History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Basic Stained Glass Making: All the Skills and Tools You Need to Get Started (Stackpole Basics)

Average customer rating:

It is very basic, but easy to understand
Basic Stained Glass Making
Must Have For Stained Glass Beginners
This is the book that will teach me how to make stained glass!!
Excellent Book for Beginners in Stained Glass

Basic Stained Glass Making: All the Skills and Tools You Need to Get Started (Stackpole Basics)
Michael Johnston
Manufacturer: Stackpole Books
ProductGroup: Book
Binding: Spiral-bound

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ASIN: 0811728463

Customer Reviews:

It is very basic, but easy to understand.......2007-08-06

I got the information that I needed to get started on stain glass creation, it is a very basic book. It is easy to understand and has step by step instructions for both copper foil and lead techniques and supply lists for both!

Basic Stained Glass Making.......2007-07-07

This is an excellent tutorial book. A very good option for the beginners that need "how to" in making stained glass projects. Excellent pictures by Alan Wycheck.

Must Have For Stained Glass Beginners.......2007-06-19

This book comes ring bound with a sturdy cover which makes it easy to keep open while working or just reading easily. It is very detailed and has great pictures showing each step. It explains very well from enviroment, tools, glass, techniques and a few example projects. It is overall a high quality book and is extremely organized and informative. A must have for anyone wanting to get off to a good start in stained glass.

This is the book that will teach me how to make stained glass!!.......2007-05-21

I have bought at least 10 books on how to do Stained Galss. Sure wish I had bought this one first!! It is by far the very best how-to book I have found for this subject. It is well written and the photographs are clear and well done. It has this awesome binding that covers the spiral binding. I for one think All craft books should be bound this way. It lies flat on the table with out you having to find a stand to put it in so you can have it open while you work. It takes you step by step through the projects with lots of photographs to help you along. Being a visual learner this is perfect for me. There is also another book by the same author called Beyond Basic Stained Glass Making and I'm on my way to buy that book also, as soon as I finish writting thie review. The only problem with this,and many others, is that it doesn't tell you how to resize a pattern. But if you have a Kinko's or Office Max near you this is not a problem. They can enlarge your patterns for you. For me I have to find a differant solution because I don't have anything like that near me. I did find a program that will do it for you and will tile the pages so you can tape them together, but haven't tried that out yet so I can't say how it works. Ok, now I'm done and I'm off to buy the second book for myself. I hope everyone has a Great Day!!

Excellent Book for Beginners in Stained Glass.......2007-05-13

Found the book to be helpful and to take me step by step through the different stages of completing a project and illustrating it with pictures.

Average customer rating:

Art in China (Oxford History of Art Series)
Good introduction to the arts of China
Currently the best short introduction to art in China
BRILLIANT!!
challenging book

Art in China (Oxford History of Art)
Craig Clunas
Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Paperback

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ASIN: 0192842072

Book Description

China can boast a history of art lasting 5,000 years and embracing a huge diversity of images and objects - jade tablets, painted silk handscrolls and fans, ink and lacquer painting, porcelain-ware, sculptures, and calligraphy. They range in scale from the vast `terracotta army' with its 7,000 or so life-size figures, to the exquisitely delicate writing of fourth-century masters such as Wang Xizhin and his teacher, `Lady Wei'. But this rich tradition has not, until now, been fully appreciated in the West where scholars have focused their attention on sculpture, downplaying art more highly prized by the Chinese themselves such as calligraphy. Art in China marks a breakthrough in the study of the subject. Drawing on recent innovative scholarship and on newly-accessible studies in China itself Craig Clunas surveys the full spectrum of the visual arts in China. He ranges from the Neolithic period to the art scene of the 1980s and 1990s, examining art in a variety of contexts as it has been designed for tombs, commissioned by rulers, displayed in temples, created for the men and women of the educated ilite, and bought and sold in the marketplace. Many of the objects illustrated in this book have previously been known only to a few specialists, and will be totally new to a general audience.

Customer Reviews:

Art in China (Oxford History of Art Series).......2005-09-24

Beautifully illustrated, delightful and extremely informative. This book is a marvelous supplement to the typical art history text books.

Good introduction to the arts of China.......2005-03-08

I like the author's approach to writing an introduction to the arts of China. Instead of trying to touch at least all of the major artists/works from all of the major periods (which in the case of China would mean touching very many things in a very cursory way), the author focuses on the context for which works were produced. Some of them were meant to be "art" from the start, some were not. This offers ample opportunities to examine how some works influenced other later in history. Overall, I think the ideas presented are some of the most gripping I have found in Chinese art history books. The book includes recent discoveries and scholarship and uses Pinyin romanization (two great features - not all recently-published books do).

Currently the best short introduction to art in China.......2002-01-20

While not the easiest to read, Clunas's book is currently the best short modest-sized introduction to art in China. The title "Art in China" (not "Chinese Art") is intentional, for Clunas is one of the rare Occidental authors on this subject who transcend the limitations of their background and succeed in communicating some of the subtlety and complexity of the subject, so remote from Western tastes, but no less beautiful and profound.

For example, he points out that while Western art has concentrated on painting, calligraphy is the most esteemed art form in China. Furthermore, from its earliest beginnings, Chinese aesthetics has placed little emphasis on illusionism and perspective, even regarding these as juvenile and distracting from artistic self-expression. (In this respect, the Chinese anticipated "modern art theory" by centuries.) The very term "Chinese Art", he maintains, is a Western invention, since the art work in China was, until recently, never divorced from its political, religious or decorative functions. (That is to say, it was not "museum art" isolated from its context and consciously regarded as art.) Because of these characteristics, art in China has been little appreciated in the West.

Clunas's probing book should be read slowly-- and re-read. The illuminating text gives a relatively sophisticated and sympathetic account of art in China, unlike many books, which are simply naive, provincial and as full of trivial dates and abstractions as they are lacking in insight. The representative works, drawn from all periods of Chinese history--including modern times--are superb and well chosen, and the pictures are excellent, considering the book's modest size. I especially enjoy the full-page color reproduction of Guo Xi's masterpiece "Early Spring" which equals, if not surpasses, the finest landscape paintings of the Dutch golden age (of course, not in illusionist technique, but in sheer expressive and evocative power as it unveils a mysterious fantastic landscape reflecting an interior, as much as an exterior, reality).

My only complaint is that there is only one book on "Art in China" in the Oxford History of Art series, while there are at least 30 on Western art in the same series. One book covers Western art for a 25-year span (1920-45), but 5,000 years of high art in China--in painting, jade, ceramics, lacquer, porcelain, calligraphy and sculpture--gets only a single volume! Talk about provincialism! Certainly, this is no fault of Dr. Clunas, whose work seems all the more commendable in the midst of the naive insularity and ethnocentrism with which it has unfortunately been grouped.

BRILLIANT!!.......2002-01-15

In researching information regarding Sung Dynasty scrolls and artists, I found this book to be a most generous indeed. The author provides clear, precise information without the clutter of person guesses. He provides a wonderful assortment of pictures and resources. Clear, clean photographs of artifacts providing the reader with primary documentation .This is a MUST for anyone studying the Arts and Artists of early China. Thank you Craig Clunas!

challenging book.......2000-05-15

This is a challenging work.

He realizes 5 standpoints. He writes "What is historically called art in China, by whom and when?". Really, I feel it rather reflect unconscious attitude of 20th century collectors and scholars.

Art in the Tomb /Art at Court/Art in the Temple/Art in the life of the Elite /Art in the Market-Place

Following recent searching environment of artifacts; lifetime of painters, art-market, patrons, etc., as "Painter's Practice" by J.cahill, Mr. Clunas searched relations of arts-makers and the society. This approach is interesting and very suggestive. It may be the first try among such cheap and popular books about "Arts in China". For such character, I feel it should not be an elementary textbook.

Calligraphy was more focused than M. Sullivan's book"The Arts of China" in the chapter "Art in the life of the Elite". Short columns explain words and technical terms vividly. It is worth to buy it only for them. Bibliographical essays(231-237 p.) are very useful. Plates and figures are all fine. There is few inadequate item. Fig 83 and 87 shows as we appreciate in museums, i.e. shows its handscroll format. I think the author make effort to show surrounding textile of paintings and the format in some figs.

As an avocat d'diable, I notice some. The gong of Fig. 49 is not 8th century. Dragons and a beast should be genuine 8th century items. The gong is regarded 12-13th century Japanese artifact. The item of Fig. 82 may not be a representative work by Tang-Yin.

Both C. Clunas and Michael Sullivan edited catalogues of Sir Alain Barlow Collection(now in Sussex College). (ref. The Barlow Collection of Chinese Ceramics, Bronzes and Jades: an Introduction, The University of Sussex, 1997/Nov.) Sullivan did in 1963 and 1974. Clunas did in 1997. They might have share common intellectual environment according Oriental Ceramic Society, England.

Average customer rating:

Excellent Kid craft idea

Great activity for kids

Fun, easy, and so cool!!

Window Art (Klutz)
Editors of Klutz
Manufacturer: Klutz
ProductGroup: Book
Binding: Spiral-bound

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A Book of Artrageous Projects (Klutz)

The Shrinky Dinks Book

Klutz Window Art

ASIN: 159174167X

Book Description

Trace. Squirt. Peel. Stick. Making beautiful works of Window Art couldn't be easier. Twenty different illustrators created more than a hundred pieces of easy to trace art. Window Art features a new pallet of great colors including two with sparkly glitter and large scale projects incorporating small pieces that can turn even a sliding glass door into a window art masterpiece. It's simple. It's satisfying. And with glowing results, what more could you want?

Customer Reviews:

Excellent Kid craft idea.......2007-08-12

My grandchildren are 5 & 8 yrs. old and I wanted craft idea and this was excellent in many respects. The pictures are easy to outline and project is one that a varied age group can handle. First: I found best success that I do the outline and let it dry an hour or so before kids did the fill in. This removed a major frustration factor for them and had them asking to do it again and again.

HINTS: plastic page protector sheets work if you have more kids than platic mats supplied - Look for WINDOW ART refils as kids will soon want you to make window pictures from many sources.

Great activity for kids.......2007-07-09

I have been a big fan of Klutz products for a long time and often use them as gifts for my nieces and nephews. The window art was a big hit with my 10 year old and my 6 year old. If you have children who love to 'create', they will enjoy this product.

Fun, easy, and so cool!!.......2007-05-09

I got this for my 6 year old twin daughters, and they LOVE it! I think the age range is really 6 and up, though I've seen 8 and up. It isn't hard at all for my 6 year olds, though. They can do the black outline, but I usually do that part for them because I'm faster and have a steady hand. If you let the outline dry for a couple hours, then the inside is so easy to fill in with the colored paint. I will usually do the outline while they are at school, then they finish it when they get home. The finished product is so cool! It looks like real stained glass! You peel it off the plastic sheet you created it on, then you can stick it to any glass surface (windows, mirrors, glasses, vases, bathroom tiles, shower door, etc...) The book has 100 designs, but you can use any design you want. My girls wanted to do this everyday after school for weeks. We eventually had to order the refill paint pack (which has lots more colors). I even have had fun doing this myself. Mixing colors and making new effects is really fun.

The hardest thing is peeling off designs that have lots of thin edges and details (especially big ones) because the art will stick to itself, and it doesn't come undone. If you put it in the freezer, you can usually get it unstuck, though.

We have thought of so many things we can do with this. We decorated our back door with flowers for spring, and we'll put up fall leaves for fall.
This is a great, easy craft project that has a really neat end product.

Nature Designs Stained Glass Pattern Book (Dover Pictorial Archive Series)

Average customer rating:

Good Designs but no color guides for clarity
Interesting designs but the title is misleading

Nature Designs Stained Glass Pattern Book (Dover Pictorial Archive Series)
Harry E. Zimmerman
Manufacturer: Dover Publications
ProductGroup: Book
Binding: Paperback

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ASIN: 0486267326

Book Description

Outstanding collection of 78 royalty-free motifs focusing on nature themes — the sun, bamboo plants, long reeds and grasses; floral scenes with birds, small animals, fish, plus many abstract designs, all imbued with the lovely, tranquil lines and rhythms of nature. Varied shapes make the designs adaptable to wide range of projects.

Customer Reviews:

Good Designs but no color guides for clarity.......2006-06-27

The designs are very good. The problem I see with this book is there no finished designs or color guides. If you are new to stained glass it could be difficult to visualize a finished design. But all in all a good design book.

Interesting designs but the title is misleading.......2003-09-15

I found some very interesting nature patterns in this book, but almost a fifth of the book contained designs (at least 12) which I found unrecognizable as anything belonging to nature or anything else. If you are into these abstract designs, then this is an added bonus. I was disappointed and would rather have had traditional nature designs as pictured on the cover.

Frank Lloyd Wright's Glass Designs (Wright at a Glance)

Average customer rating:

BEWARE - This book is physically tiny
Wright+glass=beauty
Good things come in small packages
Wright at a Glance

Frank Lloyd Wright's Glass Designs (Wright at a Glance)
Carla Lind
Manufacturer: Pomegranate Communications
ProductGroup: Book
Binding: Hardcover

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ASIN: 0876544685

Book Description

Glass offered Wright an ideal medium through which to accomplish his goal of opening up Americans' living spaces. This book explores many facets of the architect's work with this "magical material", including his world-renowned art glass designs. The Wright-at-a-Glance series showcases the work of one of the world's best-known architects. Comprising little twelve books in all, this series offers an overview of Wright's life, buildings, and designs.

Customer Reviews:

BEWARE - This book is physically tiny.......2004-02-05

I obviously did not have read the reviews close enough. This is
a tiny book with pictures so small that it's useless to me.

Wright+glass=beauty.......2001-03-28

"Frank Lloyd Wright's Glass Designs," by Carla Lind, is one of a series of "mini-books" devoted to the work of one of the world's greatest architects. This volume, which explores Wright's interest in glass, contains many praiseworthy features: Lind's concise yet informative text, a wealth of stunning full-color photographs, fascinating sidebar quotes from Wright and others, and a useful bibliography for further reading.

The plentiful photographs truly capture the genius of Frank Lloyd Wright. We can see his bold work with colored glass and geometric patterns in windows of many different shapes and sizes. It's marvelous to see how each glass creation complements the larger architectural space of which it is a part.

Houses represented in the book include the Darwin Martin house, the Schaberg house, the Roberts house, and many more. But my favorite photograph is a breathtaking two-page spread of the second Jacobs house. If you love Wright, if you love glass, or if you love the art of home design, you will certainly love this excellent little book.

Good things come in small packages.......2000-11-10

I ordered this book to get glass design ideas for my new house. It's tiny but worth its weight in gold. Sharp photographs (32/57 pp.) and minimal description provide just what I needed.

Wright at a Glance.......2000-05-17

Great coffee table book (despite its size). Lots of photos that give a quick oversight to the breadth of work by this architect/artist.

Great Art Glass Lamps: Tiffany, Duffner & Kimberly, Pairpoint, and Handel (Schiffer Book for Collectors)

Average customer rating:

Great Art Glass Lamps: Tiffany, Duffner & Kimberly, Pairpoint, and Handel (Schiffer Book for Collectors)
Martin M. May
Manufacturer: Schiffer Publishing
ProductGroup: Book
Binding: Hardcover

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ASIN: 076431808X

Average customer rating:

additional information to editorial above
A very satisfying book
Beautiful!

Chardin
Pierre Rosenberg
Manufacturer: Yale University Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0300083483

Amazon.com

Pierre Rosenberg, the Chardin scholar and President-Director of the Musée du Louvre, had one overriding goal in mind when assembling the exhibition of which Chardin is the catalog: "to present the artist's finest paintings, the most perfect, the most harmonious, the paintings that leave nothing to be desired." The 99 paintings reproduced in this book are a testimony to the success of that endeavor. There are also six essays by Chardin experts and an extensively researched chronology.

Chardin's still lifes and genre scenes have been deeply appreciated for centuries for what Rosenberg calls "the grave, silent quality that encourages the onlooker to silent reverie." He is incapable of untruth: his subjects--jugs and bowls, glasses, cherries, housemaids, boys at play, dogs and cats--are painted without a touch of irony, embellishment, or drama.

It is painful to report that this volume is extremely disappointing visually, with plates that are either poorly reproduced or reproduced from poor transparencies and are slightly greenish or washed out. Except for details, which do show Chardin's close harmonies and painterly touch, the pictures look flat and dull. Art historians, of course, will see the paintings in the flesh and use this book as only an aide-memoire, but for ordinary, nonprofessional art lovers, the 20-year-old catalog of the great 1979 Chardin exhibition gives a far better sense of the quiet perfection of this subtle artist. Even a pocket book from Abrams' Discoveries series, Chardin: An Intimate Art, by Helene Prigent and Pierre Rosenberg, is far superior. Although its reproductions are minuscule by comparison, they are at least clear and clean, with colors that appear to be close to those of the original works. The little book may be only an hors d'oeuvre, but it has all the flavor that is missing in the full-course meal. --Peggy Moorman

Book Description

Jean Simeon Chardin (1699-1779) started his career with a great interest in still life, a subject held in particularly low regard by the Royal Academy of Painting and Sculpture. According to the Academy, the most important paintings contained human figures (most highly ranked were mythological or historical subjects) and paintings with no human figures were at the bottom of the hierarchy. As the Academy exerted an enormous influence, truly making or breaking an artist's career. Aware of this hierarchy, Chardin began including figures in his work in about 1730, mainly women and children. These scenes of domestic interiors were unprecedented because Chardin gave them a greater intensity and intimacy than the usual lighthearted depiction of everyday life. Chardin's technique also set him apart from his contemporaries, as he did not prepare for a painting by doing many drawings or studies, but rather started right on the canvas itself. Diderot once called Chardin the 'great magician' because of the way he united color, composition and subject. With 100 colour illustrations of Chardin's work and six essays by leading experts in the field, the book will discuss his biography, his use of ceramics and glass and the complex history of engravings of his paintings.

Customer Reviews:

additional information to editorial above.......2007-05-20

I just wanted to add this to the review above: the 1979 catalog can still be found quite easily, but it contains mostly black and white reproductions of the works. There are only 23 colour images of the more than 400 pages in the 1979 book. The 2000 catalog is almost entirely in colour... However, I cannot properly judge the quality of the reproductions in the latter, as I have not seen one of those amazing paintings in reality yet.

A very satisfying book.......2001-01-29

I have to disagree with the above editorial. I compared the reproductions with others that I have, and although there are sometimes subtle differences they are not always to the disadvantage of this book. Some pictures are better than others, but the advantage here is that each reproduction is on a page by itself with commentary on an adjoining page-a catalogue layout that I always prefer in that it give the painting room to breathe and because I'm not reading on one page and finding the relevant painting six pages later. The book is obviously done by true lovers of the painter. Chardin is profound and a painter's painter. You can see and feel why he was adored by Cezanne, Soutine, Manet, Proust, and I'm sure many other significant artists. He has rightly been called a virtuoso of stillness. Even in reproduction, pieces of fruit, kitchenware and game animals are alive and quietly glowing from within with a warmth, compassion and a kind of subtle majesty-it's really deep in an indescribable way. In my opinion a very worthwhile purchase.

Beautiful!.......2000-07-27

This book is simply gorgeous. I had been well acquainted with Chardin a number of years ago, and picked up this book on a whim at the store. Rediscovering this master was a true delight. His paintings are deceptively simple: behind the cool colors and the measured scenes lies a captivating energy. This particular volume is very well done. The reproductions are of superior quality and the accompanying essays by the world's most renowned Chardin expert are enjoyable and enlightening. Art books are expensive, but this is one that is well worth the investment.

Average customer rating:

Harold Linton, Chair / Department of Art & Visual Technology / GMU
Critique of The Critique Handbook
The Critique Handbook
The Critique Handbook
A terrific book!

The Critique Handbook
Kendall Buster , and Paula Crawford
Manufacturer: Prentice Hall
ProductGroup: Book
Binding: Paperback

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ASIN: 0131505440

Customer Reviews:

Harold Linton, Chair / Department of Art & Visual Technology / GMU.......2007-05-02

Way Cool! Proud to boast about this great project! Kendall Buster and Paula Crawford have tackled a very difficult and taboo subject with wit and wisdon, keen insight and thoughtfulness that transforms the culture of studio art education into a clear discussion of the artistry of creative presentation and all of the thinking, doing, and planning that support it. The authors unravel a mystery for art students to ingest that can only have positive impact on their the work. Artists who are eager for depth, breadth, and better ability to plan and present their ideas to others - this is a must read! The content is completely applicable to all art discipline areas. From painting to sculpture, printmaking, ceramics, design, photography - it cuts across all areas of the visual arts and binds the conceptual with the end product in an engaging discussion of the ways and means of creative evidence, philosophy, and discussion. An excellent required and affordable text for studio classes across the board! Harold Linton, Chair Art & Visual Technology, George Mason University.

Critique of The Critique Handbook.......2006-11-04

I am an adjunct photography professor at a private college. This book was used as a text for a joint workshop on The Critique for the art department of our school and another local college. Given the complexity of the subject matter, this book does a good job of covering the basics of an art school critique. I particularly appreciated the discussion regarding the role of faculty and the personal baggage we sometimes forget we can bring to the party. It's impossible to cover all the possible permutations of The Critique, but this book does a fine job of highlighting the peculiarities of several art disciplines and the details that should be addressed. It gives you a springboard to make the conversion even if your discipline isn't specifically covered.

If you teach art or hold critiques in your class, I believe you will find this book very helpful.

My only quibble is the type size for my aging eyes. Don't be fooled by the physical size of this book. It may be compact but it makes up for it with density.

The Critique Handbook.......2006-09-17

This is a well-written, insightful and important manual that every professor, teacher, curator, gallery owner, student and professional artist should have on their bookshelf. It IS extremely expensive, but worth every single dime. There is a million bucks worth of info between its covers! Run and place your order...I'm glad I did!

The Critique Handbook.......2006-06-30

This book is very specific about how to conduct a critique and how to survive one without becoming emotionally involved. Although it only discusses the traditional fine arts,i.e. painting and sculpture, the techniques involved can be easily adapted to othere less trasditional forms of art, i.e. fiber art or photography. A very good book.

A terrific book!.......2006-03-26

What a fantastic idea! How is it that something as essential and ubiquitous as the studio critique had not been examined in this way before? This book takes on the task brilliantly. "The Critique Handbook" is a wonderful mixture of how-to manual, theoretical analysis, irreverent debunker and basic gameplan. The authors' analysis of how to make the best use of the critique applies both to those giving the critique as well as to those receiving them. While students will find the book quite useful in learning how to negotiate the critique and find the best uses for the information presented to them there, professors and other professionals will also find much to think about in the authors' analysis of what makes a critique helpful and harmful. And, delightfully, the authors are not afraid to take on the sacred cows of the profession. Any art professor will appreciate the witty and deadly portraits of their colleagues sketched by Buster and Crawford in their analysis of the types that can be found in the artist's studio.

Painting and Decorating Clay Pots: 117 Step-by-Step Projects for Making People, Animals, and Fantasy Characters on Terra-Cotta Pots

Average customer rating:

Fantastic
Fun & Easy Crafts

Painting and Decorating Clay Pots: 117 Step-by-Step Projects for Making People, Animals, and Fantasy Characters on Terra-Cotta Pots
Natalie Kunkel , and Annette Kunkel
Manufacturer: Quarry Books
ProductGroup: Book
Binding: Paperback

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ASIN: 1592531008

Book Description

This book presents 100 decorative ideas and instruction for transforming ordinary clay pots into fun and decorative personalities. For both interior and exterior décor as well as holiday ornaments, these projects are adorable and simple to make. Small and large, fun, functional, and elegant, painted terra-cotta pots can add charm to any home or garden. The projects are simple and fun and require no prior artistic experience, just enthusiasm!

Customer Reviews:

Fantastic.......2007-03-24

This is a great book the details are great and it can help you use your imagnation with it as well it is well illustrated I use it offten.

Fun & Easy Crafts.......2005-06-17

I found out about this book when an online newsletter (Family Corner News) featured one of its projects. The project was decorating a flowerpot with seashells, filling it with sand and a fat candle. Really looked nice and just what I needed for my seaside themed bathroom.
That made me look at the book. It's great to find ways to use all those terra cotta flower pots sitting around in the garage.

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