History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

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Harold Linton, Chair / Department of Art & Visual Technology / GMU
Critique of The Critique Handbook
The Critique Handbook
The Critique Handbook
A terrific book!

The Critique Handbook
Kendall Buster , and Paula Crawford
Manufacturer: Prentice Hall
ProductGroup: Book
Binding: Paperback

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ASIN: 0131505440

Customer Reviews:

Harold Linton, Chair / Department of Art & Visual Technology / GMU.......2007-05-02

Way Cool! Proud to boast about this great project! Kendall Buster and Paula Crawford have tackled a very difficult and taboo subject with wit and wisdon, keen insight and thoughtfulness that transforms the culture of studio art education into a clear discussion of the artistry of creative presentation and all of the thinking, doing, and planning that support it. The authors unravel a mystery for art students to ingest that can only have positive impact on their the work. Artists who are eager for depth, breadth, and better ability to plan and present their ideas to others - this is a must read! The content is completely applicable to all art discipline areas. From painting to sculpture, printmaking, ceramics, design, photography - it cuts across all areas of the visual arts and binds the conceptual with the end product in an engaging discussion of the ways and means of creative evidence, philosophy, and discussion. An excellent required and affordable text for studio classes across the board! Harold Linton, Chair Art & Visual Technology, George Mason University.

Critique of The Critique Handbook.......2006-11-04

I am an adjunct photography professor at a private college. This book was used as a text for a joint workshop on The Critique for the art department of our school and another local college. Given the complexity of the subject matter, this book does a good job of covering the basics of an art school critique. I particularly appreciated the discussion regarding the role of faculty and the personal baggage we sometimes forget we can bring to the party. It's impossible to cover all the possible permutations of The Critique, but this book does a fine job of highlighting the peculiarities of several art disciplines and the details that should be addressed. It gives you a springboard to make the conversion even if your discipline isn't specifically covered.

If you teach art or hold critiques in your class, I believe you will find this book very helpful.

My only quibble is the type size for my aging eyes. Don't be fooled by the physical size of this book. It may be compact but it makes up for it with density.

The Critique Handbook.......2006-09-17

This is a well-written, insightful and important manual that every professor, teacher, curator, gallery owner, student and professional artist should have on their bookshelf. It IS extremely expensive, but worth every single dime. There is a million bucks worth of info between its covers! Run and place your order...I'm glad I did!

The Critique Handbook.......2006-06-30

This book is very specific about how to conduct a critique and how to survive one without becoming emotionally involved. Although it only discusses the traditional fine arts,i.e. painting and sculpture, the techniques involved can be easily adapted to othere less trasditional forms of art, i.e. fiber art or photography. A very good book.

A terrific book!.......2006-03-26

What a fantastic idea! How is it that something as essential and ubiquitous as the studio critique had not been examined in this way before? This book takes on the task brilliantly. "The Critique Handbook" is a wonderful mixture of how-to manual, theoretical analysis, irreverent debunker and basic gameplan. The authors' analysis of how to make the best use of the critique applies both to those giving the critique as well as to those receiving them. While students will find the book quite useful in learning how to negotiate the critique and find the best uses for the information presented to them there, professors and other professionals will also find much to think about in the authors' analysis of what makes a critique helpful and harmful. And, delightfully, the authors are not afraid to take on the sacred cows of the profession. Any art professor will appreciate the witty and deadly portraits of their colleagues sketched by Buster and Crawford in their analysis of the types that can be found in the artist's studio.

Helping Students Revise Their Writing (Grades 2-6)

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Great Book! Get this if you are a beginning teacher!

Helping Students Revise Their Writing (Grades 2-6)
Marianne Tully
Manufacturer: Scholastic
ProductGroup: Book
Binding: Paperback

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ASIN: 059086565X

Book Description

Practical Strategies, Models, and Mini-Lessons that Motivate Students to Revise Their Writing
Practical Strategies, Models, and Mini-Lessons That Motivate Students to Become Better Writers. Enrich your reading program with this essential guide to the challenges of revising. Providing a pedagogical framework for revision and much more, this book answers questions such as, "If children own their own writing, how can I insist that they revise it?"

Customer Reviews:

Great Book! Get this if you are a beginning teacher!.......2000-08-30

This is a wonderful book designed for grades 2-6. It is broken down into strategies for each step of the writing process. The best part is the chapter on mini-lessons. The mini-lessons are on creating an opening that grabs attention, adding details, changing verbs to action verbs, using dialogue, showing how characters feel, organizing paragraphs, and using figurative language. The book also has a helpful chapter on fun strategies to get kids to revise their writing. Some of the strategies and lessons may be difficult for second graders, but should be no problem for 3-6.

Make It in Clay: A Beginner's Guide to Ceramics

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A Complete Beginner's Guide for Working with Clay

Make It in Clay: A Beginner's Guide to Ceramics
Charlotte Speight , and John Toki
Manufacturer: McGraw-Hill Humanities/Social Sciences/Languages
ProductGroup: Book
Binding: Plastic Comb

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ASIN: 0767417011

Book Description

This introductory guide to ceramics is geared to a simple, beginning studio situation. The text provides descriptions of basic tools, materials, and techniques paired with ample illustrations of processes to help beginners get started in clay.

Customer Reviews:

A Complete Beginner's Guide for Working with Clay.......1999-12-22

When your professor comes over the first day of class and leafs through your brand new book and says, "Where did you get this...it's a great introduction to this class!" then proceeds to tell you he knows some of the potters and works pictured...you know it's a GREAT book. From learning where clay comes from and the techniques from pinching and coiling to the wheel and sculpture, I found great tips and photos to help me along and inspire my "creations." Then came texturing, coloring and glazing and firing techniques. I've actually bought the book as a gift for Mr. Pace (from amazon.com, naturally) and his future students because I found it SO helpful.

The Art of Precast Concrete: Colour, Texture, Expression

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The Art of Precast Concrete: Colour, Texture, Expression
David Bennett
Manufacturer: Birkhäuser Basel
ProductGroup: Book
Binding: Hardcover

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Accessories:

ASIN: 3764371501

Book Description

As a building material, precast concrete allows a wide range of sculptural forms and design options. By treating the surface in various ways, fascinating textures and fine finishes can be produced.

Book Description

New full-color alternative to Sand and Stones, this "Concepts About Print" test can be used with the new entrant or nonreader, enabling the child to point to certain features as the examiner reads the book.

An Observation Survey presents the theoretical background, administration details, and scoring interpretation of the tests.

The Terracotta Designs of Alfred Waterhouse

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The Terracotta Designs of Alfred Waterhouse
Collin Cunningham , and Alfred Waterhouse
Manufacturer: John Wiley & Sons
ProductGroup: Book
Binding: Paperback

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ASIN: 0471489492

Book Description

The Natural History Museum in London is one of Britain's finest examples of late Victorian architecture at its exuberant height. A decorative tour de force, it was conceived by Alfred Waterhouse, whose attention to detail in the creation of this masterpiece is legendary. The terracotta mouldings of flora and fauna adorning both interior and exterior of the building rival in richness and variety the equally renowned contents of the Museum's collections.
This book presents a history of the development of Waterhouse's designs for these mouldings, setting them in the context of his work as a whole and of their manufacture. It acknowledges his courage in selecting the generally frowned upon medium of terracotta for the execution of the ornament, rather than the established and respected material of carved stone. It also provides a unique document of his exquisite pencil drawings for the individual blocks: although many of the drawings were destroyed when their practical use had expired, over 130 still survive, and are held in the Museum's Library. Seldom seen and never reproduced in their entirety, they bear witness to the fact that Waterhouse was not only a skilled architect but also an extremely accomplished draughtsman. This is a unique portrait of an ornamental scheme which influenced a generation at the end of the nineteenth century.

Dig Your Hands in the Dirt: A Manual For Making Art Out of Earth

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Mud Manual Very Good

Dig Your Hands in the Dirt: A Manual For Making Art Out of Earth
Kiko Denzer
Manufacturer: Hand Print Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0967984661

Book Description

Turn the earth under your feet into natural, cheap, beautiful art: African-inspired murals, fanciful playground sculptures, labyrinths, sundials, sculpted benches, bird houses, & more.

Complete illustrated how-to guide to mud, art, & community.

Inspiring stories & color photos from earth-artists here & abroad.

For teachers, parents, activists, builders, artists, & other kids.
Here is inspiration and instruction for anyone interested in making beautiful art out of earth. The author of Build Your Own Earth Oven teaches you to find, mix, and sculpt the right mud; develop group goals and vision, and translate simple, natural (and easy to draw) patterns into sophisticated and complex designs. The resulting murals will transform anonymous "spaces" into real places. Or make "garden art" you can sit on (or in). Get inspirated by earth artists across the country and over the sea. Extensive resources for further study. Join them all in making art to help "join us, harmoniously, to a whole." Brief, elegant, wonderfully and generously illustrated with drawings and 32 pages of color photos.

Customer Reviews:

Mud Manual Very Good .......2006-07-10

This is a small informative book about many great projects made out of mud. I have not tried the projects yet but am planning on getting my hands in some clay soil very soon. The descriptions, instructions and pictures are clear and easy to follow.

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The Snow Show Is An Incredible Book
Perfect gift!!

The Snow Show

Manufacturer: Thames & Hudson
ProductGroup: Book
Binding: Hardcover

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Art Works: Place (Art Works)

ASIN: 0500238197

Book Description

Breathtaking, sublime, illuminating, and meditative works in snow and ice—a tribute to the ingenuity of the participants and an inspiration and cause for reflection in an age of global warming.

In early 2004, in a remote area of Finnish Lapland, one of the most ambitious art and design events in recent history took place. Seventeen collaborations between international artists and architects, the finished works were a triumph of creativity over matter, beauty over ego, hot ideas over arctic materials. Pieces ranged from room-sized cylindrical ice-block lanterns to an amphitheater made from snow.

The exhibition was one of the most fascinating events of the year—and it was only the beginning. Traveling and expanding in size and planned as a centerpiece of the 2006 Winter Olympics in Turin, "The Snow Show" will continue to delight visitors from around the world.

With exquisite photography, detailed plans and sketches, and project descriptions written by the artists and architects, this book is a celebration of overcoming nature's harshest conditions with elegance and beauty.

Artist/Architect collaborators: Eva Rothschild/Anamorphosis, Yoko Ono/Arata Isozaki, John Roloff/Diller + Scofidio, Lawrence Weiner/Enrique Norten, Jene Highstein/Steven Holl, Robert Barry/Hollmén-Reuter-Sandman, Tatsuo Miyajima/Tadao Ando, Anish Kapoor/Future Systems, Rachel Whiteread/Juhani Pallasmaa, Kiki Smith/Lebbeus Woods, Osmo Rauhala/Asymptote, Top Changtrakul/LOT-EK, Do-Ho Suh/Morphosis, Ernesto Neto/Ocean North, Lothar Hempel/Studio Granda, Carsten Höller/Williams & Tsien, Cai Guo-Qiang/Zaha Hadid. 250 illustrations, 150 in color.

Customer Reviews:

The Snow Show Is An Incredible Book.......2005-05-14

Every once in a while, a monumental art event takes place that makes us rethink what can be done to explore mans creative spirit. The Snow Show was one of those rare events that revealed a new vision. The Snow Show combined world-renowned artists and architects in a collaboral effort to create a visual delight. This show will be reflected upon for years to come. There is something almost mystical that happened when ice, light and flames were combined together. The Snow Show book presents this incredible event with beautiful photos and thoughtful narration. It is well designed and very comprehensive. I especially enjoyed the explanations and photos of how the structures were actually built. The Snow Show book is more than just an art book; it explores a beautiful idea with jaw-dropping photography. I wish I could have attended the event. This book does a superb job of recording what happened.

Perfect gift!!.......2005-05-07

I received The Snow Show as a gift and I love it.

It documents an architectural/artistic exhibition in Lapland. Teams of two, one artist and one architect designed and built temporary structures of snow and ice.

The book is primarily comprised of color photographs of the projects. The pictures of the structures, made of snow and ice, with the sun coming through are just breath-taking. They are incredibly beautiful. At the back, each project is elaborated on: The teams, the concepts and processes, including working drawings and photographs.

The book is sooo great, I can't imagine how amazing it must have been in real life. Anyone would enjoy it, architects, artists and laypeople.

Plastic sculpture and collage: Designs, materials, methods

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Plastic sculpture and collage: Designs, materials, methods
Therese Schwartz
Manufacturer: Hearthside Press
ProductGroup: Book
Binding: Unknown Binding

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ASIN: B0006DXDNW

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