History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

The Qin Terracotta Army: Treasures of Lintong (National Museums & Monuments of Ancient China Ser.))

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The Qin Terracotta Army: Treasures of Lintong (National Museums & Monuments of Ancient China Ser.))
Zhang Wenli
Manufacturer: London Editions (Hk) Limited
ProductGroup: Book
Binding: Hardcover

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ASIN: 0856674508

Book Description

A fascinating study of this amazing archaeological discovery.

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Art in China (Oxford History of Art Series)
Good introduction to the arts of China
Currently the best short introduction to art in China
BRILLIANT!!
challenging book

Art in China (Oxford History of Art)
Craig Clunas
Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Paperback

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ASIN: 0192842072

Book Description

China can boast a history of art lasting 5,000 years and embracing a huge diversity of images and objects - jade tablets, painted silk handscrolls and fans, ink and lacquer painting, porcelain-ware, sculptures, and calligraphy. They range in scale from the vast `terracotta army' with its 7,000 or so life-size figures, to the exquisitely delicate writing of fourth-century masters such as Wang Xizhin and his teacher, `Lady Wei'. But this rich tradition has not, until now, been fully appreciated in the West where scholars have focused their attention on sculpture, downplaying art more highly prized by the Chinese themselves such as calligraphy. Art in China marks a breakthrough in the study of the subject. Drawing on recent innovative scholarship and on newly-accessible studies in China itself Craig Clunas surveys the full spectrum of the visual arts in China. He ranges from the Neolithic period to the art scene of the 1980s and 1990s, examining art in a variety of contexts as it has been designed for tombs, commissioned by rulers, displayed in temples, created for the men and women of the educated ilite, and bought and sold in the marketplace. Many of the objects illustrated in this book have previously been known only to a few specialists, and will be totally new to a general audience.

Customer Reviews:

Art in China (Oxford History of Art Series).......2005-09-24

Beautifully illustrated, delightful and extremely informative. This book is a marvelous supplement to the typical art history text books.

Good introduction to the arts of China.......2005-03-08

I like the author's approach to writing an introduction to the arts of China. Instead of trying to touch at least all of the major artists/works from all of the major periods (which in the case of China would mean touching very many things in a very cursory way), the author focuses on the context for which works were produced. Some of them were meant to be "art" from the start, some were not. This offers ample opportunities to examine how some works influenced other later in history. Overall, I think the ideas presented are some of the most gripping I have found in Chinese art history books. The book includes recent discoveries and scholarship and uses Pinyin romanization (two great features - not all recently-published books do).

Currently the best short introduction to art in China.......2002-01-20

While not the easiest to read, Clunas's book is currently the best short modest-sized introduction to art in China. The title "Art in China" (not "Chinese Art") is intentional, for Clunas is one of the rare Occidental authors on this subject who transcend the limitations of their background and succeed in communicating some of the subtlety and complexity of the subject, so remote from Western tastes, but no less beautiful and profound.

For example, he points out that while Western art has concentrated on painting, calligraphy is the most esteemed art form in China. Furthermore, from its earliest beginnings, Chinese aesthetics has placed little emphasis on illusionism and perspective, even regarding these as juvenile and distracting from artistic self-expression. (In this respect, the Chinese anticipated "modern art theory" by centuries.) The very term "Chinese Art", he maintains, is a Western invention, since the art work in China was, until recently, never divorced from its political, religious or decorative functions. (That is to say, it was not "museum art" isolated from its context and consciously regarded as art.) Because of these characteristics, art in China has been little appreciated in the West.

Clunas's probing book should be read slowly-- and re-read. The illuminating text gives a relatively sophisticated and sympathetic account of art in China, unlike many books, which are simply naive, provincial and as full of trivial dates and abstractions as they are lacking in insight. The representative works, drawn from all periods of Chinese history--including modern times--are superb and well chosen, and the pictures are excellent, considering the book's modest size. I especially enjoy the full-page color reproduction of Guo Xi's masterpiece "Early Spring" which equals, if not surpasses, the finest landscape paintings of the Dutch golden age (of course, not in illusionist technique, but in sheer expressive and evocative power as it unveils a mysterious fantastic landscape reflecting an interior, as much as an exterior, reality).

My only complaint is that there is only one book on "Art in China" in the Oxford History of Art series, while there are at least 30 on Western art in the same series. One book covers Western art for a 25-year span (1920-45), but 5,000 years of high art in China--in painting, jade, ceramics, lacquer, porcelain, calligraphy and sculpture--gets only a single volume! Talk about provincialism! Certainly, this is no fault of Dr. Clunas, whose work seems all the more commendable in the midst of the naive insularity and ethnocentrism with which it has unfortunately been grouped.

BRILLIANT!!.......2002-01-15

In researching information regarding Sung Dynasty scrolls and artists, I found this book to be a most generous indeed. The author provides clear, precise information without the clutter of person guesses. He provides a wonderful assortment of pictures and resources. Clear, clean photographs of artifacts providing the reader with primary documentation .This is a MUST for anyone studying the Arts and Artists of early China. Thank you Craig Clunas!

challenging book.......2000-05-15

This is a challenging work.

He realizes 5 standpoints. He writes "What is historically called art in China, by whom and when?". Really, I feel it rather reflect unconscious attitude of 20th century collectors and scholars.

Art in the Tomb /Art at Court/Art in the Temple/Art in the life of the Elite /Art in the Market-Place

Following recent searching environment of artifacts; lifetime of painters, art-market, patrons, etc., as "Painter's Practice" by J.cahill, Mr. Clunas searched relations of arts-makers and the society. This approach is interesting and very suggestive. It may be the first try among such cheap and popular books about "Arts in China". For such character, I feel it should not be an elementary textbook.

Calligraphy was more focused than M. Sullivan's book"The Arts of China" in the chapter "Art in the life of the Elite". Short columns explain words and technical terms vividly. It is worth to buy it only for them. Bibliographical essays(231-237 p.) are very useful. Plates and figures are all fine. There is few inadequate item. Fig 83 and 87 shows as we appreciate in museums, i.e. shows its handscroll format. I think the author make effort to show surrounding textile of paintings and the format in some figs.

As an avocat d'diable, I notice some. The gong of Fig. 49 is not 8th century. Dragons and a beast should be genuine 8th century items. The gong is regarded 12-13th century Japanese artifact. The item of Fig. 82 may not be a representative work by Tang-Yin.

Customer Reviews:

The story of the 7,5000 warriors who guard Qin, China's first emperor.......2006-03-21

While on vacation in China, Jane O'Connor visited the thousands of life-sized terracotta warrior statues discovered near the tomb on an emperor in northern China. She was inspired to find out more about both the army of ghostly gray warriors and the man who had ordered their creation. But as O'Connor read everything available about the first emperor and his buried army she discovered that a book on the subject had not yet been written for children. "The Emperor's Silent Army: Terracotta Warriors of Ancient China" rectifies that mistake.

In March 1974 three farmers digging a well near the city of Xian in Lintong County of the People's Republic of China, discovered the clay head of a "pottery man." Neither the farmers nor the archaeologists who arrived to investigate the figure had ever seen anything similar to the life-like figure, and where astounded to discover dozens, and then hundreds and finally thousands of these terracotta figures. When the excavation was done, an army of 7,500 soldiers and horses has been uncovered (so far), after being buried for more than 2,200 years. The life-size figures weighed as much as four hundred pounds each and wore knee-length robes, armor made from small iron "fish scales," and elaborate topknot hairdos (the low-ranking infantrymen did not wear armor). The figures stand at attention and archaeologists also found the hundreds of real bronze swords, daggers, battle-axes, and arrowheads, these silent warriors were carrying.

After sharing the story of the discovery of the figures, O'Connor tells the story of Qin Shihuang, the divine Son of Heaven, who was the first emperor or China. Qin was a paranoid tyrant, and fearing that grave robbers would loot the treasures in his tomb after he died. O'Connor talks about the measures Qin took to protect his final resting place, which included the terracotta figures, stationed in underground trenches, less than a mile from the tomb. The details about the figures, as to why they do not wear helmets or shields and why they are facing east, are quite interesting. There is logic to their arrangement that O'Connor is able to explain, a well as the difference between the 350 chariot horses and the more than 100 cavalry horses. There are more than forty full-color photographs in the book, which help to distinguish between the different types of warriors. The only disappointment here is that there are not more such photographs.

One of the most amazing things about the figures is that of the two thousand unearthed at the time O'Connor's book was published, no two had been discovered to be the same. The figures represent different ages, different parts of China, and even different temperaments. A colored computer image shows how one of the figures would have looked originally when it was painted. Another fascinating section has to do with modern artisans making replicas, following the techniques of 2,200 years ago, to help archeologists understand how the original figures were created. The final chapters of the book are devoted to what it was like inside the Emperor's tomb, where the body may be wearing a jade funeral suit (the government has no intention of actually opening the tomb and looking, but other tombs have been opened in the past to five us some ideas), and Qin's legacy, which is mainly the first Great Wall of China that he had made with a workforce of half a million slave laborers working for a dozen years. However, it would be Qin's silent army that is probably most responsible for what immortality the first emperor possesses today. Seeing them in person would be an unforgettable experience, and O'Connor's book does an excellent job of making that impression on her readers, young and old alike.

Hidden arrows, Poisoned King, and Buried Treasure!.......2002-11-15

Rich with exciting historical details, The Emperor's Silent Army: Terracotta Warriors of Ancient China by Jane O'Connor offers a well-researched book that tantalizes the reader with tales of a poisoned King, a camouflaged dead body, and a booby-trapped tomb. The targeted audience of ages 9-12 will thrill with the adventure while simultaneously profiting from their newfound knowledge of China's first Emperor, Qin Shihuang, and his war and burial customs. Heavily strewn with color photographs, computer images, maps, drawings, and charts, the book easily captures interest and successfully holds attention with its succinct wording and short chapters that directly complement the images.
Jane O'Connor's career spanning roles as editor-at-large, president of mass market children's books at Penguin, and prolific author is crowned by her most recent gem, The Emperor's Silent Army: Terracotta Warriors of Ancient China. Realizing that no children's books had thoroughly documented the world wonder discovered in China, O'Connor successfully fills the void. This book is a must for any library!
The only negative aspect is that the book fails to be part of a larger history series since once the book is read, the reader will want to read more. The detailed bibliography and author's note provide a scope for further reading on the Terracotta Warriors, but readers will long to learn the same concise and tantalizing information on other subjects as well! Hopefully, Jane O'Connor will follow with more books to engage children and adults since The Emperor's Silent Army: Terracotta Warriors of Ancient China masterfully explores its subject.

The Eternal Army: The Terracotta Army of the First Chinese Emperor (Timeless Treasures)

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Spectacular big photos of the Emperor's Army

The Eternal Army: The Terracotta Army of the First Chinese Emperor (Timeless Treasures)
Roberto Ciarla
Manufacturer: White Star
ProductGroup: Book
Binding: Hardcover

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ASIN: 8854400823
Release Date: 2005-10-18

Book Description

A vast "army" of over 7,000 terracotta statues of soldiers surrounds the tomb of the first emperor of the Qin dynasty in the Shaanxi province in northwestern China. These vigilant soldiers have been on duty for 2,000 years, but does anyone know what sort of ruler Qin Shi Huang was? Why did his tomb have to be guarded by a mysterious army? Was Qin Shi Huang so power-hungry he sought control even over the spirit world? Why did he feel compelled to defend himself even in the next life? Using the mausoleum structure as a key, the splendidly illustrated book answers many of the questions that have intrigued travelers, archaeologists, and students of Chinese culture since the site was discovered in 1974.This lavish, powerful volume explores the life and times of the man who founded a dynasty that would continue to the dawn of the 20th century. It gathers the most recent archaeological data with photographs taken on site expressly for this book-accompanied by essays from archaeologists and experts in Chinese art and history. What emerges is a profile of one of China's most powerful, legendary figures and a new view of one of Asia's most spectacular tourist attractions.

Customer Reviews:

Spectacular big photos of the Emperor's Army.......2005-12-27

The striking feature of this book is its inclusion of unusually large photos of close-ups of some individual soldiers. Two individual chariots, in addition, receive in-depth illustration of various aspects. If you really want to have a taste of what it feels when seeing as different each of the soldiers' faces, you will never be disappointed with this book in hand.

Several historical incidents that happened in this period also attract elaboration from this book. How the Emperor burnt thousands of scholars and books in order to take control of people's mind, is something that is explained through a model of the scene by the authors.

At the end of the book, the authors also explain how they, with the help of the Chinese officials, took the photos, with equipment weighing over 1000 pounds.

In the middle of the book the authors also attempt to delineate the long tradition of the Chinese philosophical thought as expressed in different schools, that preceded the rule of the Emperor over the unified China, which lasted only for 15 years!
While the discussion of the philosophical thoughts might not be deep enough, I guess the readers who are interested in this book would not count this as any issue. For overall each of the faces of the soldiers that feature in the photos already tell thousands of different stories, given the reader's own imagination.

I would recommend this book as a highly collectible gem!

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Chinese Sculpture
Angela Falco Howard , Song Li , Hung Wu , and Hong Yang
Manufacturer: Yale University Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0300100655

Book Description

Sculpture is becoming known as one of China’s great arts. Neolithic figurines, rows upon rows of underground terra-cotta statues, exquisite bronzes, Buddhas carved in cave walls—all these are part of a vast sculptural heritage. This gorgeous book, written by a team of eminent international scholars, is the first to offer a comprehensive history of Chinese sculpture. Spanning some seven thousand years, Chinese Sculpture explores a beautiful and diverse world of objects, many of which have come to light in recent decades.

The authors analyze and present, mostly in color, more than five hundred examples of Chinese sculpture, dividing China’s rich and complex sculptural legacy into two parts—secular (tomb and mortuary art) and religious (Buddhist, Confucianist, and Daoist art). Throughout, the authors highlight the inventiveness, purposes, and brilliant execution of Chinese sculpture and comment on how the country’s culture nurtured the practical and intellectual choices that shaped its sculptural traditions over the millennia.

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Chinese Sculpture: A Great Tradition
Ann Paludan
Manufacturer: Serindia Publications
ProductGroup: Book
Binding: Hardcover

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ASIN: 1932476288

Book Description

Archaeological discoveries over the last fifty years have revolutionised knowledge about Chinese sculpture, revealing the length and strength of a hitherto unsuspected tradition stretching back to prehistoric times. This tradition was concerned with the powers of statuary. Unwritten, it was based on beliefs shared by all classes on the nature of the cosmos, the importance of maintaining contact with the ancestors and the idea that images contain power to influence events in the seen and unseen worlds.

With many previously unpublished photographs, the book traces the history of Chinese sculpture through the imperial period. By outlining the principles which underlie all forms of statuary, regardless of size and material, the text aims to elucidate the extent to which sculpture in China has been adapted to serve the political, practical and spiritual needs of its rulers through two thousand years. Sculptures were a vital part of palace, tomb, temple or other complexes intended to further harmony between worldly society and the cosmos.

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Utter Silliness

Some fresh material, astounding insights

The Terracotta Warriors: The Secret Codes of the Emperor's Army
Maurice Cotterell
Manufacturer: Bear & Company
ProductGroup: Book
Binding: Hardcover

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The Lost Tomb of Viracocha: Unlocking the Secrets of the Peruvian Pyramids

The Tutankhamun Prophecies: The Sacred Secret of the Maya, Egyptians, and Freemasons

Jesus, King Arthur, and the Journey of the Grail: The Secrets of the Sun Kings

The Emperor's Silent Army: Terracotta Warriors of Ancient China

The Eternal Army: The Terracotta Army of the First Chinese Emperor (Timeless Treasures)

ASIN: 159143033X
Release Date: 2004-03-25

Book Description

Explains esoteric secrets of the sacred solar science encoded in the massive army of terracotta warriors that guards the tomb of Chinese emperor Ch’in Shi Huangdi

• Decodes the farewell message of the first emperor of China concealed more than 2,000 years ago in the 8,000 terracotta warriors that guard his tomb

• Shows the spiritual principles of this sacred solar science and its remarkable insights into heaven, hell, and the immortality of the soul

• Latest book by the bestselling author of The Tutankhamun Prophecies and The Lost Tomb of Viracocha

When the first emperor of unified China, Ch’in Shi Huangdi, felt his death approaching, he decreed that he be entombed within a pyramid and that his tomb be protected by an immortal army of terracotta soldiers. In 1974 archaeologists discovered the first of more than 8,000 life-size terracotta warriors, each weighing half a ton, buried circa 220 B.C.E. near this emperor’s pyramid tomb. Maurice Cotterell shows how Shi Huangdi--like the pharaoh Tutankhamun, the Mayan lord Pacal, and Viracocha in Peru--was a keeper of the sacred solar science of the ancients, a science that included a sophisticated understanding of the effect of the sun on earthly affairs, fertility rates, and personality. The keepers of this science taught that the soul was immortal and was destined to transform into star energy or be reborn on Earth, depending on an individual’s spiritual progress in his or her lifetime. Using his unique understanding of how and why ancient civilizations encoded this extraordinary knowledge, Cotterell decodes the emperor’s farewell message concealed in the terracotta warriors--a message that reveals the true purpose of life and the imperishable nature of the soul.

Customer Reviews:

Utter Silliness.......2005-12-13

There is absolutely not one word of substance in this book. There's not all that much about the warriors and what there is so ridiculous that one is inclined to suspect that the author is putting us on. The tabloids at the supermarket checkout counter have more substance than this nonsense.

Some fresh material, astounding insights.......2004-08-29

I am ambivalent about the latest book by Maurice Cotterell. 'The Terracotta Warriors' merits a five star rating but I have some reservations about the book. For those interested in the statues uncovered in China the book is worthwhile. Since I've read several other books by Maurice, it was a bit of a disappointment because he simply continues the theme of reincarnation and how humans escape to enter a higher state of being, or heaven, or however a person wants to phrase it, with a limited amount of new material. The appendices contain nothing new, as I recall. For someone who has not read any books by Maurice, the book will appear to be profound and full of insights that no one but Maurice has realized for hundreds of years (probably with the exception of some limited number of people belonging to secret societies). For someone who has read other books Maurice wrote, they will find a magnificent explanation of the significance of the Terracotta Warriors: the significance of the number of warriors in each pit, the significance of each type of face (representing different Chinese [written] characters), and so on. I also enjoyed tidbits such as a page or two devoted to information about Hitler's quest for esoteric knowledge and search for artifacts such as the Spear of Destiny. Of course, Maurice revealed a profound fact about the number 666 and what humans are made of (perhaps a coincidence, perhaps not).

I highly recommend all of Maurice's books. For those who have not read Cotterell previously, I might recommend 'The Tutankhamun Prophecies' instead. For those who have read some of Cotterell's books, I think 'The Terracotta Warriors' is definitely not a waste of time to read, but I wouldn't be in a rush to buy it. econ

Quest for Eternity: Chinese Ceramic Sculptures from the People's Republic of China

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Quest for Eternity: Chinese Ceramic Sculptures from the People's Republic of China
E. Renbo
Manufacturer: Hacker Art Books
ProductGroup: Book
Binding: Paperback

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ASIN: 0875871348

Circles of Reflection : The Carter Collection of Chinese Bronze Mirrors

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Circles of Reflection : The Carter Collection of Chinese Bronze Mirrors
Ju-Hsi Chou
Manufacturer: Cleveland Museum of Art
ProductGroup: Book
Binding: Paperback

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ASIN: 094071759X

Book Description

This volume features a comprehensive overview of the development of Chinese bronze mirrors through over 90 examples from the Carter Collection recently added to the permanent collection of the Cleveland Museum of Art. Ranging in date from the Han dynasty to the 19th century, these examples encompass various production techniques, alloy compositions, and patination. Extensive technical analyses are provided together with a comprehensive essay on the making of bronze mirror: its casting techniques, clay mold technology, color and patination, and finishing work. Translation of inscriptions together with extensive inclusion of Chinese characters make this volume a valuable reference work on mirror inscriptions and terminology

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