Book Description
From theory to practice-enhance your skills in working with color!
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Connect the dots between your emotional, intuitive responses to color and the theories that explain them.
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Learn how to use color more comfortably, creatively, and effectively than ever before.
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Take your work to the next level by exploring how different light sources affect color rendition, how placement changes colors, how to avoid costly color mistakes, and how to resolve the color problems that frequently confront design professionals.
Order your copy today!
Customer Reviews:
Understanding Color: A Introduction for Designers.......2007-04-07
This book is pretty good. It explains the different color wheels, how we see color, value, saturation, harmony, and so much more. It is pretty thorough and easy to read. I recommend this book for anyone needing to understand color theory.
Minetta Minnick
Book Description
"
Criticizing Photographs: An Introduction to Understanding Images is now in its third edition and it has become the standard in photo criticism and theory courses throughout the United States. The book contains an elegant pedagogical apparatus founded on the four critical activities that Terry Barrett so ably illuminates -- describing, interpreting, evaluating, and theorizing.
Moreover, Barrett's analytical categorization of photographs into ideal types including the aesthetically evaluative and the interpretive (to cite two examples) has provided readers with a highly original and useful way to think about how photographs are made to function in the world." Louis Kaplan, Southern Illinois University
Customer Reviews:
Goes on and on.......2006-04-30
Includes miles of intellectual blather. Fits well into sexually charged point of view of photography. Uses most horrific and grotesk as examples. On page 33 in third edition author mentions head decapitation as one photographer's "external" influences. Uses sexual pictures as examples. Generally a politically correct lightly negative type discourse on photography. I feel sorry for the students subjected to this pulp.
Excellent introduction........2004-10-15
Having never taken a course in art appreciation, I found this book to be an excellent introduction to interpreting photographic images. The comment above about this book serving as a framework is a good one. Essentially any photograph will fall into one of the categories, giving the viewer a frame of reference within which to interpret and appreciate the meaning of the work. It forces you to slow down and think about each photograph you encounter, ultimately enriching the viewing experience. I highly recommend it for photography aficionados and photographers alike.
Criticisng Criticism.......2002-06-11
A look at the subtitle to this book, "An Introduction to Understanding Images", might lead one to believe that it is about photographs and what makes them good or bad (or if there are such things as "good" and "bad" photographs). But instead it is about photographic criticism, primarily written. And even then it really doesn't tell you very much about how to write criticism yourself, or how to interpret what you read, or how to develop patterns of thought that would enable you to criticize in a useful fashion. Instead most of the book is concerned with the pigeon holes into which different kinds of photographic criticism can be put.
An unstated thesis of this book seems to be that the criticism of photographs is an art form itself. Certainly anyone who has read something like Walter Benjamin's "the Work of Art in the Age of Mechanical Reproduction" might agree. But if it is an art, then it has both form and content, and any book claiming to teach one about the art (I almost said craft) had better address those points. To know that there are theoretical schools like Postmodernism or Feminist Theory is useful to those trying to organize photographic criticism and may be helpful to the photographic critic who is trying to decide what his own approach is, but knowing that these schools exist does not help a critic as much as a knowledge of how to look at a picture and organize a written commentary.
Fortunately, the book has a number of examples of written criticism, including several examples of different critics addressing the same picture. Unfortunately most of the criticism addresses the content of the photograph without considering how the form relates to the content or how, as Mark Schorer has said, technique leads to discovery. For example, Ansel Adams' photographs rely upon the range of light from the whitest whites to the blackest blacks to make their statements about the grandeur of the American wilderness. Unfortunately, nothing in this book considers photographic technique for the critic, although there are plenty of opportunities. For example, there is an ambiguous picture by Robert Doisneau taken in a Paris Café showing a younger women and an older man. The picture is grainy and the depth of field shows the women more sharply then the man. Both of these techniques should contribute to the possible interpretation of this photograph, and yet they are not mentioned.
I think the photo critic who wants to improve his art would be far better served by learning something about photography, and then reading actual criticism, like John Szarkowski's "Looking at Photographs". "Criticizing Photographs" should only be considered as a supplement to such studies.
useful and excellent book for students of photography.......2000-12-26
I have read Persian (Farsi) translation of the 2nd. edition of this book. Thanks to Mr. Barrett and the translators of the book. It helped me to understand how to criticize photographs and I found it a unique book in this field. After searching in Internet I found out that Mr. Barrett Has revised the book in ashort periodof time. I suggest, as a student of photography in university, to all studentd in the world to read the book. Again thanks to Mr. Barrett.
"It takes more time to make a picture than to appreciate it".......2000-11-21
This is an excellent book.
These are some questions the book deals about: How a photograph is made? What are its purposes? How should its context be considered? Was that photograph made or taken?
In this book several criteria (even opposite ones) about photographs are also analyzed and compared, leaving to the reader the decision about the one(s) to take. The process of understanding a photograph is not simple, but this book is a nice guide to follow.
At the end of the book, examples of reviews are included, as a reference not only for students, but also for the person who simply would want to talk about a photograph. Moreover, advice concerning the redaction is also given.
Customer Reviews:
My all time favorite book on aura readings, by far........2006-11-26
This is really a tremendous book. Took the topic of auras and reading them to better understand people and dialing up a positive exchange out of the flakey ill defined world and brought it into the realm of concrete, deeper understanding.
This book is a must read for anyone seeking to master helpful psychic tests to better understand themselves and compatibility with others. The only book of its kind that not only defines various colors of auras, but details them out by section as to what each one means.
In the back, the personality test is really terrific. What I've enjoyed doing with this book over the years is starting with my own color assessment (based on impulse and what I see), noting it secretly, then going through the test with someone - usually they match
A great, easy read.
Bowers will be missed, as so much of this book lays the groundwork for modern personality tests of this type.
Creates Misunderstanding.......2005-01-30
I had a very strong reaction to this book because I see auras, have had mentors who see auras and more, and have read a lot of existing literature on the subject. And I can definitely say that not only are the colors of an individual's aura tremendously exaggerated in importance, there is NOT one core color that remains the same for an individual during all of life!
The aura is made of many colors that shift and flow, but it is also made of specific layers, and shades of light and dark, and other structures that join it...this complex energetic structure is over-simplified by this book.
Furthermore, pigeonholing people by a question-test longer but not more sophisticated than those found in teen magazines is just not acceptable. People do not have a core 'personality band' with a set color.
Please read other books and become well informed - read Barbara Brennan, Hands of Light; read Warren Grossman, To Be Healed By The Earth; read Mark Rich, Energetic Anatomy; read Donna Eden, Energy Medicine. All of these books are written by seers who resisted the temptation to create a pat, easily marketable 'which type am I' system, instead respecting the wondrous complexity and astounding variety that emerges when you view the human aura, as varied and unique as humans themselves.
Maps The 14 Auric Colors and Personality Patterns.......2003-10-28
Dr. Barbara Bowers was a lady who had an amazing gift of discerning the slightest difference between hues and colors. She also could see auras. In her book "What Color Is Your Aura?", she catalogues humanity into that correlates with their aura color: 14 distinct personality patterns: red, orange, magenta, yellow, physical tan, mental tan, green, nurturing tan, loving tan, blue, violet, lavender, crystal and indigo. Her book also contains an in-depth questionnaire to determine your predominant personality type and aura.
Bowers explains each of the 14 colors and how each approaches physical reality, their mental attitudes, emotional makeup, social style, compatibility with the other 13 colors, personal power and leadership style, financial choices, career options, and spirituality. It's an informative manual on 14 distinct personality patterns that can aid in career searches, understanding mate compatibility, relationships, finding life purpose, and so on.
In many ways, this book was a precursor to the ANSIR® personality system. (Bowers and Seich were planning on collaborating before Bowers' untimely death.) What Color Is Your Aura? is a fascinating trip into auras, energy, and personality patternsand--aiding you in seeing yourself and others with fresh, and more compassionate, eyes.
Very insightful........2003-09-03
Dr. Bowers has truly been able to capture the essence of personalities in her book. After being able to identify my personality/aura type (Crystal), I felt a sense of relief from being able to understand the differences I've always felt in relation to other people. In many ways, the author's insights have brought me some serenity...I can accept that I have a totally different experience in life than other aura-types, and become the individual that I'm wired to be. It was quite fascinating and helpful to read about all the other aura-types, and it helps me to relate to them in some ways. Thank you, Dr. Bowers!
Very disappointed.......2003-04-13
I've read many books on aura. This book just contain very limited information on aura. The intensity and the different shades of a color is not even mentioned. I'm thinking about throwing it away.
Customer Reviews:
Excellent reference book........2007-01-29
As a professional watercolourist with over twenty five years of experience and an advanced understanding of colour I can tell you that this is an excellent reference book. Definitely a great tool for art instructors. Even though the writer sees it as a book for beginners I feel that the complexity of the subject will probably be overwhelming for beginners.
Hilary Page is a "teacher's teacher'........2007-01-15
I just finished reading this well-thought-out and completely researched watercolor book. I am still new to water colors and am challenged and frustrated by this medium. Page's chapter on the history,nomenclature, and categories of pigments was incredibly interesting and will become a permanent edition to my water color reference library. I have seen many variations of color wheels in my 35 years of teaching---her watercolor pigment wheel is based on her own palette, and includes placement of saturated, unsaturated, and neutral pigments. I slso found the chapter on optical color effects fascinating.
Possibly the most valuable practical guide on color.......2004-09-19
After reading Hilary Page's book, it occurred to me how painting classes should maybe start with lessons on color rather than charcoal drawing. Her detailed explanation of color is grouped in three main aspects: objective color (measured by instruments), optical color (perceived by eye) and practical color (working with pigments). The theoretical aspects are then proven in practical examples which are also used for demonstrating her watercolor techniques, producing some very pleasing artwork.
Details on pigments are particularly valuable. Pigment properties like clarity, tinting strength, purity, value range, degree of opacity, consistency related to the degree of sediment, wet-on-wet behavior, staining when rewetted etc. will be new to many. Knowing such details will help you prevent some strange "accidents" that can spoil your work.
Rare books on color point out the difference between the pigment-color contrasts and the light-color contrast. Hilary Page is very specific regarding these contrasts: she shows two types of color wheels and two sets of primary and complementary colors. She also explains "spectral reflectance curves" that give us an insight to understanding why printers use "balanced" primary colors.
A book on color naturally requires high quality print without any color distortion and this one doesn't fail here either.
Indispensable!.......2004-09-09
I'm new to watercolor painting and suffering from the beginner's consequence of too many books and too many paints. I wish I would have bought this book first, much time and $$ would have been saved. Her suggestions for testing each tube of paint to learn unique pigment qualites, pigment colors, color theory, color schemes, primary colors, complements, and optical mixtures have proven invaluable.
The excercises included are easy to follow and serve to instill her unsaid mantra. Learn your paints learn your paints learn your paints! I've had this book for several months - still working through some of her excercises and foresee that I will continue to refer to this book many times in the future.
Nobody explains color better than Hilary Page.......2001-01-31
Not only is Hilary Page a fine artist, but she writes wonderful books that explain art technique.
If you aren't pleased with the results you are getting when mixing colors, do read this book.
If you are a watercolorist, the Guide to Watercolor Paints by the same author is valuable reading as well.
Book Description
Digital imagery and digital color are everywhere, yet operating a color-managed system has remained a mystery... until now! Fresh from pioneering work in color algorithms for FujiFilm, Dr. Abhay Sharma explains the basics of color science and color measurement, and provides an in-depth look at the range of measuring instruments available to the end-user. International Color Consortium (ICC) profiles are discussed in great detail and procedures for profiling scanners, digital cameras, computer monitors, inkjet printers, and printing presses are thoroughly described- making this book the definitive guide to color management.
Customer Reviews:
Understanding Color Management - way beyond the basics!!.......2007-08-13
What an excellent book! The author defifitely knows his stuff. This book delves deeply into the nuts and bolts of color management and it is definitely not for beginners (who should buy "Color Management for Dummies"). This book not only teaches the principals of color management, but explains why it is necessary. It is not tied to any specific software or hardware, although an occasional reference is made to Photoshop and reference is also made to the various hardware used to calibrate your equipment. It is very heavy on theory and if you are technically enough inclined, you will be well on the way to becoming expert in color management. This appears to be one of the definitive works of color management and it rightly deserves the great reviews it gets.
A clear exposé of the science and concepts of color management.......2005-12-09
Understanding Color Management explains the basics of color, and the methodology of ICC profiles which the ICC (International Color Consortium) has developed to allow colors to be reproduced with fidelity by computing devices.
All the basic procedures of calibrating screen and profiling devices are explained. However, this book is written by somebody who understands both physics and computers, and it goes further than any other basic text in showing how the pieces of ICC color management fit together, and what goes on behind the scenes. The word "Understanding" in the title is indeed appropriate.
If you are a photographer and you need a hands-on tutorial to ICC Color Management, then Andrew Rodney's howto book may be best for you. If you need a reference for daily use in prepress, then you should own a copy of Bruce Fraser's text. But if what you want is to really undersand the how and the why, then Abhay Sharma's clearly written and concise textbook is the one you want.
Understanding Color Management.......2003-10-23
The title "Understanding Color Management" is a very appropriate. The list of books and papers on colour management is getting quite long by now, but this is in my view the first one to be really thorough, clear and in depth.
Looking at mr Sharmas background you'll understand why. Abhay Sharma is an ex Crosfield man (todayday part of Fujifilm Electronics). The practical "hands on" experience with Fujifilm's colour management R&D team shines through in all chapters of the book.
The layout of the book is quite conventional, going from the fundamentals of colour theory to more in depth discussions. What is different is the clarity in each chapter, and the depth in wich mr Sharma explains the issues.
While getting and reading "Understanding Color Management" by Abhay Sharma is wholehartedly recommended by me, there are some few areas where I still wish for more clarification or help. One is on the matter of how to correctly calibrate and use the monitor. Abhay concludes, like many other, that using a whitepoint of 5000 K (D50) often results in a "dull image". Yes it does, using a faulty calibration tool like the Apple buildt in monitor color calibration, as well as trying some of the commercial software using measuring devices. The trick is to achieve correct luminance at 5000 K, typhically around 100 cd/m2, as recommended in the ISO 12646 standard (refered to in the book). Many software adjust the whitepoint in the last stage of the calibration process by reducing the power of the blue channel, resulting in a too low luminance (brightness) of the monitor. The ambient lighting condition also effect the appearence of the monitor. A too bright illuminated room prevent the monitor from accurately rendering the colours. Unfortunately the recommended very low ambient light of 32 lux is not mentioned by Sharma.
But all in all it's a very, very good book on a quite complex and "difficult" subject.
/Paul Lindstrom, Malmo University and Digital Dots
Book Description
Whether you're a beginning or experienced quiltmaker, Quiltmaker's Color Workshop will help you use color more creatively in your designs. Through a showcase of more than 35 great quilts, ranging from contemporary to traditional styles, the authors show how colors work together to support a "big idea." Learn to go beyond simple, formulaic color concepts, and instead, have fun exploring color through individual and group activities that will help you see color in a completely new way.
Customer Reviews:
Good Color Discussion.......2007-02-07
This is a basic use of color in design, tailored for quilts. I find it a useful reference.
Two Books Can Be Almost Identical.......2006-10-16
Weeks Ringle and Bill Kerr, authors and quilt makers, have published two books on color. I enjoyed the first one, COLOR HARMONY, so I ordered the second, QUILTMAKERS COLOR WORKSHOP. I'm sorry to say the second is identical to the first except for some patterns, instructions, and templates. I would have appreciated a more complete description so that I wouldn't be returning the book.
Product Description
Featuring a unique new dreamwork approach, plus original work on color in dreams, this book holds interest for professionals, students, plus anyone interested in dreams, self-help, or the psychological meaning of color. It offers a fast, easy method for relating dreams to waking life situations, which can be used in personal, professional and group dreamwork. By teaching people to speak the dream language of color and imagery, they discover: the 6 magic questions that reveal their inner beliefs & conflicts; the power of dream color to reveal their hidden feelings; a new way to use dreams to transform their life; how the dreaming brain creates a language of its own; how dream language is an expression of waking life. With contributions from over 16 dream experts, the book covers a range of topics from paranormal and spiritual dreams to nightmares to dream healing, and contains unique self-help exercises for working with dreams. It is the first major work on color in dreams, the first book to map the neurobiology of the sleeping brain to the dream language of imagery and color, and contains the first original research on color in dreams.
Customer Reviews:
Highly recommended.......2007-09-26
Bob Hoss has shared his experience and knowledge in the world of dreams and offers the reader an introduction to dreams in a personal and professional way. The book is an intriguing and instructive guide, offering many exercises to uncover the meaning of dreams.
Hoss is an expert in color in dreams and shares insightful and helpful information with us re: that area of dream study.
I liked it so much that I now require my students to read it as part of their course of study. The students enjoyed their journey through the book, as well, and recommended it for the next class of students.
J. Lasley, Director
Institute for Dream Studies
Interesting in parts, but not that great.......2007-08-23
There were parts of this book that were interesting or useful, but I felt like the tone was often sort of condescending. The flow of new information was very slow and so I eventually got bored. I also didn't feel like the book went very deeply into looking at color, which is what the book is supposed to be about. This book did not live up to my expectations.
Realistic approach to dreams that are specific to the individual.......2006-12-25
Bob Hoss has captured a methodology that personalizes dream interpretation. By answering just a few questions about your dream, he has the reader do their own interpretation-- no more "one size fits all" for dream works. This book is a must if you are serious in interpreting your dreams. I have read numerous books on dreams, but this is by far the best and most personlized Dream Language. The approach is easy, and will benefit you in your daily life if you use it.
Full Spectrum of Support for Dream Language.......2006-03-11
Dream Language is really a gem among dreamwork and dream science books, combining empirical science and the art of contemporary interpretation.
Typically I find most books on dreams will focus on the science without any relation to what makes a dream meaningful to me, or they focus on a dream interpretation technique without ever saying what the technique is based on.
Robert Hoss finally puts the two together.
I deeply appreciated the easy-to-understand explanations of complex brain science and the way Hoss shows how these studies are relevant to how and why we dream. I have never seen anywhere a book that pulls together the research on color, vision and dream imagery. Hoss goes on to use this research and neurobiology to develop a clear explanation of dreams, without explaining them away. This research then forms a ground for an emotional language that be read in our dreams.
The whole notion that limbic system assigns feelings to sensory input is fascinating in itself, and could be it's own stand along book. Hoss' research goes further to look at how specific colors are assigned, and how these colors show up in dreams. That these colors are produced by a different part of the brain than other imagery should be an eye-opener to dreamworkers and others interpreting the meaning of dreams. As Carl Jung and other deeply symbolic dreamwork believed, these colors modulate the dream and provide a doorway into a deeper and more profound relationship with the self and others. Also, our responses to these colors are something we all share as human beings. To some degree they are universal, though personal and cultural influences are acknowledged.
Dream Language is not, however, a dream dictionary where one can simple look up the colors and images in one's dreams to get the meaning. Hoss understands and provides
solid dreamwork in the book, involving understanding the dream in context with one's waking life, and allowing the dream to reveal underlying emotions, conflicts and beliefs in a safe manner. Several approaches and suggested procedures for both individual and group dreamwork are included.
It is really great to find a way to read the language of a dream that is based on real research and years of practiced dreamwork.
- Richard Wilkerson
Editor, Electric Dreams
Book Description
"An attractive volume that simplifies and demystifies textile design."--Booklist. Crafters who work with fabric-quilters, embroiderers, cross-stitchers, sewers, weavers, and knitters-eventually wish they could create their own unique designs, rather than following someone else's patterns. Here's the best basic book on the market to show them how. With appealing color illustrations, the authors show how the most complex designs are built on a few shapes (like squares, circles, and triangles). They also show novice designers where to look for inspiration (like nature and other artists).
For the wannabe fabric designer, for anyone crafting with fabric, this book is a joy and a revelation.
oAppeals to a broad craft market, from knitters to sewers
oAimed at crafters of all skill levels
oHelp with designing, the area in which crafters feel the most need for guidance
"...the inspiration that The Fabric Design Book provides for the collaboration of hand, eye, and imagination makes it an excellent addition to anyone's library."--At Large, Embroiderers' Guild of America.
Average customer rating:
- Fine book, fine service
- The best fishing book for trout, steelhead and salmon
- Fish don't have human retinas!
- Some missing bits.
- Don't doubt him, unless you've fished with him.
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What Fish See: Understanding Optics and Color Shifts for Designing Lures and Flies
Colin J. Kageyama
Manufacturer: Frank Amato Publications
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ASIN: 1571881409 |
Customer Reviews:
Fine book, fine service.......2005-09-04
The book was excellent - as new - and well packaged. Delivery was faster than expected. I'm totally satisfied.
The best fishing book for trout, steelhead and salmon.......2001-10-03
This book is probably the best fishing book I have ever
read for catching trout, steelhead and salmon,
because the author, Colin Kageyama, backs up his
claims with straight forward science.
I live on the middle Rogue in Oregon, and
fish almost everyday, and build my own spinners,
and have tried many different methods.
I have used his suggestions with instant
success. Mepps also makes his spinners in their
"See Best" line. I have seen fish react to his
spinners like no other, where the fish will
actually strike the lure multiple times.
This book is a must for any serious student
of the sport, and his methods apply to
any form of fishing (fly, spin casting,
float, etc.).
Fish don't have human retinas!.......2000-11-09
I applaud Dr. Kageyama's energy and interest in this area of great importance to the fishing community. However, as a vision science researcher, I was deeply disappointed at the lack of Kageyama's familiarity with the literature on the visual system of fish, especially Rainbow Trout, Goldfish, and Walleye. (See the journal Vision Research and the work of Edwin Land for many examples.) As an example, the Rainbow Trout is known to have *four* types of photoreceptors; humans have three. There are species that are sensitive to the *polarization* of light; humans have no such sensitivity. These shortcomings, in addition to the use of photography to document what fish might see, leave the work on very shakey theoretical ground. (Photographic film has *yet another* set of sensitivity functions to the color spectrum, neither fish or human!) The definitive work still needs to be written. Perhaps Dr. Kageyama will provide a second edition.
Some missing bits........2000-05-02
Whether Human or fish the eye is merely a receptor and counter of light photons. The discrimination of colours is a brain function. The connections between the eye and the brain, the nurological connections are not a variable thing but once set remain so. Fishes born in water without reds would likely not see red. Fish with blue/green visual sensitivity, most pelagics, cannot see pink because they cannot see red. We see pink as blue and red, no red no pink. If a salmon changes its visual sensitivity during the transition from the sea to the river it is a pretty strange beasty. The fish's eye is continually growing and the older the fish the better the resolution. Spawning fish are old, ie they have the best visual resolution. But we still have to recognise that the science of the fishes visual system, and it's colour sensitivity is best detirmined by those scientists using the Micro-Spectro-Photometer. I could not find any references to this research. Which is a pity because there is some great information out there in the world of the boffins.
Don't doubt him, unless you've fished with him........2000-02-11
I've fished with Dr.K several times. I'm always catching myself trying to pick his brain. He has a wealth of knowledge that I am eager to learn and apply to my own fishing tactics. Bottem line is...If the fish can't see your lure for one reason or another, mainly lure color, water color or background color, he isn't going to be striking your lure. I've tested my lures, as well as my fly material and know wether they stay true, but my biggest question is determining what color the water is. We will be addressing that issue real soon. Do you remember the last time you went fishing and got skunked? There are so many variables to take into consideration when you're fishing. By using Dr.K's knowledge and research findings, some of those days you got skunked just might turn out a little bit better. Between my boat,rods,reels,and all the gear, I've spent the better part of 10 grand. I would sure spend 20 bucks to help me become a better fisherman. What do you have to loose, oh wow $20.00!
You spent that last week to buy beer, and were's the beer now?
Thanks Dr K, see you next time you're in Portland.
Books:
- Understanding Comics: The Invisible Art
- Verdura: The Life and Work of a Master Jeweler
- Verdura: The Life and Work of a Master Jeweler
- What is WebSphere? Java, J2EE, Portal and Beyond! (Demystifying IBM's Middle Tier Technology, Vol. 1)
- Wolf Kahn Pastels
- Young Men and Fire
- Zen of Seeing: Seeing/Drawing as Meditation
- 9 Heads: A Guide to Drawing Fashion (3rd Edition)
- Acrylic Revolution: New Tricks & Techniques for Working With the World's Most Versatile Medium
- Acrylic Revolution: New Tricks & Techniques for Working With the World's Most Versatile Medium
Books Index
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