Average customer rating:
- Great guide with one flaw
- A little heavy on the text, but a very thorough anatomy book.
- Last anatomy book you'll ever buy
- SUPERB ANATOMY BOOK
- talk talk
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Human Anatomy for Artists: The Elements of Form
Eliot Goldfinger
Manufacturer: Oxford University Press, USA
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Binding: Hardcover
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Animal Anatomy for Artists: The Elements of Form
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Atlas of Human Anatomy for the Artist (Galaxy Books)
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Modelling and Sculpting the Human Figure
ASIN: 0195052064 |
Book Description
The power of the image of the nude--the expressivity of the flesh--has inspired artists from the beginning. An understanding of human form is essential for artists to be able to express themselves with the figure. Anatomy makes the figure. Human Anatomy for Artists: The Elements of Form is the definitive analytical work on the anatomy of the human figure. No longer will working artists have to search high and low to find the information they need. In this, the most up-to-date and fully illustrated guide available, Eliot Goldfinger--sculptor, illustrator, scientific model-maker, and lecturer on anatomy--presents a single, all-inclusive reference to human form, capturing everything artists need in one convenient volume. Five years in the making, and featuring hundreds of photos and illustrations, this guide offers more views of each bone and muscle than any other book ever published: every structure that creates or influences surface form is individually illustrated in clear, carefully lit photographs and meticulous drawings. Informed by the detailed study of both live models and cadavers, it includes numerous unique presentations of surface structures--such as fat pads, veins, and genitalia--and of some muscles never before photographed. In addition, numerous cross sections, made with reference to CT scans, magnetic resonance imaging, and cut cadavers, trace the forms of all body regions and individual muscles. Information on each structure is placed on facing pages for ease of reference, and the attractive two-color format uses red ink to direct readers rapidly to important points and areas. Finally, an invaluable chapter on the artistic development of basic forms shows in a series of sculptures the evolution of the figure, head, and hands from basic axes and volumes to more complex organic shapes. This feature helps place the details of anatomy within the overall context of the figure. Certain to become the standard reference in the field, Human Anatomy for Artists will be indispensable to artists and art students, as well as art historians. It will also be a useful aid for physical and dance therapists, athletes and their trainers, bodybuilders, and anyone concerned with the external form of the human body. With the renewed interest in figurative art today, this will be an especially welcome volume.
Customer Reviews:
Great guide with one flaw.......2007-07-11
I had this book recommended to me by a friend years ago when we were all trying to get into the comic book industry. I bought it and loved it. You can learn anything you want to know about how the musculature and skeleton are put together and how they work. Each different part of the anatomy is given almost too much attention. Each angle is given a photo of the body part, and drawings of the arm with muscles or just the skeleton.
The biggest problem is there isn't too much tying the parts together. You may get a very good idea how the arm works, where the muscles put to and from, how the skeleton moves when you move your arm, but you won't get much information on how the arm connects and moves with the rest of the body. Your aren't a collection of individual parts (2 arms, 2 legs, etc) but one unified body and all your parts move together. You need a good concept of that before this book will be used to its utmost.
A little heavy on the text, but a very thorough anatomy book........2007-07-03
This book covers from the skeletal system to muscles, from head to toe, very thoroughly. Pictures are nice and clear. All important muscles feature full explanation on its origin, insert, function etc in text, and frontal and side view as well as in context of the whole muscle group along with a photograph of the real body part flexing with the related muscles. I find this book a little heavy a the text part, but images and photographs make up for it and make this book the most complete, and thorough anatomy book.
Last anatomy book you'll ever buy.......2007-06-26
This book is the best anatomy book I have come upon. I purchased every book I could find on this subject until I found this one. I am a sculptor and painter so this book provides everything I need to understand all the surface structure of the human body. It explains origin and insertion of each muscle and their function. (important to know when deciding in a pose which muscles would be flexed and which would be relaxed) There are cross-section drawings of the muscles so that you can see the size comparison of muscles around them. There are photographs of the muscles flexed using a thin model, the surface can be distinguished. I have taught Artistic Anatomy and this is a the cherished book of many of my students.
SUPERB ANATOMY BOOK.......2007-05-20
This book is exactly what I was looking for in an anatomy reference book. The cross-sectional drawings are great to help visualize the muscle forms in different positions. Not only does it deliver on accuracy of the muscles but it also depicts how the muscles are placed on the human skeleton from different angles, this helps me to understand the "wedging" of the muscles. I've seen this same title in other book stores for the retail price and I must say AMAZON has a great price for this book.
talk talk .......2007-02-19
May as well buy a grays anatomy. Pictures minimal and loads and loads of words and more words.
Average customer rating:
- Excellent for young budding artists
- Good book to learn how to draw
- Thank Heavens for Dubosque
- Ideal for Pre-Teen and Beginning Artists
- Splendid!
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Draw 3-D: A Step by Step Guide to Perspective Drawing
D. C. Dubosque
Manufacturer: Peel Productions
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ASIN: 0939217147 |
Customer Reviews:
Excellent for young budding artists.......2006-08-25
I got this for my sons 9th Birthday - it give the basics of 3D drawing in a way that children of his age can understand. I would recommend this book to people with children who enjoy drawing and would like to improve the results
Good book to learn how to draw.......2005-09-26
I'm trying to learn how to draw now because I was afraid to take art classes in high school. This book has made it fun. I really liked the "how to draw cars" by the same author. This book was not as helpful but it is still a good book.
Thank Heavens for Dubosque.......2005-09-13
With 8 grandchildren under 10 years of age, this book has delighted all of them. We have 3 budding artists and now the others are becoming more creative. The Dubosque books are an answer to parents who are not artistic or don't have the time to answer all their questions. With our schools eliminating many arts programs it will be up to parents to interest their children in the finer things, which begin with the basics.
Thank you for a delightful, useful book.
Rosemary McDowell
Ideal for Pre-Teen and Beginning Artists.......2003-01-21
"DRAW 3-D" by Doug DuBosque is a friendly and painless introduction to the ABCs of perspective drawing. The text has a conversational feel and is easy to understand, using short words and simple explanations aided by 2-5 very clear illustrations (and an occasional photograph) on every single page.
I went through the whole book, practice-drawing as I read, in about a week, since it's only 63 pages and I was already familiar with some of the principles discussed thanks to the most excellent "How To Draw Comics the Marvel Way" by John Buscema & Stan Lee.
I think "DRAW 3-D" is easy enough for a kid of about 9 or older to understand most of it, and all of it if he or she has an older artist handy to explain and demonstrate (or to console and encourage, because it sure is exasperating when you forget which of those 20 straight lines goes where). It will not teach you to draw a perspective view from an object plan, or to draw a perfect square in perspective, but if you are completely new to perspective drawing and want a good introduction to the subject, this is the book for you.
Try it! If you reach the point where you don't need it anymore, and haven't become sentimentally attached to it in the meantime, it will make a great gift for anyone else interested in drawing.
Splendid!.......1999-09-24
I bought three beginning drawing books for my 9 year old, and this one was his favorite (one on how to draw cartoons was a close second). The first exercise, which is to spell out your name using 3-D letters, caught his interest right away, and he's been back to the book several times on his own initiative.
Average customer rating:
- Art in China (Oxford History of Art Series)
- Good introduction to the arts of China
- Currently the best short introduction to art in China
- BRILLIANT!!
- challenging book
|
Art in China (Oxford History of Art)
Craig Clunas
Manufacturer: Oxford University Press, USA
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ASIN: 0192842072 |
Book Description
China can boast a history of art lasting 5,000 years and embracing a huge diversity of images and objects - jade tablets, painted silk handscrolls and fans, ink and lacquer painting, porcelain-ware, sculptures, and calligraphy. They range in scale from the vast `terracotta army' with its 7,000 or so life-size figures, to the exquisitely delicate writing of fourth-century masters such as Wang Xizhin and his teacher, `Lady Wei'. But this rich tradition has not, until now, been fully appreciated in the West where scholars have focused their attention on sculpture, downplaying art more highly prized by the Chinese themselves such as calligraphy. Art in China marks a breakthrough in the study of the subject. Drawing on recent innovative scholarship and on newly-accessible studies in China itself Craig Clunas surveys the full spectrum of the visual arts in China. He ranges from the Neolithic period to the art scene of the 1980s and 1990s, examining art in a variety of contexts as it has been designed for tombs, commissioned by rulers, displayed in temples, created for the men and women of the educated ilite, and bought and sold in the marketplace. Many of the objects illustrated in this book have previously been known only to a few specialists, and will be totally new to a general audience.
Customer Reviews:
Art in China (Oxford History of Art Series).......2005-09-24
Beautifully illustrated, delightful and extremely informative. This book is a marvelous supplement to the typical art history text books.
Good introduction to the arts of China.......2005-03-08
I like the author's approach to writing an introduction to the arts of China. Instead of trying to touch at least all of the major artists/works from all of the major periods (which in the case of China would mean touching very many things in a very cursory way), the author focuses on the context for which works were produced. Some of them were meant to be "art" from the start, some were not. This offers ample opportunities to examine how some works influenced other later in history. Overall, I think the ideas presented are some of the most gripping I have found in Chinese art history books. The book includes recent discoveries and scholarship and uses Pinyin romanization (two great features - not all recently-published books do).
Currently the best short introduction to art in China.......2002-01-20
While not the easiest to read, Clunas's book is currently the best short modest-sized introduction to art in China. The title "Art in China" (not "Chinese Art") is intentional, for Clunas is one of the rare Occidental authors on this subject who transcend the limitations of their background and succeed in communicating some of the subtlety and complexity of the subject, so remote from Western tastes, but no less beautiful and profound.
For example, he points out that while Western art has concentrated on painting, calligraphy is the most esteemed art form in China. Furthermore, from its earliest beginnings, Chinese aesthetics has placed little emphasis on illusionism and perspective, even regarding these as juvenile and distracting from artistic self-expression. (In this respect, the Chinese anticipated "modern art theory" by centuries.) The very term "Chinese Art", he maintains, is a Western invention, since the art work in China was, until recently, never divorced from its political, religious or decorative functions. (That is to say, it was not "museum art" isolated from its context and consciously regarded as art.) Because of these characteristics, art in China has been little appreciated in the West.
Clunas's probing book should be read slowly-- and re-read. The illuminating text gives a relatively sophisticated and sympathetic account of art in China, unlike many books, which are simply naive, provincial and as full of trivial dates and abstractions as they are lacking in insight. The representative works, drawn from all periods of Chinese history--including modern times--are superb and well chosen, and the pictures are excellent, considering the book's modest size. I especially enjoy the full-page color reproduction of Guo Xi's masterpiece "Early Spring" which equals, if not surpasses, the finest landscape paintings of the Dutch golden age (of course, not in illusionist technique, but in sheer expressive and evocative power as it unveils a mysterious fantastic landscape reflecting an interior, as much as an exterior, reality).
My only complaint is that there is only one book on "Art in China" in the Oxford History of Art series, while there are at least 30 on Western art in the same series. One book covers Western art for a 25-year span (1920-45), but 5,000 years of high art in China--in painting, jade, ceramics, lacquer, porcelain, calligraphy and sculpture--gets only a single volume! Talk about provincialism! Certainly, this is no fault of Dr. Clunas, whose work seems all the more commendable in the midst of the naive insularity and ethnocentrism with which it has unfortunately been grouped.
BRILLIANT!!.......2002-01-15
In researching information regarding Sung Dynasty scrolls and artists, I found this book to be a most generous indeed. The author provides clear, precise information without the clutter of person guesses. He provides a wonderful assortment of pictures and resources. Clear, clean photographs of artifacts providing the reader with primary documentation .This is a MUST for anyone studying the Arts and Artists of early China. Thank you Craig Clunas!
challenging book.......2000-05-15
This is a challenging work.
He realizes 5 standpoints. He writes "What is historically called art in China, by whom and when?". Really, I feel it rather reflect unconscious attitude of 20th century collectors and scholars.
Art in the Tomb /Art at Court/Art in the Temple/Art in the life of the Elite /Art in the Market-Place
Following recent searching environment of artifacts; lifetime of painters, art-market, patrons, etc., as "Painter's Practice" by J.cahill, Mr. Clunas searched relations of arts-makers and the society. This approach is interesting and very suggestive. It may be the first try among such cheap and popular books about "Arts in China". For such character, I feel it should not be an elementary textbook.
Calligraphy was more focused than M. Sullivan's book"The Arts of China" in the chapter "Art in the life of the Elite". Short columns explain words and technical terms vividly. It is worth to buy it only for them. Bibliographical essays(231-237 p.) are very useful. Plates and figures are all fine. There is few inadequate item. Fig 83 and 87 shows as we appreciate in museums, i.e. shows its handscroll format. I think the author make effort to show surrounding textile of paintings and the format in some figs.
As an avocat d'diable, I notice some. The gong of Fig. 49 is not 8th century. Dragons and a beast should be genuine 8th century items. The gong is regarded 12-13th century Japanese artifact. The item of Fig. 82 may not be a representative work by Tang-Yin.
Both C. Clunas and Michael Sullivan edited catalogues of Sir Alain Barlow Collection(now in Sussex College). (ref. The Barlow Collection of Chinese Ceramics, Bronzes and Jades: an Introduction, The University of Sussex, 1997/Nov.) Sullivan did in 1963 and 1974. Clunas did in 1997. They might have share common intellectual environment according Oriental Ceramic Society, England.
Average customer rating:
|
Charles M. Russell: Paintings, Drawings, and Sculpture in the Amon Carter Museum (Library of American Art)
Frederick G. Renner
Manufacturer: Abradale/Abrams
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Binding: Hardcover
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Russell, Charles M.
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ASIN: 0810980622 |
Book Description
This newest installment in the Drawing Restraint series again offers a clear PVC cover designed by the artist, Matthew Barney, printed in special ink. It includes 120 color images from Barney's film work, as well as the studies that went into them. Three enlightening texts round out this compact publication: Luc Steels is a scientist specializing in artificial intelligence; Shin'Ichi Nakazawa is a theologist and folklorist; and Itsuko Hasegawa weighs in with a curatorial perspective.
Book Description
A creative spirit learns that thinking "ish-ly" is far more wonderful than "getting it right" in this gentle new fable from the creator of the award-winning picture book THE DOT.
Ramon loved to draw. Anytime. Anything. Anywhere.
Drawing is what Ramon does. It¹s what makes him happy. But in one split second, all that changes. A single reckless remark by Ramon's older brother, Leon, turns Ramon's carefree sketches into joyless struggles. Luckily for Ramon, though, his little sister, Marisol, sees the world differently. She opens his eyes to something a lot more valuable than getting things just "right." Combining the spareness of fable with the potency of parable, Peter Reynolds shines a bright beam of light on the need to kindle and tend our creative flames with care.
Customer Reviews:
Liberating without being corny.......2007-06-16
Some inspiring books are just too heavy handed. This one seems so natural and child-like that the concept just flows out of the pages.
Inspirational!!.......2007-05-24
I bought this book for my four year old son who had practically zero interest in creating art. He would take crayon to paper for about 14.6 seconds before tossing both aside and moving on to his other toys. After several readings of Ish, he (independently and unprovoked) picked up a marker and paper and drew something person-ish!!! As he was drawing, he was telling me what the body parts were. I was glowing and speechless. Since then, he has been walking around proud as can be with his art and creating more to boot. I am so happy to have found this book. I think every child has a creative side and I'm happy to have found a way to get my little guy to express his ish! If you have a reluctant artist, I highly recommend this purchase! As a matter of fact, I even recommend it for the most artful child as a reminder to draw happily and with abandon!
Ish.......2007-04-09
Ish is a wonderful children's book that addresses perfection and lack there of it. I have shared it with my fifth graders for the sheer fact that nothing in the world is perfect, and we all can use a little "ish" at times in our lives. We cannot always be so hard on ourselves or the work that we do. We have to accept that in all of us there is uniquness and perfection, however it will always look differently for all of us. I would reccomend this to everyone to help realize our potential.
Buy it today!.......2007-02-14
You can't go wrong with this book! It's appropriate for anyone, anytime! It should be on every teacher's and parent's bookshelf. I love it. :)
Cute Story.......2007-02-07
Love to read this story aloud to students in primary grades. It also could be linked to using suffixes. :)
Average customer rating:
|
Alfred Hrdlicka: Sculptures Drawings Prints 1945-1997
Manufacturer: Edition Stemmle
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ASIN: 3908162750 |
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- Harold Linton, Chair / Department of Art & Visual Technology / GMU
- Critique of The Critique Handbook
- The Critique Handbook
- The Critique Handbook
- A terrific book!
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The Critique Handbook
Kendall Buster , and
Paula Crawford
Manufacturer: Prentice Hall
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ASIN: 0131505440 |
Customer Reviews:
Harold Linton, Chair / Department of Art & Visual Technology / GMU.......2007-05-02
Way Cool! Proud to boast about this great project! Kendall Buster and Paula Crawford have tackled a very difficult and taboo subject with wit and wisdon, keen insight and thoughtfulness that transforms the culture of studio art education into a clear discussion of the artistry of creative presentation and all of the thinking, doing, and planning that support it. The authors unravel a mystery for art students to ingest that can only have positive impact on their the work. Artists who are eager for depth, breadth, and better ability to plan and present their ideas to others - this is a must read! The content is completely applicable to all art discipline areas. From painting to sculpture, printmaking, ceramics, design, photography - it cuts across all areas of the visual arts and binds the conceptual with the end product in an engaging discussion of the ways and means of creative evidence, philosophy, and discussion. An excellent required and affordable text for studio classes across the board! Harold Linton, Chair Art & Visual Technology, George Mason University.
Critique of The Critique Handbook.......2006-11-04
I am an adjunct photography professor at a private college. This book was used as a text for a joint workshop on The Critique for the art department of our school and another local college. Given the complexity of the subject matter, this book does a good job of covering the basics of an art school critique. I particularly appreciated the discussion regarding the role of faculty and the personal baggage we sometimes forget we can bring to the party. It's impossible to cover all the possible permutations of The Critique, but this book does a fine job of highlighting the peculiarities of several art disciplines and the details that should be addressed. It gives you a springboard to make the conversion even if your discipline isn't specifically covered.
If you teach art or hold critiques in your class, I believe you will find this book very helpful.
My only quibble is the type size for my aging eyes. Don't be fooled by the physical size of this book. It may be compact but it makes up for it with density.
The Critique Handbook.......2006-09-17
This is a well-written, insightful and important manual that every professor, teacher, curator, gallery owner, student and professional artist should have on their bookshelf. It IS extremely expensive, but worth every single dime. There is a million bucks worth of info between its covers! Run and place your order...I'm glad I did!
The Critique Handbook.......2006-06-30
This book is very specific about how to conduct a critique and how to survive one without becoming emotionally involved. Although it only discusses the traditional fine arts,i.e. painting and sculpture, the techniques involved can be easily adapted to othere less trasditional forms of art, i.e. fiber art or photography. A very good book.
A terrific book!.......2006-03-26
What a fantastic idea! How is it that something as essential and ubiquitous as the studio critique had not been examined in this way before? This book takes on the task brilliantly. "The Critique Handbook" is a wonderful mixture of how-to manual, theoretical analysis, irreverent debunker and basic gameplan. The authors' analysis of how to make the best use of the critique applies both to those giving the critique as well as to those receiving them. While students will find the book quite useful in learning how to negotiate the critique and find the best uses for the information presented to them there, professors and other professionals will also find much to think about in the authors' analysis of what makes a critique helpful and harmful. And, delightfully, the authors are not afraid to take on the sacred cows of the profession. Any art professor will appreciate the witty and deadly portraits of their colleagues sketched by Buster and Crawford in their analysis of the types that can be found in the artist's studio.
Average customer rating:
- VARIETY OF SKILL LEVELS
- Nice, but not as good as expected.
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The Giant I Can Draw Everything
Manufacturer: Little Simon
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Similar Items:
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Illustory: Write and illustrate your own book!
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I Can Draw People (Playtime Series)
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I Can Draw Animals (Usborne Playtime Series)
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Follow the Directions & Draw It All by Yourself!
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What Shall I Draw (What Shall I Do Today)
ASIN: 0689811977 |
Book Description
From astronauts and dinosaurs to racing cars and super heroes, learn to draw it all!
Follow the easy step-by-step illustrations and learn how to draw faces, people, dinosaurs, spacecraft, animals, and much more! By simply studying the pointers at the beginning of each section and putting basic forms together, you'll be drawing just about everything there is!
Customer Reviews:
VARIETY OF SKILL LEVELS.......2007-01-19
This books starts out with easy drawings and gets increasingly difficult. Nice book.
Nice, but not as good as expected........2007-01-05
Not as well received by a 10 year old.
Average customer rating:
- Cute pony book
- My Pony
- For every girl who has asked for a horse...
- All Time Favorite
- What child doesn't love ponies?
|
My Pony
Manufacturer: Hyperion
ProductGroup: Book
Binding: Hardcover
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Jeffers, Susan
| ( J )
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Similar Items:
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The Sleep Ponies
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Horse Stickers (Dover Little Activity Books)
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My Horse Coloring Book (Dover Coloring Book)
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Snow Ponies
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Horses
ASIN: 0786819952 |
Book Description
My Pony Written and illustrated by Susan Jeffers I want a pony. I want a pony more than anything in the world. At the heart of Susan Jeffers's exquisite picture book lies the idea that in her imagination, a child can journey anywhere and do anything-even fly through the stars on her very own pony. Susan Jeffers, an avid equestrian and horse owner, effortlessly captures the grace and magic of horses in this luminous children's picture book. My Pony is a landmark book in Ms. Jeffers's career, for not only is it the first book she's both written and illustrated, but it is also inspired by her own experiences as a young girl who wished for a pony and channeled that desire onto paper. Ms.Jeffers is a New York Times best-selling artist. She was a Caldecott Honor recipient for Three Jovial Huntsmen, she illustrated Love Songs of the Little Bear by Margaret Wise Brown, and continues to illustrate the best-selling McDuff series by Rosemary Wells
Customer Reviews:
Cute pony book.......2007-01-12
My girls LOVE horses. This is a really cute book, with great pictures about a little girl and how she loves ponies. It's totally worth it!
My Pony.......2006-03-25
This is a wonderful story perfect for your imaginative little ones. It took me back to my childhood and all the imagining and pretending I did as a little girl. My children were enraptured. I did not give it a five b/c they have not asked me to read it over and over. I think you have to be in a special mood for this story. Great at bedtime! Great for the little girl or boy who dreams of horses or loves animals.
For every girl who has asked for a horse..........2006-02-08
The is a wonderful book for children who want their own horse and must live with the realization that they can't have one... but it is always nice to dream.
All Time Favorite.......2005-11-11
This has become a book for our special collection-my daughter received it for Christmas at age 4 & still loves it a year later. The illustrations are truly beautiful (as are all of Susan Jeffers illustrated books), and the story is sweet & appropriate for young kids (I'd say 10 and under). It's a story about a young girl who wants a pony, and draws & dreams up her own.
What child doesn't love ponies?.......2005-08-02
A beautifully illustrated book and heart-warming story any child would love. A "keeper".
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