Average customer rating:
- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
- History as Science Fiction
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History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
ProductGroup: Book
Binding: Paperback
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Similar Items:
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History: Fiction or Science? Chronology 2 (Chronology)
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History: Fiction or Science? Astronomical methods as applied to chronology. Ptolemy's Almagest. Chronology III
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They Cast No Shadows: A Collection of Essays on the Illuminati, Revisionist History, and Suppressed Technologies
ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Average customer rating:
- wow
- More than a book, a work of Art.
- Great Coffee Table Book
- An Absolutely Inspiring Book
- Astonishing natural art
|
Stone
Andy Goldsworthy
Manufacturer: Harry N. Abrams
ProductGroup: Book
Binding: Hardcover
Goldsworthy, Andy
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Wall
ASIN: 0810938472 |
Customer Reviews:
wow.......2007-03-21
This was my first book encounter with Andy Goldsworthy and wow- his art ideas are great. I love how he uses nature in his art- and even more so, how the changes in nature are art themselves.
More than a book, a work of Art........2007-02-10
Stone, like many of Andy Goldsworthy books, sends the observer to a land that exists only for a brief time. Using the medium of photography, Mr. Goldsworthy captures these moments, in the world he creates, that appear to me as more of a heaven than an earth. If you as a child or if you have watched your child play endlessly with nature, creating masterpieces that may end up being washed away, blown away, or covered in snow, you will appreciate this book for capturing them for all eternity.
Great Coffee Table Book.......2007-01-10
This was a gift for my boss but I just couldn't stop looking through it. What a beautiful book. Very inspiring! I got rave comments... and a raise! Definitely a amazing present.
An Absolutely Inspiring Book.......2002-11-13
A truly beautiful book, with rich photographs and nice summaries. Inspiring to the last page - and particularly useful for igniting one's creative juices. A small note to the Amazon reviewer: Andy Goldsworthy was born in England in 1956. He lives in Penpont, Scotland, but is English - not Scottish.
Astonishing natural art.......2002-09-08
In "Stone," as in his other books, Andy Goldsworthy takes the natural play of a child--fooling around with sticks, leaves, water, stones, mud, and more--and elevates it to something above and beyond its natural status. He uses his adult design skills to create great manmade beauty from existing natural beauty. He never falls over the line into obvious, coy, or precious art--he simply lets nature be what it is with a tiny little bit of rearranging on his part.
The results are never short of astonishing. Witness the sharp-edged rocks against which Goldsworthy has "glued" (with plain water) the leaves of brilliantly red Japanese maples, thereby making the edges look almost bloodied (p. 76). Witness the delicate, calligraphic tracery Goldsworthy stitched up by pinning together rush after rush after rush with thorns and then hanging these on a gallery wall so that it appears that either Calder or Matisse have wandered in and scribbled elegantly on the walls (p. 83). Witness the balanced oval boulders Goldsworthy lays in a curvaceous line from beach to the sea, and see how they roll and disappear from view as the tide comes crashing in (p. 101). These are but three of the many visual astonishments Goldsworthy shares in this book. The book is a never-ending source of delight and admiration for the feverish workings of one of 20th-century art's most creative minds.
Product Description
This full color coffee table sized book about Zimbabwe's geography, history, culture and of course the Shona sculpture produced there is one of a kind. It is the first book published in the West about Shona sculpture and the Shona artists. It is also perhaps the only full length book on Shona sculpture ever printed in full color. A perfect balance of rich text and beautiful photographs taken by award winning travel photographer Robert Holmes (winner of "Travel Photographer of the Year" and also a National Geographic Photographer). Not just a book on Shona art, the history from ancient times to modern day is touched on in this book as well as other items such as geology which all contribute to a greater understanding of the current Shona sculpture art movement. This is the 2nd printing of the 2nd edition.
Customer Reviews:
Book about the background of Shona sculpturing art.......2006-08-30
This year for the third time I followed a sculpture workshop by a Zimbabwian artist called Samuel Masakwa. Teh reason for me to buy this book was to learn more about the background of this form of art. And for that it's a great book. It tells the history of Zimbabwe and of Shona art, the artists and how they consider their art form, the frequently useds themes (gods, animals, family etc.) For me it was a very valuable book, nicely illustrated as well and next year when Samuel Masakwa comes back to Holland to give his workshop, I will attend it differently, because I know much more about this art form and I will let the stone speak more to me.
Els de Bruijn
Wholesalers of Shona Sculpture.......2004-05-24
I have been involved with the export of Shona Sculpture for over 4 years now through our website zuluexclusive.com and was given this book on a trip to the States last year. It certainly describes everything about shona sculpture in great detail and shows many beautiful pictures. We recommend this book to everyone that we supply sculpture to. If you have any questions about Shona Sculpture we would love to hear from you heather@zuluexclusive.com
This book does what is says, and superbly!.......2000-12-06
It was interesting to read the other reviews before purchasing this book. I was anxious to read it for myself, since it consistantly got high marks, yet also recieved criticism for not being comprehensive, an apparent dichotomy! Upon opening the book, I read the introduction, which some of the severest critics seem not to have done...for if they had, they would have seen that it clearly states that this is NOT the defintive book on Shona Sculpture, nor would it ever pretend to be! Rather it is an OVERVIEW, and introduction to the people, country, history, geology and culture that have produced this unique artform. The authors also CLEARLY state upfront that this book is THEIR own opinions, and that , as in all art movements, there will be disagreements as to the whens, whos, hows etc. Given this self-appraising clarification from the authors themselves, I found myself at ease reading this book, which has quite a lot of thoughtful and well researched content as well as many beautiful pictures!
comprehensive but not academic.......2000-10-21
This is a wondeful book for giving the background in Zimbabwe of the Shona people and a pictographic essay of Zimbabwe which feeds into the Shona sculpture. However, this is not an academic study, not does it give comprehensive biographies of each major Shona sculptor. In its favor, it shows a closeness to the people and an understanding of their history and daily life. It also does have an extensive listing of sculptors which is helpful.
Spirits in Stone: The New Face of African Art.......1999-12-15
I am one of the largest importers of Shona sculpture in the US. [ www.shonagallery.com ]I have traveled to Zimbabwe more than 12 times and have purchased thousands of wonderful sculptures from more than 200 artists directly. I believe this book to be the very best treatment of shona sculpture and its relationship to the Zimbabwean culture that I have seen. The people who put it together seem to have a similar perspective, as I do, on the art form and the people of Zimbabwe. As the country of Zimbabwe and Its people have evolved, so has the art form evolved. It is not an art form exclusive to the first generation artists and their styles. It is a vibrant expressive means of sharing cultural and spiritual feelings through stone. The young artists of Zimbabwe are some of the finest stone sculptors in the world today, and Spirits in Stone is a very inspiring reflection and that fact. It would be a wonderful book to have along with any piece of Shona sculpture one owns, or just a beautiful book to have around.
Book Description
More than 125 gorgeous photographs showcase the beauty of award-winning stonemason Lew French's work in eight different homes, illustrating how rounded fieldstone, gray slate, rough granite, and even curvy driftwood can be incorporated into stunning pieces of functional art.
< BR>
Customer Reviews:
Lew French featured in House and Garden magazine.......2007-09-11
I bought this for my father who, like Mr French, has collected beautiful and unusual stones for many years.
A Minnesota native living in Martha's Vinyard, Mr French has an extensive stone collection from all over New England, which he draws from when creating his fluidly organic designs. While using such time honored techniques as dry-stacking arches and stone walls, his work retains a modern feel.
I view this as an art book for it's superb photography,showcasing Mr French's craft in guesthouses, fireplaces, arches, garden pools and more. His engaging and informative text draws you from one spare, beautiful design to the next.
Sure to please those who delight in work that is still done by hand, by an artist in stone. My father gives it four stars!
Beautiful Book.......2006-08-30
I bought this book for someone who lives on the Island pictured throughout. They have actually seen his work and found there is such a book so I purchased it as a gift for them. I was entranced with the beauty of the different gardens, fireplace designs, color photography and the written text. Mr. French is indeed the best artisan of stone and wood and Alison Shaw, whose work we have enjoyed through the many years on Martha's Vineyard has surely added much beauty to this book.
Both an idea book and a survey of style and use .......2006-05-22
STONE BY DESIGN: THE ARTISTRY OF LEW FRENCH is packed with color photos of an artist who works in all kinds of stone, from slate and granite to fieldstone, incorporating these pieces into a home or art project setting. From locating stone in different places and splitting and working with its shape to working with architects in blending stone into home uses, STONE BY DESIGN is both an idea book and a survey of style and use by one whose expertise lies in blending stone qualities with home interior purposes.
Diane C. Donovan, Editor
California Bookwatch
Both an idea book and a survey of style and use .......2006-05-22
STONE BY DESIGN: THE ARTISTRY OF LEW FRENCH is packed with color photos of an artist who works in all kinds of stone, from slate and granite to fieldstone, incorporating these pieces into a home or art project setting. From locating stone in different places and splitting and working with its shape to working with architects in blending stone into home uses, STONE BY DESIGN is both an idea book and a survey of style and use by one whose expertise lies in blending stone qualities with home interior purposes.
Diane C. Donovan, Editor
California Bookwatch
Stone By Design.......2005-09-27
Mr. French has created some beautiful pieces of art which are both functional and gorgeous to look at. The photography is stunning and the writing is solid and interesting. Anyone interested in architecture, design or art would find this book well worth a look.
Average customer rating:
- The Chalk Box Kid
- The Chalk Box Kid The Greatest Book Ever
- The Wonderful Book!
- The Chalk Box Kid
- A Real Gem
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Chalk Box Kid (Stepping Stone, paper)
Clyde Robert Bulla
Manufacturer: Random House Books for Young Readers
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Freckle Juice
ASIN: 0394891023
Release Date: 1987-09-12 |
Book Description
Random House is proud to present the tenth anniversary edition of a book Publishers Weekly called "a gem of a book...a story that goes straight to the heart." When nine-year-old Gregory experiences several upsets in his life, he responds by creating a fantastic chalk garden on the charred walls of a burned-out factory behind his house. As his garden grows and flourishes, Gregory finds a voice through his art and, for the first time, is able to find his own place in the world. The Chalk Box Kid is sure to delight a new generation of children and their parents.
Customer Reviews:
The Chalk Box Kid.......2006-10-26
The Chalk box kid teaches you a lesson about how to deal with life when
you move. It shows you that you can make a place your own. It was a wonderful book.Gregory creats a chalk garden. As 3rd graders we give it 5
stars!
The Chalk Box Kid The Greatest Book Ever .......2006-01-24
This is my favorite book ever because it was about chalk and I like to write with chalk.
The Wonderful Book!.......2006-01-24
I like this book a lot because I like to write with chalk.I would also like to have a garden.
The Chalk Box Kid.......2006-01-19
When you read this book you will be amazed! This book is amazing
to me and probably to you to.I mean I love this book it's amazing I hope you will like this book very,very much if you want to find out more information you'll have to read it!!!!!
A Real Gem.......2005-01-27
Nine-year-old Gregory's going through a tough time: his dad lost his job recently, he just moved to a new neighborhood, he switched schools, he didn't get to celebrate his birthday this year, and the one bright spot of everything -- the bedroom his parents added on to the house just for him (Gregory's never had his own room before) -- he has to share with his 20-year-old slacker Uncle Max, who just moved in. To make things worse, the kids at school aren't exactly standing in line to be his friends and his family doesn't have a lot of time for him now.
Things start to look up when Gregory discovers an abandoned chalk factory next door. Under the rubble are boxes and boxes of leftover chalk and Gregory starts drawing on the walls. What he draws and what happens when others take notice is the story.
Discussion:
This is one of the best beginning chapter books I've read in a long time. There are no 50 cent words and the sentences are short but the paragraphs pull you along so you'd never notice it. What makes this book so unique are the topics it skids around.
Gregory is a very frustrated little boy. His parents both work and can't afford to give him the art supplies, clothes, garden space, etc that his friends have access to. His uncle is more of a spoiled new brother than an adult and neither he nor Gregory's parents take much interest in Gregory's concerns and activities. His new teacher is nice but he's having trouble fitting in at school. There is no place in his house that is private. Nothing horrible ever happens but little things build up and although he doesn't know how to say it, Gregory's pent-up frustrations need an outlet. (He's not the only child in this book with this problem: a classmate, Ivy, also has difficulty putting words what's bothering her.)
In a typical beginner reader book an adult would take notice and step in and find a way to make Gregory feel special. Instead the author has Gregory discover an unlimited supply of chalk and 3 walls of the chalk factory to draw on. Now that Gregory has a place that he can make his own, everything else is more bearable. When he finds that he's the only one in his class without a yard to grow a garden in, he simply draws one on the walls outside.
It doesn't take long before others catch on to what he's doing, but by then Gregory has a little more control over his feelings (he no longer feels like kicking things). Again, Bulla is realistic: Nothing fantastic happens but things work out anyway and the ending is more satisfying because of it.
Average customer rating:
- The Uncommon Power of Common Things
- Another flight of imagination from inimitable Goldsworthy
- Thoughts from a bent back
- Nice stone work
|
Wall
Manufacturer: Harry N. Abrams
ProductGroup: Book
Binding: Hardcover
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Stone
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Wood
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Andy Goldsworthy: A Collaboration with Nature
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Time
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Passage
ASIN: 0810945592 |
Book Description
British artist Andy Goldsworthy, known for creating art outdoors and from natural materials, has now built a 2,278-foot stone wall at Storm King Art Center, a sculpture park on the Hudson River in Mountainville, New York. This sensitive and detailed response to the land-former farmland in an area once rich in stone walls-is one of his most impressive and important permanent artworks. This new work starts by closely following the foundations of an old, dilapidated wall and then makes a series of increasingly voluptuous arabesques before plunging down into a lake. It rises again on the other side and heads straight up a grassy slope to stop dead at a major highway. The book's stunning color photographs show the wall from every vantage point and in all four seasons, as well as documenting ephemeral work made around it. Kenneth Baker's essay considers the Storm King wall in the context of Goldsworthy's other work. The book accompanies an exhibition at Storm King that opens in May 2000.
More than 60 photographs in full color, 9 1/2 x 10 1/2"
ANDY GOLDSWORTHY was born in 1956 in Cheshire, England. His work is regularly exhibited in Britain, France, the United States, Japan, and elsewhere. Although commissions take him all over the world, the landscape around his home in Dumfriesshire, Scotland, remains at the heart of his work. His previous books include Abrams' Andy Goldsworthy: A Collaboration with Nature, Hand to Earth, Stone, Wood, and Arch. JERRY L. THOMPSON is a highly regarded photographer who has contributed to a number of books, including Abrams' Mark di Suvero. KENNETH BAKER is art critic of the San Francisco Chronicle.
EXHIBITION SCHEDULE Storm King Art Center, Mountainville, New York May-November 2000
Customer Reviews:
The Uncommon Power of Common Things.......2006-04-28
Wall is a visual journey into the uncommon power and beauty of common things. Stones, leaves, a blade of grass. Rushes, thorns, the splash of water on a quiet rock. In the thoughtful hands of artist Andy Goldsworthy, these ordinary landscape artifacts are pressed, moved, shaped and juxtaposed, then left to melt back into earth over time. When viewing Goldsworthy's art, one thinks of the rapt attention of a child, who sees possibility in every fallen branch. Yet, the overall impression is philosophical in nature. Even the person who claims little understanding of art can find a way to enter in, especially with the help of Baker's essay. A beautiful read, a beautiful look.
Another flight of imagination from inimitable Goldsworthy.......2002-09-08
Imagine that you're a giant playing with pebbles in your backyard. There's a big puddle nearby, and a lot of weeds. You idly pick up pebble after pebble, placing them gently one on top of the other, winding what ends up being a wall through the weeds until it gets to the edge of the puddle. That's the deliciously disconcerting feeling you'll get as you page through Andy Goldsworthy's "Wall."
A document of the design and construction of Goldsworthy's wall at Mountainville, New York, the book details the finding of the original, now-falling-down stone wall and the decision to recreate and embellish upon this. Andy Goldsworthy was called in to design the new wall. While he begins by following what is left of the old wall, his work is looser, more elegant, almost scroll-like as it winds down the hill and plunges directly into the water of the lake. There is a calligraphic quality to this wall that's visually arresting and, quite simply, beautiful.
Along with the wall, Goldsworthy can't resist playing with nature in other ways and these photographs are thoughtfully included as well. We see the line of chrome yellow leaves he's stitched together and placed on the wall, the holes he's filled with crimson leaves and water, and the tree whose bark he's lined with, well, other trees! It's astounding to see how Goldsworthy's brain works and what handsome design statements result from his creativity.
Thoughts from a bent back.......2000-12-30
As one of the wallers involved in the building of Andy's wall at Storm King, I can honestly say that this book gives a really good insight into the ideas behind his work and some of the technicalities involved in its construction. The photography is wonderful and the text informative. This book is well worth a look, and so is the wall itself.
Nice stone work.......2000-06-14
The photography in this book is stunning, as is most of Andy's work. The real heroes of the Wall at Stormking are the Dykers, mainly Max Nowell legendary stone worker from South west Scotland.
Book Description
Certain symbols abound in modern Western culture that are instantly recognizable: the cross signifies Christianity, the six-pointed Star of David is revered by Jews, the golden arches frequently means it's time for lunch. Other symbols, however, require a bit of decoding-particularly those found in cemeteries. Cemeteries are virtual encyclopedias of symbolism. Engravings on tombstones, mausoleums and memorials tell us just about everything there is to know about a person- date of birth and death as well as religion, ethnicity, occupation, community interests, and much more. In the fascinating new book Stories in Stone: The Complete Guide to Cemetery Symbolism by noted author Douglas Keister, the secrets of cemetery symbolism are finally revealed. For instance, did you know that it is quite rare to see a sunflower on a tombstone? Did you know that the human foot symbolizes humility and service since it consistently touches the earth? Or the humble sheaf of wheat-while it is often used to denote someone who has lived a long and fruitful life, do you know other meanings it might carry? Stories in Stone provides history along with images of a wide variety of common and not-so-common cemetery symbols, and offers an in-depth examination of stone relics and the personal and intimate details they display-flora and fauna, religious icons, society symbols, and final impressions of how the deceased wished to be remembered. Douglas Keister has created a practical field guide that is compact and portable, perfect for those interested in family histories and genealogical research, and is the only book of its kind that unlocks the language of symbols in a comprehensive and easy-to-understand manner. Douglas Keister has photographed fourteen award-winning, critically acclaimed books (including Red Tile Style: America's Spanish Revival Architecture, The Bungalow: America's Arts & Crafts Home, and Storybook Style: America's Whimsical Homes of the Twenties) earning him the title "America's most noted photographer of historic architecture." He also writes and illustrates magazine articles and contributes photographs and essays to other books, calendars, posters, and greeting cards. Doug lives in Chico, California, and travels frequently to photograph and lecture on historic architecture and photography.
Customer Reviews:
Don't like the small format, but..........2007-07-02
Dead men may tell no tales, but the symbols on their tombstones do. This guidebook is geared for genealogists and cemetery fans. Several chapters on cemetery symbols include Flora, Fauna, Religious Symbols, Secret Societies, and Mortality Symbols. Other chapters are a guide to cemetery architecture, tomb types and a selection of unique tombs.
The book is illustrated with numerous photographs and includes an alphabetical listing of acronyms and abbreviations of societies, clubs and organizations. A chapter on mortality symbols discusses everything from the skull and crossbones to the grim reaper. There are chapters on symbols of flora (plants), fauna (animals), and religions (Christian, Hebrew, Chinese and Japanese), including descriptions of different kinds of crosses. Angels, who seem to gather in cemeteries everywhere, get their own section called "Heavenly Messengers." I was especially impressed with the chapter devoted to secret societies and organizations such as the Masons/Freemasons, Woodmen of the World, Knights Templar, Knights of Columbus, Odd Fellows, Grand Army of the Republic, Shriners, and others. Each of these is illustrated with an example photograph.
Info great... book is small & hard to read.......2007-03-02
Information is great but format leaves something to be desired. Book is odd size especially considering price and type is very small. Get out your magnifying glass for this one. Layout and type really take a lot away from the book.
Captivating and Curious!.......2006-12-31
Even aside from cemeteries and graveyards, the information alone on symbols, emblems and icons is immensely resourceful. These combination visuals appear elsewhere too, not just in stone- not just for the dead! Many symbols for older societies and secret organizations in our world are touched upon, and their origins explained. Just a wonderful book. -Best, I love the format- easy handling! -For every designers' bookshelf.
tells the story.......2006-11-01
Received my copy today and went to the cemetery and immediately begin to understand the symbols and meaning behind them. If you are interested in the meaning of cemetery iconography, this is the book to get.
Beautiful!.......2006-07-26
A great book for lovers of cemeteries, symbolism, art and history. There are many photos and the text is interesting and well written. It's a very attractively designed book too and the size is rather different...it's smallish, yet tallish and meant to carry with you on your cemetery explorations. I do wish there was a coffee table style version of this book, larger with room for even more pictures! Buy this one, it'll make a lovely addition to your morbid book collection!
Book Description
There is currently a revival in the art of stone sculpture,-along contemporary lines-of the Golden Age in Greece and the Renaissance in Europe. Many noted twentieth-century sculptors are now working directly in stone. This book explains how to create modern stone sculpture, with hundreds of examples by today's top sculptors. Included are sculptures by Jean Arp, Constantin Brancusi, Max Bill, Barbara Hepworth, Henry Moore, and many others, illustrated and explained with hundreds of clearly detailed photographs. This is also a how-to book, giving specific, step-by-step instructions for creating stone sculpture; describing various types of stone, how to select and transport it; telling how to carve the stone with hand tools and electric or pneumatic power tools; and providing the methods of finishing the work. Contemporary Stone Sculpture is important for the inspiration of art collectors and working artists alike.
Customer Reviews:
Superb.......2002-10-01
A fine reference volume, this book is perhaps less valuable in terms of instruction than Liebson's book, but Meilach picks up where Liebson leaves off. Liebson devotes his book entirely to technique -- to the craft of sculpting; only the first third of this book does the same, but with the help of over 350 photos, Meilach instead concentrates on the art of carving. Not so much art theory, but rather considerations of form, volume, and meaning, and how to impart those to your sculpture. Liebson will teach you how to carve; Meilach will help you figure out what to carve. Liebson's book is still #1, but Contemporary Stone Sculpture is its perfect complement.
Book Description
Katherine Routledge is a central figure in the history of Easter Island, one of the world's most remote and mysterious locales. Born to a wealthy and prestigious English Quaker family in 1866, Katherine rebelled against their strict Victorian values, becoming one of the first female graduates of Oxford University and the first woman archaeologist to work in Polynesia.
At the age of forty, Katherine married a charismatic Australian adventurer, William Scoresby Routledge, and they built a ninety-foot, state-of-the-art yacht, christening her Mana, the Polynesian word for "spiritual power." From 1913 to 1915, Katherine and Scoresby led the Mana Expedition to Easter Island, where Katherine conducted the first-ever excavations of the island's world-famous stone statues. Katherine collected vast quantities of new information, which she faithfully transcribed into her journals and field notebooks. Through interviews with dozens of elderly men and women, she was able to save the history of the island, whose population was struggling back from the brink of extinction. Without Katherine's extraordinary efforts, Easter Island's traditional beliefs and customs would have been forever lost.
Katherine's hard work came at a terrible price. A family history of schizophrenia and a deep sense of spiritualism brought her under the spell of an old mystic named Angata, who led an Easter Island rebellion in which Katherine played a central role. After her return to England, she heard "voices" that precipitated a separation from Scoresby and nearly destroyed her ability to write and to publish her fieldwork. Her family blamed Angata, the Easter Island "witch doctor," for driving Katherine insane. With Scoresby, they kidnapped Katherine from her lavish London home and isolated her in an asylum, where she died seven years later.
Many of Katherine's papers were thought to be lost until they were discovered by Jo Anne Van Tilburg, the contemporary world's leading authority on the Easter Island statues. In this compelling biography, Dr. Van Tilburg brings her unique expertise to Katherine Routledge's discoveries and to her turbulent life. The result is an exciting personal story, set against the drama of Katherine's remarkable exploration of one of the most intriguing archaeological sites in the world.
Customer Reviews:
Thoughtful illuminating biography.......2007-05-16
This is a thoughtful and revealing biography of the woman who did the first major study of Easter Island in the early 20th century. Van Tilburg gives us insight into Katherine Routledge's life, passion, and personal struggles as well as providing an indepth sequel to Routledge's own important book. Anyone who has read THE MYSTERY OF EASTER ISLAND, indeed anyone who has been thrilled to walk among the island's magical statues--as well as anyone who has done so in the pages of a book--will find this biography compelling.
Interesting and EXCITING!.......2004-06-11
This book should top your list of Summer reading. I found that I had to keep reminding myself that this was a true story- it is amazing that all of this actually took place in Victorian times. I commend the author for taking the time to do such in-depth research. I can't wait for Van Tilburg to come out with another book!
Inspirational adventure.......2004-05-26
This is a fascinating account not only of Katherine Routledge's journey to Easter Island, but her journey through life. For a Victorian woman to graduate from Oxford, live in Africa, organize an expedition to one of the most remote places on earth, and ultimately succumb to schizophrenia is truly a remarkable story. This is a compelling read, full of interesting facts, as well as wonderous parallels. It is a story of determination and frustration, success and failure, love and loss. Great summer read!
Elegant and Compelling!.......2004-05-10
This book is a MUST READ! It was very informative and well researched. I was impressed by the obvious depth and care the author took to portray her subjects in a fair and impartial light. She explored all her character's strengths and weaknesses equally, and this made for a compelling read. The author obviously had a great deal of empathy for her subject.
I would love to see this book made into a movie! The author's beautiful word pictures would translate VERY well to the big screen.
I would recommend this wonderful book to anyone who might be planning on traveling to Easter Island or who would like to learn more about this magnificent place!
Enjoy with care.......2004-04-26
This book scores highly for the length of its footnotes and its bibliographies - and van Tilburg is to be congratulated on bringing a great but overlooked story into print - but how much do you trust a biographer who mistakes the dates of both the birth and marriage of her subject?
Knowing a little of Katherine Routledge and her times, I found van Tilburg's narrative unconvincing. Perhaps it would be unfair to expect an author working from America to understand the absurd and divisive nuances of British notions of class, though class was a key factor in Routledge's life. I bridled, however, at the author's repeated insistence on Routledge's mental illness. Has van Tilburg seen evidence for this, perhaps from Routledge's surviving family (tracking down descendants, even establishing the fate of the ship Mana, is something van Tilburg does well) that she is not prepared to publish? The suggestion that Routledge's life and work were profoundly affected by schizophrenia is a major charge. It needs more substantiation than this book presents: what we have does not rise above gossip.
The book is also curiously thin, coming from an author with much experience of Easter Island archaeology, on what makes Routledge's Pacific work so special. There are many details here, and much useful material to inspire and aid further research. Too many minor errors, however, warn against taking it all on trust. Read and enjoy, but keep your critical faculties about you.
(For the record: Katherine Routledge was born on 11 March 1866 [not 11 August, though the author has corrected her previously published error over the year] and was married on 8 August [not 6 August] 1906 - she was over, not nearly, 40 on her wedding day. Nit picking? These dates are easy to check. The reader, though, cannot check facts that van Tilburg quotes from inaccessible or ungiven sources)
Book Description
Five chapters deal with carving various parts of the body....Clay modeling is used to graphically demonstrate how bones, muscles and fat contribute to the outward shape. Emphasis is on carving with wood, but sculptors in stone and other media will find the information equally valuable.... Dozens of color photographs showing finished pieces and works in progress.”—Woodshop News.
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