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Twentieth-Century Russian and East European Painting: The Thyssen-Bornemisza Collection
Johne E. Bowlt , and
Nicoletta Misler
Manufacturer: Philip Wilson Publishers
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ASIN: 0302006192 |
Book Description
At the heart of this pioneering study - the result of exhaustive comparative research in Russian, European and American collections - is an illustrated catalogue which provides detailed descriptions of each work in the context of the artist's career and the broader artistic developments of the age. The condition, provenance, and previous location of the works are also detailed.
The catalogue is introduced by three essays: The Russian Avant-Garde, the Hungarian Avant-Garde, and the history of the collecting of Russian Avant-Garde art. The volume concludes with artists' biographies, bibliographical information, a glossary and index.
A catalogue of 59 works, written by two of the most eminent scholars in the field.
Book Description
Frank Frazetta's paintings and illustrations have set the standard for fantasy artists for the past 50 years. This collection focuses on his influence in a variety of media and genres and on his place in 20th century art history. Coedited by Hugo Award-winning editor Arnie Fenner, it includes many of Frazetta's most memorable paintings as well as revised and previously unpublished works. The art is accompanied by the artist's own observations and commentary by a number of his contemporaries.
Customer Reviews:
Truly amazing...the Greatest Illustrators work..........2005-05-27
Frazetta was an artist with a different style, yet seemed to capture and captivate so many foreign lands of barbarians and beasts...then bring them end gently place them on the table in front of us. From Conan to Tarzan and so much more, this is a great book. I call it a coffee table book because I had a rougher copy that I kept in the living room. Whenever someone came over they would start looking at it. Many couldn't put it down. Then they start realizing they KNOW Franks work...they see Death Dealer, they see the Conan like images, and they're hooked!
The book is full of colorful images and as an artist and writer myself I ofter find myself referring to it. No artist captured a battle scene, or a scene where a person is in the middle of a motion filled movement, like Frank. Leaping hero's weilding swords to scared to death damsells and wench's cowering before a giant god of epic proportions. The book is not just pictures, there is a ton of text talking about Frank, his life, and his LEGACY. A strong recommendation for anyone who likes art, Conan or Tarzan, or illustration in general. Frazetta was the King!
Comics emphasis, plus more famous paintings. Whoa!.......2002-01-15
This is book 2 of a trilogy. This one seems to have more emphasis on his comic book and comic strip work, than what appears in the other two books of the trilogy, "Icon" and "Testament." This one includes an 8-page romance comic book story by Frank, from 1952.
There are also plenty more Tarzan/Burroughs/John Carter of Mars works, and terrific paintings of Savage Pellucidar.
Frank's work for Warren magazines, like Eerie, Creepy, and Vampirella get shown and discussed in this book (and also in the other two books of this series).
All of the different eras and decades of Frank's life and career are discussed and shown, in all three books, but always with different paintings, drawings, personal photos, and different commentary by different friends and business associates.
I would recommend starting with "Icon" if you're new to Frazetta's work, but "Legacy" is a close second, containing the works that he is best known for. "Testament" has a focus on unpublished, never before seen work.
One thing that is surprising in all three of these books is seeing how Frazetta would often paint over his paintings, to improve them and change major elements, after they were originally published. So, many of his paintings look different than the way they were printed on paperback covers in the 1960's and '70's.
I am very pleased with all three of these books, but "Legacy" is my favorite of the three, if I really had to choose.
The end of an era.......2001-08-08
Frank Frazetta is a once in an era painter. He was as much an inspiration to my own large scale figure art as was Michaelangelo. This book is brimming with lush and lavish color reproductions. Frazetta, a true natural and the father of powerful and darkly and richly, colorful, anatomically creative, fantasy art. He has been imitated by dozenz, surpassed by none of them. One would have to go back to the Renaissance to find anyone more free, comfortable and creative in use of anatomy and composition. He would hold his own with the great painters of the past 700 years. This is a great book for artists and art lovers. I bought several for my grandchildren, it will be a valuable collectible in 5-10 years.
A fine collection of fantastic images.......2001-07-23
"Legacy: Selected Drawings & Paintings by Frank Frazetta" brings together many examples from the career of this distinctive artist. The book has been edited by Arnie Fenner and Cathy Fenner, and includes a foreword by Danton Burroughs.
"Legacy" gives examples of Frazetta's covers for books, magazines, and comic books, as well as movie posters and even comedy album covers. Many memorable characters from pop culture are depicted: King Kong, Dracula, Tarzan, etc. I especially liked the illustrations from Edgar Rice Burroughs' Mars books, with their six-limbed Martian apes and tusked, green-skinned warriors.
Some of Frazetta's illustrations are haunting, even melancholy, and others are exciting and action-packed. A sorcerer summoning a demon, a scuba diver facing a sea monster, and of course, voluptuous maidens will be found in this book. In some cases, alternate versions of the same commission are given (making this book especially useful for art students and cultural historians). I recommend this book to those interested in the visual art of the sci-fi, fantasy, and adventure genres.
Frank Frazetta is leaving a Legacy.......2000-06-08
I bought the book ICON at the same time I bought this book. LEGACY has a slightly different tone than the ICON book. It is a wonderful tone and in complete harmony with the other book. It's kind of like two tubes on a wind chime. I use this analogy in hopes that more chimes, I mean books will come along to complete the symphony.
The ink sketches are great too. I'm partial to the full color oil paintings. What colors, what force, what passion jumps from the pages of this book. These Frazetta books are not only a legacy to the artist but to art in our culture. Imagine Frank painting in the same studio as say... N.C. Wyeth; or even Hal Foster of Prince Valiant fame. I wonder how each artist would influence the other. I bet Mr. Frazetta would set the tone.
Once again, you can't go wrong buying this book. To read more remarks about the Frazetta books, please see my review of the book ICON.
Book Description
An atelier program between the covers of a book
* Serious techniques for the serious art student
* Study the work of the Old Masters and today's top realist artists
* In the tradition of Watson-Guptill's classic Drawing Lessons from the Old Masters
Ateliers have produced the greatest artists of all time--and now that educational model is experiencing a renaissance. These studios, a return to classical art training, are based on the nineteenth-century model of teaching artists by pairing them with a master artist over a period of years. Students begin by copying masterworks, then gradually progress to painting as their skills develop. Classical Drawing Atelier is an atelier in a book--and the master is Juliette Aristides, a classically trained artist. On every page, Aristides uses the works of works of Old Masters and today's most respected realist artists to demonstrate and teach the principles of realist drawing and painting, taking students step by step through the learning curve yet allowing them to work at their own pace. Unique and inspiring, Classical Drawing Atelier is a serious art course for serious art students.
Customer Reviews:
Drawing in depth.......2007-10-03
This is a deep book, a kind of survey of essential drawing topics for the artist student, beginning or advanced. My impression is that Ms. Aristides covers the curriculum of her Atelier, explaining the theory behind the practices and learning accomplished there. At any rate, what she discusses she treats thoroughly and thoughtfully with valuable insights. For instance, I have read a number of excellent books on drawing, but hers is the first that defined for me the different meanings contained in straight lines verses curved lines. For me, a key insight. So I think the true value of this book, in addition to spelling out what her students do and learn, is the key artistic wisdom Ms. Aristides shares out of her experience and expert skills.
inspirational .......2007-09-29
This book explains how the skill of making classical art is tought from master to pupil(s) in the style the old masters did.
The photos of the drawings and exercises are very inspirational. In the end of the book there are several do it yourself exercises. But one who reads the book is aware of how to improve his or her artist skill in a thorough way simply by reading what miss Aristides has to say.
Excellent.......2007-08-16
A wealth of knowledge,experience and fortitude has gone into the development of this artists' essential guide to the attainment of high art.
The crucial need of the artist to configure the subject correctly is aspired to in this book, and the pictures are superb. The methods used to obtain high standard preliminary (and necessary) rendering of the subject is covered in this book and is really a valuable guide to anyone considering joining an atelier program prior to their commencement.
As well it is valuable for anyone wanting to appreciate how perfection is obtained- albeit the 'truth' of art.
An excellent resource and Julitte Aristides lengthy career has gone into its' making.
I can wait for her Classical Painting book also to be published reportedly some time later in 2007.
Poor photorealist deception.......2007-08-07
Yet another opportunist example of the terribly rampant photorealism today which has nothing to do with classical art. The authors work and premise is a joke in its attempt to connect later 19th C. methods with Classical ones. Photo realism began in the 2nd half of the 19th C. with gimick methods such as the Barge, mentioned in the book. (ther's a reason why they look like black & white photo negatives). Its all a scam and while artists like Bouguereau, who sometimes painted from photos, actually had some legitimate classical training (eroding quickly in his time), the fact is no one today does because it doesn't exist. The cast drawing section in particular is totaly incorrect because proper, classical drawing prior to the mid 19th C., has to do with delineating and emphasizing form not throwing a light on something and copying the shadows with pretty, airbrush-like, rendering techniques - this in turn produces paintings that look like poster illustration. Artists following these methods while claiming their relattionship to classical training are ignorant quacks - they all follow this system because its easy to do and teach but they have unfortuanely decieved themselves as well as their students. Most all academy collections of casts today are of terrible, diluted quality anyways. Students would do much better by studying museum sculptures and the "form drawings" displayed in "Michelangelo Drawings" by Hugo chapman, I believe found here on Amazon. You'll clearly see that's he's focusing on 3-D design and structure - drawing "through" forms, not merely doing external renderings. I'm a painter tryng to study the LOST art of classical drawing/painting and want to help set the record straight.
Beautiful book.......2007-07-23
I've been taking classes at an Atelier type school and found this book very interesting and helpful.
Customer Reviews:
not for an advanced artist.......2006-01-23
While Leslie writes beautifully, the only real information I learned from this book was which pastels held the best lightfastness rating and one technique of scratching I hadn't yet considered. Other than that, this book is geared very much towards beginners of oil pastel. All of the beautifully colored pieces he has pictures tend to lean towards abstract and illustrative ideas and expressions vs. more realistic interpretations of things. Additionally as a result there's really no other meathod to learn from in this book. He brushes against the ability to make realistic pictures via one artist, but goes into no detail as to how she accomplishes this task. The other great disappointment to me was Leslie's work itself. All of his works shown throughout could have been created by a High school student. He shows no real ability or understanding of how this medium can be worked. I would not recommend this book at it's original price of $32 and especially would not recommend spending double that for a used out of print copy. Save your money and check it out at the library or look for more informationon the internet.
Oil Pastel: Materials and Techniques for Today's Artist.......2000-03-28
This is an unusually thorough book. If you can get your hands on a copy, you should do so. Unfortunately, it is out of print. The publisher is Watson-Guptill and the book was originally published in 1990. The ISBN No. is 0-8230-3310-4. Here's why the book wins my vote:
It has a ton of pictures of finished art works done in oil pastel and in mixed media, using oil pastel and other media. There is a section which tells of the lightfastness of different brands of oil pastel currently on the market so readers can see actual pictures of brands exposed to sunlight for 3 months and how the sunlight does/doesn't alter the colors. There is also a "nitty-gritty" section describing the characteristics of each major brand available on the market currently, as of 1990 when the book was written, but these are the same brands available today (creaminess, hardness and what you can do with each). There are detailed diagrams of different methods of using oil pastels, broken down into steps, so readers have step by step directions of how to use oil pastels in a variety of ways. There are many ideas for composition using oil pastels. The author, Kenneth Leslie, makes it a point to tell readers exactly how each of the many works shown were developed in oil pastel (e.g., by direct observation of objects such as in a still-life, or by using photographs or collage, etc.) and on what kind of supports (e.g. which grounds to use on paper, museum board, masonite, wood, etc.) There are just lots and lots of pointers about using the medium of oil pastel. Many ideas of using oil pastels in concert with other media serve as a springboard for individual ideas. For example, I read a section of explanation and then, quite easily, I could mentally figure out how to apply the techniques shown to my own work. This will be my bible for doing oil pastel painting.
Average customer rating:
- love Charlie and Lola
- Fun Charlie & Lola activity book!
- very entertaining
- Activity Book
- Excelent Mind Blowing for your Kid!!!!
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I Absolutely Must Do Coloring Now or Painting or Drawing (Charlie and Lola)
Lauren Child
Manufacturer: Grosset & Dunlap
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ASIN: 0448444151 |
Book Description
Everyone who loves to scribble and scrabble (and what kid doesn't?) will love this fantastic un-coloring book. The creative, magical world of Charlie and Lola is perfect inspiration for little kids, and with plenty of room to draw, and lots of activities, planets with stripes and silly hats are sure to be just the beginning!
Customer Reviews:
love Charlie and Lola.......2007-08-10
I love all the colorful books in the series we have read. This one is a cute introduction to the tooth fairy and what happens as you get new teeth. I would reccomend it.
Fun Charlie & Lola activity book!.......2007-07-09
I bought this for my 4-1/2-year-old, and she loves it! It has the classic Charlie & Lola style, but with things to color and fill in. It has suggestions to try adding fabric and paper to create a picture like the ones in the Charlie & Lola books and shows. An excellent buy--this has generated a lot of creative play time in our house!
very entertaining.......2007-03-30
My daughter finds this book extremeley entertaining.....she is an avid Charlie and Lola fan, I hope to collect many more of the books.
Activity Book.......2007-03-09
Lots of pages to stretch the imagination and encourage creativity with a variety of materials. A book to share in many ways with your children/little friends. Ella and I really enjoy the excellent illustrations in the workbook.
Excelent Mind Blowing for your Kid!!!!.......2007-02-19
If your kid is a Charlie and Lola fan -or not- is an excelent book. My kid hapiness was impressionant when he open the book the first time. A very good book for little childrens.-
Book Description
The artistic versatility of tattoo artists has frequently been overshadowed by the negativity that surrounds tattooing in general. Many tattoos are made by would-be artists who copy overused designs. A perfectly tattooed body requires the skills of a professional and talented artist, who creates a unique and personal design. These designs are often inspired by one or more of the various tattoo styles of Japanese, Maori or other tribal origin. The Sketchbook offers the reader a selection of 80 of these unique designs by well-known and less famous, but very promising, tattoo artists from around the world. Each artist was requested to create a sketch unrestrained by commercial demands and which reflects their own personal motivations.
The book is divided into two sections: the first comprises an explanation of how this collection was brought together, along with a brief illustrated overview of the history and various styles of tattooing. The second section is devoted to the artists, each sketch being accompanied by a biography and favourite quote.
The concept of this book was developed by Marco Bratt, a tattoo artist from The Netherlands, and his partner, Germanborn lifestyle photographer Nancy Heimburger, who also wrote the introductory chapter.
Customer Reviews:
Not as Expected, very disappointed!.......2006-08-31
Sadly I purchased this volume based upon other reader reviews. Although I have given it 3 stars- as the book production itself was very nice- oversize square small coffee table book, printed on high quality thick stock, with well printed art work- makes this volume attractive on the outside. The contents and sketchbook is rather a let down. 60% of the sketches are very crude and unattractive (even considering them just sketches from a sketchbook) and the remaining art being just okay, maybe there is 10-12 eye opening pieces. If your looking for inspiration or eye candy this is not your book
Ever feel like you've been swindled?.......2005-12-22
I'm not an artist, but I do have a few tattoos. Just over 100 hours of custom work all done at the Smilin' Buddha in Calgary, Alberta. I've even managed to get 3 pictures of my work (one full page) in Paul Jefferies' vanity press book celebrating his 25 years in the industry.
In the course of getting my work done, I've bought more than my share of tattoo books and have looked through dozens of books at the Buddha including the owner's private library and I'm sad to say that this book is tied for last place with one other book.
The previous reviewer, the one who's an artist with 35 years experience says it best.
The work in this book for the most part is sub-par. Except for a few, the work in this book looks like it was done by scratchers not artists. There's no way in the world I'd leave this book on my coffee table, let alone wear anything done by most of these "artists".
BTW, I'm pretty sure one reviewer here must have ties to this book. My guess is the publisher.
Save your money. I wish I had.
Crappy Bar napkin sketches.......2005-11-24
The following is an opinion for which we are all entitled: Although this book does tell you something about each artist and shows one sketch from each artist, it is more like a "Collection of bar napkin sketches". Most are of poor quality as if the artist could care less when he/she had drawn them and a very few are of some quality. As an award winning artist of over 35 years experience, I felt it was a complete waste of money as far as being helpful to further my talents or to "just plain enjoy". I would never show such "doodles" in a book to represent what I can do. For something to glance through to kill time, I would say fine, go nuts. Overall....I AM NOT IMPRESSED!
graphic gems from tattoo artists: a pathbreaking book.......2004-11-03
Rarely has the tattoo art form enjoyed a presentation in a volume as remarkable as Heimburger and Bratt's "The Sketchbook: 80 Unique Designs by the World's Finest Tattoo Artists." For starters, the "Sketchbook" does not feature photographs of tattooed bodies but rather brings together a set of original graphic designs produced by artists expressly for this collection. Then there is the beauty and quality of the book itself, which has been published by Hotei, the Leiden-based publisher best known for its first-class books on Japanese prints.
Most of the artists represented in the "Sketchbook" are fairly young and, with the exception of several members of the Leu Family of Lausanne, are not yet well-known. Their work is complex, however, and the short autobiographies provided by each artist provide insights into the special world and close relationships of the international community's best tattoo practitioners. Traditional Japanese tattoo themes dominate the graphic work, but fans of modern art in general will note and enjoy the resemblance of much of the work to that of the 20th-century surrealists and even to the specialized art genre known as exquisite corpses. Indeed, the artwork presented is so fascinating and potentially rich in symbolism that I wish it had been displayed at The Drawing Center in New York's Soho district and introduced by scholars of modern graphic art.
A very different kind of artbook.......2004-08-10
The Sketchbook is a large coffee-table compendium showcasing eighty unique designs by some of the world's finest body art tattoo experts. An introductory essay explores the history of body tattoos, and both Japanese and Western views of the art practice. The eighty designs themselves are showcased largely in black-and-white, in their original drawn concept form rather than a photograph of the tattoo on human skin. With a photograph of its artist along with a paragraph by the artist about his or her background and philosophy. A very different kind of artbook, in which East truly meets West.
Book Description
Claudio Bravo is one of the world's greatest hyperrealist painters, but such a label is too simple and insufficient for his dramatic, enigmatic work. He is known for his use of color, which seems to become more extravagant with the passage of time, and the increasingly mysterious arrangement of objects in his photo-perfect still lifes.Arranged in more or less chronological order, this newly updated volume traces Bravo's four decades of painting and drawing. The book also includes a catalogue raisonné, lists of exhibitions and collections, and bibliography, making it an invaluable resource for scholars as well as a highly readable profile of a remarkable man. "Bravo's paintings combine the precision of hyperrealism with the lush texture of a centuries-old classic, leaving one to ponder how, say, a rendering of a goat-each strand of hair taken into account-can mirror reality so acutely and, at the same time, transcend it." -New York Times Book Review
Customer Reviews:
one of the best artbook i have..........2007-06-06
wow! this is everything you want in an artwork...namely, tons of art! in an era where i have a feeling a lot of artists couldn't draw their way out of a paper bag, claudio bravo is here to remind us what real art actually looks like. a subperb draftsman who can draw as good as any of the old masters, and an excellent painter as well who pays attention to light and color and texture. save up for this one if you have to, but get it if you like realism at its best or are a fan of brillant still life paintings.
Don't buy this book if you have the first one........2006-07-10
Had I known that the book would be a complete repeat of his last book I would not have purchasted it. Only a few new paintings. I was extreemly dissapointed. The publersher should be ashamed of this product.
Worth its weight!.......2006-02-24
Claudio Bravo's expanded tome is packed with decades worth of his catholic (note: small "c") version of realism. In their pureness of representation and presentation objects presented often elide with the ideal and the abstract. See for yourself, just look at the painting of wool yarns shown on the dust cover.
One cannot help but come away with the feeling that Bravo's sense of color and compositional taste are spot on!
A Generous Feast for Lovers of Realism.......2005-12-04
Representational art - observing and painting what is actually seen by the artist - remains the constant in the fluctuating trends and movements in art history. There are times when realist painting is praised and times when it is loathed as passé and static. But in the hands of its masters, and Claudio Bravo the Chilean artist painting in Tangiers is certainly one of them, it is a zenith of creativity.
This lavishly illustrated book is a visual delight, including the inordinately beautiful drawings seldom seen in addition to the paintings of figures, of still lifes, of color and light and intensity as few others can imitate. As with all representational artists Bravo has his champions and his detractors, some viewers finding his work from lewd to boring while others stand in awe of the painters amazing gifts of incorporating light and mood where few other artists tread.
The accompanying written essays are interesting to a degree but hardly inform about Bravo's craft while speculating about his life. Even in the hands of brilliant writer Paul Bowles there is little to learn about painting beyond the author-drawn similarities of expatriate creative lives. Recommended for lovers of beauty. Grady Harp, December 05
Claudio Bravo, perfection on canvas.......2004-11-02
I can still remember the very day I first saw Bravo's work, it was through this book and since then there has been no other artist that has moved me to such an extent. Being an artist myself, I am in awe at his control over his medium, he is surpassed by no other. One thing I love about his work is the fact that he has distinguished himself from the all other realists and the trends therein which are rather predictable. His still lifes are a breath of fresh air, departing from the usual ho-hum, I agree fully with Adam Narcross' exclamation regarding Bravo's still lifes,"...His are the only ones I thought worth a damn". From figurative to landscape, pencil to paint and all in between, his work carries a solidity and tangibility scarcely found elsewhere. He gives the viewer a feast for the eyes, orchestrating the details and emphasizing the overall form in such an impeccable way as to hide all evidence of the hours and hours of toil and effort by human hands, camouflaging complexity in the mist of beauty. He paints from his Home studio and utilizes the glow of Mediterranean sunlight to the advantage of the work. In his work, Light and Color dominate, giving the viewer a sense that he is actually there in Tangier as a guest in Bravo's very home, like a glorified Vermeer. Unfortunately, I have never seen his originals, but the books that available are truly the next best thing, I was lucky and was able to order this one for roughly $80 and should be getting it Nov. 2004, until then I'll keep on checking it out at the library...I bet they can't wait to finally get their book back so someone else can see it for a change!
Book Description
Acclaimed botanical artist Bente Starcke King shows artists of all levels how to create artful and soulful illustrations of tulips, irises, rose hips, echinacea and more. Taking readers step-by-step through proven techniques for capturing this popular subject matter, Beautiful Botanicals:
*Provides numerous tips and 19 demonstrations for all the most popular mediums, including watercolor, pencil, pen and ink, ink wash and mixed media (watercolor with colored pencil or ink).
*Draws even casual readers in with striking, colorful illustrations set against white backgrounds.
*Appeals to fine artists, decorative painters and even garden enthusiasts with clear instruction and plentiful demonstrations.
The book also covers such practical topics as cleaning, along with signing and framing one's artwork, and it includes interesting stories and facts about the flowers and plants presented. It's a must-have for any nature or art lover!
Customer Reviews:
Would Be Botanical Illustrators: a Must to Have!.......2007-06-02
This gorgeous, well-written "how to" book for drawing and painting
beautiful botanicals is a treasure! It is spiral bound so the book won't flip closed on you. It is written by Bente Starcke King, a Botanical Illustrator who teaches at Cornell University. She covers everything from form and perspective, materials that she uses in her demonstrations, and beautiful illustrations.
She covers, with clear, easy-to-follow instructions, lessons in drawing with graphite pencil, using pen and ink, ink wash, transparent watercolor and mixed media. It's like having an instructor in a book, and you can go at your own pace.
The most fascinating aspect to me is how she layers watercolors to create her luminous color illustrations. Fabulous.
Sharyn from Portland, Oregon.
Wonderful, Step by Step Instructions as a Springboard.......2006-12-31
Whomever thought of the spiral binding inside the traditional binding should be knighted. That was a stroke of genius. If I am trying a new technique, I usually scan and copy a page but with this book, I just leave it open.
Bente's book would be useless (as well constructed as it is,) if it weren't for her terrific explanations. She shows the same painting in different stages, tells the reader where she or he can take short cuts and is over-all a great book for the beginning or advanced student.
Add This One To Your Library........2006-10-24
As someone who is just beginning in botanical illustration, I could not find a better instructional book. The author teaches you what materials to buy, what typse of paper to use, and leads you step-by-step through a number of lessons covering several different types of media.
I could not believe how well my first efforts turned out! I've looked through a lot of drawing books, and this is by far the best I've come across if you are interested in botanical drawing.
Great and Beautiful Manual!.......2006-05-12
It is a beautiful book with easy to follow instructions arranged in a very organized way to help a student progress step by step. The spiral binding inside the traditional binding cover also makes it really easy to actually use this manual. It stays open flat on your table for easy reference while not looking cheap when standing in a bookcase. This book is actually worth buying and keeping. Unlike a lot of others, it doesn't disappoint and is truly informative rather than just being another pretty flower book.
Lean to draw and paint botanicals with an expert.......2006-04-12
What a great book on botanical art and how to create it. The author gives you guidance in a variety of media. Well thoughtout demonstrations in all media covered. Nice illustrations. Purchased her DVD and it is just as wonderful.
Book Description
This is simply the best and most complete course in botanical illustration ever produced, with each chapter a perfectly constructed and self-contained class. Created in conjunction with the internationally renowned Eden Project—home of the only jungle in captivity—it’s put together by two leading figures in the Project’s famed art school, and uses many beautiful works from its students. Artists and plant lovers will find a wealth of practical information, with easy-to-follow exercises and case studies. The priceless advice encompasses everything from honing observational skills and plant dissection procedures to color mixing and applying watercolor. Adding highlights, producing a pleasing composition, and developing a personal style—all the building blocks for achieving excellence are here.
Customer Reviews:
Botanical illustration.......2007-05-12
This is an in depth clear book about the process of botanical illustration. Well written and great pictures. Recommend highly!
Customer Reviews:
How to Draw and Paint Fairies: From Finding Inspiration to Capturing Diaphanous Detail, a Step-by-Step Guide to Fairy Art.......2007-09-27
I haven't had time to actually sit down and try painting, but the book was beautiful and I enjoyed looking through it. It was fun to let my imagination dream a little.
you can teach an old dog..........2007-03-18
...a new trick or two. i got more out of this book than just fairies...tips for the cobweb filled artist! trying to find the time and get back into my passion for art, i believe this book has done it! peace, angie
How To Draw Faeries.......2007-03-13
I think this book is fabulous. It helped tremendously. I like that the book explains the different mediums to use.
One Of The BEST Books On The Market For Learning Fairy Art!!!.......2007-03-01
The detail in this book is absolutely AMAZING!
This book is NOT for the complete beginner.
I would classify this book as being for the more advanced artist.
Explanations are clearly given in great detail.
I actually purchased this book for myself then GOT a SECOND copy from a friend of my mine who KNOWS just how intricately I draw fairies.
She didn't think I had the book yet so she sent it to me!
Definitely one of the all time BEST books ever made on designing fairies.
You will NOT BE DISAPPOINTED!
How to Draw and Paint Fairies.......2007-02-20
The book was beautifully illustrated and the several mediums explained in detail. The choices in designing a Fairie from the choices given of the faces and clothes were well detailed. I am enjoying trying new ideas and mediums.
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- Understanding Comics: The Invisible Art
- Verdura: The Life and Work of a Master Jeweler
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- What is WebSphere? Java, J2EE, Portal and Beyond! (Demystifying IBM's Middle Tier Technology, Vol. 1)
- Wolf Kahn Pastels
- Young Men and Fire
- Zen of Seeing: Seeing/Drawing as Meditation
- 9 Heads: A Guide to Drawing Fashion (3rd Edition)
- Acrylic Revolution: New Tricks & Techniques for Working With the World's Most Versatile Medium
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