Book Description
Here's the first and only full-color book on the subject of "warm," or kiln-fired, glass in print. It provides a comprehensive look at one of the most popular skills for those working in the studio.
With lavish illustrations, and all the processes involved in kiln-firing explained, the versatility of the dazzling technique of warm glass comes into clear focus. From fusing and slumping to casting and pâte de verre, everything is covered--complete with a corresponding graph on the firing cycle and information on the various types of glass, their compatibility, and their behaviors during firing. Invaluable tips tell how to avoid unexpected and unwanted effects, and also how to create a range of different results and finishes. Close-up pictures show each step in the process being carried out, and breathtaking photos display an inspirational gallery of finished works that are richly colored and gracefully shaped. A brief historical overview of glassmaking provides useful background.
Customer Reviews:
Mixed blessing.......2007-09-08
Warm Glass: A Complete Guide is in many ways a really nice volume--it's beautifully illustrated with some of the nicest photography I've seen in a book on studio glass techniques. The sample projects are very attractive with a reasonable number of photos per project and there's a good background on the history of art glass that includes a lot of great photos.
However, the authors needed to do a bit more homework on the technical side. For example, they explain that glass is a liquid (most experts call it an amorphous solid) and I found some minor inaccuracies in their glass histories. Some of the calculations and schedules they publish are really based on a single type of glass and may not be suitable for all types of glass. They also provide some pretty precise times and temps for firing schedules which most likely won't work in all kilns and certainly won't work for every type of glass.
I doubt that anyone experienced at kilnforming would be misled, but the book is represented as "A Complete Guide," which might be misleading to beginners.
In their zeal to be complete, the authors cram a great deal--sandblasting, moldmaking, mold releases, frit-making, casting, several types of fusing--into a relatively short book. I think they do an excellent job at a high level, but the beginner (and maybe the intermediate kilnformer, too) could be left wondering how you get from step x to step z. They become vague in dangerous spots, as when they suggest using "a common cathedral glass" for a specific project and then publish a precise firing schedule. If you walk into any stained glass shop and ask for "a common cathedral glass" to use in a kilnforming project, well...you won't get very far.
And be warned: these projects take a reasonably elaborate setup with a fair amount of equipment and supplies. Everyone who does kilnformed glass knows it's not a cheap hobby, but it is possible to do simple glass projects without everything you'd need to buy to complete one of the projects in the book. A beginner might be wise to start with something more basic before making this kind of investment.
All in all, though, the book is a good addition to my library and I enjoy it. If you're kilnforming at an intermediate or better level, you'll be able to separate the wheat from the chaff and get good use out of this book. If you're a beginning kilnformer, make sure you have other resources--good classes, other books, expert kilnformers who are willing to advise--to supplement this book. Or start with something else.
Better than Most.......2007-09-07
This book is actually better than most glass books, giving information avbout fusing and casting that actually helps to fire correctly. It also has beautiful, if a bit dated, photos.
great knowledge book.......2007-08-23
This book like the other one I reviewed is good for the basic overview of the processes. I have yet to make any projects, once I do I will write more. BUT this is a good book to give you ideas and more insite of the processes.
A great book for the fused glass artist.......2007-05-18
I ordered this book and (the more expensive) "Contemporary warm glass" by Brad Walker and two "Fuse it" books by Petra Kaiser. I can say without hesitation that "Warm Glass" is the best of the bunch!
First off it is physically the nicest book, hard cover, great printing and lovely inspirational examples. Petra's book is good for anyone totally new to hot glass but I find her aesthetic is closer to "crafting" than fine art. Brad Walker's book is simply over priced!
"Warm Glass: A Complete Guide to Kiln-Forming Techniques: Fusing, Slumping, Casting" is inspiring and informative. The technical details are spot-on and the projects are much more "artful" than the other books.
If you are serious about fused glass I'd recommend getting this book. If you are starting out with no glass experience you may want to pickup a copy of Petra Kaiser's "Fuse it" book as well.
Any of these books will help the beginner get started, and that is truly the most important step! Petra Kaiser's books are aimed at the true beginner, while "Warm Glass" will appeal to the artist wanting more depth and breath.
There are so many variables when working with hot glass, no matter what book you get, as you master the medium and your equipment, you will no doubt make mistakes. This book will reassure you that mistakes and missteps are part of the process and happen to seasoned glass artist with decades of experience. I found it to be an inspirational guide to the possibilities of hot glass. It covers more detail and techniques than any of the other works I've mentioned here. It is a true value and worth having in your library.
Lots more info than a casual user needs.......2007-04-07
This book has a lot of the history of glass and the scientific properties, etc. These things interest me, but may not appeal to the casual viewer. Some interesting project ideas are presented, though they are not really my cup of tea. Some of the commentary presented seems a bit silly: they show a flat piece of float glass (window glass) before and after slumping and comment that "Note the transparency and shine that the thermoformed glass takes on through this process when it is finished" (after slumping). Well, it looks just like any piece of window glass! Just clear, smooth and shiny. No better or worse than it did in the original photo. Then there is a gallery of glass work...some with nice utilitarian names like "Bowl" or "Untitled" and some with trying-too-hard New Agey names like "Resounding Beyond II" (for a paperweight) and "Hoaxing" (for a series of 4 slumped square bowls). But that is certainly not the fault of the authors. My kiln is arriving next week and I'm looking forward to experimenting with this stuff!
Edited to say that some of the information is confusing. Having studied the types of firing schedules that Spectrum and Bullseye produce, I can't understand the charts in this book, which are written quite differently (and in Celsius, too). I wanted to make a drop-ring votive candleholder. There's a drop-ring vase project in this book. But they don't tell you any kind of guideline about how thick the glass must be to achieve the vase look (in case you don't want to exactly duplicate their project). I have had to look that info up elsewhere. I'd change this to 3 stars but I can't.
Average customer rating:
- Lives up to the hype
- Making Polymer Clay Beads
- Totally Awesome Book
- Just copies of real beads!!
- Making Polymer Clay Beads
|
Making Polymer Clay Beads: Step-by-Step Techniques for Creating Beautiful Ornamental Beads
Carol Blackburn
Manufacturer: Interweave Press
ProductGroup: Book
Binding: Paperback
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The Art of Polymer Clay Creative Surface Effects: Techniques and Projects Featuring Transfers, Stamps, Stencils, Inks, Paints, Mediums, and More
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Polymer Pizzazz: 27 Great Polymer Clay Jewelry Pro (Best of Bead & Button Magazine)
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Faux Surfaces in Polymer Clay: 30 Techniques & Projects That Imitate Stones, Metals, Wood & More
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The Art of Jewelry: Polymer Clay: Techniques, Projects, Inspiration (Lark Jewelry Book)
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Polymer Clay Creative Traditions: Techniques and Projects Inspired by the Fine and Decorative Arts
ASIN: 1596680199 |
Book Description
A comprehensive introduction to the materials, tools, equipment, and techniques used to make unique beads with a variety of shapes, colors, and finishes. The straightforward instructions discuss topics that include conditioning raw clay and making simple shapes; producing more complex shapes, such as rounds, canes, and spirals; decorating the beads with foils, powders, and milléfiori; and creating faux effects like ivory, bone, turquoise, marble, and silver. A gallery of beads by internationally renowned artists, hundreds of step-by-step photographs of new beads designed by the author, and a clay gauge that allows one to estimate how much clay is necessary to make a specific quantity of beads are included, making this a comprehensive guide that will provide inspiration, demonstrate the range of effects that can be achieved in polymer clay, and teach beaders how to incorporate these beads into jewelry designs.
Customer Reviews:
Lives up to the hype.......2007-10-01
I love this book!!! I'm relatively new to polymer clay and have much to learn. I'd purchased three other books before this one, and while they had some great inspiration, I found them lacking in the how-to's. This book came highly recommended, and I'd say that if you can buy only one book on polymer clay, get this one. The author goes over all the basics, including tools and additional materials, with very clear pictures and instructions. Many other books seem to make it all seem very easy, but leave out some steps not always obvious to the beginner. This book really covers all the steps. While this book is all about making beads, the techniques covered can be applied to all kinds of projects. 5 big stars!!!
Making Polymer Clay Beads.......2007-09-28
This is one of the finest "how-to" books that I have ever owned and/or read. The instructions are clear and self explanatory. The scope is broad and illuminating. The illustrations are so good they could almost stand alone. I highly reccommend this book to anyone interested in learning to make their own polymer clay beads.
Totally Awesome Book.......2007-09-04
Finally a book dedicated to nothing but making beads from Polymer Clay. The step by step instructions are so easy to follow and the examples are incredible. This is a must have book to any serious bead maker and jewelry maker alike.
Just copies of real beads!!.......2007-08-21
I bought this book and am sending it back today. If I wanted to make copies of real beads, I would just buy the real beads. You don't save anything with the time you invest and all the supplies you need. It would actually be cheaper to buy the real beads. The shoe beads that were advertised "as in the book", are not in the book. And neither is anything else of interst. Make your own designs and get a life.
Making Polymer Clay Beads.......2007-08-15
I enjoyed this book very much. It was very helpful in generating new creative ideas and a vast range of techniques. Wll be very informative to those just starting out and those of us who have been doing this for a while.
Customer Reviews:
Way Too Basic !!!.......2007-06-23
This book barely serves as an introduction to warm glass. I found it way too simple, shallow, and not worth more than $15. All the information in this book (and more) can be obtained from warm glass internet sites.
I read it in less than 2 hours and was left wanting more in-depth information on techniques, kilns, mold making, grinding, etc.
So Awesome - I want to buy a kiln!!.......2007-02-22
I love working in stained glass and glass beads. I thought, why not check into warm glass? Well the reviews I read on this book were good, and I thank the reviewers, because they were right. This is a really interesting book that covers everything I was looking for about warm glass. I really wanted to buy a kiln after reading through this book. Wow. Projects are simple, with some great examples by people who have mastered the skill. I still read through it over and over.
Contemporary Warm Glass: A Guide to Fusing, Slumping.......2006-11-06
This book is just great. It is extremely informative and really helps a beginner to understand everything about fusing and slumping. I love it.
No Regrets!.......2006-06-03
I am thrilled with this purchase. I have had this book for about a year now and can honestly say that my only problem with it is that the spine is wearing out from over use! It has been a valuable resource. Brad Walker is a great communicator and teacher. You will not have any regrets if you purchase this book either!
most used reference book.......2006-06-02
I used this book as my reference guide for every project during my first year of working with kiln formed glass. It is a wonderful tool, easy to understand for the beginner, chock full of valuable information, and I still refer to it as I tread into unfamiliar waters. I have many books, but this one is the visibly "used" one with the dog eared pages.
Average customer rating:
- A Compendium of Knowledge about Sol Gel Science
|
Sol-Gel Science: The Physics and Chemistry of Sol-Gel Processing
C. Jeffrey Brinker , and
George W. Scherer
Manufacturer: Academic Press
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Sol-Gel Materials: Chemistry and Applications (Advanced Chemistry Texts)
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Introduction to Sol--Gel Processing (The International Series in Sol-Gel Processing: Technology & Applications)
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The Chemistry of Silica: Solubility, Polymerization, Colloid and Surface Properties and Biochemistry of Silica
-
Nanochemistry: A Chemical Approach to Nanomaterials
ASIN: 0121349705 |
Book Description
Sol-Gel Science presents the physical and chemical principles of the sol-gel process at a level suitable for graduate students and practitioners in the field. This book defines sol-gel rather broadly as the preparation of ceramic materials by preparation of a sol, gelation of the sol, and removal of the solvent. The sol may be produced from inorganic or organic precursors (e.g., nitrates or alkoxides) and may consist of dense oxide particles of polymeric clusters. Brinker expands the definition of ceramics to include organically modified materials, often called ORMOSILs or CERAMERs. The emphasis of the author' treatment is on the science, rather than the technology, of sol-gel processing. Although a chapter on applications is included, more detailed discussion is available in proceedings of conferences and in the recent collection of articles, Sol-Gel Technology for thin films, Fibers, Preforms, Electronics, and Specialty Shapes (Noyes, Park Ridge, N.J., 1988), edited by professor Lisa Klein.
Customer Reviews:
A Compendium of Knowledge about Sol Gel Science.......2000-10-11
Perhaps it's trite to say this, but Brinker and Scherer's _Sol Gel Science_ is *the* indispensible desktop reference for the sol-gel chemist. Though now over a decade old, the topics covered (only a smattering of which are mentioned in the editorial review above) are so fundamental that it remains one of the most often cited sol-gel references, both in texts and refereed journal articles. The layout of the book takes the reader through the entire sol-gel formation process, from reaction to casting to drying, curing and other post-modificiations, with a chapter devoted to each step - permitting this book either to be read cover-to-cover (for the interested newcomer or as a text for a course in sol-gel science) or to be referenced as necessary by the more familiar reader.
C. Jeffrey Brinker, now affiliated with Sandia National Laboratories as well as the University of New Mexico, remains the preeminent researcher and one of the most-often cited authors in his field, continuing research on self-assembled nanostructures, porosity-tailored materials, organic-inorganic hybrids, and related topics.
George W. Scherer, professor in the Civil and Environmental Engineering Department of Princeton University, also maintains a professional involvement in sol-derived gels, glasses, and ceramics, among other areas of interest, and is the author of several patents, as well as innumerable scientific papers, in these fields.
Though more-recent texts may be more up-to-date in terms of research cited, especially areas pertinent to nanotechnology, this book's position as a compendium of knowledge in the field of sol-gel science has not diminished with age and is highly reccomended.
Customer Reviews:
Great book for beginners to experts!.......2005-11-03
This is a super set to learn from and refer back to! If you're a beginner - check it out! There's so much to learn from it!
must have for any lamp worker.......2005-08-04
this set is the best/ most information i have seen for learning to lampwork. packed with information it covers most techniques and even guides the beginner on how to set up a studio, great buy, worth every penny.
The best book in its class.......2003-12-30
If you could have only one book, it would be wise to consider this one. I have been in this industry many years and this is by far the best book I have seen out there.
It's Just OKAY!.......2003-12-24
To the naive public this book is great! Riddled with typos and inconsistant captions this book is not ideal for understanding formal flameworking. The book includes information about the masters and their techniques but trivializes their skill by including no-names and wanna-be's along side. A good amount of important technical information is provided, but through a string of often choppy inconsistant paragraph fragments. This is an excellent PICTURE BOOK leaving a lot to be desired from the academic artisan. Is a great reference for suppliers. In many cases the information falls short of being cohesive and understandable. Recommended for the glass-goer. Recommended for the amateur glassblower (for inspiration). Has popular appeal void of substance.
absolutely amazing.......2003-01-20
It should get more stars than five, the history of lampworking portion of the book is almost worth the price of the book itself.The history portion is only a small portion of the set. I have been doing lampworking for about 3 years now and I search the internet for anything reguarding lampworking often and this book set has tons of stuff I have never seen. excellent.
Book Description
A comprehensive and in-depth guide for amateur and professional ceramic tile setters. TILE YOUR WORLD takes the reader from the early history of the craft, all the way through to advanced residential tiling techniques. Projects range from kitchen and bathroom floors to custom tile shower installations. Kitchen counters and back splashes are also covered. TILE YOUR WORLD contains over 300 black and white photos and line drawings and 6 four-page color inserts. Eight appendices and a full index are included.
Customer Reviews:
A most.......2007-08-31
I rebuilt my bathroom and completely renovated the shower. This book was my bible. Of course I had other references and ideas to use, but pretty much kept to this book. I had it there by my side while constructing everything from the shower pan, shower walls and tiling it all. Sure I could have done it without this book and my wife would have made me hire a professional to redo my job.
Not to brag, but with the advice from this book people think that a professional DID remodel my bathroom. There is so much satisfaction in doing it yourself and to get a the results as good (and sometimes better) as a pro...
An excellent overview.......2007-06-22
John Bridge has put together an excellent reference for the experienced and novice tile setter alike, and if you're looking to learn the basics to put together a project for the first time, this book is a must read. John's light, conversational style makes the book a quick read, and as mentioned in another review, the online forum on the author's website is also an invaluable reference.
Highly recommended to those who need a to learn the ABCs of tile.
Tile Your World.......2007-05-13
I bought the bookas a gift for a friend who is quite interested in home renovation technique. She was thrilled by it and judging by her reaction, it must be an informative and well written book.
Everything you need to know!.......2007-02-13
This is the ultimate book for tile setters and for those who want to be tile setters. John focuse on all of the little things that the amateurs don't. focus on. The actual tiling itself is the last thing he focuse on. He will teach you the science of laying different types of tiles. You will learn everyting from floor deflection to room layout to determing the square footage and much more. I even learned of a new underlayment product made by Schluter that does not transfer cracks to the tiles due to structural movement and also a waterproofing membrane to use in shower tile installations! I have learned so much Thank you.
Great book for me - Novice/JOAT.......2007-02-06
We recently built our new home & I used this book & Setting Tile (Fine Homebuilding) to do all the tile work. One of our best & proudest features is the masterbath I built with lg garden tub and oversized corner dual head shower with dual niche all tiled together - We love it. I can't believe I was able to do it all with friends & family and alot of sweat/work.
Saved thousands over best few estimates. I see why the labor is so pricy now....
Recommend both books.
Book Description
In the hands of an expert ceramist, the once-simple cup can become an extraordinary work of art--as these 500 magnificent examples so beautifully prove. The exciting pieces come from an international array of artists, each with a unique perspective. The stylishly varied collection has a little bit of everything: the cups range from handbuilt to wheel-thrown, practical to sculptural, round to square. Benjamin Schulman's "Stacked Teacup Set" takes a strictly functional approach, while Heather O'Brien's "Dessert Cups on Stand" focuses on aesthetic form rather than usefulness. Annette Gates' "Espresso Shot Cups with Rubies" has a surface design of simple abstract lines and dots of glaze and jewels. Some are whimsical, others starkly conceptual. Every one is a treat for the eye.
Customer Reviews:
great idea book.......2007-01-09
I bought this for a pottery student of mine after she bought the teapot book. Both are great fodder for the potter's imagination, and for me, a wonderful set of examples that get me away from the idea that my own pottery has to be as "perfect" as a wedgwood teacup. The pitcher book will be the next to grace the shelves of my studio library.
Great for Potters and Art Lovers.......2006-12-19
We just opened the pottery area of our store this year. The learning curve is steep: setting up the studio, hiring teachers, choosing clay bodies and glazes, and wheels, repairing kilns and firing other peoples work! So, I have purchased a lot of pottery books recently! This one is very cool. It doesn't teach you how to make anything, but it is a great way to see a huge variety of possibilites. I just love looking through it. There are several cups in there that I want to try to build (when I get better skills). The Lark Ceramics books are excellent resource books-stock your library up with them. You won't be sorry.
500 Cups: Ceramic Explorations of Utility and Grace.......2006-03-23
It is a good reference book for the ceramic artist and collector. It provides wonderful pictures, inspiration, and ideas.
A formidable tour of the art of ceramic cup-making.......2006-02-18
Anyone who thinks there is very little difference between one cup and another would have that notion blown away by simply flipping open any page of this book. When the teacher of a local community college pottery course saw this book, she asked everyone in her classes to refer to it before beginning to design their next cup projects. It opened their minds to some of the infinite possibilities available to practitioners of the potter's craft.
Awesome!!!.......2006-01-16
Lark publishes fabulous books for ceramic lovers and this is no exception. The Cup book is the series' third in my personal library.
Average customer rating:
- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
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- History as Science Fiction
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History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
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Similar Items:
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History: Fiction or Science? Chronology 2 (Chronology)
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History: Fiction or Science? Astronomical methods as applied to chronology. Ptolemy's Almagest. Chronology III
-
Discovering the Mysteries of Ancient America: Lost History And Legends, Unearthed And Explored
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Before the Pharaohs: Egypt's Mysterious Prehistory
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They Cast No Shadows: A Collection of Essays on the Illuminati, Revisionist History, and Suppressed Technologies
ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Book Description
The first comprehensive how-to book on the topic! Contemporary ceramists have adapted traditional printmaking procedures to transfer images onto clay surfaces. And, with this thorough resource, anyone can take advantage of these techniques in their own home studio—even those with no printmaking background. The simple processes don’t require fancy equipment. Use silk-screen decals with light-sensitive emulsions to create a master image: then cover with glazes, and voilá! Use colored slips for unique monoprints. Work with stencils, relief blocks, or stamps, trying a variety of materials to mark the clay surface. Each method is carefully laid out in numerous photos, and shown on a finished piece. More than 100 images by leading contemporary artists showcase the techniques and provide a wealth of inspiration.
Customer Reviews:
Great handbook.......2007-08-09
I am a potter and I run a "paint your own pottery" studio. This book was just what I needed to ensure customer requests (as well as my own requirements) can be met as needed. Specifically I was interested in decal transfer to pottery, and the answer is complete in this book. I would recommend it to any potter or pyop studio owner. It's an invaluable resource.
good for beginners.......2007-07-31
This is a good book if your just starting to do image transfer with clay. It takes you trough step by step and has some great pictures If your like me any youve dont it for a while and are looking for something advanced dont bother with this book
Image Transfer on Clay by Paul Andrew Wandless.......2007-07-16
An excellent book, fun and exciting and easy to follow. A wonderful and enriching versatile process - with great photos and stimulating ideas.
Image Transfer on Clay.......2007-06-08
Looks like many processes will be fine to use on my clay but so far I haven't tried any specific ones.
Excellent reference on the subject.......2007-05-20
Very up-to-date information on a plethora of methods for image transfer on clay. Especially loved the section on laser printing on decals and can't wait to give it a try.
Average customer rating:
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Fracture Mechanics of Piezoelectric Materials (Advances in Damage Mechanics)
Qing-Hua Qin
Manufacturer: Computational Mechanics, Inc.
ProductGroup: Book
Binding: Hardcover
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ASIN: 1853128562 |
Book Description
A comprehensive treatment of crack problems arising in piezoelectric materials under coupled thermal, mechanical and electric loads, this volume summarizes the current state of practice and presents the most recent research outcomes. Emphasis is placed on fundamental concepts, the development of mathematical models and their computational approaches, while the mathematical models used are stated in a straightforward and self-contained manner to aid accessibility.
The book is a stimulating guide to a field that provides fascinating and technically important challenges to postgraduate students, research scientists and engineers.
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