Book Description
Stanley Kubrick The first book to explore Stanley Kubrick's archives is also the most comprehensive study of the filmmaker to date
Part 1: The films
In 1968, when Stanley Kubrick was asked to comment on the metaphysical significance of 2001: A Space Odyssey, he replied: "It's not a message I ever intended to convey in words. 2001 is a nonverbal experience…. I tried to create a visual experience, one that bypasses verbalized pigeonholing and directly penetrates the subconscious with an emotional and philosophic content." The philosophy behind Part I borrows from this line of thinking: from the opening sequence of Killer's Kiss to the final frames of Eyes Wide Shut, Kubrick's complete films will be presented chronologically and wordlessly via frame enlargements. A completely nonverbal experience.
Part 2: The Creative Process
Divided into chapters chronologically by film, Part 2 brings to life the creative process of Kubrick's filmmaking by presenting a remarkable collection of material from his archives, including photographs, props, posters, artwork, set designs, sketches, correspondence, documents, screenplays, drafts, notes, and shooting schedules. Accompanying the visual material are essays by noted Kubrick scholars, articles written by and about Kubrick, and a selection of Kubrick's best interviews.
Customer Reviews:
Whoa!.......2007-09-16
Lucky me! I scored a copy of this and I have to say it is the best book on an artist I've ever seen. The previous reviewers weren't kidding--this thing is huge! Too large and heavy to be read anywhere but on a large flat surface, but that's not a complaint, unless you're lugging it across an airport like I did.
A spectacular book that you'll refer to repeatedly. I pored over it for hours. The first half is devoted to an incredible array of pristine stills from each film. The second half is focused on every film with a plethora of on-set photos and interviews with cast & crew. The book is helpfully tabbed by film.
A stunning look into one of the greatest of all filmmakers. So well designed that my friends were awed by its beauty. And that 70MM film strip--holy cow! IMHO, it's worth the price for just for that.
Do you like perfection???.......2007-08-12
One of the most beautifully produced books I have ever seen!!! Worth every cent. This is the kind of book you set aside in a special place, so you can revisit it and continually discover something new. Five stars is not enough. An essential addtion for anyone who is interested in the work of Stanley Kubrick!!!
PERFECT!!!
Genius.......2007-06-01
The book is definetely a work of art. Congrats, Taschen, for such a well done job. You will find photos, storyboards, interviews, texts, articles and sorts of wonders from the Stanley Kubrick universe. The strip from a 90mm copy of 2001: A Space Odyssey is a delightful gift for appreciators of his masterpiece.
Absolutely worth-having.
Beautiful luxury item.........2007-05-17
As others have mentioned, this is a tremendously well put together book, with the tab system making it easy to get to the sections on the particular film you've just seen or are interested in. The essays, for the most part, are well written and engaging, and do a good job of enhancing the movies and giving you a context for the circumstances under which the movies are made. I've been using the book while watching each of one of Kubrick's movies, and it's a great way to get more out of each.
The size of the book is impressive from a collector's perspective but frustrating from an reader's - you do really have to read the book in a particular position, otherwise you may damage it. That said, the size of the book does enhance the tome's first half, featuring shots from the movies themselves. This might seem a bit dull, but for Kubrick, who actually grew up a photographer, it's well worth the time to flip through and marvel at the compositions.
Finally, I had wondered before buying the book if it was still in its first run with the filmstrip - as of May 2007, it is. I recommend sending a question to Amazon to ask - they quickly got back to me to let me know that the book I was buying did have the film strip.
Of course, the book is a bit pricey, so you certainly do need to be a devoted Kubrick follower to make it worth it. There are a number of other quality books with similar essays to the ones you'll find here, but the whole package - filmstrip, largeness of the book, screen shots, and the essays - combine to make the overall item something very special, and well worth it for those who can't get enough of Stanley.
The Kubrick Experience.......2007-03-28
The other reviews of this remarkable book have more or less summed up what I would say so I've approached it from another angle: I've uploaded eight photos to give you an idea of what this highly visual (and costly) book looks like. Amazon doesn't display images numerically so you'll have to see them at random. Click 'customer images' under the cover.
If you are buying a used first-run copy do check with the seller that Mr Kubrick's film strip is in its sleeve and the CD is also included, photo one shows them in position. Some reviewers have rightly said that owning a bit of '2001' from Kubrick's personal collection gives the book extra kudos.
Photo two will give you an idea of how the book is organised. There are two sections, each with a series of colored tabs. His twelve movies have a tab each and in the first section there are eight hundred stills, black and white and color depending on the film. Photos three, four and five are some of the spreads from Dr Strangelove. The second part of the book covers each movie in detail with an amazing collection of visual material to back up the text. Photos six, seven and eight show some pages about the background and production of Dr Strangelove.
The back of the book has a fifty page Appendix A, B and C. A covers three unmade movies: Napoleon, AI and Aryan Papers. B has three essays. C is a chronology of Kubrick's life.
This is a BIG book, opening to thirty-three inches wide and at over fourteen pounds in weight it really can only be read on a table. Needless to say being a Taschen book it is beautifully designed and printed and if you do buy a copy the Kubrick experience will be quite overwhelming and long lasting.
Customer Reviews:
Explotation Goodness.......2007-09-14
This book is an excellent companion piece to the two movies that were part of the in theater double feature collectively known as Grindhouse.
The book treats us to plenty of pictures of not just the lovely ladies, of which there are many, but of everything from the movie. Included is the script for Planet Terror along with plenty of commentary about the filmaking process and the support network of both Robert and Quentin.
Unlike other film related books this one is not a fluff piece, there is a lot of material between the covers and this book is definately worth reading more than once.
Awesome.......2007-08-24
It's everything I expected and more! Loads of pictures and information. Even QT's AMI playlist. I love it XD
What a Ride.......2007-06-27
Talking about the movie, the girl riding on the hood of the challenger was quite a stunt and I have to admit that it was original and very edgy.
The girls in this movie were well cast and Cherry is hot.I can't wait to buy the DVD, hurry up and release it!
Not sleazy at all.......2007-05-25
Great transaction! No SLEAZY here! The book is great. The shipping was super fast. Thanks a whole bunch!
Grindhouse: The Sleaze-filled Saga of an Exploitation Double Feature.......2007-05-18
fantastic book with interviews, heaps of behind the scenes info and photos, screenplay for Planet terror and the trailers a very comprehensive book for any movie lover
Amazon.com
Film Directing Shot by Shot offers a good introduction to the rudiments of film production. Steven D. Katz walks his readers through the various stages of moviemaking, advising them at every turn to visualize the films they wish to produce. Katz believes that one of the chief tasks of filmmaking is to negotiate between our three-dimensional reality and the two-dimensionality of the screen. He covers the number of technical options filmmakers can use to create a satisfying flow of shots, a continuity that will make sense to viewers and aptly tell the film's story. Katz provides in-depth coverage of production design, storyboarding, spatial connections, editing, scene staging, depth of frame, camera angles, point of view, and the various types of stable compositions and moving camera shots.
Book Description
A complete catalogue of motion picture techniques for filmmakers. It concentrates on the 'storytelling' school of filmmaking, utilizing the work of the great stylists who established the versatile vocabulary of technique that has dominated the movies
since 1915. This graphic approach includes comparisons of style by interpreting a 'model script', created for the book, in storyboard form.
Customer Reviews:
Chicken scratches vs. Detailed Storyboards.......2007-08-19
I have used this book numerous times for my teachings in which students go through the process of making a short film with certain limitations being imposed. It is part of a process that I call "fast filmmaking". I like the examples that Katz presents, specifically that it is not the quality of the drawing, but how the drawing communicates the director's vision to the rest of the crew. I will usually have a student "explain" their storyboard to the class, and it is amazing how a few chicken scratches can give as much details as a fully detailed storyboard. Kudos to Katz for explaining the creative aspect of directing, and Michael Weise Productions for publishing these types of books.
of moderate interest to readers of video magazines.......2007-08-13
as a long-time reader of videographer's magazines, I didn't find much of interest in this book. If I were new to the trade, I'd probably have found it more useful. For that reason, I gave it a rather high rating of 4 stars
Mind-opening, even if you aren't interested in directing.......2007-06-30
I've worked in the graphics design business for years, but more recently I've grown interested in working with video, primarily shorts and documentary work. I was looking for a book that could help teach me the "language" of motion and visual storytelling, and this book fit the bill. In fact, I found it to be incredibly inspiring as a student of art in general. It's extremely well-written, chock full of practical examples, and contains numerous time-worn techniques as well as cutting-edge experimentation. One funny thing: since it was written a few years before the desktop digital video revolution began, it talks about some of the difficult aspects of shooting which are now in many ways moot. But it's good to hear about the history of the craft.
If you have any interest in all in shooting, directing, or producing any kind of motion picture, show, or short, you'll definitely want to buy this book. However, be forewarned: you'll never be able to watch movies the same way again. You'll begin to pick up all the subtle nuances of filmmaking without even realizing it, so don't feel bad if you have to force yourself to re-engage with the actual story as you're watching!
Useful, pleasurable.......2007-05-07
I'm a college student, not at film school, who makes videos as a serious hobby. I thought this book was much better than other titles in the same market, because it's so specific. Instead of telling you what anyone with common sense knows, like "keep continuity" and "composition can affect the mood of a scene," this film lays it all out in detail. I recommend this for everyone who wants to improve. Even if you're not particularly interested in storyboarding, you'll learn how to think about your sequences in advance much better.
Learning the Rules Before You Break Them.......2007-01-13
Even though many of the great filmmakers may have not utilized storyboards, every one of them has pre-visualized their films.
Pre-visualization is the essence of what it means to be a director. A director can only be effective if he/she properly prepares for each scene. Even if one does not have every shot precisely planned out, they will still have an idea of the look and the flow of the process.
There are certainly many people who feel directing should be intuitive, that there should be no structure to the process or else creativity is stifled. This is a valid point from the perspective of the artist.
What is wonderful about this book is that it gives extensive insight into WHY one should cover a scene in a certain way. Directing as a profession requires a certain amount of preparation and PROOF that you have a handle on the film. Producers want reassurance that you have a vision worth pouring tens of millions of dollars into. Armed with the ability to properly express yourself in regard to your vision, you will have a much easier time convincing others to follow you.
So, in the end, if you are interested in studying the language of film and the methodology behind classic film composition and editing, then this book and the accompanying Film Directing: Cinematic Motion are essential.
Book Description
Written by Stu Maschwitz, co-founder of the Orphanage (the legendary guerrilla visual effects studio responsible for amazing and award-winning effects in such movies as Sin City, The Day After Tomorrow, and Harry Potter and the Goblet of Fire), this book is a must-have for all those budding filmmakers and students who want to produce action movies with visual effects but don't have Hollywood budgets. The Orphanage was created by three twenty-something visual effects veterans who wanted to make their own feature films and discovered they could do this by utilizing home computers, off the shelf software, and approaching things artistically. This guide details exactly how to do this: from planning and selecting the necessary cameras, software, and equipment, to creating specific special effects (including gunfire, Kung Fu fighting, car chases, dismemberment, and more) to editing and mixing sound and music. Its mantra is that the best, low-budget action moviemakers must visualize the end product first in order to reverse-engineer the least expensive way to get there. Readers will learn how to integrate visual effects into every aspect of filmmaking--before filming, during filming and with "in camera" shots, and with computers in postproduction. Throughout the book, the author makes specific references to and uses popular action movies (both low and big-budget) as detailed examples--including El Mariachi, La Femme Nikita, Die Hard, and Terminator 2.
Customer Reviews:
Essential Reading for Indie Filmmakers.......2007-10-03
The DV Rebel Guide, by Stu Maschwitz, formerly a member of Industrial Light And Magic, explains in easily understandable, yet highly technical language, exactly how to create astounding visual effects using the kinds of cameras, computers, and software available to ordinary people. A Spielbergian budget is NOT required. In addition to his information, he offers many links to other websites of technical expertise and training,
You may be making a little family drama, rather than a shoot-'em-up, but the techniques in this book will increase your palette of possibilities. In other words, every indie movie maker can benefit from this book. It's essential reading, period. No one else has published anything like it.
Maschwitz assumes throughout that you are not an idiot or a dummy. Scores of color photos show exactly how every technique is done. He also runs an on-line forum; he and other digital rebels (some of whom are exceedingly experienced and clearly top pros) will help you through the rough patches.
Get this book, go out and make movies better than anything you thought you could do.
This is got the TRICKS!!!.......2007-09-23
Awesome book. My friends and I make ugly videos as a hobby and we've tried many things... but this book has some balls to the wall tricks. The guy is not a scaredy cat about shooting videos with minimal resources and lets you know how to make the most with what you've got. Also has great instructions on how to build your own stuff and pull crazy stunts. Grease up your baby, this is gonna have you running to your video camera with ideas as soon as you open it up!
love it.......2007-08-27
I've done video production professionally for several years and picked up some of these tricks from simple trial and error. What I love is how well Stu connects the techniques in this referrence and compares them to equivalent effects on film. And its not just informative, its enjoyable to read.
I recommend this book to anyone interested in making their videos stand out or looking to up their production value without spending a lot of money.
Love this book.......2007-08-19
I have read a lot of film making books and this is easily the most useful and informative. Anyone trying to make a film on their own needs to have this book!
Best Book for Independent Digital Video Production Ever!!!.......2007-08-12
This is it!!! If you want to produce an Independeant Film this is THE book to read. Don't be fooled. You still need to know what you're doing go to school. Read the manuals, watch the best movies, by the best directors, then read this book and make your movies!!!!!
Average customer rating:
- I know, I know...
- A must read for anyone
- Good stuff, but less important than his other work
- Buy the ticket...take the ride
- A wild and extraordinary ride down a lost highway ...
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Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream
Hunter S. Thompson
Manufacturer: Vintage
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ASIN: 0679785892
Release Date: 1998-05-12 |
Amazon.com Reviews
Heralded as the "best book on the dope decade" by the New York Times Book Review, Hunter S. Thompson's documented drug orgy through Las Vegas would no doubt leave Nancy Reagan blushing and D.A.R.E. founders rethinking their motto. Under the pseudonym of Raoul Duke, Thompson travels with his Samoan attorney, Dr. Gonzo, in a souped-up convertible dubbed the "Great Red Shark." In its trunk, they stow "two bags of grass, seventy-five pellets of mescaline, five sheets of high-powered blotter acid, a salt shaker half-full of cocaine and a whole galaxy of multicolored uppers, downers, screamers, laughers.... A quart of tequila, a quart of rum, a case of Budweiser, a pint of raw ether and two dozen amyls," which they manage to consume during their short tour.
On assignment from a sports magazine to cover "the fabulous Mint 400"--a free-for-all biker's race in the heart of the Nevada desert--the drug-a-delic duo stumbles through Vegas in hallucinatory hopes of finding the American dream (two truck-stop waitresses tell them it's nearby, but can't remember if it's on the right or the left). They of course never get the story, but they do commit the only sins in Vegas: "burning the locals, abusing the tourists, terrifying the help." For Thompson to remember and pen his experiences with such clarity and wit is nothing short of a miracle; an impressive feat no matter how one feels about the subject matter. A first-rate sensibility twinger, Fear and Loathing in Las Vegas is a pop-culture classic, an icon of an era past, and a nugget of pure comedic genius. --Rebekah Warren
Book Description
Fear and Loathing in Las Vegas is the best chronicle of drug-soaked, addle-brained, rollicking good times ever committed to the printed page. It is also the tale of a long weekend road trip that has gone down in the annals of American pop culture as one of the strangest journeys ever undertaken.
Now this cult classic of gonzo journalism is a major motion picture from Universal, directed by Terry Gilliam and starring Johnny Depp and Benicio del Toro. Opens everywhere on May 22, 1998.
Customer Reviews:
I know, I know..........2007-09-30
I know, it's THE Hunter S. Thompson book. It would be like having the gall to write a review for the Grapes of Wrath or Slaughterhouse Five and think you'd be doing anything other than blabbing just to see your own words on a computer screen.
That said, read this book this instant. Whatever good anyone's ever said about this book, it's twenty times better. I read it in two sittings and only stopped myself from reading it again because it was a library book and had to be returned.
The late HST's gift for gonzo, that strange mix of fiction and nonfiction, is ultimately realized in this book. Reality is seamlessly mixed with a bizarre fantasy world of sentient reptiles and split personality through the medium of hard drugs that serve to clarify (and sometimes amplify) a violent and twisted town in a strange time.
This book will have you laughing hysterically at parts, so don't read it around other people unless you're okay with passing it to them. This book will have you cringing at the brutality of human nature at points, so have your wits about you.
I really can't say anything else, other than that this book must be purchased and read this very instant if you haven't already done so.
A must read for anyone.......2007-09-21
Thompson's book helps create a vivid picture of the drug fueled 60's and early 70's a way no one else has before.
Good stuff, but less important than his other work.......2007-09-14
¨Fear and Loathing¨ is a great ride for sure. A drug-addled, hilarious, disturbing romp through Las Vegas in search of the American Dream. Thompson is definitely a skilled writer and an outlaw and this stuff comes through in this book. I don't want to shrug this work off by any means, but I definately prefer his other work, such as ¨The Great Shark Hunt,¨ because it truly brings out Thompson's outlook on the world, his hatred of wealth, power and greed, etc. This book is fun, but Thompson is definitely capable of more depth and thought. While this work might be what gave him his big break, he definitely went on to better things.
Buy the ticket...take the ride.......2007-08-23
A bizzare journey to the heart of the American Dream, funny, witty and full of memorable episodes. The illustrations by Ralph Steadman are also superb. Raul Duke says it clearly : "buy the ticket...take the ride"
A wild and extraordinary ride down a lost highway ..........2007-08-20
The lost highway of the American Dream.
I wasn't old enough to remember much from the late 60's early 70's let alone the political aspects of Nixon's presidency or the drug culture of the time, so this review won't have any profound social or political commentary, except that comparisons can well be made to the drug culture of today, and it is glaringly apparent that not much has changed.
Considering the climate of the time: Nixon's presidency, the war in Vietnam, and the country's young men succumbing to the draft, it was no wonder that an entire generation wanted something more, for this was not the American Dream they had been sold. And for some, the only way to drown out the hypocrisy gnawing at your brain is to give your brain an escape. Expand your mind, as that might be the only part of you that is truly free. Whatever it takes to get you directly out of your head -- the higher the better. This story chronicles a journey utterly devoid of restraint and reason as these two men, Raoul Duke and Dr. Gonzo, and their trunk full of felonies set themselves loose upon Las Vegas -- the last vestige of the American Dream. However, their idea of the American Dream is not how most of us would understand it, but somehow, through the fog of hallucinatory metaphor, we can actually see and feel what the main characters are searching for so desperately.
All that aside, even if the 60's culture is beyond your age group, Thompson's writing is worth the read -- Brilliant, sarcastic, and frighteningly funny: Bars seething with has-been lounge lizards, tearing the patrons to shreds, blood soaked tacky hotel rooms, police car chases, kidnapping, gambling, excess, and debauchery ... not to mention the Narcotics Convention. The dialog is brilliant. Harrowing experiences abound; it is amazing that the two main characters make it out of Vegas alive.
Definitely a wild ride for all.
Customer Reviews:
Film: A Critical Introduction.......2007-09-12
Great book for a humanities class! I recommend it.
Great into to Cinema! Delivery quick and good condition.
A Superior, Well-Developed, Introductory Text . . ........2007-01-29
Whether you are a student or professor, there are a wide range of introductory film texts from which to choose -- it can be a bit overwhelming and a mistake is costly! This is especially true if you are the professor who is selecting an expensive text for your students (and they are all expensive) . . . you want provide them with a text worthy of the expense AND you do not want to invest additional hours photocopying material from other texts to compensate for less-than-fantastic chapters.
With this in mind, allow me to say that Pramaggoire and Wallis' text is the best I have ever encountered . . . bar none. I have used this text for over a year now, and the response has been extremely positive. It may initially seem irrelevant, but this text is extraordinary aesthetically appealing. Why is this important? Because we are talking about professors and students who have an interest in a VISUAL art. This text presents large, lush examples to compliment the text: not all texts invest this effort or expense. Moreover, the selected examples are spot-on . . . they are not randomly chosen BUT are the quintessential example of any given technique.
What makes this text great is both the organization (which others have mentioned) and the accessibility. Let's say you are not taking a formal class in film, you would have no problem reading this text solo. It is that understandable . . . and, let's face it, if an author cannot clearly explain an idea to a lay-person then he/she really do not know the subject. Pramaggoire and Wallis KNOW their subject.
And while there are several "well-written" texts on the market, not all incorporate contemporary examples. While Orson Wells and Ingmar Bergman are key to understanding film, one cannot successful base an introductory text on "The Greats." It simply does not engage the new student. Luckily, this text includes essential examples from film history as well as contemporary examples (like "Super Size Me," "Waking Life," "The Piano" and "Requiem for a Dream"). I am especially fond of the short analysis of Harron's "American Psycho" (an oft overlooked, cinematic masterpiece).
One final reason to select this text: while other writers are rehashing old critical approaches to film, Pramaggoire and Wallis select the most relevant and contemporary ones. They instruct readers on how to view a film in the context of race, gender, sexuality, class, and national identity: all of which are crucial to understanding film! Likewise, they address "film authorship" which is equally as valuable. The text is never bogged-down by jargon (many are) . . . nor is it heavy-handed in its approach. Unlike most texts, this one wants to be understood.
You will find texts with DVD-ROMs, texts with "writing" supplements, texts with online-course access, and other "bells and whistles" . . . but this text does not NEED any of that. (It seems the others are trying to compensate for their short-comings by including "bonus" material . . . but it just becomes MESSY!). I plan to continue using this text as a tool for teaching film . . . it is, BY FAR, the best on the market. It is "smart," beautiful, and completely accessible. Whether you are a professor seeking a new text or a lay-person looking to enhance your knowledge of film, you cannot go wrong with this work. Trust me, it is worth the price!!
Fabulous introduction!.......2006-01-19
This is not only the best introduction to film studies that I've found, it's also a model of how a textbook should be organized and written. After an opening chapter on plot structure and thematic analysis, it goes in-depth into the elements of film form, with chapters on narrative form, mise en scene, cinematography, editing, and sound. The final section includes chapters on documentary and avant-garde film, writing about film, social context, ideology, stardom, genre, film authorship, and the economics of the film industry. Everything is covered very in-depth and in detail, with lots of excellent examples and photos. There is also a helpful film glossary in back. The writing is model of clarity and organization. This textbook is notable for the way that writing instruction is integrated into the text. Each chapter concludes with brief essay which exemplifies the concepts and terms used in the chapter, and includes margin notes which discuss the formal and rhetorical features of a college essay, including organization, research, thesis statement, and so on. There is also a concise chapter devoted entirely to writing about film, including the different kinds of essays typically assigned by professors. Students who read carefully will be well prepared to write film analysis papers for their college classes. Since this is an introductory text, it doesn't try to give complete coverage to film history and film theory, although these topics are introduced. Film history and theory really need to be covered in separate books and classes, as the authors recognize.
As Reference & Textbook for "Intro to Film".......2005-08-26
As a current user of Giannetti's "Understanding Movies", I find this new text to be a breath of fresh air. First impressions: the initial page prior to the content is a splash-page still from Visconti's "The Leopard", a film that perhaps has seen recent resurgence of interest in the film community. Overall, the text tries to convey the thesis of "Film as Art & Cultural Phenomenon" with thorough examples & concise explanations. Also appreciated is the brief desc of "persistence of vision & the phi phenomenon" & other more operational/technical aspects of film, filming & projection equipment.
The book features examples of what could be student film analysis papers. It also goes about analyzing the road to writing essays with an adequate thesis statement.
The book's highlight is the Chapter on "Writing about Film", which will likely help students in their film journal writing & paper thesis formulation. There won't be an intro book to tell the entire "story" of film, but Prammagiore & Wallis's book provides a commendable "structure" with film stills that ties closely to their text.
If you're looking for a summary of general film history in intro film studies, I don't think you'll find it here. Still a highly recommended book for students of film.
Book Description
Introducing the ingenious, addictive tool for judging everything under the sun: ENLIGHTENED BRACKETOLOGY, the new science that makes opinion a sport.
Political battles are won and lost by popular vote. Great movies are nominated and chosen by committee. The rest of the world is more or less up for grabs. As a cure for the resulting confusion, Mark Reiter and Richard Sandomir have organized the world's most haunting and maddeningly subjective questions into a scheme of binary pairings that finally reveal what is truly the best in its class: What's the greatest
American beer? The best Elmore Leonard novel? The most reliable economic indicator? In each bracket five Darwinian rounds of binary matchups leave a lone survivor; textual notes explain the details.
Experts and subjects include: Ken Jennings on Game Show Catchphrases; Roz Chast on Animation Characters; Mo Rocca on Political Hot-Button Issues; Stefan Fatsis on Scrabble Words; Kurt Andersen on Conspiracy Theories; Jeff MacGregor on NASCAR Phrases; Will Blythe on Sports Rivalries; Henry Beard on Latin grammar; the editors of The Bark on Dogs for the Ages; Jesse Sheidlower on Punctuation; Rick Meyerowitz on Dodosaurs; and many more - 101 in all.
Go forth and adjudicate!
Customer Reviews:
OK, but uneven.......2007-09-28
The premise for this book is great, but more thought should have been put into selecting the subjects that were "bracketed." I found some of the brackets enjoyable, but others were just baffling. Alt-Country Songs? Freshwater and Saltwater Flies? I realize that the authors were trying to get a little bit of everything into the book, from NASCAR Phrases & Pickup Lines to Opera Arias & Latin Grammar, but the result was that I found myself skimming or skipping many of the brackets. A fun concept that could have been carried off better.
Give It a Try.......2007-09-04
The overall concept behind THE ENLIGHTENED BRACKETOLOGIST is that people can figure out the best of everything by putting together a bracketed tournament, similar to what is done during the NCAA basketball tournament. 102 different subjects are bracketed (101 are listed, but there is a bonus category of Baby Boy Names in the Coda). The bracket selections and their ultimate winners have been selected by over 90 different people and those people are usually experts or are heavily associated with their chosen field. So Ken Jennings put together the brackets for Game Show Catchphrases, the authors of THE ENCYCLOPEDIA OF GUILTY PLEASURES put together the brackets for Guilty Pleasures, and former Presidential speech writer Curt Smith put together the brackets for Presidential Speeches. The categories of brackets in the book are:
March Madness Moments
Where Were You When Moments
Animation Characters
Ad Slogans
Alt-Country Songs
American Beers
American Plays
Bald Guys
Black-and-White TV Programs
James Bond Gadgets
Dodosaurs
Bob Dylan Cover Songs
Candy Bars
Mondegreens, or Misheard Lyrics
Celebrity Sports Couples
CEOs
Spokescharacters Who Will Shill for Food
Cheese
Chick Flicks
Crosswordese
Classic Comedies
Conspiracy Theories
Corporate Jargon
Dogs for the Ages
Marital Arguments
Elmore Leonard Novels
Elvis Costello Songs
Emoticons
Endangered Species
Cooking Tools
Economic Indicators
Film Deaths
Frank Sinatra Songs
Freshwater and Saltwater Flies
Fruit
Game Show Catchphrases
Sportscaster Signature Calls
Memorable Speech Lines
Golf Swing Thoughts
Horses for the Ages
Jock Films
Guilty Pleasures
Guitar Solos
Hairstyles
Hip
Indie Rock Albums
Innovations in Sports
Inventions
Investment Strategies
Most Likely to Survive the 21st Century
Jew/Not a Jew
Kings and Queens of England
Latin Grammar
Long Songs
Longevity Strategies
Magical Sports Numbers
Male Vices
Meaningless Sports Statistics
Most Jersey
Mythological Figures
NASCAR Phrases
Newspaper Headlines
Opera Arias (Male)
Paul Simon Songs
Perfect Book Titles
Pickup Lines
Punctuation
Short Books
Plastic Surgery Disasters
Political Blunders of the Last 50 Years
Political Hot Buttons
Presidential Speeches
Priceless Things
Rednecks
Red Wines
Rivalries
Samuel L. Jackson Films
Scrabble Words
SEX AND THE CITY Wisdom
Shakespeare in Film
Sidekicks
Simple Things
Sins Against the Language
Sport/Not a Sport
Sports Books
Sucker Bets
Talk Show Hosts
Tell Me Again Why They're Famous
Troll Models
TV One-liners
Typefaces
Underdogs
Video Games
Wedding Gifts
White Wines
Women's Magazine Sex Cliches
Women's Undies
Your Boss's Annoying Habits
Yiddish Phrases
Shakespeare Insults
Baby Boy Names
The book does have a few drawbacks. There was no overall standard of how "contestants" were chosen therefore there is an overall lack of connection to the book. Different bracketeers used different criteria for their choices and some apparently just used their own personal preferences without any thought at all. Some of the categories are so limited in their appeal that it was very difficult to even care about what had been written, for example Opera Arias (Male)--I had heard of three composers and that was it; the rest made no sense to me. Lastly, though this is more a book of entertainment, at times it is political and leans towards the leftist side.
Despite these drawbacks, I found THE ENLIGHTENED BRACKETOLOGIST to be entertaining and at times informative.
Quite Fun to Read and thought provoking.......2007-06-02
This book inspires one to apply bracketology to just about any multi-option conundrum. Fun to read, can't necessarily agree with every one of their conclusions but that is what makes the book fascinating.
Bracket Play.......2007-05-16
I was inspired by what I see as new sort of mindmapping... A wonderful look see into the minds of others and the decisions they make.
great fun!.......2007-05-13
I heard an interview with the author of this book on NPR. I didn't think it would be that great, but then it was on one of the morning news shows, and in a magazine that I read. So I bought it. I'm so glad I did, it's SO much fun! It makes a great coffee table book, it easily starts a conversation.
There are a million different categories--best chick flick, best Denzel Washington movie, most commonly misspelled word, most commonly misstaken song lyric (one of my favorities, it says only the wrong words, so it's fun to figure out which song it's from), most annoying grammatical error. There's something for everyone. It gets you discussing which candy bar is really the best, or which is more annoying--bogus apostrophes or its/it's confusion. The book is wonderful--I highly reccomend it!
Book Description
Helps readers understand how the many languages of film work together to create meaning. Louis Giannetti organizes Understanding Movies around the key elements of filmmaking, including cintematography, Mise en Scène, movement, editing, sound, acting, drama, casting, story, screenwriting, ideology, and theory. He synthesizes every element through a complete case study: Citizen Kane. This book's ideas are illuminated with hundreds of high-quality still photos, more than 70 in full color, taken from movies such as The Matrix, Almost Famous, jackass the movie, Chicago, Lord of the Rings, Mystic River, and Traffic. New in this edition: a full section on contemporary special effects and computer generated imagery (CGI); up-to-the-minute information on new developments in film technology; more coverage of recent films and filmmakers; more ethnic diversity (including new material on the Islamic cinema); and more lavish use of color and high-quality paper. An updated Companion Website contains animations, video clips from interviews with movie professionals, and Research Navigator access to New York Times film reviews. For everyone who wants to understand the artistry and meaning of the movies.
Customer Reviews:
Great guide to film analysis.......2007-09-30
This is an essential book for students of cinema. It does one thing and it does it quite well: it introduces you to the language of film analysis, the categories that critics use to analyze a film. It doesn't try to cover film technology or history.
I totally agree with the other reviewer that the new editions are completely unnecessary, and serve only to destroy the market for used copies. Buy one of the older editions unless it's for a college class and you need the same edition as the class.
amazon never delivered!.......2007-09-24
This is a great book although, amazon never delivered. I had ordered this book 2 weeks before school(along with 2 other books for school), it never came. Amazon said that i have an "undeliverable" address, but when i ordered it from ebay i got it in 3 dAys! Then i had to wait forever for a refund!
good seller.......2007-09-10
great seller and i would buy from this seller again. the book was new just like it stated.
EXCEPTIONALLY INFORMATIVE TEXT -- Although Some Movies Don't Require Explanation (*A Haiku Review).......2007-05-10
So now when I watch
PLANES, TRAINS AND AUTOMOBILES,
I "get it" . . . and laugh.
~ Stephen T. McCarthy
[This goofy review is dedicated to the goofy MARTIN BRUMER (Feb. 15, 1960 to July 18, 1989),
a doggoned good actor and even better friend whose copy of this fine book was presented to me
by his Mother after he left for "That Great Sound Stage In The Sky."
Thanks, Marty & Miriam!]
An incredible introduction to film........2006-04-03
Gianetti continues to produce the ultimate in introductory film texts. He seemlessly introduces us to the history of cinema while teaching us everything we need to know to fully understand film. After finishing this text you will no longer look at films the same way.
The end of the book was by far the most intriguing. Gianetti devotes a whole chapter to what is arguably the greatest film in history, Citizen Kane. His synopsis allows the reader to truly understand the beauty of the movie as well as cinema as a whole.
A must buy for anyone truly interested film.
Amazon.com
There's quite a bit of intelligent analysis and thought-provoking insight packed into the pages of Chuck Klosterman's Sex, Drugs, and Cocoa Puffs, which is a little surprising considering how darn stupid most of Klosterman's subject matter actually is. Klosterman, one of the few members of the so-called "Generation X" to proudly embrace that label and the stereotypical image of disaffected slackers that often accompanies it, takes the reader on a witty and highly entertaining tour through portions of pop culture not usually subjected to analysis and presents his thoughts on Saved by the Bell, Billy Joel, amateur porn, MTV's The Real World, and much more. It would be easy in dealing with such subject matter to simply pile on some undergraduate level deconstruction, make a few jokes, and have yourself a clever little book. But Klosterman goes deeper than that, often employing his own life spent as a member of the lowbrow target demographic to measure the cultural impact of his subjects. While the book never quite lives up to the use of the word "manifesto" in the title (it's really more of a survey mixed with elements of memoir), there is much here to entertain and illuminate, particularly passages on the psychoses and motivations of breakfast cereal mascots, the difference between Celtic fans and Laker fans, and The Empire Strikes Back. Sections on a Guns n' Roses tribute band, The Sims, and soccer feel more like magazine pieces included to fill space than part of a cohesive whole. But when you're talking about a book based on a section of cultural history so reliant on a lack of attention span, even the incongruities feel somehow appropriate. --John Moe
Book Description
Countless writers and artists have spoken for a generation, but no one has done it quite like Chuck Klosterman. With an exhaustive knowledge of popular culture and an almost effortless ability to spin brilliant prose out of unlikely subject matter, Klosterman attacks the entire spectrum of postmodern America: reality TV, Internet porn, Pamela Anderson, literary Jesus freaks, and the real difference between apples and oranges (of which there is none). And don't even get him started on his love life and the whole Harry-Met-Sally situation.
Whether deconstructing Saved by the Bell episodes or the artistic legacy of Billy Joel, the symbolic importance of The Empire Strikes Back or the Celtics/Lakers rivalry, Chuck will make you think, he'll make you laugh, and he'll drive you insane -- usually all at once. Sex, Drugs, and Cocoa Puffs is ostensibly about art, entertainment, infotainment, sports, politics, and kittens, but -- really -- it's about us. All of us. As Klosterman realizes late at night, in the moment before he falls asleep, "In and of itself, nothing really matters. What matters is that nothing is ever 'in and of itself.'" Read to believe.
Download Description
"From the kid who brought you Fargo Rock City -- the first book in history to garner the praise of Stephen King, David Byrne, Donna Gaines, Sebastian Bach, Jonathan Lethem, and Rivers Cuomo -- comes Sex, Drugs, and Cocoa Puffs -- the first book in history to examine breakfast cereal, reality television, tribute bands, Internet porn, serial killers, and the Dixie Chicks. Countless writers and artists have spoken for a generation, but no one has done it quite like Chuck Klosterman -- with an exhaustive knowledge of popular culture and a seemingly effortless ability to spin brilliant prose out of unlikely subject matter. Whether deconstructing Saved by the Bell episodes or the artistic legacy of Billy Joel, the symbolic importance of The Empire Strikes Back or the Celtics/Lakers rivalry of the 1980s, Chuck will make you think, he'll make you laugh, and he'll drive you insane -- usually all at once. Sex, Drugs, and Cocoa Puffs is ostensibly about movies, sports, television, music, books, video games, and kittens...but, really, it's about us. All of us. As Klosterman realizes late at night, in the moment before he falls asleep, ""In and of itself, nothing really matters. What matters is that nothing is ever 'in and of itself.'"" "
Customer Reviews:
Worth skimming.......2007-10-01
I recommend borrowing this book from your hip literary friend, who already owns it. It has some very funny chapters, and some of the interludes between chapters are truly great. However, it's really unsatisfying in large doses; after finishing a lot of the chapters, I just felt that I had wasted my time. Klosterman has a nice dry wit, and he's good at BSing about quirky topics. But that's really not enough for me to buy a book. Skim it at the bookstore or get it from the library; this is not a book that you'll ever want to reread.
An oxymoron for Gen Xers.......2007-09-16
I decided to read this book after considering the many positive reviews along with the accolades of several independent book sellers. I shouldn't have. I'm not going to say this book is bad, but its certainly not anywhere near being good either.
This book is a self-described manifesto, which it is not. It is the inane ramblings of someone who does not suffer from lycantrophy. It is dysfunctional, poorly written, and is essentially about nothing at all. I liken it to a Seinfeld episode, in print form, but without the distraction that comes from actual humor or entertainment value. In hind site, I'm starting to wish Klosterman did suffer from lycantrophy.
If you don't believe me, I will let a Chuck Klosterman quote from the book serve as a one line synopsis:
"Do you not see what I am no longer not saying to you? If so-congratulations!"
Like a great conversation.......2007-06-08
Reading this book is like having a long conversation about life with the most sarcastic/ funny person you know. Klosterman is easy to relate to, even when you haven't got the slightest idea what he is talking about.
Manifesto?.......2007-06-03
This book is only mildly funny and outdated. It seems like a bad rendition of the books he references, like "A Heartbreaking Work of Staggering Genius." The section on mixtapes is uninspired- "Love is a Mixtape," by Rob Sheffield is much more successful. This book produced no mindblowing or even relatively interesting ideas- a waste of time if you ask me.
How much junk culture can you take?.......2007-04-27
Chuck K is undoubtedly is a very clever dude and some of the insights here will make you laught at loud. Ultimately however I would advise cherry picking through these essays, as Chuck is so enamored of his beloved
'low culture' that it will get both stultifying and extremely banal. Make sure to skip the analyses of bad tv shows (esp The Real World and Saved by the Bell). Chuck tries so hard to show why disposable pap has an influence on society that he torpeoes hiw own argument - his assertion that Gen Y behavior pettern can be correlated to a character on Real World says much more about Klosterman than anything else. Similarly, his essay on the Lakers and Celtics rivalry sets perhaps a new low in 'serious' sports journalism, as the argument that the Lakers reperesent Democratic party values while the Celtics carry the torch for Republicans (CK seems to be a fairly staunch right-winger after his addiction to pop culture is peeled away) is beyond absurd, and his assertion at the end that "if you dont' care about the Lakers-Celtics you don't care about anything" (this is said unironically) is downright embarassing.
Chuck will also be very strident in his declarations of what is 'cool' and 'uncool'. The repeated appearance of these exact words in almost evry essay (sometimes sevral times) becomes very annoying and pointless. Klosterman (by his own admission) of course is 'uncool', but his endless obsession with coolness (and defining it)renders it meaningless.
So enjoy, but be careful.
Book Description
SCENE DESIGN AND STAGE LIGHTING, Eighth Edition, continues its tradition of being the most detailed and comprehensive text available in the scenic and lighting design and technology fields. Much of the scenery design and technology section has been re-worked with an emphasis on modern technology. Changes in the lighting section reflect current practice and technology. The authors have placed an emphasis on collaboration in all sections of the new text. "Designers at Work" interviews with professional lighting and scenery designers are a new addition to the Eighth Edition. In addition, the entirely re-written section on sound for the theatre reflects the digital age we live and work in.
Customer Reviews:
An indispensable reference book for all theatre techies !.......2000-04-12
Working backstage? Asked by your local community theatre to pitch in doing props? Foolishly said, "Of course I can build a tree(Silly fool only God can)! Here are the helpful hints and clues that will point you in the right direction without looking like a total fool. Design, construction, lights and sound- Oren Parker has it all. This latest edition is my third copy! They just keep getting better and better. This "rumor" best explains the abilities of one of the authors. A colleague once related the story in which Oren Parker showed up in the university scene shop in a three piece suit, painted a full back drop and walked out without a drop of paint on the suit. I'd be interested in knowing how true this is but not any less impressed with how informative this book has been for me. Well worth the exorbitant price.
Invaluable guide for novices and professionals.......2000-04-06
I can't tell you how often I've found myself saying "I'm a carpenter, not a designer!" when asked to design a set. I've always muddled through, but now, with this book in hand, I've found 100% more confidence in my designs. Invaluable for the lighting designer who wants to better understand scenic design, and for the scenic designer who wants to understand lighting design. Buy it!
Books:
- The Ultimate Airbrush Handbook (Crafts Highlights)
- The Well-Tended Perennial Garden: Planting and Pruning Techniques
- The Women Who Raised Me: A Memoir
- To Have & To Hold: Magical Wedding Bouquets
- Twentieth-Century Russian and East European Painting: The Thyssen-Bornemisza Collection
- Visio® 2000 Bible
- WACK!: Art and the Feminist Revolution
- Welcome to Oz: A Cinematic Approach to Digital Still Photography with Photoshop (VOICES)
- West of the Imagination
- What Color Is Your Parachute Workbook: How to Create a Picture of Your Ideal Job or Next Career
Books Index
Books Home
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Stanley Kubrick: Drama & Shadows
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Kubrick: The Definitive Edition
Stanley Kubrick Collection (2001: A Space Odyssey / Dr. Strangelove / A Clockwork Orange / The Shining / Lolita / Barry Lyndon / Full Metal Jacket / Eyes Wide Shut)
