Book Description
One of Abbeville's most spectacular achievements, representing the highest standards in fine art printing, now available at a more economical price.
This marvelous edition of Audubon's Birds of America displays all 435 of Audubon's brilliant handcolored engravings in exquisite reproductions taken from the original plates of the Audubon Society's archival copy of the rare Double Elephant Folio. Although many attempts have been made to re-create the magnificent illustrations in Audubon's masterpiece, nothing equals the level of fidelity or scale achieved in this high-quality edition.
Completely reorganized and annotated by Roger Tory Peterson, who was America's best-known ornithologist, and issued with the full endorsement and cooperation of the Audubon Society, this volume is the first to rearrange the plates in a more scientific order. Peterson's fascinating introduction places Audubon in the context of the history of American ornithological art and also reproduces a wide sampling of the work of Audubon's notable predecessors and disciples, including Peterson's own justly famous paintings.
This new systematic arrangement of the prints, complete with informative commentaries about each bird, made it possible to correct many of the problems or errors in Audubon's original edition that later scholarship revealed.
Other Details: 428 full-color illustrations, 435 duotones.
Customer Reviews:
A Good Companion.......2007-07-14
Having recently read the biography of Audubon, I was very interested in seeing the actual drawings. The book I read had a few of them in black and white, but I wanted to see a larger sample in color. I decided to see if Amazon had anything and was very surprised to see that they offered all of the original drawings in color for a very small price. I realized the book would be smaller than the original life size drawings, but was a little surprised to find that the book was so small. That is my main problem with the book. Otherwise - WOW. To see these birds in all their glory in full color is just breathtaking. Furthermore, when you consider the original size, to have shrunk them down and still maintain the detail and the beauty is quite impressive. One can appreciate the drawings without having read about Audobon's struggle to create and then publish them, but I would suggest this book as a companion to a good biography of Audobon. Once you have both, his accomplishment can be fully appreciated.
Spectacular.......2005-08-02
This book is spectacular. The images are breathtaking, and the quality of their presentation is nothing short of superb. Wow!!!
Why reorganize a symphony?.......2004-11-30
Let me qualify my remarks by first saying that I have not even seen this version. I have no doubt that the printing is of the highest quality, but I have a serious reservation about the organization of this book. Audubon deliberately mixed his birds in a non-taxonomic order to maintain a freshness and an element of suprise. I recently acquired a large format copy published by Welcome Rain, which follows Audubon's original order. The effect is a delightful romp through nature, full of suprises, drama and movement. He never intended it to be a catalog with all his ducks in a row, it was to be an experience. I have seen an abridged, small format edition of his paintings arranged in the standard, dull taxonomic order of a typical field guide and the effect is nothing like seeing them in the order Audubon intended. Rearranging the plates for convenience of listers diminishes this work, and to a certain extent, is a disservice to the artist. While I am happy to see that his work remains in print and is being reproduced at very high standards, I would hope that it would be viewed as a symphony, not as a random collection of notes needing to be organized alphabetically.
Beautiful volume of audubon.......2004-07-16
If you are a birder and you collect all the great bird books, your collection is not complete until you get this. A beautiful book, contained in a hard case, with excellent printing. A steal at $250 at its original price, now knocked down between $125 to $185. Get this book! A great tribute to Peterson and Audubon.
Book Description
Each bird species is shown in a large primary photo, with additional photos showing a variety of angles and poses; close-ups of feathers, feet and other details; and the bird in its natural habitat.
Key information on habitat, feeding, physical characteristics and other helpful facts are included to help artists create accurate works of art. Four step-by-step demonstrations show how to use reference photos to paint beautiful birds.
Bart Rulon is a successful wildlife artist, as well as an experienced photographer whose primary interest is experiencing his subjects in the wild. His work has been shown in many of the finest exhibitions, museums and galleries displaying wildlife and landscape art in the U.S., Canada, Sweden, Japan and England. Rulon lives and works on Whidbey Island in Washington State's Puget Sound.
Customer Reviews:
Artist Photo Reference: Birds.......2003-06-07
I recommend this book to any bird artist or anyone who just likes birds in general. The variety of birds covered is good and the number of photos is excellent! The text is very informative, especially the information on number of tail, and wing feathers.
Customer Reviews:
Great Book.......2007-02-19
Certainly a great book. Well designed. I am a hobby painter. Self taught and this book has certainly inspired me into painting some of the pictures in the book. If you love nature and painting this is simple step by step book has a wealth of information. Would certainly recommend it.
Painting Garden Birds with Sherry Nelson.......2006-08-10
The author provides step by step instructions and photos for painting a variety of birds with oils. This is a great book for the beginner decorative oil painter.
Painting Garden Birds with Sherry C. Nelson.......2005-08-25
I've enjoyed having this book as a reference. The step by step instructions work just as well with other mediums instead of the recommended oils, so far I've painted the Wren in watercolors and the Cardinals in Acrylics.
would give this 6 stars if I could!.......2005-04-25
This is an absolutely wonderful book that any beginning artist must have. Ms. Nelson's instructions are so clear and easy to follow that anyone can produce beautiful paintings. Not only does Ms. Nelson tell you what colors to use, but what direction to make your painting strokes, how to hold the brush, what brushes to use..how much easier can you get?! I am currently working on my first bird from the book. My family can't get over how life-like my painting is. I am even surprised at the results! I am definately going to purchase more of her books and I have no doubts that eventually I'll be able to do paintings on my own once I've mastered the techniques in the book.
Great for Beginners.......2003-01-08
For new enthusiasts, this book is a must get for painting realistic birds of many varieties. The instructions are easy to follow and the illustrations are top notch. The author even gives the exact colors that are used in each painting.
Book Description
*Features birds and flowers--both perennially favorite subjects--in bright colors and stunning settings
*Fine artists, leisure painters, and decorative painters alike love author's timeless and realistic style
*Teaches all the basic skills from brush loading and blending to creating shape and texture
The follow up to the bestselling Painting Garden Birds, this book is aimed at beginning oil painters but contains vivid examples that will attract even the most advanced artists. Master decorative painter Sherry C. Nelson provides 15 step-by-step projects, each highlighting a specific feature of the songbird, a variety of poses, and tips on capturing the flowers and foliage unique to the bird's habitat. Included are everyone's most beloved songbirds: blue jays, sparrows, doves, and more--all accented with lady bugs, butterflies, and other cute insects."
Customer Reviews:
Another excellent Sherry Nelson Book.......2007-07-27
I have several Sherry Nelson books and they are the best books in my art library. They are very informative, clear and concise.
I highly recommend the books.
Great author/painter--great book.......2007-05-13
Sherry C. Nelson has written another great book on painting birds. Her easy to follow instructions enable even a novice to create beautiful works of art.
Great Book.......2007-05-08
I love this book. The step by step pictures and instructions on painting all the different kinds of birds and the backgrounds is exactly what I was looking for.
Average customer rating:
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Draw 50 Birds: The Step-by-Step Way to Draw Chickadees, Peacocks, Toucans, Mallards, and Many More of Our Feathered Friends (Draw 50 Series , No 25)
Lee J. Ames , and
Tony D'Adamo
Manufacturer: Main Street Books
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Draw 50 Flowers, Trees and Other Plants: The Step-By-Step
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ASIN: 0385471637
Release Date: 1996-12-01 |
Customer Reviews:
Most Useful.......2005-10-28
This was the most useful book for learning to draw birds that I have found to date. It was easy to follow, the drawings were accurate without being overly ornate, and the diversity of birds was perfect. I would recommend this book to anyone trying to learn to draw, and especially for those who want to draw birds.
Very good.......2003-02-05
good book. when Lee J. Ames draws with someone else it is a bit harder. still easy and fun.
Average customer rating:
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Dictionary of Bird Artists of the World
Christine E. Jackson
Manufacturer: Antique Collectors' Club
ProductGroup: Book
Binding: Hardcover
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ASIN: 1851492038 |
Book Description
Long a standard and favorite for crafters, carving decoys is made simple in this easy-to-follow design book, which includes a history of decoys, an introduction to basic carving techniques, and complete instructions for carving a male mallard decoy. Strategies for carving the head attachment, setting eyes, shaping the body and feathers, sealing, priming, and painting are also provided.
Customer Reviews:
Bought the book and carved one.......2006-07-23
THe book is excellent. It gives a very nice detailed accounting of how to carve a mallard duck detail, soup to nuts. The illustrations are beautiful, the text generally excellent. Covers wood selection, tools, details of carving (down to the shape of the nostrils on the bill and the overlap of the feathers), painting (which takes the bird from a fine shape to the gorgeous bird on the cover).
I am a budding sculptor, and I have a lot to learn. The most important lessons appear to be:
1. Get A LOT of reference material. It would be ideal if you have live ducks wandering around nearby so you can get ready 3D inspiration.
2. Stop FREQUENTLY just to LOOK at the work. It's easy to get too caught up in the process and lose sight of the shape of the whole. I messed up the wings on my first duck and had to start over.
The book has some references for glass eyes, carving tools, etc, but it was a bit sparse. A larger list might be nice.
Average customer rating:
- Talent, Passion, Perseverance: A Portrait of the Artist
- audubon's best single collection
- A Masterpiece of Nature Writing
|
John James Audubon (Gift Edition): Writings and Drawings (Library of America, 113)
John James Audubon
Manufacturer: Library of America
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William Bartram: Travels and Other Writings, Travels through N.&S. Carolina, Georgia, E. & W. Florida, Travels in Georgia and Florida, 1773-74, A Report to Dr. John Fothergill, Misc. Writings
ASIN: 1883011817 |
Amazon.com
John James Audubon's indelible portraits of American birds have long since cemented his reputation as one of our truly magical realists. Yet the artist, who was born in Haiti in 1785 and died 66 years later on his 30-acre estate in upper Manhattan, was not only a sublime featherhead but a trailblazing nature writer and diarist. Doubters should take a gander at the Library of America's splendid Writings and Drawings. This new compendium features 64 full-color plates, most of them from the Ornithological Biography, which demonstrate the compositional and dramatic brilliance that Audubon brought to his work: seldom has the black vulture, or Coragyps atratus, looked so elegant or sleekly satisfied, and his colloquium of ruby-throated hummingbirds (a.k.a. Archilochus colubris) is an almost comical study in group dynamics. Yet it's the texts--journals, letters, diaries, a brief memoir, and a pair of essays on artistic technique--that are the true revelation here.
Audubon was not, for the record, a kind of starry-eyed precursor to the Sierra Club, leaving nature untouched by human hands. It's telling that in his self-portrait, the artist is gripping neither palette nor paintbrush but a flintlock rifle. Gunning down his ornithological subjects was a necessary prelude to portraying them. Still, Audubon had quite a few of what we moderns would call conflicted moments, during which his admiration for, say, the Mississippi kite would temporarily halt the killing spree. Here the sight of a mother attempting to rescue its chick manages to stay his itchy trigger finger--for a millisecond, anyway:
My feelings at that moment I cannot express. I wished I had not discovered the poor bird; for who could have witnessed, without emotion, so striking an example of that affection which none but a mother can feel; so daring an act, performed in the midst of smoke, in the presence of a dreaded and dangerous enemy. I followed, however, and brought both to the ground at one shot, so keen is the desire of possession!
The aesthetic and taxidermal impulses have torn apart many a naturalist since then (although, to be sure, the stricken diarist was later annoyed to discover that another animal had cut in on his action: "What was my mortification, when I found that some quadruped had devoured both!") Elsewhere, Audubon records the topography of the Mississippi Valley in vivid detail, or grumbles about the tight job market: "Visited several Public Institutions where I cannot say that I Was very politely received; in one or Two Notable ones (Not Willing to Mention Names) I was invitd to Walk in and then out in very quick order." Audubon's early-19-century orthography, which the editors have meticulously retained, may take some Getting Used To. And the sheer piling up of avian corpses can seem almost comical to a modern reader. Still, Audubon worshipped pretty thoroughly, and very productively, at the shrine of the natural world. And let's recall his verdict on Liverpool's industrial landscape, which he observed during a 1826 visit: "Naked streets look dull." If only there'd been a long-billed curlew on hand! --James Marcus
Book Description
A landmark volume collects the writings and drawings of America's greatest artist-naturalist
The breathtaking art of John James Audubon's Birds of America has been celebrated throughout the world since it first appeared over 150 years ago. Less well known is Audubon's literary legacy -- the magnificent volumes of natural history he published during his lifetime, as well as the remarkable journals, memoirs, and letters left behind at his death. Now, with The Library of America's unprecedented John James Audubon: Writings and Drawings, Audubon the great nature writer takes his rightful place alongside Audubon the artist.
Here is the most comprehensive selection of Audubon's writings ever published, along with a spectacular portfolio of his drawings. The "Mississippi River Journal," the foremost record of an American artist's progress, details Audubon's first wilderness bird hunts. Selections from his "1826 Journal" follow him to Europe, where his abilities were finally recognized. Audubon's masterwork, the five-volume Ornithological Biography, is here generously represented by 45 entries. Charming, haunting, and violent by turns, these vivid intimate portraits of the habits and habitats of America's birds, from the curious mating rituals of the Wild Turkey to the sublime spectacle of the migration of the now vanished Passenger Pigeon, changed American nature writing forever. The "Missouri River Journals" evoke the vanishing American Indian and the hardships of frontier life. An extensive selection of letters charting almost 20 years of Audubon's artistic development, along with two essays on artistic technique and a brief memoir, round out the volume. For the first time, all texts have been painstakingly prepared from original sources. General and ornithological indices will aid the reader in the field as well as in the study. Sixty-four full-color plates, and fascinating manuscript sketches, some never before published, offer a unique perspective on Audubon's art.
Customer Reviews:
Talent, Passion, Perseverance: A Portrait of the Artist.......2007-08-17
Considering the high regard in which Audubon is held today, the reader may be surprised to learn how hard he had to struggle to get there.
Having failed repeatedly in his business ventures, he decided to concentrate his efforts on his true talent: observing, drawing and describing the birds of America. The fact that Alexander Wilson, a self-taught naturalist like Audubon, had pursued the same goal before him and enjoyed the support of the influential Philadelphia establishment seems to have encouraged rather than deterred young Audubon. He was sure he could do better, and in his jottings he never misses an opportunity to point out mistakes and shortcomings in Wilson's work.
The Mississippi River Journal of 1820-21 is, to my mind, the most interesting part of this collection. Raw diary entries, unedited and uncorrected, give a vivid account of this expedition which started in Cincinnati on a "flat boat" and ended in New Orleans. It may come as a shock to the reader that Audubon and his companions shot and killed practically all the birds he drew and described, and often ate them afterwards. They also bought birds from other hunters or, when in a town, at local markets. All manner of birds were briskly traded as food or pets, or for ornamental purposes.
During this trip, Audubon was destitute most of the time and always eager to get a free meal from a generous host. Letters of recommendation introduced him to a number of worthies, and he often replenished his funds by drawing portraits or giving drawing lessons to the children of wealthy citizens. There was some interest in his ornithological work, but not enough to secure financial backing. Through all these disappointments and humiliations, he remained a keen observer - not only of birds and other wildlife, but also of the country and the people in it.
His fortune changed with his visit to England and Scotland. Excerpts from his 1826 Journal show his surprise and delight in being graciously received, and even lionized, by important people who arranged for him to show his work in public and enlist subscribers.
The 64 color plates included in this book are selected from watercolors, aquatint engravings and lithographs, and show the full range of Audubon's art; they include birds that were abundant at the time but are now extinct (or nearly so), such as the Passenger Pigeon, the Carolina Parakeet, and the Ivory-billed Woodpecker. Forty-five entries from his "Ornithological Biography" give a fascinating account of the life and habits of American birds. To our modern sensibilities, his writing style seems a little effusive at times, and we might prefer to see our birds depicted in less dramatic poses; but there is no doubt about his enthusiasm, and he obviously captured the Zeitgeist.
The Missouri River expedition (1843) was designed to find new species of quadrupeds. This journal is more polished than the Mississippi Journal, but I find it less appealing. Somehow, A.'s true passion seems to have been birds, not quadrupeds.
Some personal letters, essays, autobiographical notes and descriptions of his technique round out the portrait of an artist who rose from obscure origins to the highest honors (member of illustrious societies, dinner with President Andrew Jackson at the White House), and whose name is still a household word in America today.
audubon's best single collection.......2007-01-04
to be read wholly as occasional readings and very enjoyable; allows one to imagine the bird life and other wildlife in America in the days of exploration and settlement, and how much of nature we have lost.
A Masterpiece of Nature Writing.......2000-10-14
Anyone looking for a chronicle of the American wilderness in its infancy would do well to start here. There is great charm in the journals of 1820, where the spellings are still Audubon's own, and the flavor of the times -- especially regarding life on the frontier, and concerning everyday life in old New Orleans -- is everywhere. With his "Bird Biographies" of everyday varieties, as well as descriptions of now-extinct species, such as the Carolina Parakeet, and Ivory Billed Woodpeckers, this book is a treasure not just for nature lovers and bird aficianados, but for lovers of history as well.
Average customer rating:
- Magnificent book, text and illustrations
- Outstanding
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Birds and Light
Lars Jonsson
Manufacturer: Christopher Helm Publishers Ltd
ProductGroup: Book
Binding: Paperback
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ASIN: 0713664053 |
Book Description
Lars Jonsson is widely considered the greatest nature artist of his generation. His beautiful and inspirational artwork depicting birds and other wildlife has been appearing in print for more than thirty years, and his original paintings are sought after by collectors. This lavishly illustrated and elegantly written book describes his life and work through stunning examples of his art and through his own words.
Part autobiography and part exploration of technical method, Birds and Light is an extraordinary and authoritative retrospective of Jonsson's career. It is also a celebration of birds, wildlife, and wild places.
Jonsson talks of a life's work studying and capturing the relationship between birds and light. Superbly reproduced artwork appears throughout the book, including pages from Jonsson's earliest sketchbooks, finished plates from his field guides, and some of the artist's majestic full-scale canvases, presented at various stages of development. Jonsson discusses the artistic process, from the importance of sketching from life, to the discipline of painting for field guides and the ability to express subtlety of environment and atmosphere in paint.
No other artist captures the "feel" of a bird so perfectly. Jonsson's exceptionally accurate and expressive style reflects a combination of talent and countless hours in the field. His career as a premier bird artist, and as a globally renowned ornithologist, was first consolidated in the 1970s with his series of enormously popular pocket guides to European birds grouped by habitat, which broke new ground with its remarkable illustrations. His field guide Birds of Europe, published in 1992, exquisitely demonstrated his ability to depict with great accuracy the detail of plumage and posture that enables birders to distinguish between similar species.
Jonsson's thoughts on wildlife artistry, and his engaging account of his own career, make Birds and Light a fascinating read for all those interested in birds, birdwatching, and bird art. And the sumptuous illustrations, many published here for the first time, make this magnificent book something to be treasured forever.
Customer Reviews:
Magnificent book, text and illustrations.......2003-03-19
This book is truly beautiful and is an absolute steal at this price. With the extensive notes and background information, I believe that it will appeal more to the birder or person interested in bird art than to the casual coffee-table book collector.
Outstanding.......2003-01-24
This book is outstanding. Both the sketches and the complete paintings are literally awesome. Many paintings are so apparently "simple" that you are temped to think that they are "easy", but they are not. Many are so delicate to be closer to poetry than to painting. Beautiful. I do hope more of Jonsson's art will be published in the USA.
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John James Audubon (Gift Edition): Writings and Drawings (Library of America, 113)
Audubon (Treasures of Art)
Birds: The Art of Ornithology
