Book Description
The Thinker. The Kiss. Iconic and groundbreaking, Auguste Rodin's works brought sculpture into the 20th century and established a new sculptural freedom that captures the imaginations of artists even today. In this exquisitely illustrated volume, leading Rodin scholars share new insights on Rodin's work. Stunning new photographs of sculptures include The Thinker and The Walking Man as well as lesser-known (but no less dramatic) works; the book also includes intriguing photographs by Rodin and his contemporaries.
This is a must-have for anyone interested in the history of sculpture.
Book Description
"I have drawn all my life. I began withdrawing: I have never stopped drawing."—Auguste Rodin
From the "black" drawings contemporaneous with the Gates of Hell to his great watercolor nudes, this book reproduces hundreds of Auguste Rodin's most beautiful graphic works held in the collection of the Musée Rodin, a number of which are published here for the first time. The accompanying essays analyze the complex relationships between Rodin's drawings and his sculptures, the problems of attribution, and the role of sensuality in his work.
Rodin's rich graphic oeuvre has until now been a little-known aspect of his art, yet it is crucial to a full understanding of his work. This book will be essential reading for anyone interested in the great sculptor's achievements. 372 illustrations in color and black and white.
Customer Reviews:
The "Other" Rodin - Drawings and Watercolors.......2007-10-03
Though most readers already may be familiar with Rodin's sculpture, they won't want to miss the gorgeous full page reproductions of hundreds of the artist's watercolors and line drawings. The wide ranging portfolio - in terms of color, shape, texture - is sure to impress. The book itself is of very high quality and the reproductions are excellent. The editors have added a helpful and interesting discussion of this aspect of Rodin's work that will enhance your enjoyment of these drawings.
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- The Art Of Mapplethorpe, The Architecture Of The Human Body
- The Classical Tradition
- Mapplethorpe as Part of the Intellectual Museum Repertoire!
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Robert Mapplethorpe And The Classical Tradition
Jennifer Blessing ,
Arkady Ippolitov ,
Antonio Canova ,
Benvenuto Cellini ,
Jacques-Louis David ,
Jacob Matham ,
Jan Saenredam , and
Auguste Rodin
Manufacturer: Guggenheim Museum
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Binding: Hardcover
 Mapplethorpe, Robert
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Black Book
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Playing with the Edge: The Photographic Achievement of Robert Mapplethorpe
ASIN: 0892073136
Release Date: 2004-10-02 |
Book Description
Robert Mapplethorpe never concealed his interest in and passion for the human figure in all its sensuous manifestations. His celebrated black-and-white photographs from the later part of the 20th century reveled in the athletic body, the nude body, the exquisite body. This groundbreaking exhibition and its accompanying catalogue explore the relationship between the photography of Robert Mapplethorpe and Classical art, in particular through Mannerist engravings and sculpture. The pairing of works is among the first collaborations between the Guggenheim Museum and the State Hermitage Museum. Robert Mapplethorpe and the Classical Tradition exemplifies the artist's rapport with the elongated and elaborate forms of Mannerist art, namely the study of the human body, highlighting the underlying classicism evident in the clarity and potency of all Mapplethorpe's subjects as well as their explosive energy. The classical ideal was not only a poetic inspiration but also an ethical model and, in his creative quest, Mapplethorpe described photography as "the perfect way to make a sculpture." The potency of love and Eros, which electrifies many of the Mannerist works shown here, is articulated again in the work of Mapplethorpe. The vital anatomical forms of his portraits of models such as bodybuilder Lisa Lyons and the statuesque Derrick Cross find their roots in Antiquity, and here they find their mirror in the likes of Jan Harmensz Muller's Sabine woman and Jacob Matham's Apollo. The Hermitage's superb collection of Italian painting and sculpture amply illustrates the course of Italian art from the Middle Ages to the 18th century and includes an impressive collection of Mannerist works. Approximately 50 Mannerist works from the Hermitage collection are paired with the same number of works by Mapplethorpe from the Guggenheim's collection, are several Italian, French and Flemish bronze sculptures from the late 16th and early 17th centuries. Essays by the curators are included: Addressing the return to Classicism at the end of the 16th, 19th, and 20th centuries, Arkady Ippolitov discusses the obsession that defines both the work of Mapplethorpe and the Mannerists. Germano Celant's text further explores the influence this 16th-century style had on Mapplethorpe's artistic practice and sensibility, illuminating the artist's interest in the study of pure form as well as allegorical imagery. Articulated in both word and image, the catalogue also traces Mapplethorpe's complex relationship to the history of art more broadly, ranging from Neoclassicism to Surrealism, with comparisons to the work of Jacques-Louis David, Antonio Canova, Auguste Rodin, Man Ray, and more. A third essay by Guggenheim Curator Jennifer Blessing traces allegorical representations in 19th- and 20th-century photography, with references to Mapplethorpe's oeuvre.
Customer Reviews:
The Art Of Mapplethorpe, The Architecture Of The Human Body.......2007-01-04
This book combines astute background commentary and scholarly explanation with a solid selection of the late Robert Mapplethorpe's often striking photographic images, in this case those of the human form, and the result is an excellent book that showcases who this artist was, and what his work was about. It was in my hometown, of course, that "The Perfect Moment" a showing of Mapplethorpe's work about seventeen years ago led to the disgraceful obscenity prosecution of an art museum--the only such case ever pursued in the United States. I take it as a mark of some pride that the verdict in that case was not guilty, and, if I may add this, that my father was someone actively involved in the defense of the arts and the freedom of expression that helped in some fashion to uphold liberty in our community and nation. For that reason, as well as for its own merits, this book, a recent Christmas present, holds meaning to me.
The Classical Tradition.......2005-09-07
A fantastic reference in respect of Robert Mapplethorpe's more purist work. Amazingly well presented, printed and published, it has relevant accompanying text and essays, and as with most Mapplethrorpe images, the plates are simply brilliant. Be aware, this text is an important part of the book, so it's not all just pictures, but it asssists with giving an insight into the formalist manner in which the photographs were taken.
This book is for anyone with an interest in the Robert Mapplethorpe's work, or if you just want to own a record of some of the best photographs ever taken.
Mapplethorpe as Part of the Intellectual Museum Repertoire!.......2005-08-24
How far we've come! Not many years ago Robert Mapplethorpe's inimitable photographs were the cause célèbre in museums and galleries. Even journalists and politicians and filmmakers focused on the 'pornographic' aspects of Mapplethorpe's varied output. Yet today his place in the canon of art history is assured, and as proof of this status, here is a catalogue that accompanied an exhibition co-hosted by the prestigious Guggenheim Museum and the State Hermitage Museum of Russia!
The sophisticated curators have elected to compare and contrast the Mannerist prints and sculptures from the Hermitage with the photographs from the Guggenheim showing how Mapplethorpe's nudes and flowers and still lifes share much of the same obsession with eros and passion. Placing the etchings and sculptures side by side with Mapplethorpe's complementary photographs is a valid and informative curatorial concept. The result of this comparison heightens our appreciation for Mapplethorpe's photographic compositions and manipulations of the nude form.
The 'catalogue' book includes informed essays by Arkady Ippolitov, Germano Celant, Guggenheim Curator Jennifer Blessing - each beautifully written and each cogent on the subject of the juxtaposition of Mapplethorpe with the Mannerists.
The reproductions of both the photographs and the etchings and sculptures are superb. This is one museum catalogue that stands very well as an art history book. Recommended. Grady Harp, August 05
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- CAMILLE
- "All right, Ben. Attend me."
- Beautiful image filled collection of Rodin's creations.
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Rodin: Sculpture and Drawings
Catherine Lampert
Manufacturer: Yale University Press
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Binding: Paperback
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Rodin
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Rodin: His Art and His Inspiration
ASIN: 0300038321 |
Customer Reviews:
CAMILLE.......2007-06-02
As a Rodin researcher, I find Catharine Lampert's book extremely useful as a reference. It is very insightful in providing three-dimensional characterization, particularly to Camille Claudel who played such an important part in influencing Rodin's style in the 1880's, serving both as a detailer (hands and feet) of his own works, a model and his lover while continuing to become a better and better sculptor in her own right. The book is a beautiful publication worthy of coffee-table display. The lure of the coffee table, however should be balanced by the posible reactions of those who may flip it open towards the end. Here one finds many of his drawings. Wonderful though they and his style are in the drafting field, there are quite a number of sketches that are also extremely explicit . I would not want my grandchildren to be 'hit' by these. Buy the book by all means but be forewarned to display, or not display, according to the company that surround your coffee table. Neville Hale, author "The Rodin Quest" listed by Amazon.
"All right, Ben. Attend me.".......2005-01-26
"Anybody can look at a pretty girl and see a pretty girl. An artist can look at a pretty girl and see the old woman she will become. A better artist can look at an old woman and see the pretty girl that she used to be. But a great artist-a master-and that is what Auguste Rodin was-can look at an old woman, protray her exactly as she is...and force the viewer to see the pretty girl she used to be...and more than that, he can make anyone with the sensitivity of an armadillo, or even you, see that this lovely young girl is still alive, not old and ugly at all, but simply prisoned inside her ruined body. He can make you feel the quiet, endless tragedy that there was never a girl born who ever grew older than eighteen in her heart...no matter what the merciless hours have done to her. Look at her, Ben. Growing old doesn't matter to you and me; we were never meant to be admired-but it does to them."
-Robert A. Heinlein "Stranger in a Strange Land"
Beautiful image filled collection of Rodin's creations........1998-02-25
This book contains many wonderful pieces, as well as providing details of Rodin's life during the time he created these enchanting works. I love to turn each page, because his collection always remain fresh and exciting...Jasmine
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Rodin (Masters of Modern Art)
Monique Laurent
Manufacturer: Henry Holt & Co
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Binding: Hardcover
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ASIN: 0805012524 |
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- Claudel: Rodin's greatest student --
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Camille: The Life of Camille Claudel, Rodin's Muse and Mistress
Reine-Marie Paris
Manufacturer: Little Brown & Co (P)
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Camille Claudel: A Life
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ASIN: 1559700254 |
Customer Reviews:
Claudel: Rodin's greatest student --.......2005-10-31
-- and greatest teacher.
Mme. Paris has written a brief but affectionate, even zealous book on the life and career of Camille Claudel. It summarizes her upbringing in a bougeois but emotionally austere houshold. Perhaps she was never encouraged in her art. At least she was never actively discouraged, and did find some creative kinship in her brother Paul.
Her rise was meteoric. By her twenties, she was producing major work of remarkable expressiveness. Art was a man's world then. With its physical demands of stone and foundry work, sculpture was considered the most masculine among arts. Still, Boucher and then Rodin took her on as student and muse. According to Mme. Paris, Rodin's style owes much to Claudel - perhaps acknowledged in his "Eternal Idol," where the male figure kneels in obeisance and passion before the female.
The passion was real. Claudel lived with Rodin for more than a decade, and it has been claimed that his art stultified when she left him. Rodin remained fond of her until he died, but her leaving may have marked the start of Claudel's tragedy. Her mind gradually turned against itself. Irrational fears took command of her life, and her ability to tend her own needs slowly failed. About age forty, she was committed to an asylum for the insane. She never recovered, and died after more than thirty years of custody. Part of this book reproduces the letters from her years of confinement, and correspondence relating to her care.
The small body of work she left documents that tragedy. There's no sign in it of her illness, but her ouvre shows what she was and hints at what she could have become. Her illness stole her talent, not only from herself, but from the world as well.
//wiredweird
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- Rodin and the Fragmented Form
- Superb collection of photographs
- Good descriptions of Rodin's pieces
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Rodin: A Passion for Movement
Dominique Jarrasse , and
Jean-Marie Clarke
Manufacturer: Vilo International
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Binding: Paperback
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ASIN: 2879390842 |
Customer Reviews:
Rodin and the Fragmented Form.......2000-12-04
"Rodin: A Passion for Movement" by Dominique Jarrasse is an objective exploration of Rodin's major works based on three dimensions; movement, (as the title suggests), light and shade and the fragmented figure. These elements are explored through articulate text and beautiful, high-resolution photographs and drawings. The focus of the book is on Rodin's motivation and his alchemist method of modeling his figures to achieve the exact postures, which would give the sculpture a sense of movement. He paid an enormous amount of attention to the interplay between light and shade, taking from the masters, most notably Michelangelo. However, a great deal of controvesy surrounded Rodin's work based on his constant rejection from the academic community. In spite of his mastery, Rodin wasn't accepted because of his affinity for the fragmented figure, which he saw as a finished piece of work. This notion was affirmed by his quote, "I will never again make anything complete. I will make only antiques."(P. 46) The book begins with an analysis of "The Burghers of Calais", a monument to the six martyrs who surrendered the keys to the city of Calais to King Edward III during the Hundred Years War. The author explores the psychological undertones of each of the six men and Rodin's efforts to exact the pain and distress felt by these heroic men. Rodin paid close attention to the facial expressions of each of these figures in an effort to personify the different emotions these men and this monument symbolize. He chose a circular composition to depict the moment where these men were walking to the town hall, to meet King Edward and to meet death, creating a sense of eternal movement. Rodin established himself in the art world at the age of forty with a commission for the Musee des Arts Decoratifs. He found inspiration for this grandiose work from Dante's "Inferno", which he titled "The Gates of Hell." This work became "essentially an ode to sculpture" (p. 53) and took over twenty years for him to create. He reused fragments from other works that he created and many of his more famous works are found in this sculpture. At the top sits "The Thinker", which was Rodin's depiction of Dante. Rodin said, "His head on his fist, he wonders. Fertile thoughts slowly rise in his mind. He is not a dreamer. He is a creator." (p.90) Rodin was constantly studying and revising his fragmented forms. In Rodin's opinion these fragments were the essence to his work. Gustave Kahn explained, "The fragment is beautiful in itself, and the study of the fragment, a useful and legitimate thing." (p. 210) Throughout the book, the author includes a variety of photographs, however it would have been more informative had the author included many more of these studies and variations on each work.
Superb collection of photographs.......2000-08-06
This large-format book really does justice to Rodin's work, with a very large number of photographs covering all his major works, often from several perspectives.
Good descriptions of Rodin's pieces.......2000-04-23
This book depicts most of his major works with many color photographs. Likewise, a short narrative accompanies each photo describing the artist's inspiration, background and overall effect of each piece. A good book to accompany any novice wanting to learn more on Rodin.
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The Figure in American Sculpture: A Question of Modernity
Ilene Susan Fort , and
Mary L. Lenihan
Manufacturer: University of Washington Press
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Binding: Hardcover
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ASIN: 0295974370 |
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- Never too much
- The full color reproductions are superbly presented
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Auguste Rodin: Images of Desire, Erotic Watercolors and Cut-outs
Auguste Rodin
Manufacturer: Schirmer/Mosel
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Auguste Rodin: Watercolors
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Rembrandt (Erotic Sketchbook)
ASIN: 3829601891 |
Book Description
With his erotic nude studies Auguste Rodin completed the artistic step towards modernity during the last two decades of his life. To a greater extent than in his sculptural œuvre he broke with art traditions in his pencil drawings, watercolors and drawings combined with scissor cuts, establishing his total independence of prevalent beauty ideals and morals. The intimate character is born out by the expeditious stroke, comparable to instantaneous snapshots, and the liberality of the motifs. Contemporaries such as Rilke and Paul Klee immediately recognized the revolutionary artistic quality of the drawings. The price Harry Graf Kessler had to pay for exhibiting them in Weimar 1906 was high, however: he was dismissed from his position as head of the Grand-Ducal museum. This book, a softcover reprint of our 1995 classic, contains 105 watercolors and scissor cuts collected from museums and private collections from all over the world, including some "scandal" drawings from Weimar.
Customer Reviews:
Never too much.......2007-06-20
"I have been accused of thinking about women too much ... But what could be more beautiful than thinking about women?" - Auguste Rodin
Rodin is a striking example of an artist who achieved recognition in his own lifetime. That included financial independence, which gave him the freedom to explore directions for which patronage would have been hard to find. In fact, the display of some images in this series is said to have cost the director of the Grand-Ducal Museum his job.
It's easy to think of Rodin's masterworks in statuary as complete command of form. Whatever Rodin thought of them, it wasn't enough. His later life produced "one-minute drawings" like these by the thousands. He was looking for something, possibly within himself, that he never found words to articulate wholly. One proposal holds that he wanted to capture the dimension of time, the frozen moment, that eluded stone and bronze.
Perhaps he succeeded. Beyond that, he also succeeded in collecting a wonderful catalog of female figure - not just figure, but dynamic and exciting figure. The excitement is more than just intellectual. It goes well towards the carnal but stops short of vulgarity, at least to a modern eye. These models presented not just their forms but their arousal, of themselves and of their same-sex partners. Rodin's genius captured their passion and his own, stripped of any critical sentiment.
This book will work well to complement a library that already represents Rodin's better-known works. These watercolor drawings tend toward a sameness of color, contrast, and style that might wear on some viewers' patience. I guess it's not for everyone. If you've already befriended Rodin's work, though, this is an enjoyable way to deepen your relationship.
-- wiredweird
The full color reproductions are superbly presented.......2002-09-06
Images Of Desire: Erotic Watercolors And Cut-Outs showcases the erotic watercolor illustrations and cut-out artwork by Auguste Rodin, the famed French artist most commonly known through his sculptures. A brief introduction by Anne-Marie Bonnet adds pensive thought on these minimalist, somewhat abstract yet undeniably sensual and sexual artworks celebrating pleasure and love. Intense imagery evokes passion out of the simplest lines. The full color reproductions are superbly presented and make Images Of Desire a welcome and highly recommended addition to personal, academic, and community library Art History and Art Appreciation reference collections.
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Apropos Rodin
Rodin: Sculpture and Drawings
