History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Kommos V: The Monumental Minoan Buildings at Kommos (Kommos: An Excavation of the South Coast of Crete)

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Kommos V: The Monumental Minoan Buildings at Kommos (Kommos: An Excavation of the South Coast of Crete)

Manufacturer: Princeton University Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0691121230

Book Description

Kommos, an ancient site on the island of Crete, is known both for its important Greek sanctuary and for its earlier role as a major Minoan harbor town. This final book in the Princeton series focuses on the results of several decades of excavation at three of the site's monumental public buildings during the Minoan period. Of these, one has the characteristics of a "Minoan palace," a large central court surrounded by wings. Two stoas on either side of the court may have accommodated spectators watching formal events unfold within the court. Other rooms were used for storage. Vessels from the "palace," but also, and mainly, from two buildings that succeeded it in the fourteenth century BC, originate elsewhere in the Aegean and as far as Anatolia, Cyprus, Egypt, Syro-Palestine, and Sardinia, attesting to the site's major role in international trade. One of the later buildings is characterized by six huge rectangular spaces that were likely used to shelter ships during the nonsailing months. This kind of structure, from that period, has never before been found in Crete. Equally unique is the range of imported pottery.

The results of the excavation are recorded in detail in chapters commenting on the architecture, on the "palace's" painted mural decoration, and on other finds representing a wide range of activities, including the likely production of purple dye, valued for trade amongst the elite. Well-stratified deposits provide a unique opportunity to establish local ceramic developments and to use them to date events that are being considered in terms of sociopolitical and economic perspectives encompassing the Mediterranean and the Near East. This book, which completes a survey of more than six hundred years of history, will prove especially useful to specialists in the Minoan era and to all students of the ancient world.

Portrait of a Priestess: Women and Ritual in Ancient Greece

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Equal opportunity temples
Portrait of a Priestess, scholarly merits and popular appeal

Portrait of a Priestess: Women and Ritual in Ancient Greece
Joan Breton Connelly
Manufacturer: Princeton University Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0691127468

Book Description

In this sumptuously illustrated book, Joan Breton Connelly gives us the first comprehensive cultural history of priestesses in the ancient Greek world. Connelly presents the fullest and most vivid picture yet of how priestesses lived and worked, from the most famous and sacred of them--the Delphic Oracle and the priestess of Athena Polias--to basket bearers and handmaidens. Along the way, she challenges long-held beliefs to show that priestesses played far more significant public roles in ancient Greece than previously acknowledged.

Connelly builds this history through a pioneering examination of archaeological evidence in the broader context of literary sources, inscriptions, sculpture, and vase painting. Ranging from southern Italy to Asia Minor, and from the late Bronze Age to the fifth century A.D., she brings the priestesses to life--their social origins, how they progressed through many sacred roles on the path to priesthood, and even how they dressed. She sheds light on the rituals they performed, the political power they wielded, their systems of patronage and compensation, and how they were honored, including in death. Connelly shows that understanding the complexity of priestesses' lives requires us to look past the simple lines we draw today between public and private, sacred and secular.

The remarkable picture that emerges reveals that women in religious office were not as secluded and marginalized as we have thought--that religious office was one arena in ancient Greece where women enjoyed privileges and authority comparable to that of men. Connelly concludes by examining women's roles in early Christianity, taking on the larger issue of the exclusion of women from the Christian priesthood.

Customer Reviews:

Equal opportunity temples.......2007-08-07

The status of women in the ancient world has long been a controversial issue. The traditional view of male historians has been that it was always a male-dominated world. Some feminists have countered this with arguing, on rather fragile evidence, in favor of prehistoric matriarchy and mother goddesses and so forth. Ancient Greece, in particular, has always been a kind of blank screen on which thinkers project their own image of what it was like. Most of the written evidence has suggested that women in ancient Greece were subordinate and secluded. Against this has been the fact that some powerful Greek gods were female and served by female priests. What these priestesses did,, and what their place was in society, has been somewhat mysterious because what we got from the historians and poets and playwrights was scanty. Connelly supplements this by a careful and scholarly (perhaps too scholarly for the general reader) examination of epigraphs and images.
The text is pretty hard going for the non-specialist but the pictures are great and it will make a handsome addition to a feminist coffee table although it will be a shame if it stays there. I think the large format is justified on more than esthetic grounds because Connolly's argument depends on her ability to bring to bear on the subject her abilities as an art historian and therefore adequate illustrations are needed. These are more than adequate; they are magnificent. It would be presumptuous to pronounce on the strength of her case without more expert knowledge than mine. No doubt other academics will be on the attack and it will be fun to see the fur fly in the Times Literary Supplement etc.
At the risk of quibbling I must break a lance in my ongoing battle against publishers who transcribe Greek inscriptions into lower case. Greek lower case was unknown before the Byzantines. I noticed that she does not mention the triple bronze serpent in the Hippodrome at Istanbul in her discussion of the Pythian oracle at Delphi. Is it authentic?

Portrait of a Priestess, scholarly merits and popular appeal.......2007-05-07

Portrait of a Priestess: Women and Ritual in Ancient Greece is a book I'd recommend to scholars. It is well researched and well composed. However, the topic is also of interest to those who enjoy exploring the ancient world and a woman's place in it. Women's lives in this historical period are difficult to access but Connelly has done so in a way that is both useful to those who work in the field and accessible to those who have a general interest and curiosity about the women who acted in and acted out the roles of priestess. An impressive collection of images is of interest to both groups of readers. RD Anderson

Handbook of Ancient Water Technology (Technology and Change in History)

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Handbook of Ancient Water Technology (Technology and Change in History)

Manufacturer: Brill Academic Publishers
ProductGroup: Book
Binding: Hardcover

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ASIN: 9004111239

Athenian Agora: Excavations in the Heart of Classical Athens (New Aspects of Antiquity)

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A time machine, between two paper covers.
Magnificent Overview of the Heart of Classical Athens

Athenian Agora: Excavations in the Heart of Classical Athens (New Aspects of Antiquity)
John Camp
Manufacturer: Thames & Hudson
ProductGroup: Book
Binding: Paperback

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ASIN: 0500276838

Book Description

The great public square known as the Agora was the living heart of ancient Athens, where citizens met formally to administer civic affairs, and informally to trade or discuss politics or to take part in religious processions and athletic displays. In the fifth and fourth centuries B.C., the Agora was the scene of some of the finest political, philosophical, and artistic achievements in the first flowering of Western civilization. John M. Camp brings together the results of sixty years' work by the American School of Classical Studies at Athens. Drawing on the wealth of excavated evidence, richly supplemented by literary and inscriptional references, Professor Camp tells the story of the Agora from Neolithic to medieval times.

Customer Reviews:

A time machine, between two paper covers........2005-12-20

I have had the pleasure of excavating in Greece (as volunteer slave labor). I spent a good deal of time in the Athenian Agora. I felt that I had come to understand a lot of the layout and history of the location. But this book greatly magnified my understanding of what I had seen. For me, it was WONDERFUL to finally get the full story on the site that I thought I knew. The history of the Agora is very rich. This book will bring it to life for you. I'd give it twenty stars if it were possible.

Magnificent Overview of the Heart of Classical Athens.......2000-10-02

Just as much as the Acropolis was the religious center of ancient Athens, the Agora was its commercial, governmental, and cultural heart. Camp and Renfrew's book finally gives this crucial site the attention and analysis it deserves.

The authors draw on the results of over a half-century of archaeological investigation to relate 1500 years of the city's history. From Athens' rise from obscurity in the days of Homer to its flowering as a military/cultural powerhouse in the 5th century, to the Hellenistic Age and the days of the Roman Empire, to the city's slow decline to the status of Byzantine backwater, this book reveals the evolution of the Agora in hundreds of color and black-and-white illustrations which truly breathe life into the ancient stones and the people who knew them.

The illustrations are sumptuous, and are the true centerpiece of the book. Scores of photographs illustrate the surviving walls and foundations of the Agora's buildings, and careful, clearly-rendered site plans and architectural elevations enable the reader to readily relate disparate elements of the structures and artifacts to their historical and cultural contexts. Accompanying the illustrations is a clear and lucid text which explains the history and the society that the Agora reflected and served.

Amazon.com

This revised edition of John Griffiths Pedley's 1993 survey covers 3,000 years of Greek history with nearly 400 illustrations and an authoritative text that centers on material culture, especially pottery, statuary, and architecture. Greek Art and Archaeology incorporates recent scholarship on matters such as influences from the Near East and the spread of Greek ideas to other parts of the Mediterranean. Of special interest is Pedley's building-by-building history of the Parthenon, including a useful survey of its metopes and friezes. He also offers well-considered stylistic notes on familiar objects, such as the Laocoön group and the Nike of Samothrace.

Book Description

Extensively illustrated and clearly written, this book examines the major categories of Greek architecture, sculpture, vasepainting, wallpainting, and metalwork in a historical, social, and archaeological context. It blends factual information with stimulating interpretation and juxtaposes long-standing notions with the latest archaeological discoveries and hypotheses. Focusing on form, function, and history of style, the book explores art and artifacts chronologically from the Early Bronze through the Hellenistic eras (ca. 3000 to ca. 30 BC)–and by medium. For individuals who appreciate–and want to better understand–the art and history of Greece.

Customer Reviews:

Awesome.......1999-09-14

Great if you like archaeology, get the hardcover version too, its worth it, wont die over time!

Ancient Art made easy..........1997-12-23

This was a required text for an art history course I took in college, and, being an art history major, I found this to be an easy read. It made the material easy to understand, and the color and black-white photographs were excellent. Pedley covers the entire spectrum of Greek art admirably, makes connections to primary sources, and outlines the various styles so that even a student NOT interested in the subject comes away with something. Anyone needing a reference on Ancient Greek Art or wanting to learn about the subject will find his book to be invaluable!

Dance and the Body Politic in Northern Greece (Princeton Modern Greek Studies)

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Dance and the Body Politic in Northern Greece (Princeton Modern Greek Studies)
Jane K. Cowan
Manufacturer: Princeton University Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0691028540

Book Description

Valued for their sensual and social intensity, Greek dance-events are often also problematical for participants, giving rise to struggles over position, prestige, and reputation. Here Jane Cowan explores how the politics of gender is articulated through the body at these culturally central yet until now ethnographically neglected celebrations in a class-divided northern Greek town. Portraying the dance-event as both a highly-structured and dynamic social arena, she approaches the human body not only as a sign to be deciphered but as a site of experience and an agent of practice.

Book Description

Few sources reveal the life of the ancient Romans as vividly as do the houses preserved by the eruption of Vesuvius. Wealthy Romans lavished resources on shaping their surroundings to impress their crowds of visitors. The fashions they set were taken up and imitated by ordinary citizens. In this illustrated book, Andrew Wallace-Hadrill explores the rich potential of the houses of Pompeii and Herculaneum to offer new insights into Roman social life. Exposing misconceptions derived from contemporary culture, he shows the close interconnection of spheres we take as discrete: public and private, family and outsiders, work and leisure.

Combining archaeological evidence with Roman texts and comparative material from other cultures, Wallace-Hadrill raises a range of new questions. How did the organization of space and the use of decoration help to structure social encounters between owner and visitor, man and woman, master and slave? What sort of "households" did the inhabitants of the Roman house form? How did the world of work relate to that of entertainment and leisure? How widely did the luxuries of the rich spread among the houses of craftsmen and shopkeepers? Through analysis of the remains of over two hundred houses, Wallace-Hadrill reveals the remarkably dynamic social environment of early imperial Italy, and the vital part that houses came to play in defining what it meant "to live as a Roman."

Customer Reviews:

Yawn.......2004-06-21

This is a dreary, pedantic and repetitious bore. The author repeats his theme in every chapter about 10 times. The pictures are not that interesting and not very good quality.

A fine piece of scholarship, but also an intriguing read.......2003-10-07

Wallace-Hadrill's book begins with specific facts and shows how these lead to interesting questions. For example... because bed widths varied, and tended to be quite narrow, we can't be sure whether people slept alone or in pairs; in fact, we can't even be very certain how many people lived in a given household because we don't know about sleeping arrangements in detail (some slaves may have slept in or near the master's quarters, and not in separate slave quarters, for example). He points out that Roman houses had formal and informal areas, rather than the men's and women's quarters typical in earlier Greek homes, or the segregation by age that one might see in 19th century England, for example. These "dry" facts actually suggest quite a lot about how people interacted, and how the spaces in homes were used.

Of course, this isn't a novel... several recently published novels provide vivid descriptions of "what people did in those houses", complete with fictional characters (often based on people who actually lived in Pompeii). But Wallace-Hadrill's book is an extremely interesting read even though it is a work of scholarship, rather than something intended as entertainment. People who would like to have backgound information for a visit to Pompeii will find that this book helps them understand what they see when they visit. I found the floor plans, and the descriptions of use of space, really interesting: an upper class Roman house combined public and private space in ways that are quite different from modern American suburbs, but in some ways, rather like some modern Italian cities!

A Discovery of Ancient Social Stucture........2003-07-05

This book makes me think. What was it like to live in ancient Pompeii? What did people actually do with those dramatic and imposing, architectural masterpieces called houses?
Wallace-Hadrill attempts to find some answers to these questions from the physical evidence coupled with literary reference and historical facts.

Trained as a biochemist, I enjoy Mr. Wallace-Hadrill's attention to detail, propensity to stick to the facts and willingness to say so when his investigations lead into blind alleys. There are many things about life in ancient Pompeii, which there is no way to know at this time. But there are others, which can be discovered, and they paint a picture of a rich and vibrant society very different from our own, and yet as closely related as a grandfather to a grandson.

This book is not a fast read. It is not a novel. It is not emotional in the common sense of the word. But it is wonderful.

ACADEMIC TREATISE NEEDS A GOOD EDITOR.......2001-07-14

This was published by Princeton University Press and reads like a dry dissertation. I was surprised at how ponderous this is, as Wallace-Hadrill has contributed some engrossing commentary on PBS and A&E documentaries. He includes some interesting facts, but the run-on sentences are so verbose they look like paragraphs. For instance, consider this partial sampling from the houses and urban texture chapter: "The strong correlation between house size and occurrence of atria and peristyles comes out clearly in their distribution across the size quartiles (Fig. 4.16). The little shops...typify the first and much of the second quartile, and most of the three-to-five room houses, do not have space for either an impluviate atrium or collonaded garden..." This example is highly paraphrased as some sentences are close to forty words in length. Understandable, yes. Enjoyable reading, no. Wallace-Hadrill is an interesting guy, but this book is the cure for insomnia.

Aegean Art and Architecture (Oxford History of Art)

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Aegean Art and Architecture (Oxford History of Art)
Donald Preziosi , and Louise A. Hitchcock
Manufacturer: Oxford University Press, USA
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Binding: Paperback

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ASIN: 0192842080

Book Description

The amazing discovery of the 'first European civilization' in Crete, Greece and the Aegean islands during the late nineteenth and early twentieth centuries was beyond what anyone had imagined. Beginning with the Neolithic period, before 3000 BCE, and ending at the close of the Bronze Age and the transition to the Iron Age of Hellenic Greece (c.1000 BCE), this is the first comprehensive introduction to the visual arts and architecture of this extraordinary era. This book introduces the reader to the historical and social contexts within which the arts - pottery, gold, silver, and ivory objects, gravestone reliefs, frescoes, and architecture - of the Aegean area developed. It examines the functions they served, and the ways in which they can be read as evidence for the interactions of many different peoples and societies in the eastern Mediterranean. It also provides an up-to-date critical historiography of the field in its relationship to the growth of ancient art history, archaeology, and museology in the nineteenth and twentieth centuries, giving a contemporary audience a clear appreciation of what has been at stake in the uncovering and reconstruction of this ancient society.

The Archaeology of Ancient Greece (Cambridge World Archaeology)

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Tell me more !! Tell me more !!

The Archaeology of Ancient Greece (Cambridge World Archaeology)
James Whitley
Manufacturer: Cambridge University Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0521627338

Book Description

The Archaeology of Ancient Greece provides an up-to-date synthesis of current research on the material culture of Greece in the Archaic and Classical periods. Its rich and diverse material has always provoked admiration and even wonder, but it is seldom analyzed as a key to our understanding of Greek civilization. Dr. Whitley shows how the material evidence can be used to address central historical questions for which literary evidence is often insufficient, and he also situates Greek art within the broader field of Greek material culture.

Customer Reviews:

Tell me more !! Tell me more !!.......2006-08-09

This book is mainly a general synthesis of the state of archaeological knowledge and research on the Greek Archaic and Classical periods, with some great explanation of the most important controversies (such as the gender division in society, the continuity of religion from the Dark Age, or the Orientalizing influence, etc) to be found in the study of this culture and period. However, the author takes great pains with his writing, so as not to have another dry accademic book with piles of extremely interesting information buried under tones of arid sentences.

As a result, you soon find yourself immerse in a fascinating, colourful world, so different from what many classicists want to give as as "Classic Greek Culture" as to really be a totally "New World". Here, temples and stoas are painted in bright colours, fire-eaters and dancers perform in the Agoras next to philosophers who discuss ethics. This is not, however, a way to make Greek culture look less important than it was. I think the author succeeds in communicating to his readers what the archaeologists have known for some time. These very same archaeologists, though, had to first overcome the reticence shown by the "Classicist Establishment" to consider the overwhelming evidence that Ancient Greece had very little to do with what they had been teaching at Western universities for decades (if not centuries).

Thus, the author begins his book by making the point that much of the vision of "Classical Greece" that we have inherited is really a 18th-century-cum-Victorian Eurocentrist construct, a somewhat imperialistic (one could even say [...]?)ideal of what a "perfect society" should be, and an excuse to model many typical western institutions on.

But don't get the wrong idea that this is the aim of the book. As I said before, the author just intends to give an up-to-date synthesis on what archaeologists have to say. Of course, when the subject is one so dear to,and near, the very core of European identity, controversy is unavoidable. Whitley just states the most important of these controversies, but sometimes, and although he doesn't seem keen on taking positions, his own views show through.

On the whole, the world glimpsed through the pages of this book is so fascinating that I found I needed to know more about some of the issues, so I went to the "Further reading for each chapter" section, and now have a nice pile of books to read on the subjects of Greek Sanctuaries (a truly fascinating topic, especially once you've visited Delphi).

I recomend this book for people who are intersted in the subject and want to have up-to-date information, but also as a well-written, never boring introduction to the wonders of Ancient Greece, a culture that, even if we don't know it, is part of ourselves and does not deserve the many clichés we have attached to it.....It needs to be better known....just as we need to know it better

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