Average customer rating:
- Amazing Visuals, Informative Text!
- Another Gee's Bend book
- An exciting look at quilts as modern art
- Gee's Bend: The Architecture of the Quilt by Paul Arnett, William Arnett
- A great book on a legendary art
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Gee's Bend: The Architecture of the Quilt
Paul Arnett ,
William Arnett ,
Bernard Herman ,
Maggi Gordon ,
Diane Mott ,
Dilys Blum ,
Lauren Whitley ,
Amei Wallach , and
Joanne Cubbs
Manufacturer: Tinwood Books
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Binding: Hardcover
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Similar Items:
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The Quilts of Gee's Bend: Masterpieces from a Lost Place
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The Quilts of Gee's Bend: 30 Postcards
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Mary Lee Bendolph, Gee's Bend Quilts, and Beyond
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Nancy Crow
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Quilt National 2007: The Best of Contemporary Quilts (Quilt National)
ASIN: 0971910456 |
Book Description
In 2002, Gee’s Bend burst into international prominence through the success of Tinwood’s Quilts of Gee’s Bend exhibition and book, which revealed an important and previously invisible art tradition from the African American South. Critics and popular audiences alike marveled at these quilts that combined the best of contemporary design with a deeply rooted ethnic heritage and compelling human stories about the women. Gee's Bend: The Architecture of the Quilt is a major book and museum exhibition that will premiere at the Museum of Fine Arts, Houston (MFAH), in June 2006 before traveling to seven American museums through 2008. The book's 330 color illustrations and insightful text bring home the exciting experience to readers while displaying all the cultural heritage and craftsmanship that have gone into these remarkable quilts.
Customer Reviews:
Amazing Visuals, Informative Text!.......2007-09-17
This book is gorgeous!!! It includes large photographs of tons of quilts, in a size that allows you to see the smallest details, such as topstitching. It also includes inspirational photos of details of the town. However, it's not your typical coffe table book, because it has probably equal parts very informative text and visuals. Since it's not small enough to carry with me on the train, it's been hard separating myself from this book-- it is beautiful!
Another Gee's Bend book.......2007-05-13
I like this book because it is full of information about the construction of the quilts and alot of trivia about the makers of the quilts. Very beautiful pictures! A great book for learning.
An exciting look at quilts as modern art.......2007-02-08
This book illustrates the link between the incredibly beautiful quilts produced by five generations of African American women in the South to the architecture they saw around them and to their own artistic vision. Their personal stories, contained in chapters toward the end of the book, are very moving and inspirational.
Gee's Bend: The Architecture of the Quilt by Paul Arnett, William Arnett .......2007-01-12
Wonderful book full of pictures and inspiration, and the story of the Gees Bend Quilts.
A great book on a legendary art.......2007-01-04
This book shows the Gees Bend quilts in all their gorgeous and unself-conscious art, as well as telling the story of these women, descended from slaves in an isolated community, who created this amazing abstract art. A wonderful book, with many color photos of the quilts.
Average customer rating:
- photojournalism master
- A Great Book by a Great Photographer
- learned so much in one day
- Note to Amazon.com from Gordon Park's assistant:
- Superb account of the world he's experienced!
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Half Past Autumn: A Retrospective
Gordon Parks
Manufacturer: Bulfinch
ProductGroup: Book
Binding: Hardcover
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Similar Items:
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Choice of Weapons (Borealis Books)
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A Hungry Heart: A Memoir
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Eyes with Winged Thoughts: Poems and Photographs
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Half Past Autumn - The Life and Works of Gordon Parks
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Learning Tree
ASIN: 0821222988 |
Amazon.com
Gordon Parks is one of the 20th century's greatest multitalented cultural treasures: a writer, poet, musician, composer, filmmaker, and photographer. In this book--the companion volume to a traveling retrospective--the full flower of Parks's genius is both awe-inspiring in its depth and thorough in its demolition of the era's social-science fictions about African American potential.
Born in Kansas, Parks wandered as a homeless teen, and through wit, smarts, and improvisation--and no experience--landed a job as a photographer for the Farm Security Administration, then with his new skill took pictures for Life magazine. "Tyrants, dictators, dethroned kings," he writes, "all stared into my camera with eyes that were unveiled. The camera revealed them as they were--human beings imprisoned inside themselves." Highlights among his photographic work include the haunting shot of domestic Ella Watson, the starkness of a 1940s teenaged gang leader named Red Jackson lying eternally young in his coffin, and the elegant, life-and-death ballet of the Spanish bullfight. Parks's depiction of Duke Ellington's towering music in motion reflects the importance of jazz and blues in Parks's artistry. From the films Shaft and The Learning Tree (the latter adapted from his own novel) to his impressionistic ballet honoring Martin Luther King Jr., his work swings with an American rhythm that continues to inspire him. "A musical theme vibrates in my sleep," he writes. "I get up, go to the piano, and jot it down. A blustery sky, a crescent moon, or the blazing sun can hurry me to poetry, or to the camera. When the doors of promise open, the trick is to quickly walk through them." --Eugene Holley Jr.
Customer Reviews:
photojournalism master.......2004-01-18
mr. parks' book is autobiographical in photo and text. the book reveals his journey to becoming a documentor of turbulent times during his career. this is a must purchase.
A Great Book by a Great Photographer.......2000-12-08
Buy this book and see the wonderful and varied career of Gordon Parks. See the world through this stunning photographer's eyes, and you will never see the world the same again. Then buy *A Choice of Weapons* and find out how this man came to create these masterworks. Everyone knows his genius as a photographer, filmmaker, and composer, but people may not know that he is a master memoirist as well. Put this book and *A Choice of Weapons* on your Christmas list!
learned so much in one day.......1999-05-20
Seeing the exhibit was the most wonderful day of my life. Getting the book was the next best day. I am not sure if another photographer so talented in all fields will ever appear again. Raad A Choice of Weapons also by Gordon Parks, it will help reinforce the Retrospective.
Note to Amazon.com from Gordon Park's assistant:.......1999-05-09
Please note that the cover that you show on the internet is incorrect. I am the photgrapher and what you show is the photograph that was used for the dummy book shown at the book fair. The photograph shown is an unpublished photgraph. Please look at the book for the actual cover.
Superb account of the world he's experienced!.......1998-08-25
Through his poetry and photographs, Parks does an excellent job of allowing the reader to some into the world he has experienced over the years. You feel like you've gone off on assignment with him and like you've have expericned the bigotry first hand. The messages he conveys through his work were way ahead of his time, but right on time in today's world. His intelligence brightly shines through both his photographs and poetry. The narratives, photographs and poetry all make for an outstanding compilation of his feelings and views on the world. Marvelous!
Book Description
Kara Walker (b. 1969) has emerged as one of her generation's most important artists. Best known for her provocative black paper cutout silhouettes, she confronts stereotypes, sex, violence, and power relationships through Civil War-era parodies, narratives, and a mastery of craft and installation.
This book, which accompanies an exhibition organized by the Tang Teaching Museum and Art Gallery at Skidmore College and the Williams College Museum of Art, presents a comprehensive overview of Walker's work, beginning with her first cut-paper wall installation, Gone, An Historical Romance of a Civil War as It Occurred between the Dusky Thighs of One Young Negress and Her Heart (1994). Other highlights include the 1996 series of twenty-four watercolor drawings, Brown Follies, which is reproduced in full as an artist's book within the book, and installation views of many of Walker's exhibitions. Recent drawings and projections are also featured. Throughout the book are a selection of the Walker's writings reproduced as they were created typed on index cards. These writings reveal a rarely seen side of the artist, whose words are as provocative as her installations and drawings. The essays discuss Walker's place in art history, formal and narrative readings of her work, her relation to culture at large, and issues of race, sexuality, and representation addressed in her work.
Copublished with the Tang Teaching Museum and Art Gallery at Skidmore College and Williams College Museum of Art.
Average customer rating:
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Negro: An Anthology
Manufacturer: Continuum International Publishing Group
ProductGroup: Book
Binding: Paperback
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C.L.R. James on the Negro Question
ASIN: 0826408621 |
Amazon.com
The story behind Negro: An Anthology is as legendary as its contents. In the late 1920s, Nancy Cunard, socially conscious, British, white, upper-class nonconformist and heir to the famed Cunard Shipping Line, married a black man and single-handedly put out 100 copies of a groundbreaking anthology. The work contained essays, poetry, short stories, and political propaganda from the era's finest Afro-American writers, along with valuable contributions by several white writers, including William Carlos Williams, Samuel Beckett, and Theodore Dreiser. In this invaluable reprint, we can see how broadly Cunard's interest in the "Negro question" ran. In chapters dealing with slavery, history, education, and the arts--as well as Latin America, Europe, and Africa--Cunard includes the poetry of Langston Hughes and Sterling Brown; Zora Neale Hurston's anthropological study of the "Characteristics of Negro Expressions"; James Ford's legendary "Communism and the Negro"; and glimpses into the conditions and folk customs of blacks in Trinidad, Barbados, Cuba, Brazil, Uruguay, Paris, and West Africa. The most poignant writing, however, is her own account of the infamous case of the Scottsboro Boys, a group of innocent blacks falsely accused of raping two white women, which resulted in their near-execution. Although much of the communist-friendly content of Negro may seem naive by today's standards, the collection still stands as one of the most unique and esoteric compendiums of 20th-century Afro-American literature. --Eugene Holley, Jr.
Book Description
African American artist Aminah Robinson (b. 1940) works her magic in a stunning array of richly textured, wildly colorful multimedia works. Grand collages on fabric, sculptures, drawings, paintings, carvings, quilts, and books weave memory into a moving and unique art that documents her own and her community's history. Symphonic Poem--the catalogue for a major traveling exhibition celebrating her work--brings together more than 100 of Robinson's works with essays exploring her life, African influences and spirituality in her art, and her work in relation to that of other contemporary African-American artists.
Throughout this book Robinson herself speaks about her life, her family, her travels, and her work, and provides a view of The Dollhouse, the workspace she has built in her backyard. This strikingly designed, oversized volume, complete with three gatefolds, is a lush and inviting look at the work of an exceptional artist.
Customer Reviews:
Amazing!!!!.......2007-06-02
Ms. Robinson's work is incredible. A book does not do justice to it.
I saw her exhibit at the Toledo Museum of Art and was blown away. She is an incredible talent. I only wish I had seen her work years ago when I could afford an original!
Book Description
African American Performance and Theater History is an anthology of critical writings that explores the intersections of race, theater, and performance in America. Assembled by two esteemed scholars in black theater, Harry J. Elam, Jr. and David Krasner, and composed of essays from acknowledged authorities in the field, this anthology is organized into four sections representative of the ways black theater, drama, and performance interact and enact continual social, cultural, and political dialogues. Ranging from a discussion of dramatic performances of Uncle Tom's Cabin to the Black Art Movement of the 1960s and early 1970s, articles gathered in the first section, "Social Protest and the Politics of Representation," discuss the ways in which African American theater and performance have operated as social weapons and tools of protest. The second section of the volume, "Cultural Traditions, Cultural Memory and Performance," features, among other essays, Joseph Roach's chronicle of the slave performances at Congo Square in New Orleans and Henry Louis Gates, Jr.'s critique of August Wilson's cultural polemics. "Intersections of Race and Gender," the third section, includes analyses of the intersections of race and gender on the minstrel stage, the plight of black female choreographers at the inception of Modern Dance, and contemporary representations of black homosexuality by PomoAfro Homo. Using theories of performance and performativity, articles in the fourth section, "African American Performativity and the Performance of Race," probe into the ways blackness and racial identity have been constructed in and through performance. The final section is a round-table assessment of the past and present state of African American Theater and Performance Studies by some of the leading senior scholars in the field--James V. Hatch, Sandra L. Richards, and Margaret B. Wilkerson. Revealing the dynamic relationship between race and theater, this volume illustrates how the social and historical contexts of production critically affect theatrical performances of blackness and their meanings and, at the same time, how African American cultural, social, and political struggles have been profoundly affected by theatrical representations and performances. This one-volume collection is sure to become an important reference for those studying black theater and an engrossing survey for all readers of African American literature.
Average customer rating:
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The Cambridge History of African and Caribbean Literature Two Volume Hardback Set
F. Abiola Irele , and
Simon Gikandi
Manufacturer: Cambridge University Press
ProductGroup: Book
Binding: Hardcover
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ASIN: 0521594340 |
Book Description
Featuring new perspectives on African and Caribbean literature, this History explores the scope of the literature (variety of languages, regions and genres); nature of composition; and complex relationship with African social and geo-political history. It comprehensively covers the field of African literature, defined by creative expression in Africa as well as the black diaspora. This major history of African literature will be an essential resource for specialists and students.
Book Description
Completing the two-volume set, Souls Grown Deep, Vol. 2 takes the visual and historical presentation of the first volume to a richer level, offering an even broader array of artistic styles and media. Published in 2000, the first volume explored the diverse historical roots of the genre and introduced artists whose work recalled the South of the pre–civil rights era. This sequel brings the movement into the present, delving into the work of the current generation of artists who are creating a complex form of art that blurs the boundaries between folk and contemporary art.
Customer Reviews:
Sensational - Deeper than Volume 1.......2006-12-06
Anyone that has Vol 1 needs to buy this Vol or even if you have an interest in some of the listed artists in this book and don't have Vol 1 buy this one. Vol 1 had a general history of African American Vernacular Art where as this volume has a more in depth look at particular artists and their enviroments. The essays are longer and you get many more examples of each artists work as well as many pictures of the artists in their environments or the art in the original environments or even in a few cases the artists working on pieces.
To see the art in it's original environment gives the proper perspective to understanding the nature of the art.
I think this book is definately the equal or if not better than the first and it is wonderful of the Arnetts to put two books together of such high quality at affordable prices. I dream of a third book.
When these books sell out people will be climbing over the top of each other to get them and the price of secondhand copies will skyrocket.
Don't miss out
Book Description
The first comprehensive overview of an important genre of American art, Souls Grown Deep explores the visual-arts genius of the black South. This first work in a multivolume study introduces 40 African-American self-taught artists, who, without significant formal training, often employ the most unpretentious and unlikely materials. Like blues and jazz artists, they create powerful statements amplifying the call for freedom and vision.
Customer Reviews:
Like Buying Your Own Art Gallery.......2006-09-01
I had only limited knowledge of this subject in that I had interest in a few of the Artists that I knew were represented in the book before purchasing it. I was amazed at the quality of the reproductions and the text included. There are multiple reproductions for each Artist giving you a great basis to explore the development of their work. I now feel that I can really grasp a personal knowledge of these Artists and it great to have fantastic examples of Art that is now due to market demands and deteriorating mediums impossible to own.
This book is probably the best investment I have ever made. It will go straight to the top shelf. Do yourself a favour and buy it.
A set of books that tells an incredible story.......2002-06-04
This book is a marvel in both production quality and content. If ever a set of books deserved the "tome" designation, this set wins big. They opened my eyes to a world I hoped existed but feared did not. I have long appreciated and understood the contributions of African Americans in the arts, but often wondered why the visual arts traditions hadn't reached the heights that the music (blues, jazz, gospel, hip hop, R&B, Rock n' Roll), literary, athletic, fashion, theater, etc.. reached? I have also always been dismayed that many of the great African Americans have had to leave the south, and often this country, to receive recognition at all. It is an old story that is far to common. These books tell a different story. The art work is of the highest caliber, and often created with the humblest of materials?found wood, roots, house paint, discarded materials?yet the artists find ways to make the most glorious objects. It was certainly a revelation to see work that would rival what I see in the many museums in town, made by men and women who don't seem to have any regard, or perhaps knowledge, of these institutions. Work made for themselves, their families, or their communities enjoyment and education. The true meaning of art. It would be impossible for me to say which book I prefer. Both were so eye opening. Now that I have both, I can't imagine not having either. I hope that these volumes will find their way into the libraries and schools across America, for they tell a story that has long been unkown, which is unfortunate. Or, I fear, ignored, which is tragic. Kudos to both, and I hope that there will be a Volume 3. I must add that if you are interested in the "real" American story, history, art (of any kind), then these books are a must read (and look). And as a lover and collector of Twentieth Century art, I realize I have not been, up until now, told the WHOLE truth.
Yes to Volume 1, No to Volume 2.......2002-04-24
The first volume of Souls Grown Deep is an essential book for any American folk art collector. Many of the great African American folk artists of the 20th century are covered and all have a short write up and some pictures. The only problem is that some artists get short change with a one paragraph write up (really short) and 2 or 3 small images on a single page. Clementine Hunter for example, gets this treatment. And Mose Tolliver gets much more space than Bill Traylor, possibly because most of the artwork shown is from the author's own folk art collection, but apparently the author doesn't have many Bill Traylor artworks compared to Mose T's. But it's such a large book that it will still be required for any folk art library. Beware, the second volume is just as big but seems like an entire book of filler. There are some interesting artists presented, but overall the quality isn't as high as the first volume. Perhaps because the artists in the 1st volume are already "established"' it's easier to see their place in folk art history whereas the artists in volume 2 are still relatively new. Both books have high production values in paper and binding. My recommendation is definitely buy volume 1, but be careful of volume 2.
Gorgeous-.......2001-05-22
Gorgeous photos and very high quality printing and paper. The artwork is very interesting and continues to offer surprises further and further into the book. I enjoyed the stories and recollections of the artists which added a personal and human side to the visual splendor. The editors' own energy and passion for the subject matter shines through. This is a rare gift I will go back to time and time again.
A modern day revolution.......2001-03-28
Combine the literay precision of John Stuart Mill with the passion of W. B. Yeats, pour over the artistic brilliance of Cezanne and Rothko and infuse the philosophical profundity of Kant and Aristotle; the result is the monumental genius of Souls Grown Deep. An epic achievement, William and Paul Arnett's masterpiece transports the reader deep into southern America in which a genre of art is explored that rivals, if not puts to shame, any existing work anywhere in the world. Souls Grown Deep is a necessity for any individual even remotely concerned with understanding the very first thing about art.
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