History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

The Russian Icon: From Its Origin to the Sixteenth Century

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EXCELLENT! Worth the Money!

The Russian Icon: From Its Origin to the Sixteenth Century
Viktor Nikitich Lazarev
Manufacturer: Liturgical Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0814624529

Customer Reviews:

EXCELLENT! Worth the Money!.......2003-01-26

This book is an absolutely MUST BUY for anyone interested in iconographic art. The author's scholarship is second to none. The vast number of beautiful icon plates which are in the book are second to none. No other book comes close. Big, heavy, beautiful book.

History: Fiction or Science? Chronology 2 (Chronology)

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Check and see
Suprise! Suprise!
Prescient St Augustine?
Something of a disappointment
Romulus courts Helen, Paris founds Rome, Moses goes to Troy..

History: Fiction or Science? Chronology 2 (Chronology)
Anatoly T Fomenko
Manufacturer: Delamere Resources LLC
ProductGroup: Book
Binding: Paperback

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ASIN: 2913621066

Product Description

`History: Fiction or Science? Chronology 2` is the second volume of the most explosive and astounding tractate on history ever written - however, every theory it contains, no matter how unorthodox, is backed by rock solid scientific data. The book is easy and pleasant to read; it is well-illustrated, contains hundreds of charts, graphs and illustrations, copies of ancient manuscripts, and countless facts attesting to the falsity of the chronology used nowadays. You will be amazed to discover: - That the chronology universally accepted today and taken for granted is simply wrong; - That ALL methods of dating of ancient sources and artefacts known today are erroneous or non-exact; - That there is not a single document that could be reliably dated earlier than the XIth century; The Author refers to the Middle Ages as the Antiquity and proves mutual superimposition of the Second and the Third Roman Empire, both of which become identified as the respective kingdoms of Israel and Judah. Furthermore, he asserts that the famous reform of the Occidental Church in the XI century by Pope Gregory Hildebrand was the reflection of the XII century reforms of Byzantine emperor Andronicus who in his turn identifies with Jesus Christ. The Trojan war counted by Homer happened only as late as of the XIII century A.D. and the great poet actually lived in XIV century A.D. No stone in history of Antiquity is left unturned. Literally. This book is the beginning of a major correction to the chronology we live with.

Customer Reviews:

Check and see.......2007-06-21

I don't care what other people say of this book. Those affirmig it's fake, they hadn't ever read it. Or have some special reasons to do so. "Living is easy with eyes closed, misunderstanding all you see..." This book won't make you feel comfortable. It'll make you feel free. It'll make you feel you're "not the only one" to feel you'd been lied to for centuries.

Suprise! Suprise!.......2007-03-22

Here is a serie of books which turns "the whole world" upside down. I learned a lot of it and I hope that a new book from A.T. Fomenko will follow very quick. A absolute must for everybody who is interested in history or even a little bit from it.

Prescient St Augustine?.......2006-02-05

We can so far divide the New Chronology into the following three parts:

a) The verifiable theory that proves consensual chronology wrong with the aid of astronomy, statistics and mathematics;

b) The new chronology hypothesis based on a new understanding of known historical facts and the most likely logical explanation of the most obvious inconsistencies inherent in the official version of history;

c) The history conjectures, that is experimental historical reconstructions based on assumptions that the authors believe to make sense in the light of their research and linguistic parallels - void of ironclad factual support to date.

Fomenko's theory complies with the most rigid scientific standards as a whole:

It gives a coherent explanation of what we already know.

- It is consistent: independent lines of inquiry all lead to the same conclusion.

- The predictions it makes are confirmed empirically.

Fomenko goes by the following axioms:

- Chronology is the basis of history;

- Human evolution has always been linear, gradual and irreversible;

- The "cyclic" nature of human civilization is a myth, likewise all the gaps, duplicates, "dark ages" and "renaissances" that we know from consensual history;

- The accumulation of geographical knowledge as reflected in cartography is a gradual and irreversible process;

- The chronological distance between a given manuscript and the events described therein is proportional to the amount of distortions it contains;

- There is no "useless" information in authentic ancient sources.

Why the mainstream historians do not shower mathematician Academician Dr.Prof Fomenko with thanks and laurels?

The Russians:

Because Fomenko asserts that there was no such thing as the Tartar and Mongol invasion followed by three centuries of slavery, providing a formidable body of documental evidence to prove his assertion. The so-called "Tartars and Mongols" were the actual ancestors of the modern Russians, living in a bilingual state with Arabic spoken as freely as Russian. The ancient Russian state was governed by a double structure of civil and military authorities. The hordes were actually professional armies with a tradition of lifelong conscription (the recruitment being the so-called "blood tax"). Their "invasions" were punitive operations against the regions that attempted tax evasion. Fomenko proves that Russian history as we know it today is a blatant forgery concocted by a host of German scientists brought to Russia by the usurper dynasty of the Romanovs, whose ascension to the throne was the result of coup d'état, charged with the mission of making their reign look legitimate. Fomenko proves Ivan the Terrible to be a collation of four rulers, no less. They represented the two rival dynasties - the legitimate rulers and the ambitious upstarts. The winner took it all! Over some 30 years of controversy, Russian historians have made a most remarkable transition - they were initially accusing the young mathematician Fomenko of anticommunist dissident activity and attempts to deface the historical legacy of Soviet Russia; nowadays the middle-aged mathematician is accused of adhering to "pro-communist Russian nationalism" and defacing the proud historical legacy of Great Russia.

The Westerners:

Because Fomenko blows consensual Russian history to smithereens, successfully removing a crucial cornerstone from underneath the otherwise impeccable edifice of World History. Fomenko adds insult to injury, wiping out one by one the Ancient Rome (the foundation of Rome in Italy is dated to the XIV century A. D.), the Ancient Greece and its numerous poleis, which he identifies as the mediaeval crusader settlements on the territory of Greece, and the Ancient Egypt (the pyramids of Giza become dated to the XI-XV century A. D. and identified as the royal cemetery of the Global "Mongolian" Empire, no less). The civilization of the Ancient Egypt is irrefutably dated to the XII-XV century A. D. with the aid of the ancient Egyptian horoscopes cut in stone. He was the first one to decipher and date all such horoscopes, coming up with mediaeval dates in every case. English historians rage at the suggestion that the history of Ancient England was de facto a Byzantine import transplanted to the English soil by the fugitive Byzantine nobility. To reward the English historians who consider themselves the true scribes of World History, the cover of the present book portrays Tintoretto's Jesus Christ crucified on the Big Ben.

The Chinese:

Because Fomenko wipes out the Ancient History of China outright. No such thing. Full point. The compilation of the so-called Ancient Chinese History is reliably datable to the XVII-XVIII century only. It is perfectly recognizable as the Ancient European history, reworked and transcribed in hieroglyphs as yet another historical transplantation, this time performed on the Chinese soil by the loving Jesuit hands. The Chinese are the next in line to go berserk. Chinese history is inevitably bound to get both more ancient and more eventful, proportionally to the growing involvement of China in the world affairs. Chinese historians will keep on finding valid proof of prehistoric Chinese spaceflights until the Politburo orders them to shut up.

The Arabs:

Too bad. Islam with all its key figures is datable to XV-XVI century A. D. Arabic historians may find consolation in the crucial historical role of the Ottoman Empire in the XVI-XVII century. The trouble is that this empire was initially a Christian state, with Hagia Sophia identifiable as Temple of Solomon, according to Fomenko! We can only guess if the acquisition of Alexander the Great (a Macedonian and a Christian) as the founder of the Muslim World Empire will make Fomenko's theories more acceptable to the Arabic mainstream. He certainly does not spare any holy cows at all, claiming The Stone of Qa'Aba in Mecca to contain the lost Arch of the Covenant.

The Divinity:

Despite of reiterated statement that his theory is all about chronology and not Religion, Fomenko stirs up a whole condominium of wasp nests. His collection of anathemas, fatwa, and other condemnations from all parties concerned is already considerable. Little wonder, considering that the history of religions à la Fomenko looks as follows: the pre-Christian period (before the XI century and JC), Bacchic Christianity (XI-XII century, before and after JC), JC Christianity (XII-XVI century) and its subsequent mutations into Orthodox Christianity, the Catholicism, Islam, Buddhism, and so on.

According to Fomenko we know strictly NOTHING about the events that predate the X century A. D.

St Augustin was prescient when he spoke unto us: "be wary of mathematicians, particularly when they speak the truth."

Something of a disappointment.......2005-09-09

After having read the first volume of this expected series of 7 volumes I was triggered by the thesis of these authors that ancient Greek and Roman history did in fact take place in the Middle Ages. So I started studying medieval history of the Middle East - also known as Islamic history - to find out if the opponents of the ancient Greeks and Romans - the Acheamenid Persians, Sassanids, Scythians, Egyptians, etc. - also have their duplicates in medieval history. My search was disappointing: none of the many medieval Islamic dynasties seemed to correspond to the ancient middle eastern rulers.

However, I did find a close correspondence between Herodotus' Persian kings and medieval events:

- the defeat and capture of an Anatolian king - the Lydian Croesus - by the Persian conqueror Cyrus is identical to the defeat and capture of another Anatolian king - sultan Bayezid - by the Asian/Mongol conqueror Tamerlane;
- the Persian conquest of Egypt by the cruel tyrant Cambyses reds almost exactly as the Ottoman conquest of Egypt by Selim the Grim (note the nickname!);
- Darius the Lawgiver of the Persian Empire looks very much alike to Sulayman the Magnificent, the Lawgiver in Islamic history;
- Xerxes, whose main claim to fame is to be defeated by the Greeks at the naval battle of Salamis, looks like Selim II (the Sot) whose main claim to fame is to be defeated by a Spanish-Italian alliance at the naval battle of Lepanto.

I should have expected Fomenko et al. to arrive at similar conclusions, however, they claim that the Persian kings are the alter egos of the Angevin kings of Sicily whose biographies do not contain the exploits of the Persian kings.

The similiarities I indicate lead to the conclusion that Herodotus must have written his Histories at the close of the 16th century. But this is extremely late, given that Herodotus is "the Father of History", so therefore all other "ancient" histories must have been fabricated even later. Yet, the founders of modern chronology - Scaliger and Petavius - laid their foundations also at the close of the 16th century and had the full corpus of ancient histories already at their disposal.

It seems to me that Fomenko has to address these inconsistencies, maybe in the forthcoming 5 volumes?

Another critique of their book is that the correspondencies between different rulers are often based on a superficial comparison of the biographies; upon a more thorough comparison many details appear that do not correspond at all.

Finally, the authors rely heavily on the works of Gregorovius (1821-1891!!) - his medieval histories of Rome and Athens - as the source of medieval history; these works are - at least in the West - hoplessly outdated and have been superceded by more up-to-date works (for instance, Julius Norwich's trilogy on Byzantine history is not even cited).

Romulus courts Helen, Paris founds Rome, Moses goes to Troy.........2005-07-30

If you agree with Fomenko that Roman chronology is basically the foundation of the entire edifice of global chronology; you would also certainly agree that despite its numerous gaps and inconsistencies, Roman history is the best-documented field of ancient history, and thus a reference scale. But how well is the actual date of the Eternal City's foundation known?

Firstly, Rome is supposed to have been founded by the Trojans who had to flee after the fall of Troy. Some claim Rome to have been founded by Aeneas and Ulysses shortly after Troy had fallen; others are of the opinion that there was an entire dynasty that ruled for 500 years between the fall of Troy and the foundation of Rome.

Well, that's just an innocent 500 years long misunderstanding compared with what heretic Fomenko says, asserts, proves in his second volume: Second Roman Empire, Third Roman Empire, Biblical Kingdom of Israel, Biblical Kingdom of Judah, Holy Roman Empire are stories about basically same events, written from different points of view at different times. The underlying events have actually taken place during xii-xv cy. These histories have been written and perfected by multitude of highly talented humanist and clerical writers of xiii-xvi cy disguised as "ancients" with glorious names like Homer, Pluto, Thucydides etc..Chronology 2.0 beta..

Historians are kindly invited to report the bugs.

Average customer rating:

Good Resource
Where are the icons?
A Spiritual Gem
Nouwen Invites Us Into His Mind & Heart
Refreshing to learn

Behold the Beauty of the Lord
Henri J. M. Nouwen
Manufacturer: Ave Maria Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0877933561

Customer Reviews:

Good Resource.......2007-04-10

I've read some of his other books and have always appreciated his writing. I purchased this book to be a resource for a Retreat I will be leading. It's a wonderful resource. Has lots of great information in it.

Where are the icons?.......2007-03-09

As an Orthodox Priest, I did not agree with Nouwen. He does not give correct information about the icons he is reviewing. He is not qualified to interpret icons.

A Spiritual Gem.......2006-09-26

I first read this book in the late 80s, just before a period of return to the Catholic tradition of my youth, and I was reminded of it this past Sunday while gazing at stained glass windows in a local church.

The book is a wonderful introduction to Christian iconography, from a spiritual master and healer. In addition, it is very effective as a first step toward sitting and gazing as a spiritual practice. Indeed, sitting, and seeing, becomes a profound experience of prayer in itself, and Nouwen's little book will be appreciated by those seeking a retreat from the agitation, clamor and distraction of daily life.

Nouwen Invites Us Into His Mind & Heart.......2004-04-26

This isn't a dogmatic book that tells the reader what one must get out of praying with icons. Nouwen simply relates an experience he had over a course of several years while visiting l'Arche, a community for people with mental handicaps, in Trosly, France. Each year, when he visited, a different icon was placed on the table of the room where he stayed. Nouwen simply records the fruits of his meditations for us to read.

In doing so, he aptly teaches the reader more about praying with icons than any "how to" book ever could.

This book came at a perfect time for me in my spiritual journey. I was just beginning to open up to the world of praying with icons, when Nouwen lit a fire within my soul. I hope the book does the same for you.

NEGATIVE: I will offer only one negative point concerning this book. The glue on my copy was defective and the front portion of the cover pulled away from the book. It has been my experience that what happens with one book, may happen with many. Still, I feel completely comfortable recommending it.

Refreshing to learn.......2003-10-01

This book was loaned to me, I promptly bought it through Amazon.com because it is so helpful in focus. The explanations are easy to follow, depth of insight provides a delight in learning, and the four beautiful prints allow immediate reference and practical meditation. Highly recommended.

The Icon and the Axe : An Interpretive History of Russian Culture

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Details
Russian Culture Viewed Through A Prism
Great History, mediocre writing
very beautiful read
A CLASSIC FOR ANY STUDENT OF RUSSIAN HISTORY

The Icon and the Axe : An Interpretive History of Russian Culture
James Billington
Manufacturer: Vintage
ProductGroup: Book
Binding: Paperback

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ASIN: 0394708466
Release Date: 1970-12-12

Book Description

"A rich and readable introduction to the whole sweep of Russian cultural and intellectual history from Kievan times to the post-Khruschev era." - Library Journal. Illustrations, references, index.

Customer Reviews:

Details.......2007-01-06

This book was at times, so very detailed as to be ponderous.
However,these details also provided a wealth of information and a great source for future reference.
Topoplsky

Russian Culture Viewed Through A Prism.......2006-03-07

This is an impressive chronicle on Russian culture, emphasising its `intellectual and artistic' qualities over the past six centuries and bringing many unknown facets to light. Billington speaks of three `forces' in particular that dominate the main narrative; `The natural surroundings, the Christian heritage, and the Western contacts of Russia'. Each of these themes reveals a wealth of insight and understanding; `the natural surroundings' become an elemental power where a...`Telluric sense of communion with the earth' alternates `with a restless impulse to be `skitaltsy' or wanderers over the Russian land'. `The Christian heritage,' looks at Russian Orthodoxy in the broader context of an all encompassing `spiritual culture' that `permeates' through all of life; and `the Western contacts of Russia' relates the growing inevitability of Russia impinging upon Europe and itself being altered through European currents of action and thought. We read how... `Catherine substituted the city for the monastery as the main centre of Russian culture. She, and not Peter, closed down monasteries on a massive scale'...and so on for page after page, as though mining a rich seam. This is a hugely ambitious book that succeeds triumphantly and is truly worth the immersion!

Great History, mediocre writing.......2005-11-25

This really is a great account of a nation with a long, deep history. It does cover Russia in a very nearly exhaustive fashion. Unfortunately it's repetitive nature detracts from its ability to be readily absorbed.

very beautiful read.......2005-10-24

it won't leave you thinking you know all there is to know about russia but what you will leave with is a feeling that you've just finished a book by somebody who's captured the whole soul of the russians and put as much of it on paper as he could. its not your ordinary read

A CLASSIC FOR ANY STUDENT OF RUSSIAN HISTORY.......2004-02-16

This reflective review and interpretation of Russian history is as fresh today as it was when it was published as a first edition. The book is absolutely spectacular. It is probably one of the best historical interpretation of all periods of Russian History; I particularly enjoyed its account of the 17th Century Raskol or "schism". I came across this book back in University. Many years later I bought it from Amazon and I am still enjoying its wealth of info. A must buy!

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Meaning becomes clear
Icons viewed by the Orthtodox

The Meaning of Icons
Leonid Ouspensky , and Vladimir Lossky
Manufacturer: St Vladimirs Seminary Pr
ProductGroup: Book
Binding: Paperback

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ASIN: 0913836990

Book Description

Includes 160 pages of text with drawings, 13 black and white and 51 full color plates. It is linen-cloth and paper bound.

In the last decades the art of icons has gained increased attention. Once icons were passed over by the art critics, or at most classified as popular art, although painters such as Matisse or Picasso went to Russia especially for the sake of studying this art. Most recently many books have been published on icon painting. Yet the present work is the first of its kind to give a reliable introduction into the spiritual background of this art.

The nature of the icon cannot be grasped by means of pure art criticism, nor by the adoption of a sentimental point of view. Its forms are based on the wisdom contained in the theological and liturgical writings of the Eastern Orthodox Church and are intimately bound up with the experience of contemplative life.

The introduction into the meaning and the language of the icons by Ouspensky imparts to us in an admirable way the spiritual conceptions of the Eastern Orthodox Church which are often so foreign to us, but without the knowledge of which we cannot possibly understand the world of the icon.

"It is not the purpose of the icon to touch its contemplator. Neither is it its purpose to recall one or the other human experience of natural life; it is meant to lead every human sentiment as well as reason and all other qualities of human nature on the way to illumination."

"The entire visible world as depicted in the icon is to foreshadow the coming Unity of the whole creation, of the Kingdom of the Holy Ghost."

The theological justification of the icon was derived by the Seventh Ecumenical Council from the fact of the Incarnation of God. God became human for the elation and deification of Man. This deification becomes visible in the saints. The Byzantine theologian often sets the calling of an icon painter on an equal level with that of a priest. Devoted to the service of a more sublime reality, he exercises his objective duty the same way as the liturgical priest. The "spiritual genuineness" of the icon, the cryptic, almost sacral power to convince, is not alone due to accurate observation of the iconographic canon, but also the ascetic fervor of the painter.

A very interesting section of the technique of icon painting is followed by the main part of the book, in which both authors describe the most important types of icons. Apart from a detailed description of the icon screen (iconostas) of the Russian Church, 58 types are explained with the aid of an equal number of illustrations, amongst which there are alone 10 various representatives of the virgin. Special mention is due to 51 icons reproduced in their complete colorful splendor.

The section of subjects made in order to reveal the main features of Orthodox iconography was naturally limited to the examples available outside of Russia. But this not in the least diminishes the value of the book; on the contrary, it led to the reproduction of many beautiful icons which had never been published before or had been unknown to wider public. A considerable number of museums and private collectors in Europe and America spontaneously placed their collections at the disposal of the authors.

Customer Reviews:

Meaning becomes clear.......2007-01-11

About icons and their meaning I already had (and read) a lot in the Russian language, but until now I didn't have content and illustrations in one hand. That's for me the meaning of the Meaning. It is short, gives the theological and canonical information about the role of the icon in Eastern Orthodoxy from inside, the themes are worked out and clearly arranged, the illustrations are big and beautyful. So, I am very glad that I sought for it and bought it.

Icons viewed by the Orthtodox.......2000-03-26

Among the many books on icons, this is one of the oldest still in print. Why has it become a classic? Because it was written by one of the greatest twentieth century theologians, Vladimir Lossky, and by one of the greatest 20th century iconographers,Leonide Ouspensky who spent the whole of his artistic life in France painting icons and frescoes. Their approach is unique not only because of their deep experience of the Orthodox faith, but also because of the way they decided to describe the colour prints reproduced in this volume. What we have here is a superb commentary in the form of selection of poetry from the feasts during which these icons are placed in the middle of the church. Much of this Byzantine hymnography has no parallel in the West. It is what is heard in the eastern Christian church throughout the liturgical year which this volume beautifully illustrates both in word and image. The authors' feeling for the uplifting prayer of which icons play such a vital part is genuine and rarely found in any other book about the iconographic tradition. All Christians and many non-Christians will appreciate their respectful presentation of the revelation of God to man as it is presented in this book.

The Power of Icons: Russian and Greek Icons 15th-19th Century

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A picture is worth a thousand words
Must Hve

The Power of Icons: Russian and Greek Icons 15th-19th Century
Karin Braamhorst , Eva Haustein-Bartsch , Phaidra Kalafatis , S.G. Morsink , and Edmond Voordeckers
Manufacturer: Snoeck Publishers, Ghent
ProductGroup: Book
Binding: Hardcover

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ASIN: 9053495908
Release Date: 2006-05-01

Book Description

Simon Morsink is a leading dealer in ancient Russian and Greek icons, well known to private collectors and museum curators worldwide. Together with his brother Hugo he runs the internationally renowned Jan Morsink Ikonen, specializing in icons created between the fifteenth and the nineteenth centuries. The lavishly illustrated The Power of Icons presents some 50 important Greek and Russian pieces from the Morsink collection, many of which have not been documented for the public before. Introductory essays including "2000 Years of Icon Painting" describe the history and explore the meaning of icons, and discuss painting and restoration techniques--readers will be surprised by the original colors of pieces once so dirty as to be called "black panels." Contributors include Dr. Eva Haustein-Bartsch, director of the Ikonen Museum Recklinghausen, in Germany and Dr. Phaidra Kalafatis, curator of the Byzantine Museum Athens, Greece.

Customer Reviews:

A picture is worth a thousand words.......2007-05-13

Lovely book. Lavish with illustrations. Perfect for what I wanted.

Must Hve.......2006-12-01

This is one of the best books on the subject to have been published in recent years. It is very informative and well written - there are one or two minor spelling mistakes, but that does not affect the overall quality. So many books are repetetive and pedestrian that it is refreshing to find one which covers so much including the history of the thought behind the Icon as well as technical details. If anyone only wants two or three books on the Icon this should be one of them.

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Russian Icons at Hillwood
Wendy R. Salmond
Manufacturer: Hillwood Museum & Gardens
ProductGroup: Book
Binding: Paperback

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ASIN: 0965495841

Book Description

Selections from the collection of Marjorie Merriweather Post.

Icon and Devotion: Sacred Spaces in Imperial Russia

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Icon and Devotion: Sacred Spaces in Imperial Russia
Oleg Tarasov
Manufacturer: Reaktion Books
ProductGroup: Book
Binding: Hardcover

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ASIN: 1861891180

Book Description

Icon and Devotion offers the first extensive presentation in English of the making and meaning of Russian icons. The craft of icon-making is set into the context of forms of worship that emerged in the Russian Orthodox Church in the mid-seventeenth century. Oleg Tarasov shows how icons have held a special place in Russian consciousness because they represented idealized images of Holy Russia. He also looks closely at how and why icons were made. Wonder-working saints and the leaders of such religious schisms as the Old Believers appear in these pages, which are illustrated with miniature paintings, lithographs and engravings never before published in the English-speaking world.By tracing the artistic vocabulary, techniques and working methods of icon painters, Tarasov shows how icons have been integral to the history of Russian art, influenced by folk and mainstream currents alike. As well as articulating the specifically Russian piety they invoke, he analyzes the significance of icons in the cultural life of modern Russia in the context of popular prints and poster design.

The Icon, Image of the Invisible: Elements of Theology, Aesthetics and Technique

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POSSIBLY THE MOST COMPLETE AND USEFUL BOOK ON THIS TOPIC

The Icon, Image of the Invisible: Elements of Theology, Aesthetics and Technique
Egon Sendler
Manufacturer: Oakwood Publications
ProductGroup: Book
Binding: Hardcover

Byzantine | Schools, Periods & Styles | Arts & Photography | Subjects | Books

General | Painting | Arts & Photography | Subjects | Books

General | Religion & Spirituality | Subjects | Books
ASIN: 0961854502

Customer Reviews:

POSSIBLY THE MOST COMPLETE AND USEFUL BOOK ON THIS TOPIC.......2007-06-26

Originally published in French in 1981 by the great Catholic Publishing House Desclee de Brouwer in Paris as L'Icone: Image de l'invisible, this book may be the most thorough, useful and complete treatment of the theology, procedures, composition and aesthetic techniques of the Ikon phenomenom.

Indeed the ample first section discusses the Genesis and Theology of the Icon, including history from the first days of Christianity, the art of the catacombs, etc. This first section also includes the various theological elements essential to iconography, as well as a discussion of Byzantine society and religious vision. It also discusses literary types in relation to icons, and a general theory of the icon as sign, symbol and as actual or sacramental participation in the Divine.

The second section explains aesthetic elements, including geometric structures, such as proportions, which I find most immediately helpful for any artist who wishes to draw anything involving the human face and body as well as iconographers. This section closely analyzes the formal use of geometry in composition of the icons and their arrangements, and the use of the laws of perspective as well as inverse perspective, dynamic space and epic perspective. This alone is fascinating for anyone who studies art theory, and truly renders comprehensible and visible underlying principles and practices not previously noticed or known. Several common Iconic themes are examined iin this light, including the Annunciation as well as the Resurrection of Lazarus. This second section also fully discusses colors and the theory of color, their meanings in icons, and their composition. The second section concludes with a complete consideration of light, and the inner light of icons.

As promised in the subtitle the third section fully examines the technical aspects of icons, including the preparation of materials in every way, the paints and how to apply them to the prepared and primed board, the selection of the palette and creation of flesh tones, for instance, and techniques and styles of the various ancient schools of iconography, including Greek and Russian. A thirty six page full page selection of icons follows in full color well produced, ending this excellent and comprehensive and informative and useful book with a thorough bibliography and a pair of indexes by subject and by name.

Everything about this book is the best, but what really sold me was the discussion of proportions of the human body and of perspectives, technical problems I had been trying to resolve but which are very clearly presented here.

Highly recommended for any artist, art historian, art lover, or especially the devoted Catholic looking for visual sacramentals as edifying aids in prayer and the saintly, sacred, immanent presence with us in prayer and contemplation. This book discusses everything from theology to hands on techniques and has something for everyone, expressed more completely and clearly with continual examples on every page, than in any other book I have seen. I have in my hand the 1999 paperback reprinting from Oakwood. If you are able to acquire the hardcover edition, or the original French, please invite me over for prayer and painting!

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