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On Chinese Body Thinking: A Cultural Hermeneutic (Philosophy of History and Culture)
Kuang-Ming Wu
Manufacturer: Brill Academic Publishers
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ASIN: 9004101500 |
Book Description
This book uses Western philosophical tradition to make a case for a form of thinking properly associated with ancient China. The book's thesis is that Chinese thinking is concrete rather than formal and abstract, and this is gathered in a variety of ways under the symbol "body thinking". The root of the metaphor is that the human body has a kind of intelligence in its most basic functions. When hungry the body gets food and eats, when tired it sleeps, when amused it laughs. In free people these things happen instinctively but not automatically. The metaphor of body thinking is extended far beyond bodily functions in the ordinary sense to personal and communal life, to social functions and to cultivation of the arts of civilization. As the metaphor is extended, the way to stay concrete in thinking with subtlety becomes a kind of ironic play, a natural adeptness at saying things with silences. Play and indirection are the roads around formalism and abstraction. Western formal thinking, it is argued, can be sharpened by Chinese body thinking to exhibit spontaneity and to produce healthy human thought in a community of cultural variety.
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Chinese Women in the Imperial Past: New Perspectives (Sinica Leidensia, V. 44)
Manufacturer: Brill Academic Publishers
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ASIN: 9004110658 |
Book Description
Dense with winding paths, dominated by huge rock piles and buildings squeezed into small spaces, the characteristic Chinese garden is, for many foreigners, so unlike anything else as to be incomprehensible. Only on closer acquaintance does it offer up its mysteries; and such is the achievement of Maggie Keswick's celebrated classic that it affords us--adventurers, armchair travelers, and garden buffs alike--the intimate pleasures of the Chinese garden.
In these richly illustrated pages, Chinese gardens unfold as cosmic diagrams, revealing a profound and ancient view of the world and of humanity's place in it. First sensuous impressions give way to more cerebral delights, and forms conjure unending, increasingly esoteric and mystical layers of meaning for the initiate. Keswick conducts us through the art and architecture, the principles and techniques of Chinese gardens, showing us their long history as the background for a civilization--the settings for China's great poets and painters, the scenes of ribald parties and peaceful contemplation, political intrigues and family festivals.
Updated and expanded in this third edition, with an introduction by Alison Hardie, many new illustrations, and an updated list of gardens in China accessible to visitors, Keswick's engaging work remains unparalleled as an introduction to the Chinese garden.
Customer Reviews:
The right place to begin .......2007-01-13
I've been a garden designer in Portland Oregon for twenty years and have spent over a year in China visiting gardens . This book is a very good place to begin if you want to understand , on a basic level, Chinese gardens . It is however, not the place to stop if you really seek to understand them . To do that you have to try to understand the culture and times which produced them. Fruitful Sites by Craig Clunas is the best work which I have found so far as it analyzes the gardens at Suzhou over the course of several dynasties. Chinese Classical Gardens of Suzhou (Hardcover)
by Tun-Chen Liu, Joseph C. Wang is also a very good book . It is a critique of most of the principal gardens in Suzhou and it punctures the illusion the every Chinese garden is equally great and every feature wonderful. And if you are actually going to travel to China to see gardens you really should read both of Peter Valders books . They will help you understand Chinese plants and to find gardens in many Chinese cities. I don't always agree with Valder's assessments . He is quite restrained at times . And if you are planning to travel to Suzhou consider visiting Tongli as well. I also consider the gardens of The Slender West Lake in Yangzhou and other gardens there to be equal to many of the gardens in Suzhou. And if you are going to go to China I recommend you start reading The Orientalist online and purchase Beijing by Peter Neville Hadley so that you will not be shocked when you travel China . It is by no means an easy process if you want to travel beyond some air-con rip-off tour.
The Garden as the Source of History and Philosophy.......2005-04-27
While the attitudes and examples of Japanese gardens abound in books and in cities around the world, very little has been written or photographs of the unique concepts found in the Chinese gardens. Maggie Keswick repairs that paucity of information with this very beautifully designed, photographed and written monograph on the spirit of the subtle beauties that abound in the Chinese garden.
Keswick offers an in depth analysis of the history of gardens in China and even if the reader is not an avid horticulturist, just the amount of information about China alone is reason to read this book carefully. But in addition to the history and the architectural elements of these gardens here considered, there are many graceful photographs and accompanying illustrations that keep pace with the narrative while providing an encouragement to return to the book purely for the art of it.
Keswick has found the middle ground in creating a volume about the elements of the Chinese garden and a volume that stands strongly as simply an art book. Highly recommended for repeated readings. Grady Harp, April 05
It takes me back to my hometown.......2004-02-17
How great Chinese garden are!From north to south ,east to west,royal to normal,fancy to simple,you could see all of the best gardens in China.Especially two cities that must visit:Beijing,my hometown,and Suzhou,a wonderful small town built beside the river.The spirits of Chinese gardens were focused on how to combine nature and humanity together.The gardens in Suzhou absolutely rendered an ideal level without artificial fixing,you might called it "Eastern Venice".On the oher hand,Beijing seems much more luxurious since it used to be the capital of China for 5 dynasties.The best known garden named Summer Palace ,which settled in Western part of Beijing,belong to the royal family. A fire desaster ruined most valuable garden named Yuan Ming Yuan,if it still being there,Yuan Ming YUan might be the most gorgeous garden in the world.However we pitifully left a waste garden,morely a Country's shame.You luckily better read this book before you visit China.
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>is a helpful tourguide take you a preview.
Acutely Perceptive, Informative, Profound.......2003-05-05
A superb study that is as engrossing as it is elegantly written and lavishly illustrated, and a sensitive inquiry into the aesthetics, the history and the philosophy that underpin an ancient and majestic civilization's view of mankinds's place within the cosmos. Both unique and profound. An essential work.
Book Description
Winner of ForeWord Magazine's Architecture "Book of the Year" Award!
Exquisite examples of traditional dwellings are scattered throughout modern-day China. Chinese Houses focuses on 20 well-preserved traditional homes, presenting examples from a range of rural and metropolitan areas throughout China.
The photographs of each are accompanied by extensive background information and historical content. An introductory essay examines the different types of Chinese homes and provides an overview of the rich regional variety of Chinese dwelling forms. It also provides insights into little-known design concepts that emphasize the
flexibility, adaptability, and versatility of traditional building forms and the work of traditional craftsmen.
Richly illustrated with photographs, woodblock prints, historic images, and line drawings, Chinese Houses portrays an architectural tradition of amazing range and resilience.
Customer Reviews:
Thorough and fascinating.......2007-07-19
The amount of detail and research that's in this book is astounding. This is not another coffee table picture book. Its filled with beautiful pictures, and an equal amount of readable, scholarly writing about a culture thats slowly getting lost to the west.
Get it!
Excellent Book.......2007-06-11
This book exceeded my expectations. It has informative text and abundant photographs including many vintage images. For anyone interested in Chinese architecture, this is the book for you.
A strong in-depth history of Chinese home architecture .......2005-10-12
China has seen many social, political and economic changes over the centuries, yet surprisingly, has managed to preserve excellent examples of changing architectural home styles throughout these years, as Chinese Houses: The Architectural Heritage Of A Nation presents. Packed with color photos of both interior and exterior décor, Chinese Houses also presents an in-depth survey of the rituals, culture, ornamentation influences, and floor plans of homes across China, from urban to rural dwellings. If it's a strong in-depth history of Chinese home architecture which is desired, look no further than the gorgeous Chinese Houses: it's much more than the coffee table picturebook it appears a first glance.
Book Description
Striking compendium of Chinese art and design culled directly from rare sources: animals, birds, fish, abstracts, patterns — full-color and black-and-white — in a remarkable diversity of styles, elegantly simple to intricately complex. 200 full-color and black-and-white illustrations.
Book Description
This visually stunning book focuses on the rebirth of Chinese art in the twentieth century under the influence of Western art and culture. Michael Sullivan, recognized throughout the world as a leading scholar of Chinese art, vividly documents the conflicting pulls of traditional and Western values on Chinese art and provides 364 illustrations, in color and black-and-white, to show the great range of artistic expression and the historical processes that occurred within various movements. A substantial biographical index of twentieth-century Chinese artists is a valuable addition to the text.
Sullivan discusses artists and their work against China's background of oppression and relaxation, despair and hope. He expertly conveys the diverse and at times bizarre intertwining of Chinese cultural history and art during this century. Included are the intense debates between traditionalists and reformers, the creation of the first art schools, and the birth of the idea--shocking in ethnocentric China--that art is a world language that obliterates all frontiers. The scholarly traditions of classical Chinese painting, the belated discovery of Western modernism, the artistic upheaval under Communism, and China's rethinking of the very nature of art all have a place in Sullivan's fascinating history.
Michael Sullivan has known many of the major figures in China's modern art movement of the 1930s and 1940s and has also gained the confidence of younger artists who rose to prominence following the 1979 "Peking Spring." This long-awaited book--richly documented and abundantly illustrated--is a capstone to Sullivan's work and will be enthusiastically welcomed by art lovers everywhere.
Book Description
Lucid, authoritative, written with verve by two respected American scholars, this generously illustrated work provides an introduction to more than 7,000 years of Chinese art—from the pottery-making and jade-carving cultures of the Neolithic Age to contemporary Chinese artists working in video,installation, and performance media.
By placing the arts in context—in active engagement with societies, economies, and wider fields of culture—the authors of this much-needed general survey introduce a dynamic and continually evolving tradition rather than a sequence of isolated museum masterpieces. Although the story of Chinese art unfolds chronologically, the authors introduce relevant themes for each era that will deepen the reader's understanding of and appreciation for what they describe as arguably “the most abundantly productive, continuous artistic culture in the history of the world.”
Customer Reviews:
A great survey on Chinese art!.......2002-03-06
This is a great book for a serious survey of Chinese art and also for common readers interested in Chinese art and culture. The first six chapters by Robert Thorp deal with the period between the Neolithic and the Tang, and the rest of four chapters by Richard Vinograd cover from the Song to the 20th century. Both scholars offer succint yet comprehensive historical and cultural backgrounds, and also the images are discussed in terms of important concepts and themes in Chinese art, rather than traditional categories of architecture, sculpture, painting, and decorative arts. This approach works effectively in avoiding any imposition of the art historical concepts derived from European tradition, and also enable readers to be fully engaged in the subject. When comparing with other survey books on Chinese art, it takes a middle path between the traditional style of _Arts of China_ by Michael Sullivan and an intense and provoking style of _Art in China_ by Craig Clunas.
Customer Reviews:
The silk road revealed.......2007-01-27
Hopkrik takes a break for his usual Great Game stories to explore the Central Asian deserts that have long been forgotten. This book includes a brief introduction to the Silk Road and China,s relations with Barbarians. The bulk of the book is focused on the explorers who penetrated its mysteries and their tales. From Sven Hedin to Aurel Stien explorers were removing the treasures of this hidden landscape. These treasures unlocked
important history until the Chinese decided to prevent their history from being pilfered away to foreign museums. For those who are curious about archeology or just love Hopkrik this is a great book. It is not up to par with his usual stories that everyone would enjoy so read selectively.
Archeothefts in Central Asia.......2006-09-02
Foreign Devils on the Silk Road written in 1980 by the now best-selling author of The Great Game Peter Hopkirk can rightfully be annoverated among classics of archeological history such as Ceram's "Gods, Graves and Scholars". This concise but extremelly well detailed (journalistic cut is evident!) work through brief biographies and excerpts of long travels and explorations plunges us into archeological surveys carried out by Westeners in Central Asia Tarim basin from the 1890's to the 1930's. In that period archeologists and explorers were the heros of the day and names such as Sven Hedin, Aurel Stein, Paul Pelliot and Albert von le Coq were well known. After the closure of Chinese bounderies to foreigners in the 1930's these ante litteram Indiana Jones were forgotten and Serindian culture and Gandahara art only captured scholarly interest. Today all archeological digs in the Middle and Far East have been re-evalutated and Western and harbouring countries public opinion now believe great damage has been done to many historical sites expecially in those cases in which archeological artifacts have been subtracted and removed to Western Museums. All the tombraiders of this book behaved exactly this way even if the times and the habits of the period consented it. But ask a Chinese today....
However, if we suspend moral judgement the adventures and biographies described are incredibly entertaining. From their juvenile dreams, to their meticulous organization we follow the archeothieves through the magnificent and frightful landscapes of the Taklamakan Desert among buried towns and cave temples full of brillant frescos and ancient manuscripts. We meet sleaky forgers and bribable guardians of ancient libraries (Tun-huang manuscripts all come from here), while we face episodes of danger and heroism. I read the book in less than two days, I refreshed my shaky Central Asian culture, I remembered how much I loved Ceram's, Wooley's and Carter's books and I gave Harrison Ford's semblance to Sven Hedin! Enjoy it!
Yes Virginia, there really was an Indiana Jones.......2006-07-21
This book is about the first explorers and archaeologists to make it to the most remote parts of Central Asia, where, in areas like Taklamakan, once upon a time before climatic changes, prosperous Buddhist, Nestorian Christian, Chinese, Greek and Hindu civilizations thrived along the trade routes between Cathay and ancient Rome. Taklamakan was surrounded on three sides by vast mountain ranges almost twice as high as the European alps; on the last side was the vast Gobi desert. A hundred years ago, there were no roads, cars, airplanes, radios, or GPS and few water sources to make travel easier, but rather hostile natives, wolves, 130F heat, and -25F cold to make travel there even less inviting. It was so remote that its name in Turki means that "If you go in, you won't come out."
As the British approached Central Asia from India, and the Russians from the North, and rumors of lost civilizations, treasure palaces and pleasure domes made their way to Europe and Japan; intrepid adventurers explored - and carted off by camel caravan - the remains of these civilizations.
The explorers were larger than life: Sir Aurel Stein, an Anglo-Hungarian, Sven Hedin, a Swede, Albert von Le Coq, a German of Huguenot origin, Paul Pelliot a French philologist with a photographic memory, Count Otani, a Japanese Buddhist monk, close relative of the Emperor and probable spy, and Professor Langdon Warner of Harvard. Last but far from least, is a semi-literate tribesman whose endeavors as an artful forger in a Central Asian oasis made fools of Oxford's best philologists. All this makes for an incomparable read.
How often does one read of a British diplomat urging that crossing a 18,000 ft peak and a 3 mile glacier three times during a blizzard to save the life of a frost-bit fellow traveler he met on the way be recognized by making the hero a Knight of the Hospitaliers of Saint John of Jerusalem?
Hopkirk also questions and describes the ethics of removing these treasures from their Central Asian homes to store them in vaults in London, Berlin and elsewhere. Not without sympathy to both those who claim that the treasures should never have been removed, and to those who note that most of the treasures left behind were plundered or vandalized later on, he leaves the issue to his readers' judgment.
I heartily recommend this book.
A Good Book.......2006-03-08
In FOREIGN DEVILS ON THE SILK ROAD, Hopkirk recounts the travels of several explorers in Central Asia, their encounters and the artifacts they came away with. Hopkirk doesn't go into tremendous detail about each explorer or the region, which makes this a rather quick but still interesting read. The book, however, does serve as an excellent primer on the region.
There are a few other reviews which assert that the countries which explored the region should return to China the artifacts they removed, and that Hopkirk endorses the idea that, were it not for their removal, these items would have been destroyed.
Whatever your personal position on the return of these items, Hopkirk does not personally endorse the above statement in the book -- instead, he is merely quoting one of the explorers involved.
The Great Game.......2004-04-13
Mr. Hopkirk in all of his works is accurate, profound and should be mandatory reading for all Foreign Service personnel. Having done Central Asia, the book was the "bible" in knowing the intimate details needed to not only do business in the post-Soviet era, but just in being able to discuss and move within the people where many thousands could not even bring voice to such concepts in the old days, which today are only "chatted" about in remote areas. Hopkirk rips at the fabric of humanity in what the west thinks is proper and what is reality in an eastern environment with its many passionate, intelligent, warm, and emotionally infectious people. I have read all of Peter's works several times and I continue to do so. You just have to be there to know that Hopkirk hits the nerve. It's just too much!!
G. Jannotta
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Chinese Characters then and now (Edition Voldemeer)
Manufacturer: Springer
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ASIN: 3211227954 |
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For the first time, leading personalities such as Qi Gong, Yau Shing-Tung, Zhao Jiping, Chen Guying and Zhao Ping’an write together about one of the most important vehicles of their culture, Chinese characters. This carefully edited and well-designed volume offers both the Chinese and western reader a unique and thorough insight into the world of Chinese characters.
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- mapping of artists and art movements of first stage of Chinese modernism
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Art And Artists of Chinese Modern Painting: 1830-1949
Yuheng Bao ,
Mu Lin , and
Letitia Lane
Manufacturer: Edwin Mellen Press
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ASIN: 0773461167 |
Customer Reviews:
mapping of artists and art movements of first stage of Chinese modernism.......2006-04-02
Mu Lin is a professor of Chinese art and related subjects at China's Sichuan Normal University. the other two authors are associated with American universities. In these years when it was coming into contact with modernism, Chinese art ranged from paintings of flowers and other parts of nature in the traditional style of delicate colors and composition and artful brushwork, Buddhist subjects and themes, socialistic scenes of suffering and turmoil, to Cubist-like and other modernist styles. One sees that this was both a fertile and a formative period in Chinese art. Though it did not manifestly survive the Maoist years of enforced uniformity and cultural purges, this period is seen as a precursor and source for references and directions for Chinese art as it again takes a place among world art with China's growing economic strength, cultural influences (in cinema as well as art), and expanded, though yet tentative, freedoms. This is a work for a specialized interest in Chinese art, with its informative, but brief mention of numerous Chinese artists of the period and its 6-page bibliography containing many references which would not be found elsewhere. It's best looked at as a mapping out of the 60-year period rather than a full history or a critique of its art.
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