History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Domus: Wall Painting in the Roman House (Getty Trust Publications: J. Paul Getty Museum)

Average customer rating:

A Must Have Book
Fabulous in every respect

Domus: Wall Painting in the Roman House (Getty Trust Publications: J. Paul Getty Museum)
Donatella Mazzoleni , and Umberto Pappalardo
Manufacturer: Getty Trust Publications: J. Paul Getty Museum
ProductGroup: Book
Binding: Hardcover

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ASIN: 0892367660

Customer Reviews:

A Must Have Book.......2006-01-31

I saw a copy of Domus while in Naples and knew I would have to order a copy when I returned home. The book is beautifully produced with an excellent essay by Donatella Mazzolini on the architecture of Roman houses, focusing on those under discussion in Pompeii, Herculaneum and Rome. This is followed by an essay by Umberto Pappalando on the Domus Romana, focusing on the development of houses and gardens. As good as these essays are it is the pages dealing with the houses themselves that is jaw-dropping. The houses are arranged in sections following the development of the Roman domus and include color pictures and diagrams of the houses. There are short introductions to the homes followed by a portfolio section consisting of close up pictures of the frescos printed on non-glossy textured paper that gives a better impression of how the painting appears to the observer. These reproductions are superb.

The choice of buildings is impressive. There are far too many to list but among them are: from Pompeii the House of the Faun, the House of Julius Polybius, the Villa of Mysteries, the House of the Golden Bracelet, the House of the Tragic Poet and the House of the Labyrinth; from Herculaneum: the Samnite House, the House of the Skeleton, the House of the Grand Portal, the Collegium of the Augustales; from Rome: the House of the Griffins, Livia's House on the Palatine and at Prima Porta and the Domus Aurea. The Villa of Poppea at Oplontis gets special attention in the book, and a fresco from the house appears on the cover.

This book is a must for anyone interested in ancient Roman houses and their decoration. If you have even visited Pompeii, Herculaneum and the other villas destroyed by Mount Vesuvius you will enjoy this book.

Fabulous in every respect.......2006-01-07

A wonderful work in all respects - scholarship, printing, presentation, photography. Some of the paintings are more like wall paper samples, the paper and printing is that good.

Another great work in the Getty catalog. A must have for any serious student of Roman Art/Architecture.

Roman Art and Architecture (World of Art)

Average customer rating:

a great source
Easy to understand with colourful illustrations

Roman Art and Architecture (World of Art)
Robert Eric Mortimer, Sir Wheeler
Manufacturer: Thames & Hudson
ProductGroup: Book
Binding: Paperback

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ASIN: 0500200211

Customer Reviews:

a great source.......2004-10-25

This is an excellent read and also a must to have in your library. The author disusses in great depth various Roman structures. In many of the sites, he goes into detail about where the material would come from, whether it was trade or something made from the city's natural sources, and also discusses influences among the Greeks and the Romans.

Easy to understand with colourful illustrations.......1999-07-19

A perfect guide for roman mania interested in more than merely picture of its monumentum, this book contains colourful images of various types of ROMAN architecture scattered around its territory with plain explanation. And the book's hand-carry size makes your reading more confortable.

Studies in Roman eighteenth-century painting (Art history series)

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Studies in Roman eighteenth-century painting (Art history series)
Anthony M Clark
Manufacturer: Decatur House Press
ProductGroup: Book
Binding: Unknown Binding

General | Painting | Arts & Photography | Subjects | Books
ASIN: 0916276104

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Representations of War in Ancient Rome

Manufacturer: Cambridge University Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0521848172

Book Description

War suffused Roman life to a degree unparalleled in other ancient societies. Although the place of war in ancient Roman culture has been the subject of many studies, this book examines how Romans represented war, in both visual imagery and in literary accounts. Spanning a broad chronological range, from the mid-fourth century BC to the third century AD, the essays in this volume consider audience reception, the reconstruction of display contexts, as well as the language of images, which could be either explicit or allusive in representations of war. They also analyze the construction of the Romans' view of themselves, their past, and their future.

The Tale of Cupid and Psyche: An Illustrated History

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The Tale of Cupid and Psyche: An Illustrated History
Sonia Cavicchioli
Manufacturer: George Braziller
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Binding: Hardcover

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Cupid and Psyche

ASIN: 0807615129

Book Description

Once upon a time there lived a king and queen who had three very beautiful daughters....It was only just possible to find words of praise for the elder two and to express the breath-taking loveliness of the youngest...was beyond all power of human speech. Every day thousands of her father's subjects came to gaze at her, foreigners too, and were so dumbfounded by the sight that they paid her the homage due to the Goddess Venus alone.

The passionate love story of a god and an exquisitely beautiful mortal woman, the myth of Cupid and Psyche has fascinated Western culture since the Middle Ages. First appearing as a long aside in Apuleius's The Golden Ass in the second century AD, this romance has inspired countless works of art in an astonishingly wide range of media. Gathered here is a selection of these numerous works, from monumental fresco cycles, to easel paintings and wedding chests, from miniatures, tapestries, and stained-glass windows, to marble and porcelain sculptures. Many are considered masterpieces of European art.

The sheer number and beauty of the works this myth has inspired is a testament to the power and richness of the story. The lovers are often portrayed as children to suggest their eternal youth and immortality. In some scenes they are shown kissing, in others, tormenting each other, expressing the extremes of joy and suffering that beset all lovers. The changing tastes and sensibilities of different periods are reflected in Psyche's appearance, evolving from courtly and Baroque to neoclassical and Pre-Raphaelite. For the modern age, it is the dual nature of Cupid and Psyche's love, on the one hand deeply spiritual, and on the other intensely sensual, that has resonated most powerfully.

"It seems," noted Walter Pater, the nineteenth-century British critic, of Apuleius's story, "that one can see and touch the blond hair, the fresh flowers, the precious works of art of which he speaks." Thanks to the extraordinary artworks included in this book, we can indeed see, if not touch, the splendors of Apuleius's story. 96 color illustrations, 128 in b/w.

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Thomas Bulfinch retells the classical myths for the masses

Bulfinch's Mythology: The Illustrated Age of Fable: The Illustrated Age of Fable - The Classic Retelling of Greek and Roman Myths Accompanied by the World's Greatest Paintings
Thomas Bulfinch
Manufacturer: Stewart, Tabori and Chang
ProductGroup: Book
Binding: Hardcover
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Secrets of the Woods (Yesterday's Classics)

Mythology

Black Ships Before Troy

ASIN: 1556708254

Customer Reviews:

Thomas Bulfinch retells the classical myths for the masses.......2005-10-02

"The intelligible forms of ancient poets,
The fair humanities of old religion,
The Power, the Beauty, and the Majesty
That had their haunts in dale or piny mountain,
Or forest, by slow stream, or pebbly spring,
Or chasms and watery depths; all these have vanished;
They live no longer in the faith of reason;
But still the heart doth need a language; still
Doth the old instinct bring back the old names;
Spirits or gods that used to share this earth
With man as with their friend; and at this day
'Tis Jupiter who brings whate'er is great,
And Venus who brings every thing that's fair."

At the end of his Author's Preface for "Bulfinch's Greek and Roman Mythology: The Age of Fable," Thomas Bulfinch (1796-1867) quotes from Coleridge's "The Piccolomini" to represent the connection between mythology and literature. An accountant at the Boston Merchants' Bank, Bulfinch had been educated at Harvard and was a teacher early in his career. Seeing a need for something more than a formal translation of the myths and legends of antiquity, Bulfinch decided to popularize classical literature for all of us who did not know how to read Ancient Greek and Latin. Throughout his business career he collected hundreds of myths and legends, not only of the pagan era of Greek and Roman gods, but also Oriental deities, and Norse sagas. "The Age of Fable" was first published in 1855, and created the identification of the name of Bulfinch with that of mythology for the general population. For the last half of the 19th-century and the first part of the 20th, the volume was as much an American classic as "The Last of the Mohicans," "Uncle Tom's Cabin," "Uncle Remus," "Tom Sawyer," and "Huckleberry Finn."

When Bulfinch told these ancient tales the archeological study of Greece had not really begun (Troy was still considered a mythical location) and historians had yet to formulate any acceptable explanations for how these myths originated. Bulfinch was interested in telling these stories simply and for their own sakes, without being caught up in the Dead Language issues of the poems he excerpts (except to the extent that he uses the Latin versions of the names of the gods and goddesses rather than the Greek). Nor was he interested in drawing moral lessons from these stories, because Bulfinch's goal was to make the classical references found in the educated poets of his day accessible to the common folk.

The opening chapters deal mostly with the gods and goddesses, starting with the tales of Prometheus and Pandora, and ending with the "Monsters" such as the Sphinx and Pegasus. The next section is devoted to the great heroes, from Jason and Atalanta, to Hercules and Theseus, and then the lesser heroes such as Orpheus and orion. We then get to the epic poems of antiquity with chapters on the Trojan war, the adventures of Ulysses, and the adventures of Aeneas. The final section of "The Age of Fable" covers a lot of ground, including Egyptian deities, the Oracles, Poets of Mythology, Eastern Mythology, Hindu Mythology, and Norse Mythology, including Beowulf. I was weaned on Edith Hamilton's "Mythology," but I still appreciate Bulfinch's approach in telling pretty much the same stories in a more straightforward manner. More importantly, these stories have really become literature in their own right, and can be read for that enjoyment rather than for scholarly knowledge. This edition has the additional virtue of being illustrated by some of the world's greatest paintings, which is perfect because mythology has been the subject of so many great works of art from "The Birth of Venus" on down the list.

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Le sexe et l'effroi

Sexe Et L'Effroi, Le
Pascal Quignard
Manufacturer: Gallimard Education
ProductGroup: Book
Binding: Hardcover

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Customer Reviews:

Le sexe et l'effroi.......2000-10-13

A fascinating (he-he, do you remember Quignard's ethymology of the word "fascination" ?;) )penetration in the Roman history. a little bit dubious, un peu discutable. mayde, but still spiritual and tres francais!:)

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Archaic Pottery of Chios (Monographs)
Anna Lemos
Manufacturer: Oxford University School of Archaeology
ProductGroup: Book
Binding: Hardcover

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Vermeer And Plato: Painting The Ideal
Robert D. Huerta
Manufacturer: Bucknell University Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0838756069

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