Average customer rating:
- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
- History as Science Fiction
|
History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
ProductGroup: Book
Binding: Paperback
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Similar Items:
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History: Fiction or Science? Chronology 2 (Chronology)
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History: Fiction or Science? Astronomical methods as applied to chronology. Ptolemy's Almagest. Chronology III
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They Cast No Shadows: A Collection of Essays on the Illuminati, Revisionist History, and Suppressed Technologies
ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Amazon.com
Jewel and Gem Goop. Make-it-Yourself Stickers. Tornado in a Bottle. Funny Putty. Fruity Lip Gloss. Magic Muck. Snow Globe. Scratch & Sniff Watercolors. Believe it or not, it's possible--easy, in fact!--to make every one of these "wacky, wild, and crazy concoctions" (and 57 more) using common household ingredients. John E. Thomas and Danita Pagel have pulled together the cream of the crop of potions, clays, and all-around weird swills for the pleasure of children and scientists of all ages. Why not introduce the very youngest artist of the house to the world of art with Puddin' Paint? Is there a geologist in the house? Make an Instant Volcano--begins with a fizz, then erupts in a bubbling flow of lava. Time for a bath? Try Bathtub Finger Paints--bathers and the tub will get clean at the same time! These truly amazing concoctions are not mess-free, but they guarantee hours of absorbed, lively, creative fun, and inspiration for a lifetime of imaginative endeavors. Brief scientific explanations would have been a welcome addition, but maybe young readers will be motivated to explore the chemical, physical, and geological origins of these experiments on their own. Adult supervision is recommended for all projects. (Ages 5 and older) --Emilie Coulter
Customer Reviews:
Recipes for fun.......2007-06-02
Kids don't care how much money you spend on stuff so don't! Use things in the house to create paints and toys. I also bought one for the playgroup teacher.
Seller ships promptly at holiday time!.......2007-01-11
This book arrived in time for Christmas gifting and was in excellent condition.
Fun Activities.......2007-01-10
I got this book for ideas to do with my 4 year old. The ones that we have tried are a lot of fun and easy to do. They are usually items that you would have in your household anyways or cheep enough to buy specifically for use with this book. Which makes it a bonus.
fabulous fun!.......2006-11-10
Fun and engaging activities for your children with little to no preparation. Hours of enjoyment!
The Ultimate Book of Kid Concoctions.......2006-11-03
The directions and illustration are easy to understand and follow. LOTS OF FUN!
Average customer rating:
- Great guide with one flaw
- A little heavy on the text, but a very thorough anatomy book.
- Last anatomy book you'll ever buy
- SUPERB ANATOMY BOOK
- talk talk
|
Human Anatomy for Artists: The Elements of Form
Eliot Goldfinger
Manufacturer: Oxford University Press, USA
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Binding: Hardcover
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Animal Anatomy for Artists: The Elements of Form
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Modelling and Sculpting the Human Figure
ASIN: 0195052064 |
Book Description
The power of the image of the nude--the expressivity of the flesh--has inspired artists from the beginning. An understanding of human form is essential for artists to be able to express themselves with the figure. Anatomy makes the figure. Human Anatomy for Artists: The Elements of Form is the definitive analytical work on the anatomy of the human figure. No longer will working artists have to search high and low to find the information they need. In this, the most up-to-date and fully illustrated guide available, Eliot Goldfinger--sculptor, illustrator, scientific model-maker, and lecturer on anatomy--presents a single, all-inclusive reference to human form, capturing everything artists need in one convenient volume. Five years in the making, and featuring hundreds of photos and illustrations, this guide offers more views of each bone and muscle than any other book ever published: every structure that creates or influences surface form is individually illustrated in clear, carefully lit photographs and meticulous drawings. Informed by the detailed study of both live models and cadavers, it includes numerous unique presentations of surface structures--such as fat pads, veins, and genitalia--and of some muscles never before photographed. In addition, numerous cross sections, made with reference to CT scans, magnetic resonance imaging, and cut cadavers, trace the forms of all body regions and individual muscles. Information on each structure is placed on facing pages for ease of reference, and the attractive two-color format uses red ink to direct readers rapidly to important points and areas. Finally, an invaluable chapter on the artistic development of basic forms shows in a series of sculptures the evolution of the figure, head, and hands from basic axes and volumes to more complex organic shapes. This feature helps place the details of anatomy within the overall context of the figure. Certain to become the standard reference in the field, Human Anatomy for Artists will be indispensable to artists and art students, as well as art historians. It will also be a useful aid for physical and dance therapists, athletes and their trainers, bodybuilders, and anyone concerned with the external form of the human body. With the renewed interest in figurative art today, this will be an especially welcome volume.
Customer Reviews:
Great guide with one flaw.......2007-07-11
I had this book recommended to me by a friend years ago when we were all trying to get into the comic book industry. I bought it and loved it. You can learn anything you want to know about how the musculature and skeleton are put together and how they work. Each different part of the anatomy is given almost too much attention. Each angle is given a photo of the body part, and drawings of the arm with muscles or just the skeleton.
The biggest problem is there isn't too much tying the parts together. You may get a very good idea how the arm works, where the muscles put to and from, how the skeleton moves when you move your arm, but you won't get much information on how the arm connects and moves with the rest of the body. Your aren't a collection of individual parts (2 arms, 2 legs, etc) but one unified body and all your parts move together. You need a good concept of that before this book will be used to its utmost.
A little heavy on the text, but a very thorough anatomy book........2007-07-03
This book covers from the skeletal system to muscles, from head to toe, very thoroughly. Pictures are nice and clear. All important muscles feature full explanation on its origin, insert, function etc in text, and frontal and side view as well as in context of the whole muscle group along with a photograph of the real body part flexing with the related muscles. I find this book a little heavy a the text part, but images and photographs make up for it and make this book the most complete, and thorough anatomy book.
Last anatomy book you'll ever buy.......2007-06-26
This book is the best anatomy book I have come upon. I purchased every book I could find on this subject until I found this one. I am a sculptor and painter so this book provides everything I need to understand all the surface structure of the human body. It explains origin and insertion of each muscle and their function. (important to know when deciding in a pose which muscles would be flexed and which would be relaxed) There are cross-section drawings of the muscles so that you can see the size comparison of muscles around them. There are photographs of the muscles flexed using a thin model, the surface can be distinguished. I have taught Artistic Anatomy and this is a the cherished book of many of my students.
SUPERB ANATOMY BOOK.......2007-05-20
This book is exactly what I was looking for in an anatomy reference book. The cross-sectional drawings are great to help visualize the muscle forms in different positions. Not only does it deliver on accuracy of the muscles but it also depicts how the muscles are placed on the human skeleton from different angles, this helps me to understand the "wedging" of the muscles. I've seen this same title in other book stores for the retail price and I must say AMAZON has a great price for this book.
talk talk .......2007-02-19
May as well buy a grays anatomy. Pictures minimal and loads and loads of words and more words.
Customer Reviews:
Astounding Diversity of the Art of Sculpting.......2005-12-20
The Sculpture Reference by Arthur Williams is a phenomenal achievement. An enjoyable and educational book that I find quite inspiring. Living, contemporary, working - sculptors; what an excellent set of criteria for the inclusion of the over 280 artist whose work is displayed in the over 1,100 color images within this hefty 512 page book.
The quality of the photography is excellent in every case. The alphabetical structure of the work lends a nice rhythm between materials, techniques and the results that can be achieved with them, in another words it is a good read for the serious sculptor.
The most impressive aspect is his selection of unique sculpts; the diversity of which is almost unbelievable. This handsome book already has a few scares from knocking around my studio. Almost every person that has opened it has ended up going from page one to the back cover one page at a time. Most of these people not sculptors mind you, just everyday Jane and Joes that are drawn in. I have many instructional videos and books on sculpting and sculpture, but this one book could replace half of them as an effective educational tool.
Book Description
A fascinating study of this amazing archaeological discovery.
Customer Reviews:
Modeling the Head in Clay, Bruno Lucchesi.......2007-07-16
A step by step tutorial showing how the artists creates the most life like head in clay. Another great sculpture technique book . Highly recommended.
modeling the head in clay.......2007-05-13
The artist hands block some of the view of the work that needs to done.
Faces of Clay.......2007-01-05
This book is the best instruction tool and reference for everyone wanting to learn to form a realistic bust in clay. I keep going back and further " seeing" forms I didnt recognise previously.Highly recommended for all sculptors.Thank goodness for Bruno!
Excellent!.......2006-12-28
I bought this book during some downtime after surgery and I was thoroughly impressed. My first project was a bust of my daughter and it turned out well enough that the neighborhood kids all wanted their own!
I've been sculpting ever since.
You won't believe how easy, how enjoyable and how little time it actually takes to create your own masterpiece!
Highly recommended.
IT COULD BE BETTER.......2006-09-10
Bruno Lucchesi's book is interesting though it could be better if it were in colored photos. I also wonder how he removes the newspaper inside after the sculpture is ready - he doesn't show. While making the hair, he doesn't claim the attention to the serious problems of the bubbles which can explode the piece... Despite all this, it's a good book.
Book Description
Whether you are experienced working with polymer clay or a novice, you'll love this new book from Dinko Tilov which takes you step by step through sculpting 10 all new projects, including a fairy tale cast of trolls, magicians, elves, knights, gnomes, wizards, a dragon and dragon baby, and a horse/giraffe, as well as fantasy holiday characters 'a glow in the dark skeleton, a Santa, an Easter bunny, and a silly guy holding a heart for Valentine's day.
Projects are designed for beginner, intermediate, and advanced clayers. As skill level and artistic ability increase, clayers can turn to the bonus tips the author provides that encourage creativity outside the basic project, such as how to transform a basic humanlike character into a magician or wizard by adding appropriate features and accessories.
Well-known polymer clay artist Dinko Tilov walks readers through each step and provides instructions for creating his renowned "Dinko" critters with their silly, cartoonish faces.
Customer Reviews:
A Polymer Clay Fantasy Figure Book.......2007-03-09
A cute book for anyone who likes to dabble in the fantasy world of polyamer clay.
Great step by step explanation.......2007-02-07
The characters in this book are somewhat goofy, however, the author provides excellent basics on armature building for creatures like horses and dragons. If you are looking for a lighter side to the fantasy world and would like to sculpt some fun creatures, this book is perfect. I think that kids will really love how achievable the sculptures in this book are for them.
One of the best art/craft technique books ever.......2006-12-04
Superb from start to finish. If you have any interest in sculpting fantastic creatures in polymer clay this is the best place to start bar none-- and it will take you far. I've done most of the projects in the book and am now very comfortable creating my own critters from scratch. The photos are fantastic with just the right amount of detail (no shots taken from halfway across the room!), the text is very clear (and funny!), and the book is simply a lot of fun overall. Can't recommend it highly enough for anyone interested in the subject.
Awsome Book.......2006-05-10
I love this book it is step by step. I made the first smiling chicken and he looked just like the pictures. Super book.
Gorgeous, but fantasy means trolls here.......2005-08-31
This book is gorgeous, with unique, detailed projects and explicit step-by-step directions. Just be forewaarned that it interprets fantasy to mean troll-like, so even Santa and the Easter bunny are trolls. I am therefore returning my copy, and just wanted to warn you what to expect. But it is an absolutely gorgeous, well-done book, and most people will love it.
Customer Reviews:
Wonderful how-to reference.......2006-11-10
I am an art student, and I bought Rubino's book before enrolling in a 3-D figure study class this semester. I have just worked through the instructions for modelling the basic portrait (i.e., not from life, which is the second part of the book). Following Rubino's instructions as exactly as I could, I was able to construct a pretty good likeness on the first try. This book is an extremely useful beginner's guide to portraiture, as long as you accept the fundamental idea that you have to measure carefully. And you really do have to, even though it seems boring and uncreative at first. Note that there is little reference to surface anatomy, just planes, at least in the first section. The basic model is the young white male with a completely neutral expression, which probably shouldn't surprise anyone. Another caution: inspect the illustrations as well as the written instructions, because important nuances show up there. But if you want to get started on the right track, and nail down the basics, I can't imagine a better book. For further study, I would look at Eliot Goldfinger's works on anatomy for artists, which are detailed and comprehensive.
THE PORTRAIT IN CLAY.......2006-08-23
Excellent tutorial on portrait work in clay modeling. This book takes the student, step by step through the process. Best book I've seen on the subject.
Truly Amazing.............2004-03-28
I have recently beagan to study sculpting more seriously and received this book as a gift. I improved tremendously with the help of this book. I'm not sure how best to communicate the message; but i must convey to you the importance of this book to anyone interested in sculpting. Does anyone know if a second series is planned?
A practical and detailed guide for all.......2003-08-05
My wife and I decided to study sculpting together and started with this book on a recomendation from an art professor friend who uses this book as part of his curriculum. We have had tremendous success...what we like is that no steps or details are skipped as with the one or two other books we tried, so we do not get discouraged along the way...Peter Rubino...keep our momentum going!
So you want to get started in clay portraiture?.......2001-08-29
Start with this book. I bought this book when I was halfway through a sculpture workshop at the Museum of Fine Arts, Boston. I learned so much from this book. Peter Rubino demonstrates two ways to "get started" and clearly shows techniques to help you figure out some of the tough parts of sculpting a head(like the eyes.) The photographs are clear and the text is direct. This is really a terrific book. If you are interested in getting started tn clay portraiture then buy this book. I'm sure you won't be disappointed.
Book Description
The immediate success of Lisa Pavelka's first book, Polymer Clay Extravaganza, demonstrates the unending enthusiasm crafters have for the beauty and versatility of polymer clay. In this new book, Lisa presents several new and exciting techniques for creating 20 simple gift items that are elegant works of art.
Inside, readers will find:
* Upscale gift items that are a both useful and attractive--including a miniature purse, a jewelry box, change caddy, clock, picture frame, wedding stemware, a beaded pendant and more.
* Polymer clay basics and step-by-step instructions for beginners, as well as new techniques and sophisticated designs that appeal to more experienced polymer clay artists.
* Detailed instructions for creating tortoise shell effects, rich enameled surfaces, the marbled look of mokume gane, foil resists, faux mother-of-pearl and the brilliant iridescence of dichroic glass.
* Further creative inspiration presented in an outstanding gallery of projects by other well-known polymer clay artists.
Customer Reviews:
interesting.......2007-06-13
I got this book from the library and I am not sure, if I am going to buy it. These project are not to my taste at all, but the author does show some interesting techniques that I was not familiar with. The faux tortoise shell pattern does not look like tortoise at all, but it is an interesting and attractive pattern that I would consider using for various projects. Her Mokume Gane construction is the simplest I have seen so far. The faux faberge pill box is one of her more attractive ideas and this is the first time I have seen embossing powder used as an enamel-like glaze. All in all, as with her other book "Polymer Clay Extravaganza", I was intrigued with the techniques, but not really interested in any of the the projects she presented. Some items were pretty good, just not my style - others were simply cheap and cheesy looking.
Great Book!!.......2005-12-04
If you're new to polymer clay, this book is a great way to begin learning more advanced techniques. The step-by-step instructions with pictures make "claying" easy. The photography is wonderful! I made presents for friends and they just LOVED them! Thanks, Lisa!! Keep 'em coming!!
Excellent Elegance.......2004-10-11
Lisa's new book is excellent, in my view. The instructions and photos for the upscale gifts are well laid out and easy to follow. She offers 20 projects from purses to watches to decorating ideas that are all new and fresh. It speaks to her diverse creativity which she so generously shares.
It is a book for both "newbies" and more experienced clayers. I highly recommend it.
New ways to use a great medium.......2004-10-05
Lisa shows how to take your clay to another level, using it on watches, clocks, purses and other items. Her instructions are clear, the photos show great detail and are very inspiring. I would definitely recommend this book for beginners and advanced clayers alike, as there are items for all levels.
Customer Reviews:
Lucchesi at his best........2006-12-19
How do you compliment a master? There is none except "thank you."
In a real sense Bruno is a man that should have been born in another time. His sensitivity to the human figure and his love for fired earth is the stuff of a true Renaissance man. He captures the imagination and brings life out of clay.
What is most inspiring aspect of this Italian born sculptor is love to teach and share his skills, tips and tricks with other aspiring sculptors around the world. Sculptors like me. No studio library is complete with out all of his books and tapes.
Bruno works with slabs of clay smashed on the floor and then quickly forms them into layers of mass that are shaped into the maquette. His attention to proportion makes him the artist that others have sought to imitate, and none can completely duplicate.
Terracotta.......2005-10-02
This is a super book, very informative and easy to follow. It answered many questions I had, and introduced many new (to me) ideas.
Inspirational. Witness a Master at work.......2003-03-07
The first time I browsed the book, I was blown away by the beauty of Bruno's work.
The second time, I was disappointed because of the limited explanation and technical descriptions.
But once I understood what this book was really about, I loved it.
It really is a documentary of Lucchesi at work. You can witness him working. The book is very visual.
You will not learn sculpturing, but you will get the chance to see an accomplished sculptor and his creation.
The book does not tell the why's, you can see the how's.
My copy is now really filthy, with stains of terracota all over it. I keep it by my working bench, and quite frequently, in the middle of my work, I open it to see how Bruno does it.
My recommendation is to buy this book in addition to "From Clay to Bronze " of Lagland.
Great Reference.......2001-10-27
I'm a student working in wax, but the most important concepts in this book are definitely cross media; it was a good buy. I mainly use the book as a reference tool and posing guide -- it is a great problem solver. There can't be many issues in posing or proportioning that a beginner won't find help for somewhere in this book. Ms. Malmstrom has such a talent for photographing sculpture that you almost feel like you have the actual piece in front of you. And Mr. Lucchesi's work... it's tough to imagine a day so bad that his sculpture can't make you feel more at peace.
Terracotta.......2000-06-09
I found this book to be a wonderful tool for the beginner or advanced sculptor. It leads you step by step and, as a 3rd-year sculptor, the techniques Lucchesi provides have greatly inspired and helped me improve my own techniques.
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