Book Description
As much art book as guide,
The Photoshop and Painter Artist Tablet Book: Creative Techniques in Digital Painting uses traditional drawing and painting theory exercises, coupled with real-life projects, to show readers how they can use Painter and Photoshop with pressure-sensitive tablets to draw and paint with a computer. Award-winning artist and author Cher Threinen-Pendarvis shares her own drawings and paintings with the readers, sharing her creative thought processes and composition design secrets that she uses in her own work. In this gorgeous, large format, full-color book, Cher takes readers step-by-step through a variety of projects designed to improve their drawing, composition, and conceptual thought processes while exploring different uses of the many brushes available in Painter and Photoshop. Along the way, Cher shows readers how to set up a pressure-sensitive tablet and stylus; use mark-making tools in Photoshop and Painter; create tonal, gestural, and contour drawings with a pressure-sensitive tablet and stylus; incorporate scanned artwork into digital paintings; use photos as a reference for the illustrations; make creative use of color and ideas for composition design; translate traditional color theory to digital color tools; simulate canvas and paper; create mixed media; and more. All the concepts, processes, and projects in this book can be applied to readers' own drawings and paintings, and the lessons and examples demonstrated in this book are designed to work with the most current versions of Painter and Photoshop, as well as most earlier versions of the software. In addition, readers will find brushes, textures, images and other goodies on the book’s companion Web site that they can use as they work through the projects in the book.
Customer Reviews:
Photoshop and Painter Artist Tablet.......2007-09-05
The Photoshop and Painter Artist Tablet Book: Creative Techniques in Digital Painting
While I was not overly impressed with the art illustrations in this book I am very impressed with instruction. It explains the A-Z's of setting up your computer for Digital Artwork for both original art and photos. This includes setting up your pallates, naming/saving files, backup, etc.
Would recommend for newbies and experienced alike.
Painters Book.......2007-06-27
This book is a great guide to using the painters tablet with photoshop software. Very good reference.
A good book if you know Painter already.......2007-05-07
This is a small book that I bought in a bundle with my Wacom Tablet. The book is pretty good about showing you how to paint in Corel Painter and Adobe Photoshop, but you need to already know the software. There is no real "introduction" to the software. The book just assumes that you already know how to choose brushes and such, and takes you right into the painting methods. I like the book, but I don't recommend it to anyone who doesn't already know a bit about Corel Painter or Photoshop.
High Recommendation from a Digital Artist.......2007-02-15
One of the most valuable things about, "The Photoshop and Painter Artist Tablet Book" is that Cher gives us a variety of projects we can do that will help us master digital painting.
Not only are we guided through how to use a graphics tablet and stylus in combination with Photoshop and Painter software; but through some of the basics of drawing and composition, as well. Plus, each project is accompanied by step-by-step examples that are refreshingly original and clear.
So, whether someone is new to the medium or has a decade of experience with digital painting like I do, Cher provides projects we can all learn from. Because of that, this book is a welcomed addition to my creative library and one that I highly recommend.
Great for Beginners.......2007-01-18
I was disappointed in the book cause its more oriented for beginners, i was hoping to learn new techniques as i am more toward advanced. But the book itself is great for beginners and made a great gift for a friend of mine.
Average customer rating:
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Twentieth-Century Russian and East European Painting: The Thyssen-Bornemisza Collection
Johne E. Bowlt , and
Nicoletta Misler
Manufacturer: Philip Wilson Publishers
ProductGroup: Book
Binding: Hardcover
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ASIN: 0302006192 |
Book Description
At the heart of this pioneering study - the result of exhaustive comparative research in Russian, European and American collections - is an illustrated catalogue which provides detailed descriptions of each work in the context of the artist's career and the broader artistic developments of the age. The condition, provenance, and previous location of the works are also detailed.
The catalogue is introduced by three essays: The Russian Avant-Garde, the Hungarian Avant-Garde, and the history of the collecting of Russian Avant-Garde art. The volume concludes with artists' biographies, bibliographical information, a glossary and index.
A catalogue of 59 works, written by two of the most eminent scholars in the field.
Book Description
ANDY WARHOL "GIANT" SIZE is a spectacular visual biography of the life and career of Andy Warhol. Weighing in at 15 pounds, this enormous book is packed with 2,000 images and documents, many rare or previously unpublished.
Taking its inspiration from Warhol's over-the-top nature, ANDY WARHOL "GIANT" SIZE depicts the major events, people, works and moments in the artist's life told in chronological order by subject. As Warhol almost never threw anything away (from restaurant receipts to postcards), the featured material in the book has been painstakingly compiled. As the publisher of The Andy Warhol Catalogue Raisonné, Phaidon was granted unprecedented access to an array of public and private image and memorabilia archives and collections, including the Andy Warhol Foundation in New York and the Andy Warhol Museum in Pittsburgh as well as the holdings of many Warhol collaborators, friends, and photographers of the period.
The large-format of ANDY WARHOL "GIANT" SIZE enables the reader to explore in detail hundreds of fascinating photographs, letters, personal correspondence, art works, film stills, tickets, receipts, celebrity head shots, notes, press clippings and ephemera all featured in this one of a kind publication. The book also features illuminating texts by insiders Bruno Bischofberger, Ronnie Cutrone, David Dalton, Kenneth Goldsmith, Ivan Karp and Peggy Phelan.
What is unique about ANDY WARHOL "GIANT" SIZE is that it provides fascinating insight into the public and private life of Warhol and in many cases also reveals the stories behind his art works. The book provides amazing comparisons between his work and his life that have never been demonstrated visually in such a way before. For example, it not only features Warhol's famous "Mao" series, but also includes ephemera from a 1982 trip to China (his passport, boarding pass, a souvenir from his hotel, etc.) alongside a photo of Warhol standing in front of the Forbidden City in Beijing with an official Mao portrait in the background.
This important new publication includes a staggering quantity and array of colorful material including: Warhol's birth certificate, citing Andrew `Warhola' was born on 8/6/28 in Pittsburgh; childhood photographs of his family; the magazine tear sheet showing the first article he illustrated for Glamour when he arrived in New York in 1949; numerous photos of Warhol with his mother; artworks for gold shoes he created in the 1950s; a letter from the MOMA dated 1959 in which the Director of the Museum's Collections rejects a work of art Warhol offered them as a gift; photographs of Warhol posing with Edie Sedgwick in a New York fashion shoot; personal letters from Mick Jagger and Liz Taylor; pictures of Warhol in the office working on Interview; pictures of Warhol private views; a series of shots of Warhol in drag; the program from his Memorial Mass on 4/1/87 and his gravestone.
ANDY WARHOL "GIANT" SIZE is the only publication available that features Warhol's entire life, work and words in one book. The visual biography offers a behind-the-scenes look at the New York art scene of the 1950s to the 1980s, and provides a new perspective on an artist who continues to be endlessly fascinating to those inside and outside of the art world.
Customer Reviews:
Very Impressive. Great coffee table book!.......2007-07-03
While I admit I have not read this book cover to cover yet, it is a great book to own if you are a fan of pop culture, POP art, or any of the characters from the Factory. There is a lot of biographical text, but far more pictures and insight into the art, so it is really quite fascinating. I am a huge fan of pop culture during the sixties and of Andy Warhol and Edie Sedgwick. My husband is not. He loves this book, too, though as it quite nice for the coffee table, and a conversation piece. It provides exposure to the world of Andy Warhol and the Factory without the overt homoerotic tone that some of the other books have. I would definitely recommend this book.
Good for Killing Alot of Space.......2007-06-26
The main attraction of "Giant Size" is just that it is physically giant sized. I have the book set on one of my display cases and is just way to cumbersome to read. It's chronological layout of Warhol's life and work seem very accurate even though I have not been able to read this book rather a good skimming. Interesting documents of his life are displayed throughout including photos of his childhood.
I recommend this book for anyone who needs an enormous coffee table book, or is a fan of Modern Art or just loves Andrew Warhola.
very very Important.......2007-03-09
Wahol.......
This book is the whole of him
Awesome pictorial of Warhol.......2007-03-06
In a word Awesome.
Its a huge, heavy and visually spectacular overview of Andy Warhols career. The perfect Coffee Table book. First rate photographs and reproductions of Andy's work. One of the best available.
awsome purchase.......2007-02-23
This book is worth every penny, the photography is incredible, It's perfect!!!!!!!!!!
Book Description
Offers down-to-earth advice on painting gorgeous outdoors scenes through 10 step-by-step demos Teaches painters how to master the art of observation Shows readers how to translate field notes and sketches into fully realized studio paintings The overwhelming beauty of the outdoors is one of the most inspiring - and elusive - subjects for painters. With Landscape Painting Inside and Out, Kevin Macphearson first shows readers how to see like an artist, then teaches them how to recreate their vision into stunningly realistic outdoors scenes. His insightful process encourages readers to focus on the small details to achieve big results.
Customer Reviews:
Excellent examples.......2007-09-19
This book gives practical, specific advice on improving your landscape painting technique. I especially like the illustrations. The paintings are beautiful and "fresh." Not your average landscapes. They inspired me.
shadows.......2007-09-10
Great book Good information but Kevin seems to lose his separation of the lights and shadows in some of his demos in the back of the book He talks about it but then shadows start getting to light in value and too much detail. This could be from the reproductions of his painting
Not as much "color and light" in this one........2007-08-11
Having read this author's previous book on putting color and light in your paintings, I was a little disappointed with this one---I expected more. The book was well organized, (had, once again, pages of stuff about selecting your brushes, etc.); the author set forth his view of a limited palette, and said that you needed to be excited about your painting---but I don't believe that he was excited when he wrote this. If he was, he didn't convey it well. Had a number of exercises, some reasonable, others only for the wealthy (use an entire tube of cadmium red light on your painting (That is, really thick!)
Anyway, having read through the book, I would not buy this book again --- that's the bottom line.
Wonderful instruction for the Plein-Air artist........2007-06-27
Kevin Macpherson gives thorough instructions in his book from colors used to composition. A beautiful book with many demonstrations. I would highly recommend to the beginning or advanced Plein-Air painter in oil.
A "Must Have" Resource.......2007-05-23
If you are an oil painter or even if you are a want-to-be painter, Kevin MacPherson's book is a terrific reference. Personally, I'm a Plein Air painter and Kevin is a master at painting on location. He covers what supplies you'll need and techniques in painting. I've had this book for some time and still refer to it often.
Customer Reviews:
Beautiful and almost complete, but needs updating........2007-10-02
As a Parisian-born art lover, I have been to the Louvre many times and skimmed through many catalogues and books about its collections. I can reasonably say that this is the most beautiful sum ever published on its paintings collection. The illustrations do justice not only to the masterpieces, but also to more minor works, which other publications seldom show. The text is minimal but lively. It is a heavy item, not easy to bring back home, but it is worth the effort.
The only regret: over the last ten years the museum has acquired some wonderful works, so maybe it is time this book were updated, since it is more than ten years old.
Great overview........2007-06-04
Context: I'm not an academic or a scholar; I'm a regular guy who likes visiting museums when I travel and I wanted to do a little researach before I left. This book worked well for my daughter and I to determine which parts of the museum deserved the most time (on a short trip) and to get a better understanding of the works. I'm not qualified to evaluate it from an academic perspective, but as a layman it was exactly what we needed.
Wonderful Reproductions.......2006-12-14
I love this book. The reproductions in my opinion are really stunning and many fill a full page. Often times you really have to concentrate to follow which painting a caption is eluding to - that is my only criticism of this book. It is a fantastic addition to any art lovers collection, and anyone who has been to or will one day visit the Louvre in person. There is not alot of historical detail so do not buy this book thinking it is an art HISTORY book. It is not that although there is VERY VERY minor detailing of periods in art and a discussion of the history of the Louvre itself. This book is a treasure to be had but not a great instructive work. For the high quality reproductions and the pleasure the reader has of viewing the vast and beautiful painting collection of one of the worlds greatest museums I give it the highest praise of five stars. I should just note that my version is newer than this and has the Mona Lisa on the cover. Cheers!
A Stunning Inspirational Expression of the Louvre.......2006-09-04
I admire deeply the work put together in this book. I believe it was compiled with integrity to the purpose of relaying the center of some of the world's most exquisite art. First of all it is a massive volume in deep, rich color and when you receive it no matter what price you paid it feels well worth it. On several pages you will see a whole painting and then on the next page an enlarged version of the painting's focal point, a section of the art to show the rich detail. Of course you will lose some detail with any representation of this work. But if you can't make it to the Louvre or have been to the Louvre and would like to bring some of the soul stilling art home I highly recommend this book.
Overrated.......2003-04-27
I'm surprised by the glowing reviews for this book. The reproductions are of poor quality. My advice would be to buy a book published in the last ten years, no more.
Average customer rating:
- Great reference
- Good Gift
- Wonderfully Concise, Marvelous Photographs
- A Great Pictorial Documentary of Street Art
- ohhh.... but I like those slate grey concrete walls
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Graffiti World: Street Art from Five Continents
Nicholas Ganz
Manufacturer: Harry N. Abrams
ProductGroup: Book
Binding: Hardcover
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Similar Items:
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Subway Art
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Graffiti Women: Street Art from Five Continents
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Wall and Piece
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Stencil Graffiti (Street Graphics / Street Art)
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Street Logos
ASIN: 0810949792 |
Book Description
Ever since anonymous spray-can art began appearing on city walls in New York and Philadelphia in the late 1960s, graffiti has been a ubiquitous presence in the urban landscape, its artists largely unsung heroes. As hip-hop culture spread from America, graffiti became a worldwide phenomenon, emerging in the 1980s as the symbolic artistic language of young people everywhere and one of the most potent influences on youth-oriented marketing and design. With more than 2,000 illustrations by over 150 artists from all over the world and interviews with many of them, this visually arresting book is the most comprehensive survey of graffiti art ever published.
Today's young graffiti artists incorporate a variety of mediums-including stickers, stencils, oils, acrylics, and oil-based chalk-as well as an ever-expanding range of social commentary. This evolution in style and subject matter has earned graffiti the respect of the art world and guaranteed its long-lasting influence on art, graphic design, and style around the world. Great fun for graffiti and pop-culture buffs, the book is also an essential reference work for anyone involved in the visual arts today. AUTHOR BIO: Nicholas Ganz (also known as Keinom, his pen name) is a graffiti artist who has traveled around the world to gather material for this book. He lives in Essen, Germany. Tristan Manco is a graphic artist and director of Bristol-based Tijuana Design. He is the author of Stencil Graffiti and Street Logos.
Customer Reviews:
Great reference.......2007-08-06
I'm an art teacher, and I have this book in my room for ninth graders to look at during "down" time. It is so popular that I have had to repair it with book-binding tape after only two years. Many of the students just enjoy looking at the variety of impressive artwork, and some of them enjoy copying the styles of letters to create their own names or phrases. There are hundreds and hundreds of photos from around the world, showcasing a wide variety of styles. I find it hard to believe that someone could not be impressed with the artwork contained in this book.
Good Gift.......2007-07-14
I bought this book for my sister on her birthday and it's awesome... but some of the art in this book is not as spectacular as I thought it would be. The book is very enjoyable regardless.
Wonderfully Concise, Marvelous Photographs.......2007-06-22
I got just what I wanted from this book; a vivid depiction of some of the best works of graffiti in the entire world. I was certainly not disappointed. The art presented here ranges from simple, stark icons plastered in street signs to massive photorealistic portraits on the sides of enormous buildings, and everything in between.
A Great Pictorial Documentary of Street Art.......2007-06-01
Beautiful, glossy images, with many styles and influences...
ohhh.... but I like those slate grey concrete walls.......2007-04-05
To the previous reviewer:
Quote "It just goes to show how brainwashed everybody is into thinking this act of vandalism is an artform"
Of course you are entitled to your opinion, however the sad thing is that you are actually the one who is brainwashed. I guess it is not your fault that years of conditioning have created a closed mind that is unable to appreciate art in forms other than a nice little square canvas hanging on your living room wall.
Try to remove those blinkers once in a while you may be surprised.
peace
OK, as for the book itself.....
Pros: It covers a good spectrum of street art from many countries and is loaded with thousands of photos, making it a great coffee table book. When you open the book and flick through a few of the glossy pages the quality is obvious you really feel like you got your moneys worth.
Pretty good mix of moonlight pieces and the legal stuff.
Cons: The text is pretty minimal and offers only a brief intro to the artists, but I guess most people will be buying this book for the pictures anyway.
I also thought it could have included some larger format pictures considering the page size, pretty minor complaint tho.
Most people will find it a nice gentle intro in to the world of graf art, others a useful reference.
Book Description
Clues to the meaning of many of the masterpieces of art history lie in a rich system of symbols, themes, and motifs that often eludes modern museum-goers. The intimate knowledge of Christian theology, Greek and Roman mythology, and folklore that was so vivid in the minds of viewers during the Renaissance is rarely part of the preparation the contemporary viewer brings to a painting. This insightful, anecdotal, portable book-with 1,000 gorgeous color illustrations-helps to fill in those gaps by decoding the imagery of more than 150 of the most influential and admired artworks of all time.
Covering the works of the Italian, Netherlandish, German, and Spanish Old Masters, from 1450 to 1750-paintings by artists such as Giotto, Botticelli, El Greco, Bruegel, Holbein, Rubens, and Vermeer, all held in public collections-How to Read a Painting not only helps the viewer to understand the significant details of a picture but also explains the relationship with similar imagery in other works. The guide to Old Master paintings that every art lover has always wanted, this indispensable museum companion will open the reader to a whole new experience of Western art's most praised and visited paintings.
Customer Reviews:
excellent reference.......2006-11-05
This book was hard to put down. Each painting was a new story that revealed information I would have never known. I started it as I was planning a trip to Rome and Florence and it opened up a world for me that I would otherwise have been ignorant of while visiting the museums where some of these paintings hung. My only critisism would be that it didn't go into much depth-just mostly basic symbolism.
Good for reference and also entertaining.
Baroque.......2006-11-02
Excellent book, the quality of the pictures if great and very useful content. It is one of the best book for your library.
Fascinating read for any art lover!.......2006-01-05
This book is a tremendous read. And you don't need to be an art historian or student to appreciate the information. Easy to understand, you will never look at those "boring old masters" the same way again.
Thought-provoking book on European Art Masterpieces.......2005-07-25
If you have never been particularly interested in art but want to start learning about the great European artists between the 14th century and the early 19th century, this is a great book to start with. And I am sure it has a lot to offer to advanced students of Art too.
The book offers comments on about 180 significant paintings painted over 500 years. The earliest painting in the book is Maestà (1308-11) by Duccio di Buoninsegna of Italy. The most modern is The Third of May, 1808 by Francisco de Goya of Spain. Every painting is dissected with numerous sub-illustrations and the various historical, artistic and social significances of it discussed in detail. Since all the paintings are European in nature, the originals are located mainly in English and European museums but a surprising number of paintings are located in American Museums too.
Here are the ones from the Metropolitan Museum of Art in New York.
The Adoration of the Magi (1310) - Giotto
The Annunciation Triptych ("Merode Triptych") (1425-30) - Robert Campin
Diptych: The Crucifixion and The Last Judgement (1430s) - Jan Van Eyck
A Goldsmith in his Shop, Possibly St Eligius (1449) - Petrus Christus
The Opening of the Fifth Seal of the Apocalypse (1608-14) - El Greco
The Rape of the Sabine Women (1633-34) - Nicolas Poussin
The Preaching of St John the Baptist (1634) - Bartholomeus Breenbergh
The Death of Socrates (1787) - Jacques-Louis David
The majority of the paintings focus on Biblical topics, but there are a great number of secular and political paintings too especially in the later years. For example, there is a fascinating one called "An experiment on a Bird in the Air Pump" (1768) by Joseph Wright of Derby. It is a study of various peoples reactions to a scientific experiment in which a bird is suffocated to death in an air pump.
An amazing European art history course.......2005-05-27
This book is worth every cent, just for the 1,000 glossy photos of major European "Old Master" works!!
I wish I had read this book instead of struggling to stay awake in very boring art history classes!
Book Description
An atelier program between the covers of a book
* Serious techniques for the serious art student
* Study the work of the Old Masters and today's top realist artists
* In the tradition of Watson-Guptill's classic Drawing Lessons from the Old Masters
Ateliers have produced the greatest artists of all time--and now that educational model is experiencing a renaissance. These studios, a return to classical art training, are based on the nineteenth-century model of teaching artists by pairing them with a master artist over a period of years. Students begin by copying masterworks, then gradually progress to painting as their skills develop. Classical Drawing Atelier is an atelier in a book--and the master is Juliette Aristides, a classically trained artist. On every page, Aristides uses the works of works of Old Masters and today's most respected realist artists to demonstrate and teach the principles of realist drawing and painting, taking students step by step through the learning curve yet allowing them to work at their own pace. Unique and inspiring, Classical Drawing Atelier is a serious art course for serious art students.
Customer Reviews:
Drawing in depth.......2007-10-03
This is a deep book, a kind of survey of essential drawing topics for the artist student, beginning or advanced. My impression is that Ms. Aristides covers the curriculum of her Atelier, explaining the theory behind the practices and learning accomplished there. At any rate, what she discusses she treats thoroughly and thoughtfully with valuable insights. For instance, I have read a number of excellent books on drawing, but hers is the first that defined for me the different meanings contained in straight lines verses curved lines. For me, a key insight. So I think the true value of this book, in addition to spelling out what her students do and learn, is the key artistic wisdom Ms. Aristides shares out of her experience and expert skills.
inspirational .......2007-09-29
This book explains how the skill of making classical art is tought from master to pupil(s) in the style the old masters did.
The photos of the drawings and exercises are very inspirational. In the end of the book there are several do it yourself exercises. But one who reads the book is aware of how to improve his or her artist skill in a thorough way simply by reading what miss Aristides has to say.
Excellent.......2007-08-16
A wealth of knowledge,experience and fortitude has gone into the development of this artists' essential guide to the attainment of high art.
The crucial need of the artist to configure the subject correctly is aspired to in this book, and the pictures are superb. The methods used to obtain high standard preliminary (and necessary) rendering of the subject is covered in this book and is really a valuable guide to anyone considering joining an atelier program prior to their commencement.
As well it is valuable for anyone wanting to appreciate how perfection is obtained- albeit the 'truth' of art.
An excellent resource and Julitte Aristides lengthy career has gone into its' making.
I can wait for her Classical Painting book also to be published reportedly some time later in 2007.
Poor photorealist deception.......2007-08-07
Yet another opportunist example of the terribly rampant photorealism today which has nothing to do with classical art. The authors work and premise is a joke in its attempt to connect later 19th C. methods with Classical ones. Photo realism began in the 2nd half of the 19th C. with gimick methods such as the Barge, mentioned in the book. (ther's a reason why they look like black & white photo negatives). Its all a scam and while artists like Bouguereau, who sometimes painted from photos, actually had some legitimate classical training (eroding quickly in his time), the fact is no one today does because it doesn't exist. The cast drawing section in particular is totaly incorrect because proper, classical drawing prior to the mid 19th C., has to do with delineating and emphasizing form not throwing a light on something and copying the shadows with pretty, airbrush-like, rendering techniques - this in turn produces paintings that look like poster illustration. Artists following these methods while claiming their relattionship to classical training are ignorant quacks - they all follow this system because its easy to do and teach but they have unfortuanely decieved themselves as well as their students. Most all academy collections of casts today are of terrible, diluted quality anyways. Students would do much better by studying museum sculptures and the "form drawings" displayed in "Michelangelo Drawings" by Hugo chapman, I believe found here on Amazon. You'll clearly see that's he's focusing on 3-D design and structure - drawing "through" forms, not merely doing external renderings. I'm a painter tryng to study the LOST art of classical drawing/painting and want to help set the record straight.
Beautiful book.......2007-07-23
I've been taking classes at an Atelier type school and found this book very interesting and helpful.
Book Description
From Ancient Egyptian frescoes to the Renaissance masters, from French Impressionists to American Abstract Expressionists, this highly browsable guide embraces all cultures and every style of painting from 4,000 BC to the present. A visually arresting reference for art lovers and students, it provides a truly comprehensive worldwide gazeteer of paintings organized chronologically by date of completion. Each entry includes the history of the painting, information about the artist or artistic movement, the current location of the painting (all are on view to the public), as well as other details. The works are also indexed by artist and by title, making for easy cross-referencing. Included are popular paintings, key works that are the most breathtaking for their extraordinary power and beauty, paintings that were turning points in the history of art, and rediscovered masterpieces, making 1001 Paintings You Must See Before You Die an art museum in its own right.
Customer Reviews:
Home schooling.......2007-09-28
Purchasing this book is like taking a yearlong course in the history of painting. The reproductions are excellent, the essays are filled with information, the paintings are not always the best known, but certainly are excellent examples of each artist's works. A definite purchase.
Nice Choices.......2007-09-23
Nice choices selected for a good sampling of artworks. Arguably there were inclusions of varying taste and some masterpieces were excluded but the book delivers as advertised and is worth the price.
A must for lovers of art!.......2007-09-18
This book is a look at 1001 paintings that the author feels should be on any art-lovers "must see" list. They are arranged in chronilogical order. The first paintings were made in ancient Egypt. The last of the paintings were painted last year. Each painting comes with a paragraph underneath that gives a thumbnail sketch of the artist and the circumstances of how he created each masterpiece.
For the most part it is an entertaining read. The paintings are for the most part dazzling, and the facts underneath are fun to read as well, even if you don't always agree with author's interpertations of the paintings. It is a very long book, though, so feel free to flip to your favorites!
Helpful Catalog for Finding What You Like.......2007-09-15
The concept behind this book is an intriguing one: If you had seen most of the best paintings in the world, which 1001 would you recommend that others see if at all possible? My initial reaction was that there probably aren't 1001 paintings that I would recommend to everyone else.
With that perspective in mind, I first read through the book to identify which paintings would be on my list. I came up with 72. Almost all of those were on my mental list when I started reading the book. I was also missing about 100 of my favorites, but few of the artists were omitted. So if I had been new to paintings and became familiar with the 65 artists who did the 72 paintings, I would have eventually uncovered almost all of the other 100. That experience confirmed my impression that this book would be of most value to those who have seen relatively few great paintings and want to get a sense of what they like.
The images were quite well done for such small reproductions. Most paintings are represented on one page (a few are two to a page) with the minimum size being about one inch by two inches. But the printing was done well enough that you get a decent idea of the painting. I have seen more than 600 of these works in person and found that the reproductions often looked better than the originals: So don't be too disappointed when you see the real thing. Naturally, others look at lot better in person: You cannot capture the Sistine Chapel's paintings very well in a small image, for example.
The nice surprise for me was to find that the book contains works from private collections, several of which were new to me. This made me feel like I was visiting a blockbuster traveling show, especially when the works were by some of my favorite artists.
One of the most impressive aspects of the book was its equal emphasis over 1400 to the present with some representation even earlier than that. As a result, you get a good cross-section of different styles among Western artists (other artists are underrepresented, as they are in major Western museums).
Those who want to travel to see these works will be pleased to see that their locations are noted. There is a missed opportunity to index the works by museum to make trip planning easier. But most good museums today have extensive online catalogs of images that you can scan to plan what you want to see in advance. Simply jot down museums you should visit, but haven't been to yet. Then go online to see which art there will appeal to you.
I would love to see someone take this same concept and apply it to each century of paintings, sculptures, and graphic art.
Take a good look!
A Book With A Gimmick Format That Is Actually a Smart Survey!.......2007-09-08
The very title of this book will probably offend serious art lovers as well as the cover art that strains to imitate Magritte. But don't be fooled by the packaging in this case. This is a fine little volume that covers an enormous variety of paintings through time and is designed in a format that places one painting per page (though the page are not large) with an accompanying commentary on the painting, the artist, the historical content and some astute remarks by a staff of well informed writers.
Ancient paintings as well as contemporary paintings are in this collection of 'must sees' and actually each of the selections could well qualify for the designation of the title. What the book does not do is provide a travelogue to guide the reader to the locations of each of the works, but it does present a survey of great art, succinctly distilled in well chosen word descriptions, that proves t be a valuable introduction to the works considered by many to be the great moments in art history. This would be a fine book for young or new art lovers, a volume that would interest those who fear the magnitude of the realm of art history here made accessible - like cliff notes! A great idea for a gift - for other and for your own library. Grady Harp, September 07
Books:
- Painting Sharp Focus Still Lifes: Trompe L'Oeil Oil Techniques
- Pink Box: Inside Japan's Sex Clubs
- Quilling for Scrapbooks & Cards
- Scream for Ice Cream (Nancy Drew and the Clue Crew)
- Sixty Days and Counting
- Stage Makeup: The Actor's Complete Guide to Today's Techniques and Materials
- Stamp Artistry: Combining Stamps with Beadwork, Carving, Collage, Etching, Fabric, Metalwork, Painting, Polymer Clay, Repousse, and More
- Steps to Writing Well with Additional Readings (with InfoTrac )
- Stop the Anger Now: A Workbook for the Prevention, Containment, and Resolution of Anger
- Taylor's Guide to Ornamental Grasses: More Than 165 of These Versatile, Low-Maintenance Plants, Pictured in Color with Full Descriptions of How to Use Them (Taylor's Gardening Guides)
Books Index
Books Home
Recommended Books
- Knitting on the Edge: Ribs, Ruffles, Lace, Fringes, Floral, Points & Picots: The Essential Colle
- Eye of Heaven
- Yeast Physiology and Biotechnology
- Against the Tide of Years
- Aunt Dimity Goes West
- Einstein: His Life and Universe
- Catholic Parent Know-How: Discover the Riches, Lent
- If You Want to Walk on Water, You've Got to Get Out of the Boat
- A Question of Balance: Artists and Writers on Motherhood
- Leaf prints of American trees and shrubs:
Classic Still Life Painting: A Contemporary Master Shows How to Achieve Old Master Effects Using Today's Art Materials
Landscape Painting Inside and Out: Capture the Vitality of Outdoor Painting in Your Studio With Oils
Discoveries: Chardin: An Intimate Art (Discoveries (Abrams))
Still Life: A History
The Rhetoric of Perspective: Realism and Illusionism in Seventeenth-Century Dutch Still-Life Painting
