Average customer rating:
|
The Literature of Music Bibliography
D. W. Krummel
Manufacturer: Fallen Leaf Press
ProductGroup: Book
Binding: Hardcover
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| Entertainment
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Literary Theory
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Music
| Bibliographies & Indexes
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ASIN: 0914913212 |
Book Description
In tracing the history of writings on music printing and publishing, this book discusses the theory of music bibliography. It examines such major topics as historical surveys of music printing and musical commerce and property; and surveys specific subjects ranging from type-specimen books to patent registrations, from the history of music libraries to bibliophilic editions.
Book Description
The Fifteenth Edition is available in book form, on CD-ROM for Windows, and as a subscription Web
site. The same content from The Chicago Manual of Style is in all three versions.
In the 1890s, a proofreader at the University of Chicago Press prepared a single sheet of typographic fundamentals intended as a guide for the University community. That sheet grew into a pamphlet, and the pamphlet grew into a book—the first edition of the Manual of Style, published in 1906. Now in its fifteenth edition, The Chicago Manual of Style—the essential reference for authors, editors, proofreaders, indexers, copywriters, designers, and publishers in any field—is more comprehensive and easier to use than ever before.
Those who work with words know how dramatically publishing has changed in the past decade, with technology now informing and influencing every stage of the writing and publishing process. In creating the fifteenth edition of the Manual, Chicago's renowned editorial staff drew on direct experience of these changes, as well as on the recommendations of the Manual's first advisory board, composed of a distinguished group of scholars, authors, and professionals from a wide range of publishing and business environments.
Every aspect of coverage has been examined and brought up to date—from publishing formats to editorial style and method, from documentation of electronic sources to book design and production, and everything in between. In addition to books, the Manual now also treats journals and electronic publications. All chapters are written for the electronic age, with advice on how to prepare and edit manuscripts online, handle copyright and permissions issues raised by technology, use new methods of preparing mathematical copy, and cite electronic and online sources.
A new chapter covers American English grammar and usage, outlining the grammatical structure of English, showing how to put words and phrases together to achieve clarity, and identifying common errors. The two chapters on documentation have been reorganized and updated: the first now describes the two main systems preferred by Chicago, and the second discusses specific elements and subject matter, with examples of both systems. Coverage of design and manufacturing has been streamlined to reflect what writers and editors need to know about current procedures. And, to make it easier to search for information, each numbered paragraph throughout the Manual is now introduced by a descriptive heading.
Clear, concise, and replete with commonsense advice, The Chicago Manual of Style, fifteenth edition, offers the wisdom of a hundred years of editorial practice while including a wealth of new topics and updated perspectives. For anyone who works with words, whether on a page or computer screen, this continues to be the one reference book you simply must have.
What's new in the Fifteenth Edition:
* Updated material throughout to reflect current style, technology, and professional practice
* Scope expanded to include journals and electronic publications
* Comprehensive new chapter on American English grammar and usage by Bryan A. Garner (author of A Dictionary of Modern American Usage)
* Updated and rewritten chapter on preparing mathematical copy
* Reorganized and updated chapters on documentation, including guidance on citing electronic sources
* Streamlined coverage of current design and production processes, with a glossary of key terms
* Descriptive headings on all numbered paragraphs for ease of reference
* New diagrams of the editing and production processes for both books and journals, keyed to chapter discussions
* New, expanded Web site with special tools and features for Manual users. Sign up at
www.chicagomanualofstyle.orgFor information and special discounts on future electronic Manual of Style products.
Customer Reviews:
Everything!.......2007-09-02
For a writer, the Chicago Manual of Style answers every question about writing and publishing you may have and many more that you haven't thought of. I look up one item and continue reading. Great resource for writers.
Absolutely necessary for a writer or editor.......2007-08-23
The Chicago Manual of Style is a basic requirement for reference when editing for any academic press or dealing with works that require adherence to scholarly formats. There are a few instances where the Manual ducks responsibility and leaves matters up to individual authors and editors, but overall it gives succinct guidelines that make sense. Used in tandem with the online Chicago Manual it helps immensely in dealing with thorny issues of syntax and style.
a must need.......2007-08-17
This is a must need for those that are wanting to be authors.
Save time and editing by doing it right first.
Ernie P Moose.......2007-08-13
Still the standard for editors and copy editors. The 15th edition is much more geared than previous editions for those working on a computer and doing research on the internet. However, do not throw away your copy of the 14th edition, for to make room for new material in the 15th edition much of the detailed advice on punctuation and and usage in the 14th edition has been omitted from the 15th edition.
A must for every bookshelf.......2007-08-09
This book tells you everything you need to know to properly edit a written piece. It also explains the process of publishing, parts of a book, and gives tips to every person involved in the publishing process (author, editor, typesetter, publisher, etc.). The more recent editions (15 and up) give additional information about publishing in electronic formats (e-book, print-on-demand, and web publishing). A must for every bookshelf.
Book Description
So you have a great concept and all the fancy digital tools you could possibly require—what's stopping you from creating beautiful pages? Namely the training to pull all of these elements together into a cohesive design that effectively communicates your message. Not to worry: This book is the one place you can turn to find quick, non-intimidating, excellent design help. In
The Non-Designer's Design Book, 2nd Edition, best-selling author
Robin Williams turns her attention to the basic principles of good design and typography. All you have to do is follow her clearly explained concepts, and you'll begin producing more sophisticated, professional, and interesting pages immediately. Humor-infused, jargon-free prose interspersed with design exercises, quizzes, illustrations, and dozens of examples make learning a snap—which is just what audiences have come to expect from this best-selling author.
Customer Reviews:
Design demystified.......2007-09-16
Writers who want to improve the look of whatever they write will find some excellent information here. This book will also suit anyone who wants to understand the basics of graphic design. Williams' engaging writing style makes this both an entertaining and useful read. Make sure you do the exercises and quizzes - they're fun and extremely helpful.
Worth the time to read!.......2007-07-17
This book is a quick and nice read. It really helps me have a better concept of the main ideas of graphic design. It is definitely a good investment to take the time to read it. Whether you are a beginning web-designer, or are involved in other types of graphic design, this book will certainly save you a lot of headaches in the future.
Opens a new world .......2007-07-16
I love this book! I've spent quite some time working on a new business card for myself using Williams' clear and basic instructions, and the process has been exciting and fun. I now have a business card that says much more about me and is light-years away from the standard format available at the do-it-yourself places.
If you can tell that your brochure/card/letterhead/flyer/poster looks terrible but have no idea why, do yourself a favor and buy this book.
Very informative........2007-06-25
My professor actually made us buy this book for our Intro. to Desktop Publishing course. I really like it. It has great design info for graphic designers and non-designers alike and has some humour thrown in there as well. I would highly recommend it.
Outstanding Resource.......2007-06-21
Robin Williams is great at creating books that are fantastic at helping jumpstart the creative processes. Beyond the helpful information found in the text, the samples of the work are inspiring. Whenever I have to come up with new ideas for logos etc. I thumb through Robin's books.
I also recommend them to clients to give them a better understanding of what makes for effective graphics and layout design.Equinomics: The Secrets to Making Money with Your Horse Business
Book Description
For designers working in every medium, layout is arguable the most basic, and most important, element. Effective layout is essential to communication and enables the end user to not only be drawn in with an innovative design but to digest information easily.
Making and Breaking the Grid is a comprehensive layout design workshop that assumes that in order to effectively break the rules of grid-based design, one must first understand those rules and see them applies to real-world projects.
Text reveals top designers' work in process and rationale. Projects with similar characteristics are linked through a simple notational system that encourages exploration and comparison of structure ideas. Also included are historical overviews that summarize the development of layout concepts, both grid-based and non-grid based, in modern design practice.
Customer Reviews:
Great book for designers.......2007-09-28
It has a lot of examples and explanations of grid and grid-related layouts.
A good reference guide for designers, whether they are students ore professionals.
essential structure.......2007-09-05
You may think this book is a little dry, but it is really essential to learn how to use and when you can violate the grid when creating layouts for print or web projects. A must have for any student in graphic design. Also try Kimberly Elam's "Grid Systems" book if you need additional resources.
The big book of clarity and chaos.......2007-07-21
What a strange publication. Divided into two sections the first explaining grid formatting with actual printed material and the second revealing how to design print without a grid.
There seems a contradiction here because the grid, used intelligently, will allow a whole range of graphic options to be presented with clarity. Some of the print examples reproduced in the first section do show this with perhaps the most useful item a grid thumbnail for each piece, unfortunately I thought it was rather too small on each spread despite being the key to explaining each format. From past experience, designing magazines, I would start work on a grid by concentrating on the text type size because it is the least flexible of all the elements on the page. This point really wasn't made enough of in the book's chapter: Grid Basics.
The reproductions show a reasonable range of design solutions, essentially print though there is an example of corporate signage. Missing are magazines (consumer or trade) timetables and the like. Without a grid this type of printed matter really wouldn't exist.
The book's contradiction, to my mind, start with the second section: 'Grid Deconstructions and Non-Grid-Based Design Projects'. The forty items shown seem to have a couple of common threads: their design is essentially arbitrary which makes them look very messy and frequently their typography (display and text) is used as a design element which makes the words unreadable. Their design is the opposite of grid stimulated creativity, in other words visual chaos.
Some of the examples are quite amazing. On page 180-181 twelve pages of a calendar are shown, totally useless as its impossible to see the days and dates. Pages 188-189 show eight spreads from a design school journal showing irregular shaped blocks of text creating a sort of collage. I doubt anyone made the effort to read any of it. What is interesting about this second section material is that so much of it comes from educational establishments. In the real world all this designer whimsy would be rejected by the client on sight of the first dummy
'Making and Breaking the Grid' is well printed with 175dpi and the layout is adequate and for a book about grids you would have thought its own grid would have been included but it is strangely missing. Overall I felt that because the contents present two opposite design ideals the book's editorial concept is rather flawed.
From my experience there is only one book that really explains it all: Muller-Brockmann's Grid Systems in Graphic Design published in Switzerland and full of good solid, practical, hands-on information. This book's only purpose is creative clarity.
***FOR AN INSIDE LOOK click 'customer images' under the cover.
good.......2007-06-23
I really enjoy this book, though it is not my absolute absolute favorite. It is still a good addition to any designer's collection and it is written by one of the most knowledgeable in grid design.
It is well-thought and very interesting. A bit unlike the other grid books - in a good way.
kukkimom.......2007-06-01
One of the best graphic design books for exploring the grid. Lots of photos with grid diagrams -- everything from print to web projects are featured.
Average customer rating:
- Great Reference for any Graphic Designer
- Finally! A replacement for the "Pocket Pal"
- for a beginner..
- The Book Should Be Renamed
- Forms, folds and sizes
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Forms, Folds, and Sizes: All the Details Graphic Designers Need to Know but Can Never Find
Poppy Evans
Manufacturer: Rockport Publishers
ProductGroup: Book
Binding: Paperback
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Similar Items:
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1,000 Graphic Elements: Details for Distinctive Designs
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1,000 Type Treatments: From Script to Serif, Letterforms Used to Perfection
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Making and Breaking the Grid: A Graphic Design Layout Workshop
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Getting It Printed: How to Work With Printers and Graphic Imaging Services to Assure Quality, Stay on Schedule and Control Costs (Getting It Printed) 4th Edition
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Thinking with Type: A Critical Guide for Designers, Writers, Editors, & Students (Design Briefs)
ASIN: 1592530540 |
Book Description
Forms, Folds & Sizes is the book that is always next to a designer's computer. Completely practical with only the most needed information, this book will provide designers with all the little details that can make or break a design such as how much space to leave in the gutter when designing barrel folds, how to layout a template for a box and the ratios of each part, metric conversion charts, standard envelope sizes in the USA, Europe, Canada and Asia, etc. This hardworking handbook is 2-color with a durable soft vinyl cover.
Customer Reviews:
Great Reference for any Graphic Designer.......2007-09-21
This book has some great resources for any graphic designer, whether you're needing to figure out the right CMYK mixture for a color, or the average envelope size.
Finally! A replacement for the "Pocket Pal".......2007-08-11
A great resource for all the little details you don't find in your design school text books. I've tossed my Pocket Pal and this is next to my copy of Bringhurst now.
for a beginner.........2007-08-04
i'm a big design book junky. i have shelves of them. so once you have all that.. you really don't need this one. it has little tidbits of design how-to's.
The Book Should Be Renamed.......2007-07-20
After reading the mixed reviews from ambiguous raves to detail specific criticisms, I checked out the book myself in a store.
The book isn't awful, but if you have a production department, it's probably better to ask them a question. The book doesn't outline anything that a production artist wouldn't know and that any competent graphic designer should know by heart.
Without any specific mechanicals or keylines, it'll give you an idea or suggestions for package design, but like a typographer doesn't need to get a book that just lists type samples of what they own (you can print samples out yourself with Fontbook or ask a freshman at any university to kidnap one from their Viscom dept.), a package designer should need such basic package design suggestions.
I was hoping for this to be a cheat-sheet kind of book much like the O'Reilly cookbook series might be, but it's the opposite.
An entire chapter devoted to how color prints! Great for a college freshman without access to a prepress class, but entirely asinine for someone who's done press checks. Your better off referencing Pantone's website or ordering yourself one of their color books since it'll be more accurate than a cheaply printed book like this.
It's actually really baffling that any creative person would rather reference an off the rack book that might suffer light or acid deterioration for CMYK swatches rather than Pantone Formula Guide Coated, unCoated, matte.
Yeah, this is a cheap concise reference, but you get what you pay for and this isn't an exception.
The book should be renamed to:
A Cheap Concise Production Reference for Short-cut Takers
Forms, folds and sizes.......2007-06-27
This is an awesome reference for all types of folds and designer packaging stuff. Excellent.
Average customer rating:
- Informative but too detailed for a quick read
- Rnalog layout reference
- Great resource for the working analog layout and design engineer.
- Highly recommended for all levels of analog IC designers
- Highly Recommended Book On Bipolar & CMOS
|
Art of Analog Layout, The (2nd Edition)
Alan Hastings
Manufacturer: Prentice Hall
ProductGroup: Book
Binding: Hardcover
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Similar Items:
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IC Mask Design: Essential Layout Techniques
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IC Layout Basics : A Practical Guide
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CMOS IC Layout : Concepts, Methodologies, and Tools (Newnes)
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CMOS Circuit Design, Layout, and Simulation, Second Edition
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Analysis and Design of Analog Integrated Circuits (4th Edition)
ASIN: 0131464108 |
Book Description
Verbal explanations are favored over mathematical formulas, graphs are kept to a minimum, and line drawings are used in this user-friendly book. Clear guidance and advice are provided for those professionals who lay out analog circuits.
Matching of resistors and capacitors: Includes causes of mismatch, particularly the hydrogen effect and package shift. MOS Transistors: Covers a brief history of floating gate devices, EPROM and EEPROM. Applications of MOS transistors: Expands information on failure mechanisms, including BVdss/Bvdii, SILC, NBTI/PTBI and GIDL and the difference between electrical and electrothermal SOA. Consideration of failure mechanisms as crucial to layout: Integrates further information into many chapters covering various devices. Standard bipolar, polygate CMOS and analog BiCMOS: Covers all three fundamental processes.
A valuable reference for professional layout designers.
Customer Reviews:
Informative but too detailed for a quick read.......2007-07-16
I had ordered the book on the basis of some good reviews on Amazon. The book is very informative and exhaustive especially the topics on Bipolar and BiCMOS circuits. However, the book is too detailed and can be overwhelming for a beginner. I just wish the author had cut down on the content.
Rnalog layout reference.......2007-06-27
A very good read and reference for anyone taking circuit designs from the simulation stage to physical layout. A more in-depth understanding of how devices work and the impact of layout techniques is provided. More than just a layout instruction book.
Great resource for the working analog layout and design engineer........2006-08-14
I read the pre-print while still in college and continued to use it as i've progressed in my career. This book is a great collection of analog layout techniques for the real world, no analog IC designer should be without it. I continue to refer to it as i design different kinds of circuits that require alternative layout techniques. Great book overall!
Highly recommended for all levels of analog IC designers.......2006-07-21
The most detailed book that I have come across, addressing issues and design practices in analog layout (CMOS and bipolar). It is a combination of extensive layout experience (reflected in easy-to-use thumb rules) and the technical reasoning/nuances leading up to layout decisions. Strongly recommended not only for those starting out with their first design, but also for those who think they have a "feel" of layout practices without really knowing why.
Other comments:
- Content and flow are easy to follow
- Intuitive description of issues
- Process related factors are broadly covered explaining the gist of the matter
- Extensive references for follow-up
Highly Recommended Book On Bipolar & CMOS.......2004-03-16
I own this book, as do several of my co-workers. At the time I purchased it, just after it became available, late 2002 if memory serves, I could find only a few books on the subject, including Dan Clein's 'CMOS IC Layout'. I was most happy with this book to teach analog layout techniques. I judged this book as the best, as it is more detailed, deeper, more technical, broader. (See my review of CMOS IC Layout for more comparisons.) There is a lot of bipolar, but even analog CMOS layout makes use of parasitic bipolar junction tranistors and parasitic field FETs that all high voltage analog mask designers need to deal with. Yes, it is arguably lite on ESD, and, as an experienced analog chip designer, I was sad that I could not find mention that CMOS FET and poly resistor matching is generally scaled by the square root of the area, and alot more engineering level detail could be included in that section. Still, this book is the best for analog layout techniques.
Average customer rating:
- Cutting Edge 8 Years Ago
- usefull but outdated
- All what you need to know
- It covers virtually every aspect of digital prepress process
|
Pocket Guide to Digital Prepress (Pocket Guide)
Frank Romano
Manufacturer: Cengage Delmar Learning
ProductGroup: Book
Binding: Paperback
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Similar Items:
-
Pocket Guide to Digital Printing (Pocket Guide Series)
-
Official Adobe Print Publishing Guide, Second Edition: The Essential Resource for Design, Production, and Prepress (2nd Edition) (Publishing Guide (AP))
-
Pocket Pal: The Handy Little Book of Graphic Arts Production
-
Forms, Folds, and Sizes: All the Details Graphic Designers Need to Know but Can Never Find
-
Graphics Master 8 - The workbook of Graphic Arts Reference Guides,
ASIN: 0827371985 |
Book Description
This book provides comprehensive, up-to-the-minute coverage of today's digital tools from scanners to sophisticated software for preparation of artwork to film and plates for printing. A broad overview of the reproduction process introduces the many other integral variables as they relate to production. Topics such as camera-ready and computer-ready art, pagination, color reproduction, hardware and software, press technology, work flow issues, output and service bureaus, on-demand technology and the latest applications of media technology are discussed and placed into this logical approach to prepress processes.
Customer Reviews:
Cutting Edge 8 Years Ago.......2004-08-20
Right on in 1996; eight years ago. But with technologies changing so rapidly, that's a long time without an update. I'd like to hear from Mr. Romano now. I'm receiving a certificate in digital prepress in December. It would be helpful to know where things are now in my chosen field of endeavor and where he thinks they are going.
usefull but outdated.......2003-04-29
expected:
an up to date explanation of the digital prepress process, tools and applications in simple terms.
got:
an outdate but thorough explanation of digital prepress written like a stereo manual. Alot of things were left unexplained and the writing was repetitive due to the "poket guide" style i suppose.
While i did learn some tips and got some detail (sometimes much more than i needed) the material is needs alot of updating. Some areas were better written and fully explained than others and the use of diagrams and tables was OK but they did not tie in well with the text..they would just appear.
One other BIG complaint is the horrible quality of the diagrams and the fact that they were all in black and white/greyscale. How can you try to explain color processing and printing using black and white diagrams?
Bottom line:
may make a good quick reference for older processes, but does not do a great job at emplaining some important stuff.
The author needs to update the material and GET COLOR into the book, even if it's just some pages with color plates. also he needs to use a better drawing program to illustrate points, b/c it looks like he used MS Word's drawing tools.
All what you need to know.......2002-06-09
I started a graphic design Department out of my love for design and printing, but I had no knowledge of the "REAL" Graphic Art Business until I read this Book. It has all the information you need starting from working your files on the computer, how to save them, problems encountered with saving files in the wrong format, as well as information on AM and FM screening, dot gain, banding, exposure,... and all the information one needs to know about the business and ART of Digital printing. If you are a biginner or a professional, this book will satisfy you since it has all the answers to your "UNASWERED" questions. It will guide you through all the process as well as the "SECRETS" of Prepress. This is a MUST READ AND HAVE BOOK.
It covers virtually every aspect of digital prepress process.......1999-02-18
A compact yet weighty volume covering virtually every aspect of the digital prepress process. The author provides an historical base for the latest technologies. This authoritative work, written by renowned expert Frank Romano, provides a clear and understandable treatment of the technology applied to each step in the prepress process.
Book Description
Approach page design in a revolutionary new way! Unlike other graphic design books, The Elements of Graphic Design reveals the secrets of successful graphic design from the unique perspective of the page's "white space." With the help of carefully selected examples from art, design, and architecture, the role of white space as a connection between page elements is thoroughly explored. Clear, insightful comments are presented in a dynamic page design, and interactive design elements, thought-provoking captions, and scores of illustrations challenge designers to "think out of the box." This unique resource is guaranteed to inspire more creative and thorough thinking.
Customer Reviews:
Visually confusing, the layout makes the content questionable........2007-08-12
The layout of this book is confusing and really, really bad. The content is repetitive and dull, and is very basic. I hope nobody learns to design like the author, his book is a trainwreck.
I like The Non Designer's Design Book for really basic stuff, and I am a huge fan of Designing With Type for typography.
Don't buy this book, it is dissapointing
Excellent resource.......2007-08-09
This book is invaluable for its information. If only one could memorize and master each and every page, one would never have a design problem again. Amazing and concise, the knowledge contained within this book is absolutely wonderful!
Mediocre.......2007-06-06
Add me to the chorus of naysayers. There are a few good concepts in here, buried in repetitive, obtuse writing and confusing (!) layout.
Some, even many, of the examples are good, but the book is too small in format to do them proper justice. I wouldn't be surprised if White designed the book for a larger size, but it got reduced to cut costs.
I'm a dabbler/hobbyist with a limited design bookshelf, but for what it's worth, I would suggest instead:
The Non-Designer's Design Book -- for a much clearer and more compelling introduction to graphic design basics for novices. Simple and informal, but way more memorable.
Logo Font & Lettering Bible: A Comprehensive Guide to the Design, Construction and Usage of Alphabets and Symbols -- colorful, packed with visual ideas, pure fun.
Thinking with Type: A Critical Guide for Designers, Writers, Editors, & Students (Design Briefs) -- much better written, more comprehensive, and better looking "serious" coverage of similar material.
Solid graphic arts reference, not overly trendy .......2007-06-06
Coming from a technical background (and not art school), I was looking for a solid graphic arts intro that had lots of examples. White gives lots of illustrations of the good, bad, and the ugly of graphic arts - as applied to both print and new media. He focuses on the use of white space as an integral part of the overall design; typography is covered in a comprehensible way as well.
A great reference I plan to keep and apply in the near future.
Great book.......2007-06-03
This is a great book that shows you the essentials of graphic design. There is a lot of information jam packed into this book. There is a nice section in the book that even explains typography. I have been doing a lot of logo competitions and after reading this book my average rating per logo that I design has gone up 1 point which is insane. I recommend this book to everyone!!!!
Book Description
Printing Technology takes readers on a journey from the beginnings of the graphic arts industry through today's cutting-edge digital technology. Now in its fifth edition, this popular book has been reorganized to provide readers with a firmer grasp of how digital printing technologies are revolutionizing the industry. Traditional analog printing methods are reviewed in the first six chapters, establishing the foundation from which readers will develop an understanding of the state-of-the-art technological infrastructure for digital publishing that supports today's new, digital workflow. Subsequent chapters lead readers through the complexities of digital data, digital prepress operations, printing techniques, and finishing options. Since technology has also impacted the way business is conducted today, this edition also features information on computer estimating and job tracking, plus use of the internet as a portal for connecting printing facilities with customers, vendors, and suppliers. Discussion of customer-defined quality management, including introductions to total quality management (TQM) and statistical process control (SPC) techniques, is also included in the final chapter to ensure long-term success in this highly technical, fast-changing, and increasingly competitive field.
Customer Reviews:
A Good Book Indeed.......2007-05-12
What really trilled me about this book is its dynamic nature. The authors of the book have consistently updated this book in line with technological advances in printing. I was impressed when I saw recent digital presses like Indigo and Xeikon. This book covers all aspects of printing, it give a sound historical perspective of each aspect. It is a good reference book for all printers, amateur or professional, it has good things in stock for all classes of printers.
Fantastic purchase!.......2006-03-10
I bought this text as a Valentine's Day gift for my boyfriend, who works in the printing industry and wanted to know more about processes but didn't have the time at work to learn "hands-on". He absolutely loves it! The narrative is technical without being confusing, and has just the right amount of graphics and images to get the point across. I think it would be an excellent reference as an introductory material (like for a person such as myself) or for the more knowledgable industry expert (like my boyfriend). I also appreciated that there have been multiple revisions and editions, which makes the content current and viable.
Review of Printing Technology 5E.......2005-08-22
This book is a well laid out, easy to read study of the Printing Industry with plenty of graphics to help visualise processes and machines. A definate recommendation to all those intending to follow the Printing Industry as a career.
A recommendation to the authors / publishers would be an easily accessable web site to help students and lecturers with lesson plans and other queries which might arise. The current web site is not user friendly as one would have hoped for.
I rate this book a solid 4 out of 5 stars.
Best wishes
Chris Lambert
It covers the lot........2005-04-28
I have bought a number of books on each of the topics of Typography, Printing, Prepress and other related areas. I have now lost count on the total number, but it is many, many dozen.
The cost? I fear to tally it up.
I could have saved all that time, money and effort.
I could have bought PRINTING TECHNOLOGY 5E.
If this book was twice the price, it would still be worth the money.
In 500 pages, it covers everything.
----------------------------------------------------
There a books that focus on one area or a number of areas, but I have not come across any that cover everything from original thought to final product. There are some that claim to, and indeed, I thought that some of those actually did.
However, after this book, I realize that none of the others have.
In many books you have to wade through the authors own personal references and experiences, bad jokes, margin notes, clever icons, philosophical quotes and other 'padding'. The book here is strictly to the point. It is well written, direct and economical. By economical, I mean that basically one page in this book is equal to one chapter in another.
The book is brief, but it is by no means a short book. It covers everything. By leaving out the nonsense, the author manages to fit in everything of relevance. This is 500 pages crammed with information.
I have read some good books on this subject, written by the very most prestigious and respected authors in the field. However, I will have to admit that this one is the best of the lot.
I thank the author for creating this work for my use.
Regards to you all
Karl Rasmussen
Sydney, Australia
Average customer rating:
- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
- History as Science Fiction
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History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
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ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
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