Book Description
Almost everyone can "see" in the conventional sense, but developing photographic vision takes practice. Learning to See Creatively helps photographers visualize their work, and the world, in a whole new light.
Now totally rewritten, revised, and expanded, this best-selling guide takes a radical approach to creativity. It explains how it is not some gift only for the "chosen few" but actually a skill that can be learned and applied. Using inventive photos from his own stunning portfolio, author and veteran photographer Bryan Peterson deconstructs creativity for photographers. He details the basic techniques that went into not only taking a particular photo, but also provides insights on how to improve upon it—helping readers avoid the visual pitfalls and technical dead ends that can lead to dull, uninventive photographs.
This revised edition features the latest information on digital photography and digital imaging software, as well as an all-new section on color as a design element. Learning to See Creatively is the definitive reference for any photographers looking for a fresh perspective on their work.
* New edition of a best-selling title
* Updated to include digital
* All new artwork, and a totally revised and expanded text
* All-new section on color as a design element
* Written by one of Amphoto's bestselling authors
Customer Reviews:
Exactly what I needed.......2007-08-15
I purchased this book earlier this summer and couldn't be more pleased with the information it contains. I needed some inspiration to "see" things differently to make my photographs more dramatic. Bryan's writing and assignments in this book really changed the way I look at the composition of a scene and the way I see colors and how they compliment each other. My photos have improved A LOT since applying some of the principles written about in this book.
Good deal.......2007-08-10
I found the information in the book worth money I paid. I love photography but something was missing in getting appealing result with my photos. This book fills some holes in my amateur knowledge and also opened my mind to different thinking and approach. Good examples of right and wrong, nice recommendations. Specialy I live author's good sense to explain observation techniques with everyday and real life situations.
I'm still not done, searching for another book.
book.......2007-08-02
good experience, did not speed in sending and prefered no shippimg. I deal with Amazon and they always take care of me
Nice balance of creative & technical advice.......2007-07-26
This book delivers on its promise to teach you how to see the world in ways that will lead to better photos. The examples (photographs and commentary) are inspiring and the author provides enough details about technique so you know how he took the picture but you're not overwhelmed. It is an enjoyable read and I like to go back and look at the examples again and again. I only wish the book were longer, I was sorry when I finished it.
Absolutely worth it!.......2007-06-20
I've been shooting for a few years now and felt I needed something to take me to the next step. While this isn't a 100% solution to that problem it definitely is a huge step in the right direction. This book has opened my thinking to different ways of composing, and in general really helped me to see the bigger picture while shooting. All of the 100+ photos in the book give the details of the exposure which is a huge help in and of itself.
Highly recommended for the avid hobbyist to semi pro and even down to the mom or regular guy/girl who just want to take better pictures.
Book Description
The Second Edition of this classic introduction to the principles of architecture is everything you would expect from the celebrated architect, author, and illustrator, Francis D. K. Ching. Each page has been meticulously revised to incorporate contemporary examples of the principles of form, space, and order-the fundamental vocabulary of every designer. The result is a beautifully illustrated volume that embraces today's forms and looks at conventional models with a fresh perspective. Here, Ching examines every principal of architecture, juxtaposing images that span centuries and cross cultural boundaries to create a design vocabulary that is both elemental and timeless. Among the topics covered are point, line, plane, volume, proportion, scale, circulation, and the interdependence of form and space. While this revision continues to be a comprehensive primer on the ways form and space are interrelated and organized in the shaping of our environment, it has been refined to amplify and clarify concepts. In addition, the Second Edition contains:
* Numerous new hand-rendered drawings
* Expanded sections on openings and scale
* Expanded chapter on design principles
* New glossary and index categorized by the author
* New 8 1/2 × 11 upright trim
In the Second Edition of Architecture: Form, Space, and Order, the author has opted for a larger format and crisper images. Mr. Ching has retained the style of his hand-lettered text, a hallmark of each of his books. This rich source of architectural prototypes, each rendered in Mr. Ching's signature style, also serves as a guide to architectural drawing. Doubtless, many will want this handsome volume for the sheer beauty of it. Architects and students alike will treasure this book for its wealth of practical information and its precise illustrations. Mr. Ching has once again created a visual reference that illuminates the world of architectural form.
Customer Reviews:
Interesting.......2007-02-07
I picked it up as a first architecture book. Its not. Its more or less hundreds of pages of drawings with themes on each page to make you think about that form. Good for understanding basic forms.
ok book........2007-01-05
i have not used this book so much ever since i bought it but from wat i've seen, its mostly about architectural spaces... meaning space inside a structure, it also shows amazing sections, like the ones on the cover.... if you want to learn more about interior spaces this book is great...
Excellent Edition to Your Reference Library.......2006-09-26
I purchased this book during my first semester as an architecture student and am still referencing it well into my third semester. It has good text but the high quality illustrations are what I find most helpful. Many of them are representations of existing structures. Great Book!
A Primer not just for Architecture but for Creative Thought.......2006-04-12
As an artist, designer and storyteller, I find Dr. Ching's book to be a revelation. You can open it to any page, like casting the I Ching, and begin to read. His draftsmanship, his infinite patience and exceptionally ordered mind places even the most esoteric subject firmly into perspective. And it seems to rub off on the reader. If you are ever blocked for any reason, duplicate a page. I guarantee you'll return to your own work with fresh insight.
Can't Afford To Miss It!.......2006-04-11
Hi! I'm a practising architect. All 5 years of my study, i evaded buying the book: always taking photocopies of isolated pages from my college library. After practising for more than an year now, i feel that one simply ought to know Ching (this book). Without the fundamentals of this book, our architecture does not speak the language it ought to. After saving enough money, this is the costliest and most eagerly awaited book for me, ever...i'm waiting for it to land so that I can start digging!!
And yes....even after paying a fat amount as shipping, the book still remains the BEST buy....only from Amazon!
Average customer rating:
- An opus work on both Csound and computer music
- The Definitive csound Book
- Nobody Does it Better
- The definitive Csound compendium
- Not for beginners
|
The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing,and Programming
Manufacturer: The MIT Press
ProductGroup: Book
Binding: Paperback
 General
| Music
| Entertainment
| Subjects
| Books
Recording & Sound
| Music
| Entertainment
| Subjects
| Books
Composition
| Theory, Composition & Performance
| Music
| Entertainment
| Subjects
| Books
MIDI, Mixers, etc.
| Theory, Composition & Performance
| Music
| Entertainment
| Subjects
| Books
Communication & Signal Processing
| Circuitry
| Computer Science
| Computers & Internet
| Subjects
| Books
General
| Computers & Internet
| Subjects
| Books
General
| Digital Music
| Computers & Internet
| Subjects
| Books
General
| Software
| Computers & Internet
| Subjects
| Books
Look Inside Computer Books
| Trip
| Specialty Stores
| Books
Look Inside Entertainment Books
| Trip
| Specialty Stores
| Books
All Titles
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Computers & Internet
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Entertainment
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Similar Items:
-
The Computer Music Tutorial
-
Microsound
-
Computer Music: Synthesis, Composition, and Performance
-
Composing Interactive Music: Techniques and Ideas Using Max
-
Music, Cognition, and Computerized Sound: An Introduction to Psychoacoustics
ASIN: 0262522616 |
Book Description
Created in 1985 by Barry Vercoe, Csound is one of the most widely used software sound synthesis systems. Because it is so powerful, mastering Csound can take a good deal of time and effort. But this long-awaited guide will dramatically straighten the learning curve and enable musicians to take advantage of this rich computer technology available for creating music.
Written by the world's leading educators, programmers, sound designers, and composers, this comprehensive guide covers both the basics of Csound and the theoretical and musical concepts necessary to use the program effectively. The thirty-two tutorial chapters cover: additive, subtractive, FM, AM, FOF, granular, wavetable, waveguide, vector, LA, and other hybrid methods; analysis and resynthesis using ADSYN, LP, and the Phase Vocoder; sample processing; mathematical and physical modeling; and digital signal processing, including room simulation and 3D modeling. The book comes with two CD-ROMs that include more than forty additional HTML chapters; hundreds of musical compositions; more than 3,000 working instruments; the Csound application for Macintosh, PC, and Linux; and a number of Csound audio and score-generating utilities.
Book/CD-ROM Contributors include: Bill Alves, Stephen Beck, Mike Berry, Riccardo Bianchini, Kim Cascone, Michael Clarke, Richard Dobson, Archer Endrich, John ffitch, Rajmil Fischman, Michael Goggins, Matt Ingalls, Richard Karpen, Eric Lyon, Gabriel Maldonado, Hans Mikelson, Jon Nelson, Dave Phillips, Jean Piché, Russell Pinkston, Paris Smaragdis, Erik Spjut, Barry Vercoe, Scotty Vercoe.
Customer Reviews:
An opus work on both Csound and computer music.......2006-04-12
This book is one of a relatively small number of texts that are essential for the library of the computer music practitioner. The book has two CD-ROMs full of several books worth of material. This book is not only a remarkable reservoir of information specific to the Csound compiler, it is also very useful as a general source concerning many aspects of computer music techniques and synthesis methods.
Many have lamented the terse documentation of the Csound manual since it does not provide sufficient examples of how the various opcodes and features of the language may be used by composers and researchers. The Csound Book succeeds brilliantly in filling the void. Even for the seasoned computer musician, the text provides numerous opportunities for "ah ha!" moments and spurs renewed creative responses to musical problems. Part of the reason for this lies in the abundant resources of the language itself and its continued development and refinement by members of the Csound community.
This is a great companion book, allowing the reader to explore practical applications of concepts such as Fourier synthesis, digital filter theory, chaotic systems, reverberation, and algorithmic composition. This is accomplished very elegantly and always with reference to direct experience with the aid of numerous examples of Csound code. The book serves an important function by providing concrete examples of myriad synthesis methods, digital signal processing techniques, and specialized applications within one conceptual framework.
This book is full of excellent graphics, uniform and well commented coding examples, illustrative instrument-design flowcharts, thorough indexing, appendices of various kinds, all of it extremely well edited. There is an impressive unity to the text even though different authors have written the various chapters.
There is a treasure trove of instruments and compositions contained on the CD-ROMs. Many of these are by established composers of computer music and by the authors of the various chapters. Others, however, are by students from around the world. I highly recommend this book to anyone interested in computer music in general and Csound specifically.
The Definitive csound Book.......2005-06-08
If you want to learn csound this is THE book to buy in conjunction with csounds.com you will need nothing else. Beware though, it takes lots of time and effort to learn this language and it is not easy. Buy this book only if you are very serious about trying your and at csound. As to Michael S Rempel review, if you are going to drop names to try to sound knowledgeable
" Most of the sound designers in Hollywood use CSound. I know more than a few of them. The guy who invented Trance music, BH is a CSounder. Everyone in his studio owns a copy of this book! I could keep name dropping for a long while, but you get it. CSound is one of the best kept open secrets in the world."
at least drop them correctly. It's BT not BH and he most definitely did not "invent Trance music." He is however an avid csound user. Sorry I just could not let that slide.
Nobody Does it Better.......2005-02-19
Beginners be warned. This is not a book that is designed to hold your hand. For that go to www.csounds.com and check out the beginners secton. Also join the online forums.
This is the site that the author, Dr. Richard Boulanger maintains for people looking to get started with Csound. It is also the place most of the really good CSound software developers and users hang out.
If you have explored synthesis on another platform, then this is the book for you. If you have explored CSound a bit, and want depth then this is the book for you.
Dr. B has compiled resources and brings together the best of the CSound community in a compilation that is really a collection of CSound essays. Many of the articles are regretably brief. A few sections are missing all together. (Most notably the midi section is not included, and is still not written)
But what is written in this book is the best information you can get anywhere on the subject of computer synthesis in ANY LANGUAGE. I need to clarify that a bit though, two new projects are on the way which will change that. Csound 5 is in developement, and MPEG 4 also has a world class sound engine. But in both cases these new technologies are based on the stuff in this book. Yes, that is right, MPEG 4 has a csound like engine in it.
Csound is first rate. Nothing beats it. I have done the plugin thing, and downloaded or bought just about everything in synthesis available from anywhere. Some tools can offer you nice canned sounds, or pretty patch chords and knobs. But for pure raw power, flexability and creative oomph nothing can equal CSound. This book will take you from the world of patch chords and knobs into the world of programming. That is where the power is baby, in programming. Where anything can plug into anything. All you need are some programming chops and any music or noise you can dream up is at your finger tips.
If it happens in any synth anywhere in the world, then eventually it will happen in CSound. And mostly it already does. And what is more, in CSound you can combine ANY methods of synthesis you want AT THE SAME TIME. No other synth can do that. Period.
BTW the CSound software is free. That is right, free on the PC, free in Linux, and free on the mac. So buy the book, download the software, and meet everyone who wrote the book, and most everyone who writes anything to do with the CSound software on the CSounds web site.
If that is not enough to convince you, consider this: Most of the sound designers in Hollywood use CSound. I know more than a few of them. The guy who invented Trance music, BH is a CSounder. Everyone in his studio owns a copy of this book! I could keep name dropping for a long while, but you get it. CSound is one of the best kept open secrets in the world.
The definitive Csound compendium.......2003-01-19
A word of warning to electronic music newbies: Be sure to learn the fundamentals of synthesis and MIDI before venturing into the realm of Csound. This book assumes a level of knowledge regarding these subjects and will present an insurmountable challenge to someone with no programming experience. However, for those that do, it will present a whole new universe of possibilities.
As a composition tool, there is nothing quite as extensive or powerful as Csound, which is why there is an equally extensive learning curve for its students. I feel that this book is probably better suited as a text for a college course rather than a stand-alone guide for DIYers. But in its defense, I belong to the latter category and have fared pretty well in learning the language.
While I must criticize Mr. Boulanger for not giving thorough enough explanation to some critical topics in his book, overall--this is by and far the best resource for anyone attempting Csound. You will find the contents of the included CD-Roms to be an immense supplement to the book's chapters.
Not for beginners.......2002-12-22
Csound is probably the most powerful digital synthesizer software available. And it is essentially free. But writing code to produce music can feel like creating your own custom draw program from scratch to create a painting. There is no noodling with a keyboard or twisting knobs and listening to instant results. No, you create an .orc and a .sco file, one for the instruments and the other for the "notes"(though the language can be used to create filters and process sound). This gives you unlimited control, but you pay the price of programming headaches e.g. debugging, crashes, etc. There is also a very steep learning curve. Csound is a work in progress, though. Matt Ingalls's (and others) tireless work has made Csound easier to use, and has even updated it to Mac OS 10. He has also created an extension that allows Csound to interface with Max/MSP, perhaps simplifying the composers task. Nevertheless, Csound has a long legacy as a musicN language, and it has its roots in computer science.
If you are getting started in electronic or computer music and have little background in the field, this book may ultimately prove frustrating. Chapter one provides a perfect example. It opens with an .orc file and uses terms like control rate and sampling rate, but it isn't until much later that we find out what these things mean. Much of the first section is difficult to work through because of this approach. I think that the book would benefit from a rewrite, and I mean truly rewriting section one from scratch so the foundation is Basics of Synthesis. A section written like a "Dummies" book would be helpful for beginners like me, while the Csound mavens could simply flip to chapter X,Y, or Z and read at their level. Otherwise, the author should dispense with the basics and focus on making this a book for those already familiar with Csound. Obviously, the author/editor put tremendous effort into this book, so it seems a pity that it is kind of poorly organized. Finally, The Csound Book would benefit from careful spell checking (the author refers to GEN21 creating "Poison" distributions).
After having spent a year with the Csound book, I can make some recommendations for someone wanting to start electronic composition. You must read Curtis Roads's Computer Music Tutorial, probably the best electronic music book written. Don't let the dry title fool you, it is great reading. It will teach you the fundamentals and will serve as a reference if you decide to tackle Csound. Or, consider using Max/MSP instead of Csound. It isn't free, but it does have a graphical interface, yet it does not sacrifice flexibility. And you can now use Csound as a sort of "plug in" for Max/MSP. If you want to make popular music, Csound will probably only prove useful if your current software can't make a sound that you want.
As I said, Csound is a work in progress. A new book called "Virtual Sound" by Riccardo Bianchini and Alessandro Cipriani, reviewed in the Spring 2002 Computer Music Journal may be a better resource.
Book Description
At last, a mathematical explanation of how art works presented in a manner we can all understand. Kimberly Elam takes the reader on a geometrical journey, lending insight and coherence to the design process by exploring the visual relationships that have foundations in mathematics as well as the essential qualities of life. Geometry of Design-the first book in our new Design Briefs Series-takes a close look at a broad range of twentieth-century examples of design, architecture, and illustration (from the Barcelona chair to the Musica Viva poster, from the Braun handblender to the Conico kettle), revealing underlying geometric structures in their compositions. Explanations and techniques of visual analysis make the inherent mathematical relationships evident and a must-have for anyone involved in graphic arts. The book focuses not only on the classic systems of proportioning, such as the golden section and root rectangles, but also on less well known proportioning systems such as the Fibonacci Series. Through detailed diagrams these geometric systems are brought to life giving an effective insight into the design process.
Customer Reviews:
A very good seller!.......2007-09-28
It was very fast to get the product and I experience a very good seller!
Good Intro with examples.......2007-09-12
As a design student i have found this book to be very informative, yet it doesn't really get into too much detail which for me is good. This book is good for understanding the golden seccion and how it has been applied in some of the most memorable designs of all times as well as in architecture and other forms. If you want a full, no-details-left-out kind of book this is not it. The most important thing about this book is the examples. for begginers it really helps to see that proportion and composition is not just a matter of intuition or chance.
pretty good read.......2007-08-01
Good for students of design, it lay outs the basic geometric principles of composition.
I would expect a more in depth analysis of geometry and how it has been used in art and design (geodesics, tensegrity etc).
a good start!
Excellent Book; Excellent Condition; Trustworthy Seller.......2007-01-20
I first saw this book on the shelf at my local bookstore & decided immediately that "I must have it!" When I searched Amazon, I not only found the same book, but found it for about half the price. The book is an excellent help for designing. Also, the book was in brand new condition, as advertized. Lastly, I got the book in under a week (I believe it had been 3-5 days)! The seller made excellent time, since I used the book that week for a final project! Thanks a lot; I would be more than happy to by from this seller again. They proved to be dependable and trustworthy.
~J
Geometry of Design.......2007-01-10
This book was really good. I thought that I'd never be able to find a book that involved geometry and design, but this book covers all kinds of design, from architecture, sculpture, painting, and even car design. It's a very good book with a very cool lay out. I highly recommend this book.
Book Description
Attention, Web writers! This book will show you how to craft prose that grabs your guests' attention, changes their attitudes, and convinces them to act. You'll learn how to make your style fast, tight, and scannable. You'll cook up links that people love to click, menus that mean something, and pages of text that search engines rank high. You'll learn how to write great Web help, FAQs, responses to customers, marketing copy, press releases, news articles, e-mail newsletters, Webzine raves, or your own Web resume. Case studies show real-life examples you can follow. No matter what you write on the Web, you'll see how to personalize, build communities, and burst out of the conventional with your own honest style.
Customer Reviews:
Just O.K........2007-01-26
I read this book immediately after reading Krug's "Don't Make Me Think," which is fantastic. In comparison, "Hot Text..." was mediocre. Krug's book--although presenting a bigger picture of the world of websites--truly synthesizes the nuts and bolts for writing for the web. "Hot Text" had a lot of what I felt was extraneous information and text (ironic, because really, what writing for the web is about is brevity and conciseness).
If you haven't read Krug's book, "Hot Text" will be a good starting point for you. It contains a lot of information, it also contains some good resources.
I also have to say that I agree with an earlier reviewer--the photographs (which look like poor black & white photocopies) are strange. Example: Chapter 8, Idea 4: Build Chunky Paragraphs! The photograph shows a middle-aged man holding a small bowl or cup up to his mouth. He's looking off-camera; his right hand is by his mouth but I'm not sure why. Maybe he's eating some chunky soup? But what does soup have to do with paragraphs? It's a small detail, these photographs, but they detract from the overall professionalism of the book for me.
not what I expected.......2006-08-13
I haven't picked it up in a while. When it first arrived I was disappointed, it didn't have the pertinent info I was looking for. It's not anywhere nearby to refer to it. Basically, the "hot text" isn't really there. The outline was dull. The photos were kind of sad. I didn't like the presentation and the content didn't seem to live up to whatever the review was in the Amazon blurb.
Everything You Need under One Roof.......2006-07-28
This manual for online writing has it all--and more.
1. Detailed instruction for every conceivable page of Web site content.
2. Super tips and insight on PR content and dealing with editors and publishers.
3. The history of HTML (very cool!)
4. All sorts of useful style tips.
5. How to write your resume.
6. How to get a job.
7. Hundreds of online resources.
The writing (needless to say?)is clear, concise, and conversational. Had the book been written in 2006 instead of 2002, I'm sure the authors would have thrown in much more about blogs. Other than that, the material seems to be up to date.
This book is worth every penny!
How To Write for the Digital Media.......2004-04-25
An excellent book that points out the differences between digital media and paper media. I especially learned a lot in Chapter 3 - What Will the Web Do to My Text? But there is much throughout the entire book. You'll learn about writing in general and writing for the web in particular. And from the web you'll go to email, ezines, enewsletters, weblogs and the gamut. If you're going to write for the web you need this book.
Well-written book on how to write for the web.......2004-02-10
Contents
This book examines the subject of writing for the web, and how it differs from writing for hard-copy media.
The book is divided into the following chapters:
Part 1 - Catch The Net Spirit - Who Am I Writing For, And Incidentally, Who Am I?; What Kind Of Thing Am I Creating?; What Will The Web Do To My Text?; Attention!
Part 2 - Write Like A Human Being - Idea #1: Shorten That Text; Idea #2 - Make Text Scannable; Idea #3: Cook Up Hot Links; Idea #4: Build Chunky Paragraphs; Idea #5 - Reduce Cognitive Burdens; Idea #6 - Write Menus That Mean Something
Part 3 - Fine-Tune Your Style For The Genres - Writing In A Genre; Creating Customer Assistance That Actually Helps; Persuading Niche Markets, Individuals, And The Press; Making News That Fits; Entertaining People Who Like To Read; Getting A Job
Part 4 - Become A Pro - So You Wannabe A Web Writer Or Editor
Part 5 - Backup - Writerly Sites; If You Like To Read
Review
On the surface, you may think that writing is writing, regardless of the medium. You may think that if you can write a 2500 word article for a magazine, that you can successfully use that same style for web sites. And unfortunately, you'd be wrong. The mindset of online writing is completely different than for print, and this book will help you to understand that.
People read books and magazines for many reasons, but often it's to be entertained or to learn about a subject in depth. But when people visit web sites, it's usually to find an answer quickly. The reader wants to find the chunk of information they seek and then move on. If they don't see what they think they want, it's off to another site. The authors do an excellent job in this book breaking down the content structure of web writing. To successfully write for the web, you need to organize your information in discrete chunks that can be quickly linked to or scanned for applicable information. They show you how to effectively structure your writing by the use of shorter paragraphs, lists, bullets, external links, and a number of other techniques that will allow your ideas to flourish in an online medium.
The tone of their writing is conversational and easy, without the academic lecturing that often shows up in books where opinion and fact can blur together. They also use a lot of "before/after" examples to show you how the techniques actually work. I was actually surprised that I liked the book as much as I did. Many books on web site design go off on "expert rants" in which the author presents his likes/dislikes as expert opinion. Although some of the information in this book could fall into the same category, there wasn't the strident tone that often happens in other books.
Conclusion
Writing for the web entails different skills than writing for print medium. This book will help you understand the issues involved and to make a successful transition to online authoring. Recommended.
Book Description
Architects Jesse Reiser and Nanako Umemoto have been generating some of the most provocative thinking in the field for nearly twenty years. With Atlas of Novel Tectonics, Reiser+Umemoto hone in on the many facets of architecture and illuminate their theories with great thought and simplicity. The Atlas is organized as an accumulation of short chapters that address the workings of matter and force, material science, the lessons of art and architectural history, and the influence of architecture on culture (and vice versa). Reiser+Umemoto see architectural design as a series of problem situations, and each chapter is an argument devoted to a specific condition or case.
Influenced by a wide range of fields and phenomena Brillat-Savarin's classic The Physiology of Taste is one of their primary models the authors provide a cross-section of thinking and inspiration. The result is both an elucidation of the concepts that guide Reiser+Umemoto through their own design process and a series of meditations on topics that have formed their own sense as architects. Atlas of Novel Tectonics offers an entirely fresh perspective on subjects that are generally taken for granted, and does so with a welcome punch and energy.
Customer Reviews:
Difficult Writing vs Clear Expression.......2007-06-07
This book gets lots of play right now in (big "A") Architecture schools. I'm a firm believer that if your thoughts are clear, your writing is clear. This book embarks on many dialectical examples that are explained with too much "difficult writing" for its own good. Grad students of the world, beware the three DDDs that inspire some of this writing: Deleuze, Derrida and Delanda. They plow enormous fields in complicated patterns and only yield a kernel or two. Ironically, I admire Reiser + Umemoto as architects and am looking forward to a book on their more recent work.
The Sinews of Design.......2007-05-07
An unxpectedly fine book on architectural theory that's rooted not in politics or aesthetics or lit-crit theory, but in the worlds of physics and engineering-- a look at architecture and architectural possibilities based on the sinews of buildings rather than the ideology of architects. I'm an historian by training, and an aficionado of architecture and design theory. Reiser + Umemoto have created a small book that offers a view of postmodern architecture seen through the lens of the physically possible. Anyone who wants to imagine new cities and new styles of building needs to consider the sheer physical constraints of design, and this book is a fine place to start.
Must read.......2007-03-26
Must read lexicon of architectural forays and methodologies for any critical architect or designer.
Book Description
In this third edition of Photography and the Art of Seeing, Freeman Patterson reviews principles of composition and visual design and provides techniques and exercises for breaking away from traditional concepts. Aspiring photographers are made aware of the barriers to seeing and learn how to observe, imagine and express in a personal and creative way.
Customer Reviews:
Breaking the photographical routine.......2007-03-24
Freeman tries to get photographers to break out of their ways, to look at the world with different eyes, to question old habits. This is a good thing, in my opinion. But does he succeed?
I can only answer this from my own perspective: Yes, the book gives me impulses to try out different perspectives than the ones I'm used to.
The writing is fluent and to the point. The images underline the points in the text. I like many of them, even though they seem unspectacular at first. The printing quality could be better, though. I ordered the book together with two volumes by John Shaw ("Focus on Nature" and "The Field Book to Nature Photography", both Amphoto Books), and those are printed much better, with more contrast and color saturation.
Still, a recommended book for anyone who likes taking photos and would like to explore new grounds.
I deeply regret buying this book... RATED NO STARS AT ALL.......2007-02-16
I wrote a review as follows: 'Anyone can take a picture of a hot dog. If this photographer took a picture of a hot dog you would smell the french fries, hear the ocean, and taste the salt water taffy. The author offers the reader a chance to see the world through his eyes.
Then I looked through the book more closely. On page 137 I saw a picture that disgusted me. When I read what he wrote about the subject, I became angry. He wrote, "This photograph captures a moment in the life of a child, and suggests innocence. The little girl had withdrawn from her playmates on the beach; she wanted to be alone. She was crying a little. When I came along, she hid her face to preserve her privacy. I quickly made this picture and left. Note that the expanse of rocks and the girl's small space in the composition strengthen the sense of her privacy."
The picture is of a naked little child who was hiding her face crying and trying to turn away from the man taking her picture with his camera. It is only my opinion, but I think this man is greatly lacking in respect of human dignity.
I am sorry I put money in his pocket. I hope no one else will.
An excellent resource.......2006-12-15
If you have moved up from the technical aspects of photography, and are into "photography as an art", this is the book to buy to take you to that next level.
If there is just one book in the whole world that you can buy, this is it! I own all of patterson's instruction books - and they are all great! a worthy investment and proudly displayed in my bookshelf.
Don't buy this book - PLEASE!.......2006-11-30
Please don't buy this book. It will change your photography. I bought it, and now I have an advantage, and I want to keep it!
Seriously, this is probably the most disturbing photography book I have found. It will challenge everything you do in photography, and that is unsettling.
If you follow the exercises properly, you will develop a whole new way of seeing and taking photos.
Sure, if you want to, you can read it from cover to cover and go "Ho, hum, very nice." and take it no further. But if you want to improve your photography, take your time, and do the exercises carefully. You will be surprised at the results.
I especially like the one where you lock yourself in a small room (bathroom) and have to take 20 images. "If you don't feel desperation before you finish this exercise, then you have to take another 20 photos."
Don't buy this book! Run away and hide. Keep taking boring photos.
Stimulating Creativity.......2006-11-11
I found this book excellent for stimulating the creative process where photography is concerned.
Book Description
The authorized guide to the latest edition of the #1 business intelligence software product - Crystal Reports. More than 16 million licenses of Crystal Reports have been shipped to date. This book is a reference designed to provide hands-on guidance for the latest release of the product suite. The latest version of Crystal Reports and the Business Objects enterprise reporting suite delivers vast product enhancements and a tighter integration that will drive upgrades from licensees. Brand new features (e.g. Dynamic and Cascading Parameter Generation) will also appeal to new audiences. Over 1 million new Business Intelligence licensees will be migrating to the Crystal Enterprise Reporting platform, as this is the first release of the software with the existing Business Objects (BO) products being integrated into the Crystal infrastructure. As Business Objects insiders, the authors bring unique and valuable real-world perspectives on implementations and uses of the Crystal Reports product. The book also includes content, tutorials and samples for reporting within the Microsoft Visual Studio.NET and J2EE development environments and also on top of the SAP Business Information Warehouse (BW) and the Peoplesoft platform. Advanced content on report distribution and integration into the secured managed reporting solution known as Business Objects Enterprise XI, is also now included in this definitive user guide with coverage on the new Web Services SDK.
Customer Reviews:
Good book for learning and reference........2007-03-22
I found this book to be an outstanding tool for learning Crystal Report. It's an easy read and has many easy and relevant examples.
Furthermore, since this is my first few weeks of using BOXI, I find myself referencing this book a lot. So far I have not been disappointed!
Should have come with the software..........2007-01-08
Remember back in the "good old days" of shrinkwrapped software when the box was mostly full with a big printed reference manual? Well, this is the book that should have come inside the now-nearly-empty box. The book is a standard reference-type manual designed to provide an overview of every feature within the product including the newest features such as Dynamic and Cascading Parameter Generation. Besides the standard overview type stuff, it includes some basic tutorials on often-confusing topics such as report integration (in .NET and J2EE environments); you won't become an expert using these tutorials, however. The book also includes a lot of information on how Crystal Reports integrates with Business Objects' larger software platforms (which, I suspect, will be a useless topic for 99% of users).
Beginning users will find the manual easy to use and full of interesting information. Intermediate users will find solid suggestions here and there. Advanced users will probably give it a flip-through and stuff it on the shelf next to all the other references where it will be used for occasional consultation. All in all a solid offering in a fairly crowded field, but one that is authoratative and complete. But I just can't shake the feeling that the manual should have come in the box. Heck, it even looks and feels just like the typical software documentation of days gone by...
Book Description
In order for a Web site to sell effectively, it must appeal to the unique culture, mindset, and psychology of the Web. Simply put, what works in the brick-and-mortar world does not necessarily grab Web shoppers. Companies selling products and services online need to promote their wares with engaging copy that grabs attention and compels Web site visitors to buy.
Web Copy That Sells presents copy strategies that have been proven time and again in the e-commerce arena. Maria Veloso, perhaps the most widely acclaimed Web copywriter in the world, reveals her revolutionary approach based on five simple questions, which, when answered, make the copy practically write itself. Veloso crams all the information from her 12-hour, $997 live seminars into a comprehensive book that will help any Web copywriter:
* write sizzling and irresistible Web copy, e-mails, and marketing communications * quickly turn lackluster sites into "perpetual money machines" * use Neuro-Linguistic Programming and psychological tactics to compel Web surfers to buy * avoid the top three blunders that can wipe out your sales * convert up to 50% of online prospects into paying customers * and more!
Customer Reviews:
Webcopy is interesting - not sure if I am comfortable with the style for b2b.......2007-05-28
I found the book interesting and enlightening. I think with all ideas you have to temper this to your audience. I would not use this to attract the CEO of AT&T in the form she presented. However the concepts and steps ring true as long as they are toned down to suit your market. We are just working on some sub pages tied to adwords campaigns to test the waters.
Very similar in style to [...]
Outstanding Reference with contemporary approach.......2007-05-09
I read this book in days highlighting areas for future reference. I enjoyed the book's approach and it was very well written. Veloso didn't leave any stones uncovered. Above all, it was like a college refresher course but more practical and focused to the needs for those desiring to improve their web copy and content. Additionally, after reading the book, I ordered a second to share with my internet marketing people and staff at Gloves-Online.
Solid Information that will increase your business.......2007-04-13
Web Copy That Sells is well written, easy to read and a great resource for improving your web copy.
There are a number of points that Maria makes regarding web copy that apply equally to all areas of business as well as life. For example, she points out that you cannot simply model some successful website and expect the same results. You must model the process. That is go through the same process that the creator of the successful website went through.
The book is not only a resource for web copy that sells, it is also a very good marketing course. She points out that potential customers must know you, like you and ultimately trust you before they will do business with you. She provides a step by step method to accomplish this.
Maria is right on when she talks about the importance of the first screen and why you must concentrate on what's in it for the viewer. The website should not be designed as an ego boosting medium. You must keep the viewer's point of view in mind.
She provides a good list of dos and don'ts for web copy. There are plenty of other tools such as a formula to evaluate any website.
Scattered throughout the book are excellent marketing lessons - words tell, emotion sells - fear of loss is a better motivator than desire for gain. You would do well to read and understand these very valuable marketing lessons.
This is a very good resource for anyone responsible for their own or their company's website.
Better than most but not the best I have read........2007-01-05
This book had some useful ideas, however given the amount of knowledge the author claims to have I feel she is keeping all the good stuff for her copy writing courses.
Rather light on useful content. Joe Sugarman is a much better choice.
Priceless.......2006-12-21
This book is absolutely priceless. I hear what some of the critical comments say. The fact is they are not grasping the brilliant lessons and enormous time savers Maria shares in this book that apply across the board to writing copy and marketing on line. First off, she makes it very clear her book is about what it says, writing web copy that sells, not writing web content. The whole point and value of this book are the formulas that will save INCREDIBLE amounts of time while ensuring you address every element that goes into capturing paying customers online. THAT'S the value. The actual words you use in writing your own specific copy are up to you. You don't have to sound like a snake oil salesman. I sell upscale b2b, business owners and senior executives and what I learned in the book is indeed killer. Practical lessons that I can immediately apply. Read this book and combine what you learn with Frank Rumbauskas Never Cold Call Again (and I haven't in the past 6 months), Metaphorically Selling by Anne Miller, and Richard Koch's The 80/20 Principle, The Secret of Achieving More With Less, and then work hard (sorry) and you'll be a lean mean money machine.
One thing I am very cautious about is all the copywriters that have made the change to copy writing over priced self generated programs on how to get rich copy writing (i.e. Bly, Masterson, Silver and others). Do a search on google to find good resources to seriously research the feasibility and process to make such a transition and your head will spin clicking on all the sites by these gurus with $500 to $2,000. This seems to be a whole niche that has become popular today to go side by side with network marketing. Get rich easy and quick with my magic formula to becoming a copywriter. (I do NOT put this book in that category, like I said this book is easily worth multiples of its price). I am also NOT saying that the money to be made in the industry is not accurate. Just like in network marketing where I did in fact make 6 figures a year in that industry for a while. The reality was it took HARK WORK, which terrifies most of the folks looking for the ever elusive easy buck. And as P.T. Barnum always knew, there are plenty of folks who want to believe it be so. When ever someone truly discovers the secret to becoming rich plugging into some formula system is the day everyone you know will be rich. The reality is if anything worked like that you couldn't stop it from sweeping the country. No one would be poor anymore...and I guess the new poor would be the least rich, right?
Bottom line, buy this book. If you use the principles, formulas and concepts Maria teaches you, you will indeed make a lot more money than you are now. If it sits on a shelf gathering dust waiting for the someday you are going to use some of the stuff it won't make you one single cent.
Average customer rating:
- GREAT FOR THE ASPIRING COMIC WRITER!
- Why didn't some body think of this sooner?
- Cool, helpful, worth the read
|
Panel One: Comic Book Scripts by Top Writers
Kurt Busiek ,
Neil Gaiman ,
Nat Gertler ,
Dwayne McDuffie ,
Trina Robbins ,
Greg Rucka ,
Jeff Smith ,
Kevin Smith , and
Marv Wolfman
Manufacturer: About Comics
ProductGroup: Book
Binding: Paperback
Graphic Design
| Design & Decorative Arts
| Arts & Photography
| Subjects
| Books
| Airbrush
| Animation
| Books
| Calligraphy
| Clip Art
| Commercial
| Graphic Arts
| Lithography
| Pop Culture
| Printmaking
| Silk Screen & Batik
| Typography
General
| Arts & Photography
| Subjects
| Books
General
| Comic Strips
| Comics & Graphic Novels
| Subjects
| Books
General
| Comics & Graphic Novels
| Subjects
| Books
General
| Graphic Novels
| Comics & Graphic Novels
| Subjects
| Books
General
| Literature & Fiction
| Subjects
| Books
| Classics
| Comic
| Contemporary
| Literary
General
| Words & Language
| Reference
| Subjects
| Books
General
| Writing
| Reference
| Subjects
| Books
General
| Reference
| Subjects
| Books
Similar Items:
-
Alan Moore's Writing For Comics Volume 1
-
Writers on Comics Scriptwriting, Vol. 1
-
Panel Two: More Comic Book Scripts By Top Writers
-
Writers on Comics Scriptwriting, Vol. 2
-
The DC Comics Guide to Writing Comics
ASIN: 0971633800 |
Book Description
Contains annotations, plots, interviews, and scripts by many of comics' hottest writers, including Kurt Busiek, Neil Gaiman, Greg Rucka, Kevin Smith, Jeff Smith, Marv Wolfman, and more.
Customer Reviews:
GREAT FOR THE ASPIRING COMIC WRITER!.......2003-05-28
This is a great text that takes you through the creative process of several unique writing styles. The variety of script and drawings from a host of authors, really made this book encouraging to the aspiring comic writer. I'm looking forward to getting Panel Two when it comes out.
Why didn't some body think of this sooner?.......2002-05-07
It seems like such an obvious good idea.
It's a wonderful glimpse into the creative process.
Just received it last night, and I'm already half through it. I haven't done that since I was eleven and got Stan Lee's How to Draw Comics the Marvel Way. Not that this book has any similarity to that one. This is not a how to book. Its a more intimate, than any instructional book. Its a similar difference in experience to watching a biography to reading someones private correspondence. The presentation adds to the feeling as well.
Better than seeing pencils, better than watching a demo, or hearing someone try to explain the creative process. You actually see it and are part of it because this is what the artist sees, while he is in the process.
As a comic book fan for years and creative hopeful (which I believe is a large part of the intended audience), I hope this is first in a long line.
Great job, thanks Mr. Gertler.
Cool, helpful, worth the read.......2002-04-04
One thing that's bugged me in my various efforts at writing a comic book script is that no reference I checked seemed to agree as to what format is right. As this book explains, that's because there IS no "right" or "wrong" format, just different ways to do it.
Every script in this volume shows you something. Gaiman's reads like a personal note to the artist, Wolfman shows how plot-first can work, McDuffie shows you how to work in a recap, Kevin Smith shows a more movie-script style of writing and Kurt Busiek's entry... heck, when I read the original comic book I thought it was one of the greatest comic book stories I ever read, but the script for "The Nearness of You" just made it all the more powerful.
If you want to try to write comics, you could do a lot worse than picking up this book.
Books:
- Letter to a Christian Nation
- Literacy for the 21st Century: A Balanced Approach (4th Edition)
- Literacy for the 21st Century: A Balanced Approach (4th Edition)
- Make: The First Year (4 vol. set)
- Making Comics: Storytelling Secrets of Comics, Manga and Graphic Novels
- Making Polymer Clay Beads: Step-by-Step Techniques for Creating Beautiful Ornamental Beads
- Maus : A Survivor's Tale : My Father Bleeds History/Here My Troubles Began/Boxed
- Mistress of the Art of Death
- Natural Swimming Pools: Inspiration For Harmony With Nature (Schiffer Design Book)
- Nightclub Nights: Art, Legend, and Style 1920-1960
Books Index
Books Home
Recommended Books
- French Women Don't Get Fat: The Secret of Eating For Pleasure
- Bartlett's Familiar Quotations: A Collection of Passages, Phrases, and Proverbs Traced to Their Sour
- Silane Coupling Agents
- The Lance Thrower
- Victorian Lace Today
- Agricultural System Models in Field Research and Technology Transfer
- Warmans Little Golden Books Field Guide: Values And Identification
- Draw Magical Fantasies: A Step-By-Step Guide
- The Far Side Gallery 4
- Flower Fairies of the Countryside
Understanding Exposure: How to Shoot Great Photographs with a Film or Digital Camera (Updated Edition)
Beyond Portraiture: Creative People Photography
Understanding Digital Photography: Techniques for Getting Great Pictures
The Digital Photography Book
Photography and the Art of Seeing: A Visual Perception Workshop for Film and Digital Photography
