Book Description
Each week about fifty New Yorker cartoonists submit ten ideas, yielding five hundred cartoons for no more than twenty spots in the magazine. Arguably the most brilliant single-panel-gag cartoonists in the world create a bunch of cartoons every week that never see the light of day.
These rejects were piling up in the dusty corners of studios all over the country. Sam Gross, who has been contributing since 1962, has more than 12,000 rejected cartoons. (Seriously. He's been numbering every single cartoon he's ever submitted to The New Yorker since the very beginning.) Enter editor Matthew Diffee. He tapped his fellow cartoonists, asking them to rescue these hilarious lost gems. From the artists' stacks of all-time favorite rejects, Diffee handpicked the standouts -- the cream of the crap -- and created The Rejection Collection, a place where good ideas go when they die. Too risqué, silly, or weird for The New Yorker, the cartoons in this book offer something no other collection has: They have never been seen in print until now.
With a foreword by New Yorker cartoon editor Robert Mankoff that explains the sound judgment, respectability, and scruples not found anywhere in these pages, and handwritten questionnaires that introduce the quirky character of each artist, The Rejection Collection will appeal to fans of The New Yorker...and to anyone with a slightly sick sense of humor.
Customer Reviews:
Fabulous!.......2007-09-27
This book is a must have for those who love New Yorker cartoons. They are even more amusing than some cartoons that are published, however, they are definitely not appropriate for all magazine viewers!!!
Rejected With Good Reason.......2007-09-23
I'm a fan of New Yorker cartoons and would be the first to congratulate the editorial staff on the fine job it's done these eighty years in discovering new talent, employing recognized masters like Charles Addams and Peter Arno, and knowing which cartoons fit the style and tone of the celebrated publication. The editors were wise to give most of the cartoons here in The Rejection Collection a big thumbs down. Sure, there are some concepts in this collection I liked and was surprised they weren't included in the magazine (Pat Byrnes' material most of all, the Marchetto quip on page 95, which was hilarious, and the Tom Cheney illustration on page 114, too) but mostly what's here is a gathering of gross, unfunny, perverse and mocking drawings that the readers of the New Yorker did fine without seeing at all. A much better collection would have dug into the vaults and let us see some rejected pieces that went back decades instead of just the 2000's. I understand a second volume of rejects is coming out this year and I hope it's not the letdown this one was.
You MUST have this book!.......2007-09-19
This is a hilarious and sometimes screamingly funny collection of cartoons that were deemed "too resque, silly, or weird" for publication. In other words, right up my alley.
As big as this volume is, it represents a small percentage of the thousands of brilliant items not fit for the New Yorker, and is absolutely over-the-top funny!
Not to be read in public..........2007-09-05
....unless you don't mind being seen cackling, gasping for breath with beer
running out of your nose.
You already know that these are cartoons by New Yorker cartoonists that were
rejected by that magazine. If you're a regular reader of the New Yorker, this book
will be a revelation: the difference between these cartoons and the ones that get
published is not just that these are much funnier. The difference lies in the
exuberance and boundary-pushing that's the hallmark or true art. Or at least
true cartoons. There's less of the insider-joke smarminess that congratulates you
for being hip enough to get what the joke is. Seeing what the magazine didn't
want to publish has diminished my respect for it just a bit. (I'm not cancelling my
subscription though.)
There's the cartoon of the couple sitting on a couch. Through the window, we see
the full moon. The man is visibly turning into a werewolf. The woman observes:
"You're lucky. I'm turning into my mother." Then there's the Roadkill Zoo and the
Santa with a craving for venison and the ventriloquist who getting drunk while
his dummy barfs and. . . . . . .
_Lynn Hoffman, author of bang BANG, which was rejected once or twice itself
A Funny Twist on the Usual New Yorker Cartoons.......2007-08-01
The New Yorker cartoons are always fun to read. This book of rejects contains many that can be categorized as "Things you think about but would never dare put on paper." They are laugh-out-loud funny. In addition to the rejected cartoons, each cartoonist was asked to complete a questionnaire, including his/her explanation of what an ink blob reminded him/her of. A most enjoyable read.
Book Description
It's so natural and easy, anyone can achieve elegant, legible handwriting.
Write more legibly…
These simple, slightly sloped letters were designed for both legibility and speed. Italic is a fast, efficient, and practical writing style that eliminates the loops and flourishes of conventional handwriting.
Italic handwriting is easy and natural…
Italic is a modern handwriting system based on l6th century letterforms that are highly suited to rapid and legible writing. Rhythmic patterns of sloped lines and elliptical shapes follow the natural movement of the hand. These handsome letterforms are as easy to write as they are to read.
Make a positive impression…
Your handwriting says a lot about you. Italic writing commands respect and makes a lasting statement about your style and competence.
Send handwritten notes you can be proud of…
Friends and business associates will appreciate receiving legible and distinctive handwritten messages.
No more hand cramps or broken pencil points… New in this completely handwritten, revised edition of Write Now, is an ergonomically efficient alternative pen hold, offering relief to those individuals who tend to grasp their writing instrument too tightly.
Quick and easy reference… New supplementary section with a complete review of basic and cursive italic and capitals.
This natural and easy handwriting style is a delight for both the writer and the reader.
Customer Reviews:
Not for us........2007-07-18
Deadly dull and uninspiring. I am not a fan of the italicized printing that is used and do not aspire to emulate their model. Am throwing this fish back in the water for a refund. How did it manage to get 4-5 stars????
Just enough substance, lots of overhead.......2007-07-10
This book claims to improve your handwriting by providing excercises. This is actually the case. After going through a number of excercises (tracing and reproducing basic shapes and letters), my writing seemed to improve. However, from the 96 pages in the book, only pages 14-50 contain the actual excersises, the bulk of the book is formed by how our script developed, too many pages highlighting improvements of other book users, how to address an envelope etc.
All in all I think the amount of actual info you need to improve handwriting is too small for the price of the book. For people interested in this subject, go to http://briem.ismennt.is/4/4.1.1a/4.1.1.1.quick.htm and find lots of excercises to learn write in Italic. Definitely more than you will get via this book, and its free!
Going to buy one for myself.......2007-06-27
I had a student who wanted to improve her handwriting, and after some hunting I settled on this. When I received it, I was really impressed. The book is clear and well organized. Anyone could improve their handwriting with this book. I am often complimented on my handwriting, but I have often been dissatisfied with it. Just looking over the instructions in this book helped me quite a bit. I am planning to pick up another copy to keep.
A Great Practical Guide to Improved Handwriting.......2007-05-27
After a two page preface, this book gets right down to business. There is a quick introduction to the terminology used in the book followed by 2 pages of advice on writing tools and how to sit, hold the pen, and position the page. That is followed by a half page on the six essential characteristics of handwriting: shape, stroke sequence, size, slope, spacing, and speed.
This is first and foremost a workbook. You see the letters, trace the letters, and then copy the letters. Then you progress to copying sentences and full paragraphs. There isn't much in the way of theory here. Getty and Dubay show you what to do and then you practice. Repeat the same process for cursive and finally for edged italic.
Interspersed throughout are interesting asides about the historical development of writing as well as tips for practicing your own.
The overall focus is on ease of writing and reading, not on your ability to copy exactly the letterforms they have written. They recognize and discuss differences in size, spacing, slope, and speed. It is, after all, _your_ handwriting.
The most useful pages for me have been the overview page and the blank practice pages. The overview page shows how to write every letter, both capital and lower case, both in printing and cursive, all on one page. It is the page I open to when practicing. The practice pages with dotted lines for height of capitals and length of descenders have helped me develop a consistent width and height. I photocopy 5 every week and then fill a maximum of one page per night. This spreads out my practice time so I don't get burned out or bored with it.
I've had the book for about a month now and the improvement has been dramatic despite dedicating only a few hours a week to it. Though my writing has always been legible, it was messy and inconsistent chicken scratch. No longer. It is now smooth and even; and the italic style really stands out in comparison to other people's handwriting. The better my writing gets, the more I want to write.
I am very satisfied with my purchase. Considering how much I will write over my lifetime, this book is a bargain. Thanks to Amazon for carrying it. Neither B&N nor Borders do.
Great book.......2007-03-23
This book is excellent. It re-teaches adults how to write legibly, just the way our teachers did when we were children. Numerous excercises and frequent practice will have your handwriting fixed in no-time!
Customer Reviews:
Helpful Resource.......2006-07-19
The book is a helpful resource, especially if you've used the QRI4, which was written by the authors of this text. Includes some useful charts, diagrams, and a booklist.
A must have for reading specialists!.......2005-09-11
This book is a great resource for specific strategies matched to your IRI results. It suggests practical strategies and intervention models to meet the needs of your struggling readers. Each chapter contains specific strategies for each component of an IRI. This is a great asset to include in your professional library for reading specialists and other professionals who administer IRIs and plan instruction based on those results.
Book Description
Ads in cyberspace: the best campaigns on the web today
This second installment in TASCHEN's advertising series joins Advertising Now! Print and the forthcoming Advertising Now! Films to provide a complete study of commercial communication in the world today. Divided into chapters by subject (from food and beverage to electronics, clothing, and more), this tome examines the most effective and important online ad campaigns by exploring the work of the globe's top award-winning agencies, including DM9, Tribal DDB, OgilvyOne, LOWE Tesch, and 2020 London. With each chapter containing an article from one of the agencies, you'll learn not only what the biggest campaigns are, but also what it takes to create them. From Nike to Coca Cola, FIFA, and the WWF, these are the ads that are defining the face of online advertising.
Book Description
Shibori is infinitely more than the tie-dye that became well known in the late 1960s. Shaped-resist dyeing techniques have been done for centuries in every corner of the world. Yet more than half of the known techniques-in which cloth is in some way tied, clamped, folded, or held back during
dyeing, to keep some areas from taking color - originated in Japan.
Shibori can be used not only to create patterns on cloth but to turn fabric from a two-dimensional into a three-dimensional object. The word is used here to refer to any process that leaves a "memory on cloth" -a permanent record, whether of patterning or texture, of the particular forms of resist
done. In addition to traditional methods it encompasses high-tech processes like heat-set on polyester (made famous by Issey Miyake's revolutionary pleated clothing), melt-off on metallic fabric, the fulling and felting that make it possible to turn all-natural fabrics into three-dimensional shapes,
weaving resist (in which, for instance, a warp thread can be pulled to gather the cloth to resist dye), and devoree, in which just one part of a mixed fabric is dissolved with chemicals.
Author Yoshiko Iwamoto Wada has been teaching shibori around the world for nearly thirty years, and helped to establish the World Shibori Network and the International Shibori Symposium. She coauthored in 1983 the authoritative Shibori: The Inventive Art of Japanese Shaped-Resist Dyeing, which in
turn inspired many artists to add shibori processes to their repertoire.
The range of vibrant modern art covered in Memory on Cloth is remarkable, and includes work by artists from Africa, South America, Europe, India, Japan, China, Korea, the United States, and Australia in more than 325 stunning photos and illustrations. It encompasses fabric design, wearable art and
fashion, and textile art or various sculptural forms. The work of more than seventy innovative designers including Issey Miyake, Yohji Yamamoto, Jurgen Lehl, Jun'ichi Arai, Helene Soubeyran, Genevieve Dion, Asha Sarabhai, Junco Sato Pollack, Ana Lisa Hedstrom, Marian Clayden, and Carter Smith is
presented, and each artist shares details on the processes that they themselves have created, making this an invaluable reference for artists in every field. A number of innovative artists who combine shibori techniques with knitting, weaving, or quilting are also included, suggesting new ways to
combine innovation with more traditional forms. A final section on modern techniques gives extremely detailed information, including dye recipes, on various high-tech processes and the particular methods that individual artists use to achieve certain effects.
As informative as it is inspirational, Memory on Cloth will take its place alongside Wada's earlier work, Shibori, as a definitive text that will help keep shaped-resist dyeing processes a vibrant and important form of modern art.
Features
* More than 325 stunning photos and illustrations
* Encompasses fabric design, wearable art and fashion, and textile art or various sculptural forms
* Covers more than seventy innovative designers
* Includes works by artists from Africa, South America, Europe, India, Japan, China, Korea, the United States, and Australia
* Each artist shares details on the processes that they themselves have created
Praise for Shibori (co-authored by Yoshiko Wada):
"In this age of hyperbole there is great risk in declaring a singular event. Nonetheless one has occurred with the long anticipated publication of Shibori: The Inventive Art of Japanese Shaped Resist Dyeing. Word of this book has long circulated in the inner and outer sanctums of the textile world
with excitement and expectation building. This combination of bilingual, scholarly, creative and resourceful authors has brought us a classic volume . . . A masterful blend of historical material that puts Japanese textiles in context, clearly described and illustrated techniques along with
information and illustrations of contemporary work from Japan and the West make this book an essential acquisition for anyone who proclaims a serious interest in textile dyeing, design, or historic textiles." ?Glen Kaufman, in Surface Design Journal
"Well researched, well written, well organized and well illustrated." ?Crafts Magazine
Customer Reviews:
Beautiful pictures, not for instructions.......2007-01-05
I was hoping for more instructions on how to create shibori pieces...this is not the book for that.
Wow!!.......2006-03-13
This is some book. This goes beyond your normal techniques. It was mindblowing with the endless possibilities for manipulation of all sorts of fabrics.
The best book that's been done about contemporary shibori.......2002-11-15
Shibori is the Japanese word for resist-dyeing. There are three shibori techniques: tie-dye (those Sixties hallucinoform tee-shirts); clamp-resist (being pressed between two boards or tied tightly around a pole), and wax-resist (batik). It is an extremely old technique, perhaps the first to impose upon cloth a pattern that wasn't woven there.
Fragments of shibori-like textiles found in Africa date from as far back as 700 BCE. Purely Japanese textiles date from the Yayoi period (200 BCE-250 ACE). Yayoi people wove garments on portable looms. The making of cloth depended not so much on the mass of the wearer's body as on how the movement of the wearer's body will determine what the loom must do. In Yayoi times weavers used portable loom that could be easily set up by tying one set of warp ends around the waist and the other to a tree. The weaver's body width fixed the width of the fabric. That most Yayoi textiles were about twelve inches wide says much about the size of the Yayois.
Japan did not embrace clothing as an expression of social delineation until the Asuka period (552-645), an era when Chinese crafts, and customs were eagerly imported. Over the centuries, surface designs became steadily more complex as garment silhouettes became steadily more simple. These tendencies merged into the kimono and have stayed there ever since. With the xenophobic policies of the Tokugawa Shogunate, all things foreign were shunned. The Japanese turned inward to their own tastes and aesthetics.
By the Edo period (1600-1868), complex layerings of color, patterns, and resist dyes all contributed to a great culmination of textile design. Into the canons of design came surface complexity ranging from colors so saturated they dazzle the eye to so subtle they are almost indistinguishable. Japanese textile art embraced a dozen or more dyeing techniques, embroidery and appliqué, painted pictures, hammered gold and silver patterns, calligraphy. Out of these chirped an aviary of decor-plum blossoms, pine boughs, flowers on trellises, rice sheaves, snowflakes, paired shells, swallowtail butterflies, quince flowers, waves, interlocked squares, medallions of chrysanthemum and wisteria and gentian, cranes, lightning, hemp leaves, scrolls of peony, woven circles, basket work, fish scales, mountains, clouds, flowing water, waves, checkerboards, circles.
In the wrong hands such a tumultuous vocabulary would end in chaos. But from the great costumes of the Noh to the hundreds of treatises on kimono design to be found in Japanese bookstores and libraries today, there always existed in the Japanese garment imagination a more fundamental quality: drama. It is no surprise to find that the garment's greatest period of elaboration came after it was adopted as the principle costume by groups of itinerant entertainers who evolved into the most enduring of Japanese theatrical styles, the Noh.
The Memory on Cloth story begins after World War II. Before the War, textiles and garments were major engines of Japan's economy-the equivalent of transistor products and autos today. The quaint, consuming, painstaking art of shibori was nearly extinct by the 1960s. Modernity-craving Japanese put their old kimonos into the tansu and bought Missoni and Prada and The Gap. Shibori's spiritual home, in Arimatsu and Narumi on Honshu island, was ignored even by the railways, which built no sidings there. Too few fabric dyers were left to fill a boxcar with goods.
But valiant was the tenacity of the industry. Arimatsu-Narumi's response was to invent. When the market for kimonos dwindled, they made neckties. Even so, by 1972, one of Japan's oldest industries had dwindled to two elderly practitioners. Then along came people like Yoshiko Iwamoto Wada, one of so many artists who bootstrapped ancient crafts out of extinction by globalizing them in the same positive way that world fusion music has globalized innumerable melody forms. Shibori was turned around. Today it is an internationally recognized art form.
It also can be a vibrant modern art form. Memory on Cloth features work by artists from Africa, South America, Europe, India, Japan, China, Korea, the USA, and Australia. It encompasses fabric design, wearable art and fashion, and textile art or various sculptural forms. Described are works by more than seventy innovative designers, including Issey Miyake, Yohji Yamamoto, Jurgen Lehl, Jun'ichi Arai, Helene Soubeyran, Genevieve Dion, Asha Sarabhai, Junco Sato Pollack, Ana Lisa Hedstrom, Marian Clayden, and Carter Smith. Each artist shares details on the processes they have created, making this an invaluable source of inspiration for artists in fields outside of textile design.
Japan never made a distinction between craft and art. Indeed, even in the West that demarcation arose only over the last few hundred years as a manifestation of the post-Renaissance preoccupation with individuality. In Japan the unity of art and craft was not because Japanese textile makers shunned egocentrism, but because of their tendency to focus on process more than product. The Japanese Zen garden of raked stones is Exhibit A in contemplative surrender to process.
Like so many arts that globalization salvaged at the edge of extinction, shibori inspired a modern revival laden with legend and freighted with technique. The progress of Japanese textiles is stuttery, sitting in place one moment, leaping forward the next, the artists either appropriating or inventing as chance comes calling. The result is a continually evolving collaboration between past and future. Today's mingling of synthetic and natural fibers, organics and metals, hand and machine, are in keeping with the try-anything heritage of the country's garments.
Yoshiko Wada is an endearingly good writer: lucid, logical, tight, to the point. She teaches shibori aesthetics and techniques in her home city of Berkeley, California, and around the world. Thanks to her, shibori was transported to Africa and inspired a vibrant local industry in Mali and other Sahel countries. Of her it can truly be said that the word `shibori' is now an international currency.
Book Description
Beginning drawing and writing lessons for children ages five to ten. The Boxed Set includes Books 1 through 8 of the Draw Write Now series. The books are simple enough for a young child to do independently, but a teacher or parent may present the lessons. Each drawing lesson includes a colorful picture and step-by-step instructions, while the writing lesson includes four simple handwritten sentences. The teacher or parent may introduce letter formation, have the children copy the sentences for handwriting practice, or use the lessons as a springboard for creative writing or report writing. Developed by an elementary school teacher and co-authored by her daughter.
Customer Reviews:
Great.......2007-03-17
This series is great! My kids absolutely love it. It can bring out the budding artist in all of us.
What a resource!.......2007-01-16
These books have been invaluable in my classroom. However, they can be used in ANY situation to learn how to draw. Easy, non-threatening and FUN!
Drawing helps writing practice more fun.......2006-10-03
These books are great. They have many thematic ties to our curriculum. I made them into centers by copying the book and gluing them to a colorful folder and laminating it. I put those in the writing center whenever we were focusing on a certain theme. A great resource for 1-3.
Improves handwriting and basic drawing skills! A++++.......2006-01-01
This is a wonderful set of books. We are using it as a handwriting practice program (for 1st & 2nd grade) rather than a drawing program, but I'm sure it has applications both ways.
My children typically dread handwriting, but they really enjoy this format - learning to draw something recognizable and then copying the 3-4 informative sentences that are provided. Copying the drawings helps them with following step-by-step directions as well as fine motor control. They are justifiably proud of their sketches and often add other fanciful elements to their drawings.
And they take great care in their writing, even though they have to translate the writing into the D'Nealian format. In their old handwriting sessions, the writing would start neat and quickly deteriorate by the end of the page, but using this program, the writing is beautiful from beginning to end. It is almost as if they want their writing to look nice because they are so proud of their drawings.
We did buy special writing paper (top half of the page is blank for the drawing, and the bottom half has lines for writing) from a local teacher supply store, and I have also seen similar paper at Office Depot, although the qualify of the teacher supply store paper was considerably better.
Can't Keep Them On the Shelves!.......2004-03-18
I am a teacher-librarian and I can't keep these drawing books on the shelves! I am always looking for drawing books and these are perfect for the primary and early elementary age group. The simple instructions and diagrams help the children to produce realistic drawings which are the starting point for a host of creative projects! I've noticed that the children are becoming more confident in their ability to draw and they are developing a LOVE of drawing. Tell me where to get more books like these!
Book Description
Almost everyone procrastinates. For some it causes problems and strains relationships at home and at work. For most people, though, procrastination is a frustrating or troublesome habit we would like to overcome. Rita Emmett will inspire you to get started. With humor and with advice drawn from her own triumph over procrastination and that of people she has met at her acclaimed seminars, she gives you proven tips and techniques for:
- identifying how and why you put things off
- motivating yourself to begin—and finish—unpleasant tasks
- organizing your time and efforts to achieve your goals
- developing strategies to move forward when stuck or reverting to old procrastination patterns
Filled with useful advice and real-life stories of people who have overcome procrastination, and written with a winning touch, The Procrastinator’s Handbook is as entertaining as it is helpful and rewarding. After reading it, you'll find that your self-esteem and your productivity grow.
Customer Reviews:
A quick read...if you dont put it off until later........2007-08-18
I started reading this book 4 months ago, but just finished it last week. For a book so small that doesn't say much.
This book delivers on humor and very practical advice, but for me it just seemed to say things I already knew such as keeping a to-do list that breaks major tasks into mini-tasks. To be fair, there was other advice, but nothing that just made me sit up and transform my behavior.
Having said that, I don't think it is a bad book and it wasn't unpleasant to read, but I really expected more. I chose a 3-star rating because while I felt better for a day or two after reading it, I didn't turn on that internal "switch".
Unfortunately I have not read some of the other popular titles, so I have nothing I can recommend in place of this book - please keep that in mind when reading this review.
Practical, easy tips for overcoming procrastination.......2007-01-12
There are a number of procrastination books on the market, but this is by far the best for its simple solutions and practical insights. Like other books on the subject, the author deals with the psychological aspects of procrastination, but unlike other books, she keeps it simple, using real-life stories and examples. Highly recommended. NOTE: THIS REVIEW WAS WRITTEN BY THE AUTHOR OF "NEVER BE LATE AGAIN, 7 CURES FOR THE PUNCTUALLY CHALLENGED."
Nice bathroom lecture.......2007-01-06
I enjoyed this book. Every time I had to go; I found in this book new reasons to start doing procrastinated tasks at home and in my job. Thank You Ritta !
It Hit the Nail on the Head.......2007-01-05
As a classic procrastinator and owner of my own business, I can say that Ms. Emmett's book was wonderfully accurate in assessing my weaknesses. Her methods for breaking the habit of procrastination are good ones which are easily applied. The fact that she offers several different methods make the trial and error process much less painful. I've applied her rules to my business and home life with success. I'm not cured altogether, but this book has me on the right track.
Part of the story.......2006-11-21
I mainly listened to the audio tapes of this book, although I also own the paperback. Emmett's book is helpful in a number of ways. She shows you many aspects of the mindset you will need to overcome procrastination. However, there came a point where this book could take me no further in my battle against procrastination. That's when I turned to the Wikipedia article on procrastination, and perhaps more importantly, the Wikibook on Overcoming Procrastination. Starting with those resources, I launched into my own trip of self-discovery which has led to a breakthrough in my procrastination. Eventually, you need to deeply understand who you are, your life up to this point, and why it is in your best interest not to procrastinate. Anyway, this is my experience.
Average customer rating:
- Very Good
- Outstanding Book.
- Good resource.
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Creative Advertising: Ideas and Techniques from the World's Best Campaigns
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Hoopla
ASIN: 3822840270 |
Book Description
Ideas that sell: today's most effective and original ads...
The world's sharpest creative minds are in high demand in the advertising world, because making effective ads takes a whole lot more than just marketing know-how. A great ad grabs the viewer's attention and gets the point across in an original, surprising, funny, touching, or even shocking way. Because ads reflect global and regional mentalities, studying them is interesting not only for their selling points but also for what they have to say about their clients and target audiences. This mega-roundup of the world's best contemporary advertisements highlights the work of designers in over 40 countries. Organized by subjects, such as socio-political, food and beverage, cars, technology, and media, the ads are dated and annotated with information on the design agencies, clients, and products. Also included are case studies illustrating, for example, how an ad campaign can be made on a small budget or how an advertisement can be adapted for different cultures. This guide is a must-have for advertising students and professionals, graphic designers, and anyone who's interested in the different ways products are advertised around the world.
Customer Reviews:
Very Good.......2007-08-27
I was interested for this book because of a friend. It is excellent, I recommends for everybody that likes advertising and needs references.
Outstanding Book........2007-07-28
This book has a nice review of the best ads of 2005/2006. I would recommend it for collectors. Very nice quality also on the cover.
Good resource........2007-05-09
I find this to be a very useful, thorough advertising design / marketing student's resource. As with most printed ads in award books or publications, you wish the images were a little larger but the ideas are there as well as the layouts. I'm still going through it with a fine tooth comb and am very happy with my investment.
Book Description
Due to popular demand, this extraordinary book project by Damien Hirst is now available in a reduced format. This dynamic and provocative collection of Hirst's ideas and obsessions is a powerful combination of text and visual elements. Each piece is set against a visual narrative of drawings, words, photography, typography, pop-ups, and other special effects that make this book like no other. An essay by cult novelist Gordon Burn looks at Hirst's work and the breadth of its impact. Designed by Jonathan Barnbrook, this is a landmark publication that has redefined the fine art monograph. AUTHOR BIO: Damien Hirst was born in Bristol and studied fine art at Goldsmiths College in London. In 1995, he won the prestigious Turner Prize. He has had recent solo exhibitions at the White Cube, London; the Marble Palace, Russia; Saatchi Gallery, London; Gagosian Gallery, New York; and Tate Gallery, London. Gordon Burn is an award-winning writer of both fiction and nonfiction. His book of interviews with Damien Hirst, On the Way to Work, was published in 2002.
Customer Reviews:
this book is a masterpiece by Hirst and Barnbrook.......2000-11-23
What a tour de force! This is one of the most beautifully designed books money can buy. Jonathan Barnbrook created (together with Damien Hirst) a timeless masterpiece of book design. If you want to see what is possible in this medium, you want to own this book. It is hauntingly beautiful, filled with amazing interactive pieces bringing you as close to Hirst's thinking and work as printed matter can get you.
What you are about to experience is a superbly intelligent visual introduction ot Hirst's process united with breathtaking depictions of the results.
A tiny note for the "practical book-user": This book is a work of Damien Hirst's. In such a publication one should not be surprised to find "safety guidlines" on how to successfully "deal with one's own life" - by using a gun. Gun owners might think twice before showing this book to their loved ones. Yet that's another story. Or maybe not, from Hirst's point of view? :*)
The Daring Realm of Damien Hirst.......2000-10-27
Damien Hirst is one of the most creative and influential contemporary artists. This is a wonderful book that examines the whole of Damien Hirst's career and all of his beautifully shcoking ideas. This book itself is an amazing work of art. It contains not only many wonderful full color panels, but it has all kinds of extremely interesting interactive pages that mimic some of Hirst's work. I highly suggest this wonderful book that does justice to this incredible artist.
Book Description
The most comprehensive survey of contemporary art photography on the market is now in paperback, and not a moment too soon. If photography helped shape art in the twentieth century, it has begun to dominate it in the twenty-first. Not only are major international museums and galleries devoting blockbuster exhibitions to the medium, but artist-photographers are being celebrated as contemporary masters, with their work commanding unprecedented prices. This essential survey presents the work of 76 of the most important and best-loved artist-photographers in the world today, including Andreas Gursky, Thomas Struth, Cindy Sherman, Jeff Wall, Sophie Calle, Wolfgang Tillmans, Nan Goldin, Martin Parr, Allan Sekula, Boris Mikhailov, Inez van Lamsweerde, Stephen Meisel, Philip-Lorca diCorcia and Sam Taylor-Wood. Introductions to each thematic section-City, Portrait, Document, Object, Landscape, Fashion and Narrative-offer words from the artists and valuable insights into their motivation, inspiration and intentions. An introduction to the volume as a whole sets out the historical relationship between art and photography from the early nineteenth century forward, and covers the art world's embrace of the medium in recent decades. Art Photography Now is a deep and visually striking guide to the essential aspects of contemporary photography.
Customer Reviews:
good text some good artists but..........2007-05-21
Very good Rhigting but only a few serious art photographers in this book all the others don't know anything about photography or art and the "visual" failure to pass the message of the concept they are dealing with at all!
There are a lot of much more better artists that deal with the same matters to choose from.
Is sade to see how the curators and academics that deal with art photography, follow the art dealers and PR people and they are failing on their mission and leading this wonderfull art of photography to pathetic places
one-sided view.......2006-06-21
to call this 'art photography now' is a bold move, and this collection is less a survey than an advertisement for a particular style of photography. the work doesn't vary much from artist to artist, and if you don't like color fictive constructions and digital manipulation then you probably won't like this book. as the trend of this type of large scale, color, set-up, advertising-influenced work fades, this book will seem a sad reminder of a rather lame period in photo history when the majority of galleries, critics, artists, and dealers joined forces to produce (like this title) little more than a shopping mall of trendy, elitist, high-priced commodity under the guise of art.
A trip to 80 (good) art galleries in a single book.......2006-05-08
It is difficult to find good contemporary photography overviews -- typically, you could go to galleries or museums for several years or buy a stack of art photography books and spend days going through them -- assuming you had a strong Art background. This book offers a nice alternative and it is one of the best overviews of contemporary fine art photography available.
Aperture, a respected photography publishing house, has beautifully produced this handsome book with 80 of what they consider to be the best living and working art photographers. The selection is broad, encompasses many areas and is well organized into 7 sections from Portrait to City. Several works from each artist are presented along with a short description of an artist's Work from a curator's perspective. Even more valuable are quotations from each artist describing their Work from their perspective. This alone makes the book worth owning.
Photographers you might know; Cindy Sherman, Thomas Ruff, Gregory Crewdson, Jeff Wall, Uta Barth, Joel Sternfeld, Thomas Demand and many others are alongside people you have probably never heard of but should get to know. The coverage of the cinematic, self exploration/psychological, conceptual and to some extent digital influences presented here should be thought provoking. Clearly, the "digitalness" of photography as a medium and all that implies -- interaction and collaboration, manipulation and realism, and authenticity and authority -- is growing in importance and will no doubt be better covered in the future as those artists emerge.
There are only two omissions that would have been interesting to see included; artists such as Gerhard Richter, best known for his painting and who uses photography extensively -- and some of the newest up and comers, like Idris Khan. To be fair, those areas are rich enough to support separate books and you should not let this keep you from buying this book. Overall, this is an excellent way to quickly learn about contemporary photography and you will not be disappointed.
one of the best contemporary photography books.......2006-02-13
i think this book is one of the best art books available on the market. Every section is divided by the artist and it's explained in a very complete way and very simple to understand at the same time...a real dilight to your mind and a strong pleasure to the eye!!!
rare example of contemporary photography book.......2006-02-13
it's not the first time for me to go throgh photograpy art books, and i have been into contemporary art and contemporary photography for many years. I can affirm that this book is one of the best and more interesting i have ever read... extremaly attractive and taken into great care!!!
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