Average customer rating:
- Comprehensive coverage of the figure of Mary
- An impressively informative and visually captivating artbook
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Mary in Western Art
Timothy Verdon
Manufacturer: Hudson Hills Press
ProductGroup: Book
Binding: Hardcover
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ASIN: 097129819X |
Book Description
This timely publication ponders the presence of Mary, the Mother of Jesus, in art, and seeks to evoke the affective rationale underlying Mary's centuries old fascination.
Customer Reviews:
Comprehensive coverage of the figure of Mary.......2006-07-10
This book is accessible to anyone captivated by, or even mildly interested in, the pervasive figure of Mary in Western art. The large number of reproductions makes the book valuable to anyone who has seen the original works and wants to place them in a wider context. The text is sensitive to the many faith traditions who honor the figure of Mary and who value the art for its own sake. This is the best book I have ever seen on the subject and I am thrilled to have it.
An impressively informative and visually captivating artbook .......2006-07-09
Mary In Western Art is an impressively informative and visually captivating artbook with a wealth of full-color illustrations of classic artworks of Mary, the Mother of Jesus, and also featuring a lengthy and insightful discussion of Mary's identity by Timothy Verdon, a priest and Yale- trained art historian. The individual chapters and images comprising Mary In Western Art reflects upon Mary as a figure, Mary as a woman, and Mary's influence upon the city of Florence. The theological depth of the extensively researched text will appeal particularly to art history scholars, while the exquisite beauty of the artworks on every page is universal. Mary In Western Art is enthusiastically recommended for community library collections and academic library religious art history shelves.
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- Panographs with an edge
- Peerless Panoramas!
- Wonderful text and photographic art
- To share or savor alone?
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The Western Horizon
Manufacturer: Harry N. Abrams
ProductGroup: Book
Binding: Hardcover
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Lee Frost's Panoramic Photography
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Desert: The Mojave and Death Valley
ASIN: 0810945622 |
Book Description
"Macduff Everton updates travel photography in the same way that Ansel Adams updated 19th-century photography of the West. He captures strange and eloquent moments in which time, and the world, seem to stand still."-Andy Grundberg, New York Times
Only a handful of photographers have succeeded in capturing the majestic landscapes of the American West. Now, Macduff Everton takes his place among them, with magnificent panoramic photographs that deserve to be viewed alongside those of Ansel Adams and Eliot Porter. Everton's lush, romantic pictures-each a cinematic tour-de-force of light and color-present breathtaking views of the Grand Canyon, Monument Valley, Yosemite, Crater Lake, Mount St. Helens, the Missouri Breaks, Big Sur, the Painted Desert, and other fabled vistas of the American West.
With lyrical commentaries and sketches by artist and writer Mary Heebner, and an introduction on the Western landscape's importance to American history and lore by best-selling author Edmund Morris, this glorious book is Everton's masterwork.
MACDUFF EVERTON is one of the world's most distinguished and prolific travel photographers. His work is widely exhibited and collected by museums around the world. He lives in Santa Barbara, California, with his wife, Mary Heebner.
MARY HEEBNER is a writer and artist whose mixed-media collages, works on paper, and limited edition artist's books have been exhibited and collected throughout the United States and abroad.
EDMUND MORRIS is a Pulitzer Prize-winning biographer, best-selling author, and an astute historian and commentator on the United States, his adopted country.
76 panoramic photographs in full color, 12 sketches, map, 131/2 x 91/2"
Customer Reviews:
Panographs with an edge.......2001-12-29
I noticed that the writing on the front flap of the book jacket claimed that the images are large format panographs. After taking a close look at the first few images on pages 1-10, I came to the conclusion that these are panographs taken in 135 format not the medium format of the 120 or 220 types. Everton's notes of camera and film on page 7 confirmed my assessment. It is interesting that he departed from the usual practice of his peers by choosing the colour negative film Fuji NHG II rather than its sibling, the transparency film, Fuji Velvia 50. Though it does not have the punchy colours and high contrast of Velvia, NHG II gives softer colours in highlights and more shadow details. With negative films, mastery in controlling exposure is only half of the accomplishment, mastery in making prints is essential for bringing the final image to the masses. Everton said he developed his prints in a rental lab. If so, his craft is well done. The contrast control of each image is good with no lost of colour saturation and shadow details, even for heavily overcast landscape such as the one on Lemhi Pass (p56). About half of the images was taken at a time when a storm was approaching. Some even have a clearly visible rain curtain (p33,49,62). The panograph of the Great Sand Dune Monument (p62) is a real visual treat. The land and sky were connected by a rain pillar over the sand dune on the right, illuminated by the emerging light. The highlighted strip of the desert floor formed the visual anchor for the reader, guiding my eyes to start the journey from the lower left-hand side of the image then wander into the distant storm-covered horizon. The smoothness of the dunes form a visual contrast to the roughness of the storm clouds above. It is rare to see a rainstorm in a sandy desert let alone under such magical lighting. Capturing fleeing moments like this calls for great patience and skill on the photographer's part. The panograph of Lower Geyser Basin is my second favourite (p49). The steam pillar jetted out of the geyser is the force within the deep earth whereas the heaven is owned by the menacing storm dumping torrents of rain from above. I couldn't stop asking if this image was taken on Planet Earth or near Mount Doom of Middle Earth in Tokkien's fantasy. My other favourite is the panograph of the Lower Calf Creek Falls (p72). Here stillness and transquility was interrupted by the gushing waterfall. The branches of the two trees at the foreground formed a perfect arch that frames the waterfall. This is a stage built by Nature where we are invited to sit in front and be immersed in the sound of moving waters.
The map next to Everton's preface showed not only the places where the images were taken but confirmed the warning that American wilderness is an endangered specie. The rest of the writings is simply an eloquent elaboration of this urgent issue. This book is another quality publication from Abrams Inc. I give it four out of five stars.
Peerless Panoramas!.......2001-02-28
This book deserves more than five stars for the unmatched color panoramas of the most picturesque horizons in the western United States.
You could visit these sites for twenty years and not see actual scenes as luscious as these. Whether you know the West or think you would like to, I suggest that you start with this remarkable book. This is the West as you've never seen it . . . but could. The wonderful photography is nicely complemented by the essays that provide geological and historical perspectives on the scenes portrayed here.
The photography is all done in 148 or 150 degree large format color panoramas. This perspective approximates what the human eyes can see, including peripheral vision. As a result, these images give you a remarkable sense of being present that is almost impossible to obtain in a book.
The reproduction quality is amazingly good, and the lighting and tones vary wonderfully from one outstanding photograph to the next. Almost all are displayed over an entire wide panorama-sized page, and many extend over parts of two such pages.
The feeling is so ethereal that it evokes the same sense of natural wonder that looking at paintings by the Hudson River School creates. There are in fact some parallels, as a few scenes include tiny people or animals in the foreground.
The book is divided into sections showing the Great Plains, the Rocky Mountains, the Colorado Plateau, the Cascade range, the Pacific Northwest, and California. Although I have traveled extensively in the West for over 40 years, more than half of these scenes were new to me. I can see that I have many wonderful trips ahead of me to visit these locales, now that I know how gorgeous they are.
Here is a list of the sites:
Sand Hills, Nebraska
Badlands National Park, South Dakota
Theodore Roosevelt National Park
Montana Prairie
Breaks of the Missouri
Yellowstone National Park, Wyoming
Waterton/Glacier International Peace Park, Montana
Lemhi Pass, Montana
Mores Creek, Idaho
Aspen, Colorado
Great Sand Dunes National Monument, Colorado
Grand Canyon, Arizona
Grand Staircase -- Escalante National Monument, Utah
Ghost Ranch, New Mexico
Painted Desert and Petrified Forest National Park, Arizona
Monument Valley Tribal Park, Arizona/Utah
Wupatki National National Monument, Arizona
Mount St. Helens
Crater Lake, Oregon
Mount Shasta, California
Oregon Coast
Big Sur, California
Santa Catalina, California
Yosemite, California
Mono Lake, California
Joshua Tree National Park, California
Death Valley, California
The text connects these boundless images to "a West of unlimited horizons" and the work of Turner in developing his frontier theory of the role of the West in stimulating American imagination and initiative. Even today, the book argues that the "unconstrained Western horizon" is important to our sense of taking on the new challenges of modern society.
Everyone who sees these photographs will agree that it would be horrible if these sights were ever to be spoiled. We are fortunate that government policy began to preserve these lands beginning in the 19th century. With today's challenges of pollution and visitors, perhaps even more will have to be done.
Reading and looking at this book is a spiritual journey, not unlike a peaceful meditation. If your spirit is troubled at all, I suggest this book as a balm that you can always use to ease your discomfort.
Live with beauty!
Wonderful text and photographic art.......2001-02-15
Wow. What a wonderful book that amazes me, everytime I open the cover. Everton seems to have complete control over the dynamics range in all of his photographs. Dark clouds yield to lighter, fluffy clouds, down to a light horizon, and a rich, dark lower 1/3 of these exposures. Add to this control his use of a tool that has limitations, at Noblex 150 panoramic camera.
Everton also captures locations that have already been widely photographed before, but with his own signature. He adds a new face to Calf Creek Falls in Utah. A must have book for your table.
To share or savor alone?.......2000-12-08
The Western Horizon honors the expansive beauty of U.S. topography west of the 100th meridian & east of the Pacific. Mary Heebner provides lightning commentary and subtle sketches complimenting her husband, photographer Macduff Everton, as he captures sites in inimitable ways. Together, they lift a creative curtain... and what a chronicle of our planet's passage they present!
Spectacular photographs are framed with informative prose-poetry re: geologic history and human wear. Many of the images are highlighted by magically addictive, cloud reflected light ... others are pure, simple zen. You gaze & graze on Earth's lines as they reach skyward. Time is everywhere. Many thanks to Abrams for yet another choice coffee table reference. Hopefully, Heebner & Everton will have an opportunity to soon grant us some more cardinal horizons. I'd rate The Western Horizon at no less than a full box of gold stars - it's a perfect book either to share or to savor alone.
Book Description
Illustrated with never-before-published artifacts from the unique treasures in the museum's Northwest Coast collections, Listening to Our Ancestors profiles native communities of the Pacific Northwest and showcases the region's rich cultural history and artwork.
Sophisticated in conception and execution and rich with symbolism, the totem poles, painted housefronts, masks, dance regalia, feast bowls, and elaborately decorated boxes made by the native people of the North Pacific Coast have long been recognized as masterworks of art. Here, in a series of community self-portraits, cultural figures from eleven Northwest Coast nations discuss the ways in which these masterpieces, as well as everyday tools and utensils from the museum's collections, connect them with their forbears, who made and used these beautiful objects. Kwakwaka'wakw Chief Robert Joseph and the community curators contrast the approach anthropologists and art historians have taken to the treasures of the Northwest with Native people's perspective on their cultural legacy. In addition, Mary Jane Lenz explores the Northwest as a crossroads of native and non-native worlds in the nineteenth and early twentieth centuries, when many of these works were collected, and today.
With its striking images and community self-portraits, Listening to Our Ancestors invites readers to appreciate Northwest Coast art as its native inheritors do—for the spirit with which it is endowed.
Official companion to the exhibition opening at the National Museum of the American Indian in November 2005.
Customer Reviews:
Wisdom and beauty in prose and photo.......2006-09-07
I checked this book out of the library to use in a research paper and decided that I had to have my own copy. Eleven essays written by native peoples of the North Pacific coast relate their history and practices in beautiful prose and wisdom that one can read over and over and still get something from. Just to read the essay on whaling, for example, is to gain a deeper understanding of the sacredness and connectivity of humans and all other creatures. As each people/tribe talk about their way of life, it becomes apparent that activities that Euro-Americans find mundane, such as bathing or food gathering, holds for them a ritualized and sacred meaning. The photos of their art are exceptionally well done. I wish there was a hard copy of this gorgeous book.
Book Description
Deeply passionate and personal reflections about damage, loss, and renewalof the earth and of the writer herself.
When upstate New Yorker Mary Sojourner reluctantly agreed to visit the Grand Canyon of Arizona nearly two decades ago, she little suspected that she was about to lose her heart to the daunting, gut-wrenching beauty of the Southwest, or that she would shortly find there a home, a passion for the land, and a cause in protecting it. Since then, she has become acclaimed as an environmental writer and respected as a grass-roots activist protesting the heedless development of the Southwest's increasingly precious and embattled open spaces.
The essays collected in Bonelight reflect Sojourner's southwestern journey from greenhorn to old-timer, from tourist to committed defender of the land and the human communities that share it. She writes of exploring the deserts, forests, canyons, mountains, and river rapids of the Southwest, and of her passionate love for this austere and ravishing landscape; of family, friends, and lovers, a woman's wary passage into middle age, the discovery of peace and balance in the execution of mundane chores and in the close observation of natural surroundings; of the ways that development is destroying the Southwest's fragile beauty, and of the greed and spiritual emptiness that motivate much of this development. There is humor here, and adventure, and the intense intimacy of a writer who dares confront the world around her with bold candor and a lover's tender gaze. Mary Sojourner's Southwest is a world that, through these graceful and engaging essays, we can all shareand fall in love with.
Customer Reviews:
Harsh and heartbreaking.......2007-06-26
Mary Sojourner has the unique talent for taking us, with just a few strokes of the pen, into the stark, cold underbelly of human greed and arrogance, then flinging us into the heartbreaking beauty of the natural world. As a lone warrior and guardian of that natural world, she stops at nothing to protect it, facing arrest and the lawyers of multi-million dollar corporations with the same unyielding stance. Her essays are a testament to the best--and the worst--of the human spirit and this world we live in.
A sheer delight to read.......2002-12-14
This is a collection of fifty-one personal essays about living (and dying) in the southwest that will leave you angry, sad, happy, disillusioned, and hopeful. But beware: if you are looking for a touchy-feely, I'm OK-Your OK collection, this is not for you. These essays are opinionated, sometimes in-your-face, always passionate critical critiques of living in the contemporary southwest that are a sheer delight to read. In pieces ranging from aging, gambling, land development and nature to the demise of local businesses and the joy of shopping in downtown Flagstaff, AZ., the reader is treated to one woman's opinions in a thoughtful, clear, and highly readable manner. Sojourner is destined to be a major player in the environmental, activists' genre. Highly recommended.
Book Description
Reviewing the first volume of Opera Scenes for Class and Stage, Walter Ducloux wrote in the Opera Journal: "If you can come up, within five seconds, with an operatic excerpt involving two sopranos, four mezzo-sopranos, two tenors, and a bass, you don't need this book. Otherwise hurry and buy it. I keep it on my night table."
In More Opera Scenes, the Wallaces have reviewed 100 additional operas and have chosen over 700 scenes. The popular "Table of Voice Categories" providing more than 300 combinations is also featured in this volume.
Book Description
After its initial publication in 1993, Robert K. Oermann and Mary A. Bufwack's Finding Her Voice: The Saga of Women in Country Music quickly became an essential book for country music scholars and fans. Now back in print, with updated material, an additional chapter, and new photos, Finding Her Voice is poised to reach a whole new generation of country music fans.
From country's earliest pioneers to its greatest legends, Finding Her Voice documents the lives of the female artists who have shaped the music for over two hundred years. Through interviews, photos, and primary texts, Bufwack and Oermann weave a vast and complex tapestry of personalities and talent. Long overlooked and underappreciated by scholars, female country music artists have always been immensely popular with fans. This book gets to the heart of the special bond female artists have with their audiences. People seeking to understand the context out of which mega-stars such as Shania Twain, Faith Hill, and the Dixie Chicks emerged need look no farther than this book.
Customer Reviews:
An astute, well-researched, artfully presented text.......2004-01-14
Collaboratively compiled and expertly edited by cultural anthropologist Mary A Bufwack and music journalist Robert K. Oermann, Finding Her Voice: Women In Country Music 1800-2000 is an information-laden, 624-page compendium of women's contributions to country music down through the past two centuries. Black-and-white photographs enliven the pages of this astute, well-researched, artfully presented text. Finding Her Voice is a seminal work of music history scholarship and a superb educational text and resource which is especially recommended for American Music History academic reference collections and to dedicated country music fans.
Book Description
"The very imposing and very welcome Classics of Western Spiritualityseries...should be in every theological collection of any depth." Ardin Newsletter
In one series, the original writings of the universally acknowledged teachers of the Catholic, Protestant, Eastern Orthodox, Jewish, Islamic and Native American traditions have been critically selected, translated and introduced by internationally recognized scholars and spiritual leaders.
AUGUSTINE OF HIPPO-SELECTED WRITINGS
translated and introduced by Mary T. Clark
preface by Goulven Madec
"You have made us to be toward you, and our heart is restless until it rests in you" Augustine of Hippo (354-430)
Augustine of Hippo (354-430), bishop, philosopher, and Doctor of the Church whose thought molded the Western theological tradition, is clearly one of the most influential figures in the history of the Church. At the heart of his brilliant philosophical and theological speculation is his spirituality-a spirituality founded on the reality of the soul's experience of the Trinity in the depths of its interiority.
This book is a collection of his writings, which in every sense must be considered true classics of spirituality in the West. Included are excerpts from Confessions, On the Trinity, The City of God, and Homilies on the Psalms along with the complete texts of the Rule of St. Augustine, On Seeing God, and On the Presence of God.
In speaking of Augustine's relevance for our time, Paul VI said: "If St. Augustine were alive today, he would speak as he spoke a thousand and more years ago. Why? Because he really personifies a humanity that believes, that loves Christ and our beloved God."
Customer Reviews:
The "Grace and Free Will" of St. Augustine.......2004-01-25
In this superlative volume of The Classics of Western Spirituality series, "Augustine of Hippo: Selected Writings," St. Augustine's Trinitarian thought is gracefully explained and examined with lucid clarity in Mary T. Clark's Introduction. For example, the differences between Augustinian Theology and Plotinian Neoplatonism: Augustine's belief in the Father, The Son, and The Holy Spirit being one and co-equal, and Plotinus believing in The One (God), the Intellectual-Principle (the mind of God, i.e., His image, which is inferior to The One--created by The One), and the Reason-Principle (the soul of God, which is inferior to The One and its cause, the Intellectual-Principle). Augustine adopted from Plotinus "that the spiritual icon is always in immediate contact with its exemplar, the higher intelligible that is its source" (i.e., God). Through Ambrose, Augustine "had found the 'wind' that would waft his bark safely to port in the Blessed Fatherland." So you can see why Augustine is considered Neoplatonic. Many of his beliefs were rooted in Plotinus' Neoplatonism of The One. He believed that God is intuitively known "through the supernatural knowledge possessed by the soul." Our faith and charity is what transformed it into the image of the Trinity. How Augustine's early beliefs formed and evolved into maturity are thoroughly examined, such as his (Augustinian speculation) original triad of the speculative intellect--memory, understanding, and free will. Also elucidated is his belief that Grace is superior to free will, which all modern Christians naturally believe. Before Augustine, the opposite opinion was the prevailing view. And whether or not he was a mystic is discussed in depth. Obviously, he was a mystic is the answer that the majority of reputable scholars concluded. Personally, I think there's no doubt that Augustine was a mystic. He's probably the greatest mystic of the post Apostolic Fathers. The two mystical experiences he describes in "CONFESSIONS" with his friend, Alypius, in the garden (during his last great battle for conversion) and with his mother at the window reveal his mysticism. There's so much more information discussed in the Introduction, that it makes it worth the cost of the entire book. All the selections included in this volume have Introductory Notes, which are extremely helpful in explaining the writings. Here are the contents: "CONFESSIONS: Book Seven; Book Eight; Book Nine; Book Ten"; "THE HAPPY LIFE"; "HOMILIES ON THE PSALMS: Psalm 119: The Ascents of the Christian; Psalm 120: Our Confidence in the Lord; Psalm 121: The Ecstacy of Love; Psalm 122: God Is True Wealth"; "HOMILY ON THE FIRST EPISTLE OF ST. JOHN: Treatise Seven"; "ON THE TRINITY: Book Eight; Book Fourteen"; "ON SEEING GOD; ON THE PRESENCE OF GOD: Letter 147: Augustine to the Noble Lady, Pauline, greeting; Letter 187: On the Presence of God"; "THE CITY OF GOD: Book Nineteen"; and "THE RULE OF ST. AUGUSTINE". One must read for him/herself St. Augustine's writings in order to truly comprehend the depth and breath of this most graceful and sublime saint's faith. If philosophy is the handmaiden of theology, then Augustine is the master. I highly recommend this outstanding volume, and I hope my review is worthy of such a profound volume as this one certainly is. Blessed art thou, St. Augustine!
Book Description
Dorothea Olkowski's exploration of the philosophy of Gilles Deleuze clarifies the gifted French thinker's writings for specialists and nonspecialists alike. Deleuze, she says, accomplished the "ruin of representation," the complete overthrow of hierarchic, organic thought in philosophy, politics, aesthetics, and ethics, as well as in society at large. In Deleuze's philosophy of difference, she discovers the source of a new ontology of change, which in turn opens up the creation of new modes of life and thought, not only in philosophy and feminism but wherever creation is at stake.
The work of contemporary artist Mary Kelly has been central to Olkowski's thinking. In Kelly she finds an artist at work whose creative acts are in themselves the ruin of representation as a whole, and the text is illustrated with Kelly's art. This original and provocative account of Deleuze contributes significantly to a critical feminist politics and philosophy, as well as to an understanding of feminist art.
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Peoples of the American West: Historical Perspectives Through Children's Literature
Cordier Mary Hurlbut
Manufacturer: The Scarecrow Press, Inc.
ProductGroup: Book
Binding: Hardcover
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ASIN: 0810822407 |
Book Description
No descriptive material is available for this title.
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Mary Garden (Opera Biography Series, No. 8)
Michael T. R. B. Turnbull
Manufacturer: Hal Leonard Corporation
ProductGroup: Book
Binding: Hardcover
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ASIN: 1574670174 |
Book Description
Meticulously researched, this biography charts the mixed fortunes of Gardens career, describing her triumphant success on the Paris stage but also the moral outcry that followed her portrayal of Strausss Salome in the United States. The book includes a discography by James McPherson and William R. Moran and a chronology.
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