raw sketches of inspiration and internal struggle spanning 9 years of Ware's life (1986-1995). As an illustrator/designer, I found this book to be the most inspirational book I own, and I own many inspirational books. I definately recommend it.
Book Description
Some of the most innovative art of the past decade has been created far outside conventional galleries and museums. In a parking garage in Oakland, California; on a pleasure boat on the Lake of Zurich in Switzerland; at a public market in Chiang Mai, Thailand--artists operating at the intersection of art and cultural activism have been developing new forms of collaboration with diverse audiences and communities. Their projects have addressed such issues as political conflict in Northern Ireland, gang violence on Chicago's West Side, and the problems of sex workers in Switzerland. Provocative, accessible, and engaging, this book, one of the first full-length studies on the topic, situates these socially conscious projects historically, relates them to key issues in contemporary art and art theory, and offers a unique critical framework for understanding them.
Grant Kester discusses a disparate network of artists and collectives--including The Art of Change, Helen and Newton Harrison, Littoral, Suzanne Lacy, Stephen Willats, and WochenKlausur--united by a desire to create new forms of understanding through creative dialogue that crosses boundaries of race, religion, and culture. Kester traces the origins of these works in the conceptual art and feminist performance art of the 1960s and 1970s and draws from the writings of Mikhail Bakhtin, Jürgen Habermas, and others as he explores the ways in which these artists corroborate and challenge many of the key principles of avant-garde art and art theory.
Book Description
Rufino Arellanes Tamayo was a leading Modernist who brought Mexico international acclaim through his development of a new form of abstract figuration, that ultimately made him one of the most recognized and respected painters of the twentieth century. A Zapotecan Indian born in the state of Oaxaca in 1889, he was exposed as a young man to the cultural wealth of pre-Colombian Mexico while working as a draftsman at the National Museum of Archeology in Mexico City. While his contemporaries Siqueiros, Rivera and Orozco were advocating art with a message, often political, Tamayo's work focused on plastic forms integrated with a masterful use of colors and textures. Early in his creative life, Tamayo kept strict linear perspective, and later he explored Cubist issues, but in the end he created a style that was all his own, participating in the development of "Mixografia," a graphic technique used to obtain colored and textured three-dimensional printing on handmade paper. Published on the occasion of the first major U.S. exhibition of Tamayo's work in nearly 30 years, curated by Diana C. du Pont with Juan Carlos Pereda, Tamayo: A Modern Icon Reinterpreted offers a comprehensive view of the artist's work throughout his life, accompanied by eight wide-ranging essays featuring fresh new readings from top scholars. This detailed study of Tamayo's creative methodology is the most complete book on the artist to be published in more than 10 years.
Book Description
560 pps., 475+ color illus; 50+ black and whites; bibliography. A history of the styles of California Art from the time of the first explorers to the present day. See quotes from reviews cited in current listing of book.
Customer Reviews:
Quotes from reviews appearing in journals.......1999-08-27
"Moure is the dean of California art historians... Here is her magnum opus. There is no single volume that even approaches this work in scope, depth and scholarship. Every high school, college and university in the State needs this book. Every serious collector of California art, the humanities and material culture needs this book." West Coast Peddler, Sept. 1999, p. 60
"California Art fills a vast cultural void in art history that has created a general lack of awareness concerning the development of art in this region. It may well be instrumental in changing long-held notions in New York that characterize California as an artistic backwater. In covering such a broad topic, author Nancy Dustin Wall Moure has taken on a daunting task, and has risen to the occasion..." Artweek, July/Aug., 1999, pp. 26-7.
"this volume is the authoritative record of left coast visual history...Miraculously...Moure has...recognized the underdogs of the realm with objectivity and democracy, including members of the school of Mexican barrio muralism." Juxtapoz, January/February, 1999.
"A de rigueur purchase for West Coast libraries and larger collections nationwide." Library Journal, February 1999.
"Her prose is serviceable and clear, the breadth of information impressive." San Diego Union-Tribune, Friday, Dec. 11, 1998, p. E-3.
Winner of Special Mention, George Wittenborn Memorial Book Award, 1999, ARLIS/NA, Art Libraries Society of North America.
Book Description
Modern Masters Volume 2: George Perez contains page after page of rare and unseen artwork, illustrating a comprehensive interview with Perez on his stellar career. This second volume in the new Modern Masters series delves into the artist's life, as Perez discusses his Puerto Rican upbringing, how he broke into the comics field, and the attention to detail that has made him one of comics' top talents.
Customer Reviews:
One of my Top 3 favorites in the series..........2007-05-05
Whether you like his art style or not, George Perez has had a truly phenomenal career- it's really great to read about(!).
I especially like the behind-the-scenes info on the various situations & projects he's been involved with over the years. Things like which inkers he felt complimented his work, how he feels about his own work looking back on it, and the unique relationships he's had with various creators are detailed here. From being an assistant to Rich Buckler & Kirby swipes, to becoming famous for Teen Titans & Avengers, the many comics he's been a part of are all visited in a pretty personal interview overall. Like the John Byrne interview, this entry in the MM series is sprinkled liberally with various pieces of black & white artwork, featuring both pure pencils, and inks. It's all exclusively black & white here, unlike some other entries in the series.
My other current favorites in the series include Modern Masters, Vol. 7: John Byrne (Modern Masters), and Modern Masters, Vol. 5: Jose Luis Garcia-Lopez (Modern Masters). Yet they keep on releasing great interviews!
Truly a Modern Comics Master.......2007-02-10
George Perez is a fitting subject for this series of books -- He's been in the comics business for decades, as both artist and writer. This volume includes an extensive interview with Perez, touching on virtually everything he worked on, including the Avengers, the Teen Titans, Wonder Woman, The Justice League, Crisis on Infinite Earths, JLA/Avengers and many more. Following the interview (which itself is liberally sprinkled with art), there is a 28 page art gallery featuring lots of previously unpublished pieces.
Book Description
The brightest talents in fantasy, horror, and science fiction art present their favorite creations in show-and-tell interviews that reveal the inspirations and techniques that guide their spectacular work. From the lyrical Tolkien landscapes of John Howe and Alan Lee to the computer-generated art of Steve Stone and Fred Gambino and the extraordinary sci-fi images of Jim Burns, the book demonstrates the diversity of this popular genre of illustrative art. Whether they work in watercolor, acrylics, airbrush, or manipulation of photographs or computer graphics, the artists take readers behind the scenes for a studio view of the creative processes that drive their fascinating art form. Included are interesting notes about their most demanding commissions and why they chose the particular mediums used for them. Artists include: Rick Berry, Jim Burns, Brom, Fred Gambino, John Howe, Alan Lee, Don Maitz, Dave McKean, Chris Moore, Steve Stone. 100 color illustrations.
Customer Reviews:
Excellent Primer of Fantasy Artwork.......2003-01-14
This book is an excellent introduction to fantasy art.
great book.......2002-04-05
I got this book for christmas present and I was suprised, great illustrations from alan lee, john howe, brom, dave mckeane and chris moore. highly recommended!!
A GOOD BOOK FOR FANS AND ILLUSTRATORS OF FANTASY ART........2002-01-23
This 4.5 star book covers a wide variety of illustrators of traditional and computer media. Although this book is lacking in showing how the illustrators work it shows a good amount of artwork in progress by each of the illustrators shown. In my opinion Don Maitz and Brom are the only ones in this book that deserve the title on the books cover.
Really Good.......2001-02-13
This Book is Fantastic. I know some people may have been dissapointed that it didnt mention as many Fantasy artists, but for that, you need to buy the "Spectrum" fantasy books. This book is Fantastic BECAUSE It took a few of the many great artists, and let them tell about themselves and how they made it to where they are and what theyve done, as well as some sketches and behind the masterpiece work. There was a wide variety of both fantasy and science fiction, paint, drawing and digital. Great for detail. But if you want an overview of MANY artists, its not what youre looking for, (as I said). The color and layout of the book is done well. Great book to have, especially if you're an aspiring fantasy artist.
Too little and without promise.......2001-02-12
When I first recieved this book I was very disappointed. I've gone back to the book on a few occasions and I've come to the conclusion that, for me, it's decent enough. Some of the work in here doesn't come close to being considered masterpieces. While some of it is very good (Brom, Alan Lee, John Howe and Rick Berry particularly look good) some of the other work looks contrived and uninspiring.I'm not going to lambast the artists who created the work I didn't like. There's no point in being rude and I respect that these artists may very well have labored sincerely at their craft. Some of their work was even decent. On the other hand, I have to ask myself if they were the person on the street would they respond to images that look like spliced photos of leather clad fetish inspired fembots with what looks like gun barrels (?) for heads? I had to study that piece to make out that they were female even as they they had the basic scrawny model physique. While some of the work I didn't like communicated ideas I could relate to, others married the shocking with visuals in attempts to call itself art. Sensory response can be achieved by kicking a dog, however it's not likely to be considered art.Too make matters worse, while some of the work is graphic it's also over-stylized. If fantasy, as it's known to be, can be shocking (or just disturbing) as some of this work is, than once again we reduce the form to the lowest common denominator. "Wow! This is so cool." "Why?" "Cause I never saw this before." Is fantasy art be lowered to that most contrived form of visual impact that is called "conceptual art"? Please, count me out. Even worse is the fact that, for me, the unusual pieces were later viewed as just tacky and even later, boring. That's where I use the "contrived" label. Most of the other digital art was nothing short of boring even as it was unusual. What's the point of being unusual if it's still boring? Most of the traditional paintings were all right but, again, some of it was boring. What was the point the writer and editor were trying to highlight? In conclusion, there is some very good work in this book but there are also some works that left me wishing for straight up paintings and drawings again. The digital age has promised a lot and delivered very little. And none of it has inspired me to buy a print, frame it and display it. I'm still hopeful that it progresses beyond what's presented here.
Average customer rating:
- Not for the Collector!
- Should come with a magnifying glass!
- For any Chagall fan!
- almost perfect
- GREAT!
|
Chagall: The Lithographs
Marc Chagall
Manufacturer: D.A.P./Distributed Art Publishers, Inc.
ProductGroup: Book
Binding: Hardcover
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Marc Chagall
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Miro
ASIN: 1891024078
Release Date: 1998-11-02 |
Amazon.com
Chagall: The Lithographs is a vast collection (1,050 individual pieces) dating from 1922 to 1985. The Russian-born artist lived most of his adulthood in France and is well known for his colorful and exuberant depictions of Jewish life. His work often addresses personal themes and intimate visions, such as his marriage and his deeply held faith. He worked in many media, but, "Lithography soon became his favored printing technique. This is certainly due primarily to the one element he had previously always missed in his graphic art: color. Color is employed in Chagall's work with greatly varying intensity, from watercolor-like washes and fragile crayon lines to opaque layers whose effect closely resembles that of his luminescent gouaches." This beautifully produced catalogue raisonné includes descriptions of Chagall's lithographic process, which utilized stone or zinc plates and acid, and interviews with the printers who worked with Chagall to produce these pieces. This is a lovely, colorful book that reproduces many of the best examples of this important artist's favorite works.
Book Description
Lavishly produced using impeccable digital color separations and the finest printing, this catalogue raisonne of Chagall's lithographs documents 1050 works, each with complete identifying signature and edition information.
Customer Reviews:
Not for the Collector!.......2006-07-31
THIS DOES NOT CONTAIN THE COMPLETE LITHOGRAPHIC WORKS OF CHAGALL.
THERE IS NO INDEX.
After your third or fourth search, you will find 2 out of 3 lithographs, and never the one that's really important to you.
The information is cryptic, but very complete when it's there.
You will see the lithographs in better shape than you could possibly hope for, with personal messages to those lucky Sorliers.
I almost returned it -- I even printed out the return label -- but sometimes I found what I needed to know, knowing that I could never find that crucial detail anywhere else. And the print job is way above and beyond. I'm still stunned that it's available for under $100!
Should come with a magnifying glass!.......2005-04-20
Chagall was such a prolific artist that of course any book that is a complete catalog of anything he did, let alone lithography, would have to have small pictures or require a forklift. Nonetheless, it's a pity that so many of the lithographs in this book are reproduced in a size not much bigger than a postage stamp.
And while I found the text and interviews at the front somewhat interesting, I thought parts of the interviews seemed like name-dropping exercises. The book was originally written in French, I believe, and some of the translation throughout was unevenly done, if at all.
But hey -- it's Chagall! To see page after page of his brilliant works is still a pure joy, even if you suffer eyestrain as a result. And the many page-size reproductions were certainly treats for the eye. And to have a complete collection to look at, well, that almost makes up for the tiny reproductions.
For any Chagall fan!.......2000-07-05
I never thought that I would own that book one day because of its price. But as a HUGE fan of this artist, I have finally decided to buy it... and I don't regret it! I bought many books on Chagall's painting, and this one is undoubtebly a masterpiece. It is beautifully illustrated and excellently documented. The interviews at the beginning of the book (for example, the one with Henri Deschamps) are quite interesting, and the global "presentation" of the book is simple but beautiful. The only thing that disappointed me a little is that I was kind of hoping to see more full-page lithographs. I knew that this was a catalogue raisonné before I bought it, but was hoping just the same to see more one-page illustrations, although the ones that are there (for example, the complete paintings for Daphnis and Chloé) are wonderful. The quality of printing is just superb and this book is definitely a good buy for any Chagall afficionado. In fact, I would say that this book, completed with "Chagall" by Jacob Baal-Teshuva (Taschen)-- if you could find it!-- would be the best two buys you could do. Trust me! :)
almost perfect.......2000-06-14
I wish this well illustrated catalogue raisonne included the information for all prints in the editions rather than just the ones belonging to Sorlier. Many of Sorlier's prints are "HC" prints or "Epreuve de collaborateur" prints in which case you may have to seak another source to discover the edition numbers for the specific print you're researching. Other than that - nicely illustrated (though the illustrations are small, it is not designed as a book to showcase the prints as reproductions) and chronologically arranged.
GREAT!.......2000-06-02
I have seen many, many Chagall Litographs and books on them and this one is the BEST! It lists every single Litograph ever made by Chagall, it's worth every penny.
Book Description
Explored in this fascinating account is the decisive role played by the new acrylics, housepaints, and other modern blends in the work of ten influential artists: Andy Warhol, Roy Lichtenstein, David Hockney, Bridget Riley, Frank Stella, Morris Louis, Peter Blake, Patrick Caulfield, Richard Hamilton, and John Hoyland. While often undervalued when considering an artist's work, the type of paint used can strongly affect an image's finished look. Detailed interviews with the painters or their assistants reveal how the artists' choices of modern paint engendered new techniques that contributed distinctive qualities to their work.
Jo Crook and Tom Learner are painting conservators in the Conservation Department of London's distinguished Tate Gallery.
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- Say Good Night to Insomnia: The Six-Week, Drug-Free Program Developed At Harvard Medical School
- Schmucks!: Our Favorite Fakes, Frauds, Lowlifes, Liars, the Armed and Dangerous, and Good Guys Gone Bad
- Secrets to Drawing Realistic Faces
- Secrets to Drawing Realistic Faces
- Self-Editing for Fiction Writers, Second Edition: How to Edit Yourself Into Print
- Steel Construction Manual, 13th Edition (Book)
Books Index
Books Home
Recommended Books
- Manga from the Floating World: Comicbook Culture and the Kibyoshi of Edo Japan
- History: Fiction or Science
- Analytical Atomic Spectrometry with Flames and Plasmas
- Cafe' Nervosa: The Connoisseur's Cookbook
- Classical Drawing Atelier: A Contemporary Guide to Traditional Studio Practice
- History: Fiction or Science
- Dealing with the Stuff That Makes Life Tough : The 10 Things That Stress Teen Girls Out and How to C
- INCARNATE: Marc Quinn
- Artists and Their Museums On the Riviera
- Oaks of Asia
Pictures of Nothing: Abstract Art since Pollock (A.W. Mellon Lectures in the Fine Arts)
Richard Serra Sculpture: Forty Years
Cy Twombly: A Monograph
Willem De Kooning: Paintings 1960-1980
Jasper Johns: An Allegory of Painting, 1955-1965
