Book Description
Often imitated, never duplicated.
-
New! Lay-flat binding makes coloring easier.
-
New! 8 plates have been added: Accessory Structures of the Skin, Temporomandibular Joint, Upper Limb: Shoulder (Glenohumeral) Joint, Upper Limb: Elbow Joints, Lower Limb: Male and female Pelves, Lower Limb: Sacroiliac and Hip Joints, Lower Limb: Knee Joints, Somatic Visceral Receptors.
-
New! 7 additional sections: Skeletal and Articular Systems, Skeletal Muscular System, Central Nervous System, Central Nervous System: Cavities and Coverings, Peripheral Nervous System, Autonomic Nervous System, Human Development.
For over 23 years, The Anatomy Coloring Book has been the leading human anatomy coloring book, offering concisely written text and precise, extraordinary hand-drawn figures. Organized according to body systems, each of the 170 plates featured in this book includes an ingenious color-key system anatomical terminology is linked to detail illustration of the structures of the body.
Wynn Kapit graduated in 1955 from the University of Miami, Florida with honors in Business Administration and Law. He then attended Art Center School in Los Angeles and worked in New York as a graphic designer and advertising art director from 1960-66. He moved to California to pursue a painting career and was given a one-man show at the Legion of Honor in San Francisco in 1968. He then attended the University of California at Berkeley and received a Masters in Painting and worked as a portraitist and teacher of figure drawing.
While taking a class in human anatomy at San Francisco City College, he discovered a way to effectively learn the subject by coloring in drawings, diagrams and names. The teacher of the course, Lawrence Elson, Ph.D. agreed to help him produce a coloring book. Elson wrote and Kapit designed and illustrated
The Anatomy Coloring Book, which was published in 1977 and has been a widely-translated bestseller ever since.
The Physiology Coloring Book was published in 1987, with the assistance of two professors from Berkeley: Robert Macey and Esmail Meisami.
The Geography Coloring Book was published in 1991; Kapit drew the maps and wrote the text.
The Anatomy Coloring Book was published in a second edition in 1993, and second editions of Geography and Physiology Coloring Books will be published in 1997.
Lawrence M. Elson received his undergraduate degree from the University of California, Berkeley in Zoology (Pre-Med), and completed his graduate and Ph.D. work in Human Anatomy also at the University of California, Berkeley. Elson has served as an instructor in human anatomy at the City College of San Francisco, an assistant professor of anatomy at Baylor College of Medicine, and as a lecturer at numerous additional universities and professional organizations.
Elson is the founder and president of Coloring Concepts, Inc. (CCI), producer and packager of college level, educational, scientific directed-coloring texts. He is the author/co-author of
the Anatomy Coloring Book, Human Brain Coloring Book, Zoology Coloring Book, and
Microbiology Coloring Book.
Presently, he is principally functioning as a clinical and forensic anatomist retained as a consultant to governments, provinces, insurance and other corporations, and law firms on causation of injury issues in cases in or anticipated to be involved in litigation.
Future plans include expanding CCI by developing new titles in the physical sciences and other education-related disciplines.
Customer Reviews:
Anatomy Coloring Book.......2007-09-17
This was a required book for my sons 11th grade anatomy class. This is most helpful to learn not only the bodyparts, but also the function and spelling of the terms. Highly recommended!!!!!!
Easy to learn from.......2007-09-12
This was a big help while I was in teacher training for Pilates. We have to know anatomy so this was a huge help, because anatomy books are very boring. This one was kind of fun.
GREAT book!.......2007-09-09
This was a GREAT purchase! I received it quickly and it was in top condition! Thank you very mcuh!
well worth the coloring.......2007-08-29
The Anatomy Coloring Book is very helpful in the learning process. Since this book is very detailed,students can more easily determine where our body parts are located.
Excellent Condition..........2007-08-23
I am a first time buyer and now im hooked. I am very pleased with the condition of the book and this is one of the books I needed to learn more about the body.
Amazon.com
Anatomy for the Artist is like having your own life-drawing studio in the privacy of your home. Carefully constructed photographs of the human form allow you to see the structure and function of the skeleton and main muscle groups. Six imaginative drawing lessons, each supported with photography, show how to portray the bones, head, rib cage, pelvis, hands, and feet in perspective, from different angles, both in still poses and in movement.
Book Description
In Anatomy for the Artist, acclaimed artist and teacher Sarah Simblet unveils the extraordinary construction of the human body, and celebrates its continual prominence in Western Art.
The transparent body. Using superb, specially commissioned photographs of male and female models, together with historical and contemporary works of art, and her own illustrations, Sarah shows us how to see inside the human frame, to map its muscle groups, skeletal strength, balance, poise, and grace. Selected drawing superimposed over photographs reveal fascinating relationships between external appearance and internal structure.
Drawing from life. Six drawing classes guide the reader to see the human body afresh, offering techniques and attitudes that imaginatively show how to view and draw the skeleton, head, ribcage, pelvis, hands, and feet.
Dissecting the Masters. By investigating ten Masterworks, the author demonstrates different artist's ideas and knowledge across time, ranging from Holbein's Christ Entombed, to Edward Hopper's Hotel Room. Each Masterclass presents a photographed model set in the same pose, so that anatomical comparisons can be made. Understanding anatomy is often the key to an artist's understanding and interpretation of the body. This imaginative modern reference book will enhance the drawing and painting techniques of artists at every level.
Customer Reviews:
An Excellent Reference for the Novice or Intermediate Artist.......2007-09-30
"Anatomy for the Artist" is an impressive reference guide for those artists looking for a helpful leap into the world of anatomy. This book is full of high-quality, tasteful nude photographs (most in black and white, some in color) of a variety of models that will provide great insight into how best to acurately portray the human body as a whole, as well as parts of the body in particular.
"Anatomy for the Artist" is, helpfully, divided into segments - upper torseo, lower torso, upper arms, lower arms, thighs, legs, etc. - and focuses on each part in particular in an unhurried, elegant manner. Many sections of photographs are accompanied by translucent overlays that illustrate the muscular/skeletal structure beneath the skin of the models (there are pencil sketches, largely). Additionally, classic paintings of note are presented next to models taking the pose of the subjects in the painting and deconstructing how the artist extrapolated their models' positions into their finished pieces; this I found especially enlightening. It appears that no expense was spared in the production of this book. I found its section of the upper torso, the forearm, and the legs most helpful to me, and I don't doubt that many artists will find much of this book illuminating and revealing.
However, this book is certainly not perfect. There are some poses and angles that I would have liked to have seen (for instance, more examples of the back of the upper torso; more three-quarters views, as the book seems to focus on side and full views mostly). Also, while the compartmentaliztion of different body parts into different chapters is helpful in most ways, the segregation of the upper and lower portions of the arms and legs will force you to flip back and forth in the book whem trying to make an accurate rendering, which may get tiresome. Overall, however, this is a superb book to learn and sketch from. Recommended.
Amazing art book.......2007-09-14
Finally, an anatomy book for artists that's not too technical in nature. It's more about art, just with the basic structures you need to be aware of to create more lifelike work.
There are tons of photos to work from, since most of us don't have live models around.
The best feature of the book is the overlay pages. There are pages in the book of clear plastic with the underlying structures of the body printed on them. You turn these pages over photos of the body and see how the underlying structures affect the shading, lines, and movement of the figure. It's fantastic.
Good reference book.......2007-05-14
Great photographic reference for any artist, especially for those working in digital medium. It will not substitute for a traditional anatomy book with drawings, but great as a supplement for realistic depiction of human body.
Best book ever!.......2007-04-11
This book is amazing, I love it, so worth the money. if you are into art, then this is a book to have in your collection!
If you draw figures you must have this book!.......2007-03-26
This book is an absolute must for anyone who does figure drawing. The photographs are wonderful and offer a range of figures in various types of poses and lighting. I have a friend in drawing class who purchsed this book so I was able to look at it first hand before I bought it. I came home and ordered it that very day. It is that good.
Customer Reviews:
Analysis is great.......2007-10-03
I like that he has a full page to show the drawing and on the facing page he has a smaller version with commentary. He places capital letters on the drawing so you can see exactly which line or shape he is discussing.
Definative.......2007-07-13
Robert Beverly Hale was one of the masters in teaching figure drawing. A must for serious students of figure painting.
Not written by an artist..........2007-05-08
Although this is one of the best compilation books of old master drawings
available on the common market, I would not put too much stock in what
the author says. The author is correct in saying that many of these
great artists had to learn and understand anatomy in order to "make it up"
(e.g., a figure of a rearing horse drawn by Titian, impossible to be
taken from life), but he goes overboard in trying to get the student to
learn about anatomy. For example, he says "Please buy some bones". That's right--the way to paint like Rubens is to...buy some bones. I don't think so. Even if you learned how to draw the figure well, after perhaps 10 years, you'd still have to tackle drapery and then learn how to compose your figures in a painting and, well, be an artist. I have learned after much figure drawing study that after a while, "studies are
useless" (Rubens said that also). It is better for the true artist to simply plan painting after painting, and ignore all this wasteful "study effort" as if art is a science. This is not to say any knowledge of anatomy is bad. But you need to know only as much as it takes to know that
a head looks too big, or a shoulder "doesn't look right", esp. if you are already working from life. I have studied anatomy and tried to draw from my memory, and although my drawings have all the attendant parts, you cannot "guess" at how the aspect of a vastus medialis changes when it is in 10 different positions. It's much easier and quicker simply to draw a model from life--it will look more correct, even WITHOUT a knowledge of anatomy. And if you are a figurative artist, you may even want to "clothe" your figures at some point (Watteau made a name for himself for knowing how to do just that) so knowledge of anatomy, although not to be entirely discounted, should run second to drawing from life, having artistic vision, and working on a plan to make a nice painting instead of engaging in hours of fruitless "studies." After you die, do you want to have a bunch of academic drawings with correct anatomy laying around?
Only the art matters. This book, although much better than those awful books which use hack artists as models of excellence, still falls short
of what you really need to do to become a strong figurative painter. And that is, "draw from life". Pose your friends and family and draw them.
That's what the masters did.
This is one of the best books ever!.......2007-01-25
This is a must have book. No matter what your subject matter you can benefit from reading and doing the exercises in this book. I read it with a highlighter and a pen. I don't usually write in my drawing books, but this one was too good to simply read I had to study it. I will be using this in my current class to help me draw people better. Lots of excellent examples. It doesn't matter what you are trying to learn to draw this book helps you think in terms of mass and shape, not legs, arms, faces, etc.
Must have book for all fine art students!.......2007-01-05
Robert Beverly Hale is the undisputed master of not only artistic anatomy, methods of drawing and the masters' techniques; but he is also a master at conveying ideas in clear concise language. He was the best lecturer on artistic anatomy. I attended his 10 session lectures twice before he died. The book reflects much of what he taught in his lectures, so it's the next best thing to having him in the room.
Average customer rating:
- fantastic
- Just when I thought it was ridiculous to get another anatomy book...
- Pretty Good for the Price
- Some sections need more diagrams
- A great reference
|
Atlas of Human Anatomy for the Artist (Galaxy Books)
Stephen Rogers Peck
Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Paperback
 History
| Subjects
| Books
| Africa
| Americas
| Ancient
| Arctic & Antarctica
| Asia
| Australia & Oceania
| Books on CD
| Books on Cassette
| Europe
| Gay & Lesbian
| Historical Study
| Large Print
| Middle East
| Military
| Military Science
| Russia
| United States
| World
General
| History & Criticism
| Arts & Photography
| Subjects
| Books
General
| Reference
| Arts & Photography
| Subjects
| Books
General
| Instructional & How-To
| Arts & Photography
| Subjects
| Books
Drawing
| Instructional & How-To
| Arts & Photography
| Subjects
| Books
Figure Drawing
| Instructional & How-To
| Arts & Photography
| Subjects
| Books
General
| Drawing
| Arts & Photography
| Subjects
| Books
General
| Photography
| Arts & Photography
| Subjects
| Books
General
| Arts & Photography
| Subjects
| Books
Anatomy
| Basic Science
| Medicine
| Subjects
| Books
Anatomy
| Basic Sciences
| Medical
| Professional & Technical
| Subjects
| Books
Anatomy
| Biological Sciences
| Science
| Subjects
| Books
All Titles
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Arts & Photography
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Medicine
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Professional
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Science
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Similar Items:
-
Basic Figure Drawing Techniques (North Light Basic Painting)
-
Virtual Pose 3: The Ultimate Visual Reference Series for Drawing the Human Figure
-
Human Anatomy for Artists: The Elements of Form
-
Constructive Anatomy (Dover Books on Art Instruction)
-
Artistic Anatomy (Practical Art Books)
ASIN: 0195030958 |
Book Description
Stephen Rogers Peck's Atlas of Human Anatomy for the Artist remains unsurpassed as a manual for students. It includes sections on bones, muscles, surface anatomy, proportion, equilibrium, and locomotion. Other unique features are sections on the types of human physique, anatomy from birth to old age, an orientation on racial anatomy, and an analysis of facial expressions. The wealth of information offered by the Atlas ensures its place as a classic for the study of the human form.
Customer Reviews:
fantastic.......2007-08-14
My professor/adviser of art advised me to get this.
It was great advice :D
Just when I thought it was ridiculous to get another anatomy book..........2007-06-07
This book surprised me. I already have several dozen books on art anatomy, but Peck's book has more. He goes into expressions, cultural and age distinctions, and locomotion. Is this the only book you'll need in studying anatomy, probably not. But each book you get on the subject, and study (NOT JUST COLLECT) will hone your visual memory until drawing the figure becomes second nature. Note: Study means putting time and effort on that drawing pad!!! Also, nothing beats drawing from life or imagination! These books are to supplement these areas.
Pretty Good for the Price.......2007-01-11
This book is a cheap and good reference for beginning figure drawers. The diagrams are fairly clear but some of the hand-drawn references get confusing.
Some sections need more diagrams.......2007-01-09
I bought this book on the account of the positive reviews here. A part of me regrets buying this book because I expected a figure drawing book. It isn't. It's a reference to human anatomy and I guess half if not most of the book is useful. I just can't give it 4 or 5 stars because Mr. Peck uses more words than visual diagrams to explain how the body moves and where fat develops. The section about fat is purely textual. It would have been better if there's a diagram of an average person overlaid with outlines where fat develops.
I still use it to supplement Joseph Sheppard's Drawing the Living Figure though.
I ordered Anatomy of Movement by Blandine Calais-Germain and I hope the high reviews of that book reflect its actual quality.
I guess it's true that there is no one-stop shop book on anatomy and figure drawing. An artist must have access to a library - personal or otherwise - to learn from.
Again, Mr. Peck's book in my opinion doesn't deserve 4 or 5 stars but if you do buy it, you won't regret it as much as let's say buying an anatomy book authored by Christopher Hart (blech).
A great reference.......2007-01-06
This book is very informative, and the best anatomy resource for artists that I have ever used.
Average customer rating:
- Great guide with one flaw
- A little heavy on the text, but a very thorough anatomy book.
- Last anatomy book you'll ever buy
- SUPERB ANATOMY BOOK
- talk talk
|
Human Anatomy for Artists: The Elements of Form
Eliot Goldfinger
Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Hardcover
General
| Instructional & How-To
| Arts & Photography
| Subjects
| Books
Drawing
| Instructional & How-To
| Arts & Photography
| Subjects
| Books
Figure Drawing
| Instructional & How-To
| Arts & Photography
| Subjects
| Books
General
| Sculpture
| Arts & Photography
| Subjects
| Books
General
| Arts & Photography
| Subjects
| Books
Anatomy
| Basic Science
| Medicine
| Subjects
| Books
Anatomy
| Biological Sciences
| Science
| Subjects
| Books
Drawing
| Studio Art
| Art & Music
| Humanities
| New & Used Textbooks
| Stores
| Books
Anatomy & Physiology
| Biological Sciences
| Sciences
| New & Used Textbooks
| Stores
| Books
All Deals
| Blowout Books
| Stores
| Books
Arts & Photography
| Blowout Books
| Stores
| Books
Science
| Blowout Books
| Stores
| Books
All Titles
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Arts & Photography
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Medicine
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Professional
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Science
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Look Inside Science Books
| Trip
| Specialty Stores
| Books
Similar Items:
-
Animal Anatomy for Artists: The Elements of Form
-
Artistic Anatomy (Practical Art Books)
-
Atlas of Human Anatomy for the Artist (Galaxy Books)
-
Anatomy for the Artist
-
Modelling and Sculpting the Human Figure
ASIN: 0195052064 |
Book Description
The power of the image of the nude--the expressivity of the flesh--has inspired artists from the beginning. An understanding of human form is essential for artists to be able to express themselves with the figure. Anatomy makes the figure. Human Anatomy for Artists: The Elements of Form is the definitive analytical work on the anatomy of the human figure. No longer will working artists have to search high and low to find the information they need. In this, the most up-to-date and fully illustrated guide available, Eliot Goldfinger--sculptor, illustrator, scientific model-maker, and lecturer on anatomy--presents a single, all-inclusive reference to human form, capturing everything artists need in one convenient volume. Five years in the making, and featuring hundreds of photos and illustrations, this guide offers more views of each bone and muscle than any other book ever published: every structure that creates or influences surface form is individually illustrated in clear, carefully lit photographs and meticulous drawings. Informed by the detailed study of both live models and cadavers, it includes numerous unique presentations of surface structures--such as fat pads, veins, and genitalia--and of some muscles never before photographed. In addition, numerous cross sections, made with reference to CT scans, magnetic resonance imaging, and cut cadavers, trace the forms of all body regions and individual muscles. Information on each structure is placed on facing pages for ease of reference, and the attractive two-color format uses red ink to direct readers rapidly to important points and areas. Finally, an invaluable chapter on the artistic development of basic forms shows in a series of sculptures the evolution of the figure, head, and hands from basic axes and volumes to more complex organic shapes. This feature helps place the details of anatomy within the overall context of the figure. Certain to become the standard reference in the field, Human Anatomy for Artists will be indispensable to artists and art students, as well as art historians. It will also be a useful aid for physical and dance therapists, athletes and their trainers, bodybuilders, and anyone concerned with the external form of the human body. With the renewed interest in figurative art today, this will be an especially welcome volume.
Customer Reviews:
Great guide with one flaw.......2007-07-11
I had this book recommended to me by a friend years ago when we were all trying to get into the comic book industry. I bought it and loved it. You can learn anything you want to know about how the musculature and skeleton are put together and how they work. Each different part of the anatomy is given almost too much attention. Each angle is given a photo of the body part, and drawings of the arm with muscles or just the skeleton.
The biggest problem is there isn't too much tying the parts together. You may get a very good idea how the arm works, where the muscles put to and from, how the skeleton moves when you move your arm, but you won't get much information on how the arm connects and moves with the rest of the body. Your aren't a collection of individual parts (2 arms, 2 legs, etc) but one unified body and all your parts move together. You need a good concept of that before this book will be used to its utmost.
A little heavy on the text, but a very thorough anatomy book........2007-07-03
This book covers from the skeletal system to muscles, from head to toe, very thoroughly. Pictures are nice and clear. All important muscles feature full explanation on its origin, insert, function etc in text, and frontal and side view as well as in context of the whole muscle group along with a photograph of the real body part flexing with the related muscles. I find this book a little heavy a the text part, but images and photographs make up for it and make this book the most complete, and thorough anatomy book.
Last anatomy book you'll ever buy.......2007-06-26
This book is the best anatomy book I have come upon. I purchased every book I could find on this subject until I found this one. I am a sculptor and painter so this book provides everything I need to understand all the surface structure of the human body. It explains origin and insertion of each muscle and their function. (important to know when deciding in a pose which muscles would be flexed and which would be relaxed) There are cross-section drawings of the muscles so that you can see the size comparison of muscles around them. There are photographs of the muscles flexed using a thin model, the surface can be distinguished. I have taught Artistic Anatomy and this is a the cherished book of many of my students.
SUPERB ANATOMY BOOK.......2007-05-20
This book is exactly what I was looking for in an anatomy reference book. The cross-sectional drawings are great to help visualize the muscle forms in different positions. Not only does it deliver on accuracy of the muscles but it also depicts how the muscles are placed on the human skeleton from different angles, this helps me to understand the "wedging" of the muscles. I've seen this same title in other book stores for the retail price and I must say AMAZON has a great price for this book.
talk talk .......2007-02-19
May as well buy a grays anatomy. Pictures minimal and loads and loads of words and more words.
Average customer rating:
- Review on "Drawing from Life"
- A book to Keep
- Figure drawing books don't get any better than this one.
|
Drawing from Life
Clint Brown , and
Cheryl McLean
Manufacturer: Wadsworth Publishing
ProductGroup: Book
Binding: Paperback
General
| Instructional & How-To
| Arts & Photography
| Subjects
| Books
Drawing
| Instructional & How-To
| Arts & Photography
| Subjects
| Books
Figure Drawing
| Instructional & How-To
| Arts & Photography
| Subjects
| Books
General
| Drawing
| Arts & Photography
| Subjects
| Books
General
| Arts & Photography
| Subjects
| Books
Themes
| History & Criticism
| Arts & Photography
| Subjects
| Books
Contemporary
| General
| Literature & Fiction
| Subjects
| Books
Philosophy
| Nonfiction
| Subjects
| Books
| Aesthetics
| Analytic Philosophy
| Ancient
| Consciousness & Thought
| Criticism
| Eastern
| Epistemology
| Ethics & Morality
| Free Will & Determinism
| General
| Good & Evil
| Greek & Roman
| History & Surveys
| History, 17th & 18th Century
| Islamic
| Logic & Language
| Medieval Thought
| Metaphysics
| Methodology
| Modern
| Modern Renaissance
| Movements
| Ontology
| Philosophy of Religion
| Political
| Reference
| Religious
| Science
| Social Philosophy
| Theism
All Titles
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Arts & Photography
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Literature & Fiction
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Nonfiction
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Similar Items:
-
Figure Drawing: The Structure, Anatomy and Expressive Design of the Human Form, 6th Edition
-
Art of Responsive Drawing, The (6th Edition)
-
Master Class in Figure Drawing
-
A Guide to Drawing
-
Drawing: A Contemporary Approach
ASIN: 0534613535 |
Book Description
The leading textbook for college figure-drawing classes, DRAWING FROM LIFE provides a clear, comprehensive, and thought-provoking guide to drawing the human form for anyone interested in exploring this time-honored artistic tradition. For centuries, drawing the human figure has given artists the tools and vocabulary for creating paintings, sculpture, drawings, or prints-from Renaissance classical to contemporary expression. In addition to working from the model, the figure-drawing student needs instruction in anatomy, history, and conceptual approaches to drawing the human form; such instruction is often missing from life drawing classes due to time constraints. DRAWING FROM LIFE offers these elements, along with a tremendous selection of drawings that represent the broad range of approaches, techniques, and media for drawing from life. The chapters follow the natural development of a student's growth, from fundamental sketching and gesture drawing to creative expression and exploration. An entire chapter on drawing the figure in perspective offers information that is not available in comparable textbooks. Students begin with quick sketches and gesture drawings, giving them a non-threatening introduction on a level they can readily understand and master. The cohesive presentation of anatomy, including a chapter on the human head, helps students understand the human structure and its impact on visible form. The final section brings the concepts, vocabulary, and history presented in the earlier chapters to bear on contemporary use of the figure in art.
Customer Reviews:
Review on "Drawing from Life".......2007-02-26
Excellent book for anyone interested in drawing the human figure. Deals well and extensively with proportion, anatomy and nuances of figure drawing. Required by my art teacher and worth the money as an on-going reference source.
A book to Keep.......2006-12-29
This book gives you the bones to enrich your experience with figure drawing. Professor Brown draws from varied sources and presents helpful images along with text that is intelligent and imformative. It is filled with sketches from masters such as Da Vinci as well as descriptive sketches from Clint addressing the figure as a subject filled with motion. I have continued to refer back to the book and appreciate its portable size. This is a book to take with you and keep even if you are moving around!
Figure drawing books don't get any better than this one........1997-02-03
"Drawing from Life" is a treasure an artist, teacher, and drawing lover finds once in awhile. It is very logically layed out. I enjoyed variety of illustrations, the learning exercises, and glossary. Alas... some negatives: the price, the quality and detail of the reproductions, especially the anatomy ones. The book needs to be bigger in size and make use of detail enlargements to show the beauty of the drawings
Average customer rating:
- One of my favorite anatomy books around
- QUICK AND EASY
- One of my Top 3 Bridgman books- great in drawing from memory...
- Kinda hard to understand
- Not what I hoped for!
|
Constructive Anatomy (Dover Books on Art Instruction)
George B. Bridgman
Manufacturer: Dover Publications
ProductGroup: Book
Binding: Paperback
General
| Instructional & How-To
| Arts & Photography
| Subjects
| Books
Drawing
| Instructional & How-To
| Arts & Photography
| Subjects
| Books
Figure Drawing
| Instructional & How-To
| Arts & Photography
| Subjects
| Books
General
| Drawing
| Arts & Photography
| Subjects
| Books
General
| Arts & Photography
| Subjects
| Books
Contemporary
| General
| Literature & Fiction
| Subjects
| Books
General
| Science
| Subjects
| Books
General
| Art
| Arts & Photography
| 4-for-3 Books Store
| Stores
| Books
Drawing
| Instruction & Reference
| Art
| Arts & Photography
| 4-for-3 Books Store
| Stores
| Books
Figure Drawing
| Instruction & Reference
| Art
| Arts & Photography
| 4-for-3 Books Store
| Stores
| Books
General
| Instruction & Reference
| Art
| Arts & Photography
| 4-for-3 Books Store
| Stores
| Books
Drawing
| Graphic Design
| Arts & Photography
| 4-for-3 Books Store
| Stores
| Books
Contemporary
| General
| Literature & Fiction
| 4-for-3 Books Store
| Stores
| Books
General
| Science
| 4-for-3 Books Store
| Stores
| Books
All 4-for-3 Deals
| 4-for-3 Books Store
| Stores
| Books
Similar Items:
-
Heads, Features and Faces
-
Bridgman's Life Drawing
-
The Human Machine
-
The Book of a Hundred Hands
-
Drawing the Draped Figure
ASIN: 0486211045 |
Book Description
This invaluable anatomical reference shows important parts of the human body, both in motion and in repose: hand, wrist, fingers, forearm, neck, high, leg, and more. Drawings of bone and muscle structure are also covered in detail. Over 500 illustrations. "Best book on artist's anatomy." — Art Students League News.
Customer Reviews:
One of my favorite anatomy books around.......2007-02-10
This still remains as one of the top anatomy books I use the most. I actually like the fact the figures and illustrations are not super detailed and more loose sketches. A beginner might find this frustrating, but as a person that is trying to develop my own style I find it more important you get a loose interpretation and fill in your own details and personal touch. Otherwise you'll just have clone artists of these anatomy books.
The other reason I love this book is the price. It's small size makes it very easy to carry around too.
I feel I've improved tenfold since I've purchased this book on making my anatomy look more real.
QUICK AND EASY.......2007-02-07
This is a good quick reference guide and is easy to read as is all of Bridgman's books. The Complete Guide to Drawing From Life is more indepth and might be better if you want a little more explaination.
One of my Top 3 Bridgman books- great in drawing from memory..........2006-04-03
Mainly for intermediate-level artists- it's actually *GREAT* for enthusiastic beginners. It has a little bit of *everything* depicting anatomy construction from memory. It's also great for general improvement; a few tips & tricks- an *excellent* reference for all working artists.
This is the book that really turned me on to the genius that is Bridgman. At first glance it may not be immediately impressive, but flip to page 167 for a quick look at his cubed-construction of the head. It's Bridgman's brief but effective treatment of cube-construction in this book that really, really impresses me. Many books *mention* cube-construction for heads; many books show a brief picture or two. But not many show it with the precision & detail that Bridgman conveys in just a few short pages. It deals with figure construction mainly in its parts- for full-figure movement, check out Bridgman's Complete Guide, or his less overwhelming Bridgman's Life Drawing. Constructive Anatomy begins with hands, which in my opinion is the weakest part of the book. (Bridgman's 100 Hands is much, much better.) Arms are next and they're easily among Bridgman's best, although not all the drawings are crystal clear. Many of the BEST drawings in Bridgman's Complete Guide are taken from this book, and his depiction of arms here is definitely among them. The shoulder & neck briefly follow, and are above average in their depiction. Then it's time for that excellent section: the cubed-construction of the head. It's only a FEW pages- I don't want to oversell it. But in my opinion at least, it's worth the price of the book. Individual features follow: eyes, nose, ears and mouth are simply & accurately treated. This is a more *in-depth* book than Heads, Features and Faces- which is mainly a simple introduction to the basics. Maybe the BEST section in Constructive Anatomy involves the Torso. He describes more in a few pages than most books ever do- and with a precision & beauty that few seem to match. The pelvis, legs, knees, feet & toes finish this truly excellent work. If anyone's overwhelmed by Bridgman's Complete Guide, Constructive Anatomy is a simple & effective choice to make- Highly Recommended!
In short: Along with Book of a Hundred Hands & Bridgman's Complete Guide, Constructive Anatomy is currently in my Top 3 by Bridgman.
Kinda hard to understand.......2004-02-10
This book is filled with pictures. George B. Bridgeman did a great job with this book. The reason I gave only 4 starts is beacuse it was kinda hard to understand. I mean I spent 20 min. figuring out the introduction and still dont full understantd it. But farther into the book it was easier to understand but still difficult. I am only 13 and this book may have been written for college students or adults so that may have been one reason I dont unerstand so well but once you start picking it up you learn a lot of stuff about the human anatomy. THIS IS GREAT FOR COMIC BOOK ARTISTS, AS WELL AS ANY OTHER ARTIST.
Not what I hoped for!.......2003-12-16
I expected more from this book based on the reviews that I read before buying it. Although it has some good information about what specific muscles jobs are, the illustrations are not clear enough for good understanding. As an artist specifically working with the human form I find this book very mickey mousey and incomplete. If you already have all the books ever created on human anatomy that are needed to put together the information that is required to have a comprehensive knowledge on how the human body is constructed and moves then get this to finish your collection, but if you are looking for a clear understanding and accurate information on human anatomy for the artist look elswhere.
Book Description
From the author of the classic Human Anatomy for Artists comes this user-friendly reference guide featuring over five hundred original drawings and over seventy photographs. Designed for painters, sculptors, and illustrators who use animal imagery in their work, Animal Anatomy for Artists offers thorough, in-depth information about the most commonly depicted animals, presented in a logical and easily understood format for artists--whether beginner or accomplished professional. The book focuses on the forms created by muscles and bones, giving artists a crucial three-dimensional understanding of the final, complex outer surface of the animal. Goldfinger not only covers the anatomy of the more common animals, such as the horse, dog, cat, cow, pig, squirrel, and rabbit, but also the anatomy of numerous wild species, including the lion, giraffe, deer, hippopotamus, rhinoceros, elephant, gorilla, sea lion, and bear. Included are drawings of skeletons and how they move at the joints, individual muscles showing their attachments on the skeleton, muscles of the entire animal, cross sections, photographs of live animals, and silhouettes of related animals comparing their shapes and proportions. He offers a new and innovative section on the basic body plan of four-legged animals, giving the reader a crucial conceptual understanding of overall animal structure to which the details of individual animals can then be applied. The chapter on birds covers the skeleton, muscles and feather patterns. The appendix presents photographs of skulls with magnificent horns and antlers and a section on major surface veins. Incredibly thorough, packed with essential information, Animal Anatomy for Artists is a definitive reference work, an essential book for everyone who depicts animals in their art.
Customer Reviews:
Animal Anatomy for Artists.......2007-05-12
Excellent reference book. 5 stars from the first to last page.
One of the greatest animal anatomy book out there for artist.......2007-02-07
I got Goldfinger's human anatomy book, but in comparison, this is even better. Great multitude of drawings and diagrams of different species of animals, from bones to muscle to final skin with great angles. Highly recommend it.
And many of the reviews here were very helpful.
One of the most exhaustive references for artist's animal anatomy.......2006-05-21
WHOA! An animal-anatomy-for-artists book that I haven't seen before!?? I did a doubletake in the library when I found it. It's a GOOD one, too! Better than most of my animal anatomy books put together! It takes both possible approaches: the first half of the book shows the different bones and muscles part by part, as they exist in most animals, like Bammes's book does; the second half of the book shows the different animal species, bones and muscles and skin, like Adams & Singer's book does. I can tell which steel engravings some of these illustrations were based on, after Ellenberger & Baum. It also has a few species I haven't seen in animal anatomy books before, except maybe in the Zoo Books series, such as the giraffe shown on the cover. As usual, the most attention is given to horses, big cats, and dogs. I'm probably going to need to buy this for reference, since it's not the kind of thing you can just read cover-to-cover from the library, you have to use it just whenever you need it.
Very Informative.......2005-09-24
This is a very detailed book and a must have for those that need to know more about animal anatomy. This book does layout the skeletal and muscular design of the used animals very well. One thing that it does not give you is a detailed description of exactly how the joints move or muscles work. But overall a must have if you are doing an animal study for sculpture or 3-d modeling.
Features over 500 original drawings and over 70 photos.......2005-06-10
Artists who plan on focusing on animals had better pick up a copy of Animal Anatomy For Artists: The Elements Of Form: a virtual 'Bible' of animal anatomy, is features over five hundred original drawings and over seventy photos which painters, sculptors, and illustrators can use to understand the underlying anatomy of a range of common and wild animals. Forms created by muscles and bones provide artists with a three-dimensional figure of the final surface of the animal, while Goldfinger provides discussions of how each piece of animal anatomy interacts with another.
Customer Reviews:
Muscle-bound........2007-06-09
This is a fascinating approach to anatomy, utilizing over-emphasized musculature to better illustrate the human form. Anyone considering purchasing this book must possess the understanding that these are exaggerated proportions not demonstrative of a realistic human form. But they are not designed to be. They convey the inter-relationships between masses that would normally be only subtly perceived. I did not require the art history lesson in the beginning, but perhaps that may appeal to some customers who would like to see the artistic past that helped inevitably shape artists like Hogarth. Overall, this is a good work that acheives its purpose.
A useful book, but very stylized drawings.......2007-05-31
If you've seen Hogarth's book before you can probably guess what this book is like with amazing accuracy, if not, here's the scoop: He breaks down the figure into extremely exagerated/distorted shapes ("dynamic") as a way of understanding it's structure. He is a master of explaining the figure geometrically, and it's a useful perspective to be exposed to. There is a lot to be learned here, and his style is pretty interesting, but without a more realistic artistic anatomy book to supplement it, Dynamic Anatomy would be pretty misleading; people simply don't look the way Hogarth draws them.
By the way, the difference between the old and updated versions is not very significant. Basically the new one has more (oddly) colored drawings. I'd save your money and get the old one used.
A good book becomes great.......2007-02-18
I first bought this book back in the early 70s, and it was a great relief to see human anatomy depicted in action, versus the clinical and static presentations more common to the books my father had. At that young age, I wanted to be a comic-book artist, which was all about action, and Hogarth knew that world well.
This new edition, expanding on the original and with a wonderfully contemporary design feel, truly fills out the original vision. The essays included are insightful and relevant even today. I am totally pleased with this book.
Dynamic Anatomy.......2007-01-19
This is a very good reference book for learning to draw the human figure in action. I am a commercial artist and designer, but have worked for many years on non-figurative projects. I am focusing on figurative work again, primarily in the game, fantasy and science fiction field. My goal is to draw entirely from imagination without having to use reference material, and this book by Burne Hogarth and his Drawing Dynamic Hands are helping me to reach this goal. The illustrations are very well done with good explanation and many drawings showing the figure in action. The muscles are heroic in proportion, which helps in identifying them. As an artist, you can choose to emphasize them or not... but knowing the structure is very important. I have had many life drawing sessions and have always been taught to "draw what you see", but over the years I have come to the conclusion that "drawing what you know" is equally important, both for time efficiency and quality of the finished illustration or painting. I highly recommend this book for any artist that is serious about drawing the human figure in action.
5 Stars= Original Version; 1 Star= '03 Revision-Update.......2006-05-27
...The *original* version is in my Top 3 Burne Hogarth books. But in 2003, the new, *revised* version changed my 5-Star rating...
To make this simple: there are 2 versions of this book. The *original* version is ISBN 0823015513, 232 pages, and is predominantly black & white, with a few bronze & white drawings for a little splash of color. The original version is *brilliant*- and is widely considered a classic. The new *revised & expanded* version is ISBN 0823015521, 255 pages, and is a completely random mix of black & white, red-orange, bronze, grey, and sometimes blue-lined drawings. The original has copyright dates of 1958-1990(paperback)-2002. The revised & expanded version is copyrighted 2003- and is available today. Currently, both versions share the same reviews listing, hence my mixed 3-Stars.
Because there are 2 separate versions, I'll be giving 2 separate reviews.
1. '5 STARS'- Original Version: It really is great(!)- EVERY muscle of the figure is shown in brilliant, 3-dimensional perspective. How brilliant is this? To many, it's simply an introduction to Dynamic Figure Drawing, which is often considered Burne Hogarth's *best* book. But Dynamic Anatomy is much more than that. It's his very 1st book-1958, and it's the basis of everything he's ever taught in the Dynamic Drawing series. All 5 of his other books spring from this. Essential bits & pieces of those books are actually included & originated from here!
As much as I love Dynamic Figure Drawing, Dynamic Anatomy *does* do a few things better. The figures in Dynamic Anatomy tend to be a little more sharply delineated, clear, high-contrast, and detailed. Proportions are also very clearly detailed- in Dynamic Figure Drawing the emphasis isn't as sharp in this area. Dynamic Anatomy features fantastic close-up views of the figure's main parts- Dynamic Figure Drawing concentrates mainly on the interconnection of parts, as well as with brilliant, full-figure construction from memory. Both books get my *highest* recommendation!
And Dynamic Anatomy really is a classic. Even Marvel's legendary John Buscema recommends it- check out his bibliography in How to Draw Comics the Marvel Way. It's important to note that he never saw the 2003 update of this book, so his recommendation is referring to the brilliant *original* version only. He also recommends a few George Bridgman books to go along with this- definitely a great idea!
2. '1 STAR'- 2003- Revised & Expanded Version: An interesting but absolute *mess*! What in the world were they thinking?!?
Goodness gracious alive, I can't stand this book now. As mentioned above, this book is a complete & total random mess of color. We get black & white, red-orange, bronze, grey, and sometimes blue-lined drawings- an especially hideous example of 'revision & expansion'. Nobody in this WORLD can convince me that Burne Hogarth would've wanted it to be seen like this.
Consider this- Burne Hogarth created this book in 1958- he passed away in 1996. He had about 38 years to make whatever changes he wanted, and guess how many changes he ended up making in all this time? Zero. Zip. Zilch. Nada. Absolutely NONE. Apparently he was happy with it exactly as it was. Yet not even 10 YEARS after he passes away, the Hogarth family decides to change it. Even with the *best* of intentions- this is morally & ethically wrong. Even the BEST intentions here can't make this 'wrong' a 'right'.
Do we 'honor' artists by changing their work? Do we 'honor' Michelangelo & Da Vinci by 'revising & expanding' what they did? No! We preserve it- maybe restore it- but we never... EVER... change what they did. But we have good intentions right? Let's break apart Michelangelo's sculpture of David, and then reassemble it with a few new parts, gluing it all together with a bright orange, neon epoxy! Not a good idea you say? Well it just happened to Burne Hogarth's Dynamic Anatomy! And it's truly made a mess of a brilliant work of art.
Customer Reviews:
Useful tool.......2007-07-27
Although the book is printed on a faily couarse grained paper and the photographs could have had better contrast, I have found the book useful. The poses are sufficiently varied to provide a good cross-section of body movement.
Good Ordinary.......2007-04-02
I bought this book when I saw it in the art store. I like it. The poses are natural and the models, while all WASPs, are of different shapes. I liked that the women were differently shaped-- some more curvacious like J-Lo, others like a Flapper with few curves. Their breasts are differently shaped which definitely helps in learning the figure. There are only a few male models and they could have been better had there been more-- I hate to judge a body as unattractive based on the amount of hair or what-have-they, and as an artist I appreciate the differences and these could be better appreciated had there been more. There was only one pregnant woman in the pregnant section and she is perhaps seven months pregnant-- she is not at the point where she is uncomfortable-pregnant or in the earlier stages-- this book could be greatly improved if Mr. Smith had done more women in different stages of pregnancy and a greater variation of models in general. I do know that when it comes to creating a book that publishers are at the mercy of meeting certain costs with a number of pages, so they try to be useful but original and try to meet several goals. This is all right-- it won't be my favourite book on the nude body, but it's not one that I will give away, either.
Will use this often.......2007-01-13
I found many usable poses in this book. Some diversity in body types, which is nice. I could do without the hairy armpits, but thankfully we all have the creative liscense to erase that.
I left out one star because the male nudes are terrible. I think there are only 3 different male models, and I don't even want to look at them, not to mention draw them. No muscle definition, one is pot bellied, and another with a bald head and flabby body completely covered with hair...easy to render as that is (a contour, then tons of hair)I'll pass. Two thumbs down on the choice of male models.
Designed to develop familiarity with the figure .......2006-08-08
First off, let me start off by saying that this is not a how-to guide for drawing the figure. It does not attempt to teach you, and it's not designed to do so. Also, don't expect this book to have great photos that will translate into beautiful, finished pieces of art--I don't think one should expect it to be. Instead, it is choke full of full figure poses with which a student can learn the human anatomy by repeated practice of drawing different poses.
The book is what it says it is--it is merely a visual reference. This book is designed to help those who are already familiar with drawing the figure, but needs to practice the full figure at home without the help of live models at their disposal. It is not a replacement for live models, so some may deem this inadequate--but note that this is probably the best book out there of this kind. Some of the reviewers complained about the homogeneity of the models and their poses--well, not everyone is looking to expand their figure drawing prowess by drawing ethnic, overweight, or innovative poses.
Speaking from personal experience, I feel that this book is helping me to develop familiarity with the figure, ultimately resulting in speed and better gestural expression. If this isn't what you're looking for, I don't recommend this book for you. As for Sarah Simblet's book, which this book is sometimes compared to, get it if you need to be taught how to draw the figure. Otherwise, I feel that book is useless, as most of the photos are of individual body parts, rather than the full human figure. It may be used to try to gain familiarity with individual body parts, but there aren't enough photos of each part to help become familiar with any of them. It does look pretty fancy though. Very glossy. Unlike this simple and functional book for those who believe in the value of repetition.
Love it.......2005-02-23
I browsed through this book at a Barnes & Nobles a few weeks ago, and almost immediately fell in love with it. But I did have to wait to go online as it was nearly 30.00 at B&N and I knew I could get it cheaper at amazon.com, which I did for a mere 22.00 with shipping.
Before "The Nude Figure" my best reference book was "Drawing the Female Nude" by Giovanni Civardi, which featured his drawings of two models in various poses. It is a great book for the beginner, but after five years of using it I needed something new - and Playboy just wasn't working.
The Nude Figure by Mark Smith featured only photographs of various models and all kinds of different poses. All of the photographs are in black and white which is a definite plus in my mind, helping you to see the defining lines and edges. The poses are divided into chapters as follows:
Standing Poses - This chapter is full of your basic standing poses. Arms up, arms down, from the side, from the back.
Seated Poses - Seated on the ground in different positions including Indian style, which I find very hard to draw.
Reclining Poses - All kinds of laying down positions, all from different perspectives. Some look quite easy to draw and others are quite hard.
The Figure on a stool - These I find quite difficult simply because of the stools - I am not good at any kind of still life, even if it has a woman sitting on it.
Kneeling Poses - The Kneeling poses are quite useful, but some of them just look awkward and I don't see how you could use them in a work of art - but I guess there is always a way.
Bending Poses - Most of these look like stretching before a workout poses. I don't se how they could be useful in a work, but for practice everything is good.
Crouching Poses - A lot of these poses make the model look like she is ready for a race.
The Figure in motion - I am very happy with this section as I do a lot of fairies and it is full of people jumping up in the air - something you could never get a live model to hold.
The Pregnant Figure - There are only a few pages of this, and I'm glad they put in here. It's not too often that you get to see a nude pregnant woman to draw from. I think this will come in handy someday.
Unusual Poses - Just like it sounds, many of these aren't very practical, but very useful in learning how different muscles shift in different positions.
The bulk of the photo's are in Standing, Seated, and reclining poses. Those fill up most of this book.
If you are wanting to learn how to draw men, this book is not for you. In all of the chapters (excluding the pregnant figure), men are only featured on about two pages. But this is a very good thing for me, as I only draw women.
Also the people in this book are all pretty fit. There aren't any fat people in here, not a big scope of different shapes. Again, I am happy with this as I don't want to draw fat people, but other artist might be disappointed by this lack of diversity. Some of the women have hairy armpits though, and some don't - that's diverse enough for me. Plus the women may all be over-all fit, but they are all built differently.
The photo quality is OK, but not fantastic, no glossy pictures in here, in fact some are grainy. But they are all adequate, and I think they did this to keep the cost of the book down, which makes me happy, as I would not have paid 40.00 just to have more glossy pictures. They use a lot of different lighting techniques in this book, but some of them I hate only showing the outlines of the figures when I want to see muscle.
Overall I am quite happy with this book. I know it will give me plenty of ideas for years to come, and I would recommend it to anyone wanting lots of good poses to use in their art. It is the best book of poses I have found thus far. 90% of the poses are very usable, my only problem is trying to choose which one I want to try out next.
Books:
- The Art Of Trompe L'oeil Murals
- The Artist's Way: A Spiritual Path to Higher Creativity [10th Anniversary Edition]
- The Big Book of Breasts
- The City of Destiny and the South Sound: An Illustrated History of Tacoma and Pierce County
- The Elements of Color: A Treatise on the Color System of Johannes Itten Based on His Book the Art of Color (A Basic color library)
- The Fighter's Body: An Owner's Manual : Your Guide to Diet, Nutrition, Exercise and Excellence in the Martial Arts
- The Last Diary of Tsaritsa Alexandra (Annals of Communism Series)
- The Ocean of the Soul: Men, the World and God in the Stories of Farid Al-Din Attar (Handbook of Oriental Studies/Handbuch Der Orientalistik)
- The Oxford Dictionary of World Religions
- The Portrait in Clay
Books Index
Books Home
Recommended Books
- Microstation V8 for Autocad Users
- Hell and High Water: Global Warming--the Solution and the Politics--and What We Should Do
- Building Type Basics for Hospitality Facilities
- Candle in the Window
- Degas and the Little Dancer
- Hatched!: The Big Push from Pregnancy to Motherhood
- Curso a Distancia de Reiki
- Masterpieces from the House of Fabergé
- Atlas of Human Anatomy and Surgery
- New Zealand native shrubs and climbers
The Physiology Coloring Book
Anatomy of Movement
Trail Guide to the Body: How to Locate Muscles, Bones, and More (3rd Edition)
START EXPLORING(tm) Gray's Anatomy - A Fact-Filled Coloring Book
Human Anatomy Coloring Book (Colouring Books)
