History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Cezanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde (Metropolitan Museum of Art Publications)

Average customer rating:

Great Footnotes
The quintessential art dealer
A real keepsake!
worth every penny
At Last, a Tribute to an Art Dealer!

Cezanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde (Metropolitan Museum of Art Publications)

Manufacturer: Metropolitan Museum of Art
ProductGroup: Book
Binding: Hardcover

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ASIN: 0300117795

Book Description

Ambroise Vollard (1867–1939) played a key role in the transformation of the art world in the late 19th century. A pioneering Parisian dealer, Vollard introduced many of the era’s leading artists to the public. This beautifully illustrated catalogue, accompanying the first comprehensive exhibition devoted to Vollard’s extraordinary achievement, presents 130 important paintings, sculpture, and works on paper that he promoted, exhibited, and sold.
Vollard’s groundbreaking exhibition in 1895 of Cézanne’s work definitively established the artist’s reputation, and Vollard subsequently organized major exhibitions of the Nabis, Gauguin, and Van Gogh; promoted the work of artists ranging from Degas to Rouault to the Fauves; and gave many young artists, including Picasso and Matisse, their first solo shows. In addition, Vollard published print albums and livres d’artiste that are among the most celebrated of the early 20th century. This important volume features twenty-two essays that examine Vollard’s career and expertise in the art market, his relationships with individual artists and collectors, and a wealth of previously unpublished material from the newly available archive of Vollard’s documents and from the archives of the artists he represented.

Customer Reviews:

Great Footnotes.......2007-05-13

Lot's of footnotes and academic prose.
Good if you want a bibliography item on your art history/museum paper.
Otherwise, an achievement in taking an interesting subject and turning it into a boring one. A reasonable number of color plates but unremarkable as they (mostly) have the same values--that is, tonally, they look too similar.
DS

The quintessential art dealer.......2007-04-02

A great exhibition, a great dealer and a great book. Very well documented, even though Vollard seems to have been very secretive. He certainly was at the right place, at the right time as the book very well shows . He no doubt was an opportunist, but with an eye and a love of art unmatched by his peers. He also invented the art market of his time and certainly deserved such a beautiful tribute.

A real keepsake!.......2007-01-15

My daughter was an Art History Minor and had expressed interest in this book. I bought it for her as a holiday gift and she treasures it. Amazon got it to me in time for me to enjoy leafing through it as well. It is extraordinary both in picture and text. It is truly a keepsake.

worth every penny.......2007-01-11

This book is jammed with fascinating information,gorgeous reproductions and is extremely well priced.Anyone interested in 20th cent.art will welcome this book!

At Last, a Tribute to an Art Dealer!.......2006-10-17

The Metropolitan Museum of Art has produced yet another fine curatorial statement with their exhibition 'Cezanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde' and fortunately the accompanying catalogue is as bold and beautiful as the exhibition itself. The concept of discussing artists of international stature from the stance of the man who gave their careers the jumpstart needed is unique and valuable and is a tribute to the work that art dealers around the world perform in assisting artists in their career paths.

Ambroise Vollard (1867-1939), a Parisian art dealer, played a significant role in molding the art movements of the late 19th and early 20th century. The stimulus, according to the curators and essayists of this lavishly illustrated book, was the 1895 exhibition of Cezanne's art, an exhibition which triggered the movements of modern art as followed by such artists as Gauguin, Van Gogh, Degas, Rouault, Matisse and Picasso. Some credit Vollard with the development of the Fauvist school simply by his intelligent, sensitive, provocative exhibitions of the right artists given space beside each other that created comparisons and links.

The concept of art dealer as innovator is a fresh one and one handled with sufficient intelligent documentation by the various writers contributing to this catalogue to lend credibility to the premise. But over and above the curatorial concept is the pleasure of the exceptional illustrations of works by familiar artists not usually seen in books of this sort. The writing and design make this catalogue/book a collector's item that will enhance not only art school libraries but also the personal libraries of all art lovers. A very fine addition to the information about the artists included in this exhibition and catalogue. Grady Harp, October 06

Average customer rating:

A catalogue better than the exhibition it illustrates
Picasso & American Art - great show, great catalog!

Picasso and American Art
Michael FitzGerald
Manufacturer: Yale University Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0300114524

Book Description

Many American artists throughout the 20th century designated Pablo Picasso as the central figure of the modern movement and defined their own artistic achievements through their absorption, critique, or rejection of his example. Picasso and American Art is a groundbreaking publication juxtaposing works by Picasso with the paintings, sculptures, and drawings created in response by an extremely diverse group of his contemporaries and successors, including Max Weber, Stuart Davis, Arshile Gorky, John Graham, Willem de Kooning, Jackson Pollock, David Smith, Roy Lichtenstein, and Jasper Johns.
Based on extensive research, Michael FitzGerald’s text provides valuable new information on the fundamental role that Picasso played in the development of modern American art--both through his friendships with individual artists and through the dissemination of his evolving work. This book also documents, for the first time, the accessibility of Picasso’s work in the United States between 1911 and 1957 in exhibitions, collections, and publications through a comprehensive chronology.
This unique book is essential for anyone interested in either Picasso or American art of the 20th century.

Customer Reviews:

A catalogue better than the exhibition it illustrates.......2007-04-03

The exhibition "Picasso and American Art" was very much criticized because of its tendency to mixing everything that counts in modern American art (or rather, in New York art) and linking it somewhat arbitrarily to Picasso, which, in a way, is stating the obvious.

Now what remains of it is this beautiful book, very well documented and which shows us some works of rarely seen artists alongside others, much more famous ones. The text is lively and informative.

Picasso & American Art - great show, great catalog!.......2007-02-08

The exhibition was a great survey of the influence that Picasso (and cubist art in general) had on American painters in the early/mid 20th century. A wealth of good reproductions, reproducing many unseen masterpieces.

Average customer rating:

Christian Berard
Boris Kochno
Manufacturer: Clarkson Potter
ProductGroup: Book
Binding: Hardcover

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ASIN: 0394570138
Release Date: 1989-05-20

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Avant Garde in Russia, 1910-30

Manufacturer: The MIT Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0262200406

Wireless Imagination: Sound, Radio, and the Avant-Garde

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Wireless Imagination: Sound, Radio, and the Avant-Garde
Histories of Sound Once Removed
Manufacturer: The MIT Press
ProductGroup: Book
Binding: Paperback

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ASIN: 026261104X

Book Description

Wireless Imagination addresses perhaps the most conspicuous silence in contemporary theory and art criticism, the silence that surrounds the polyphonous histories of audio art. Composed of both original essays and several newly translated documents, this book provides a close audition to some of the most telling and soundful moments in the "deaf century," conceived and performed by such artists as Raymond Roussel, Antonin Artaud, Marcel Duchamp, Andre Breton, John Cage, Hugo Ball, Kurt Weill, and William Burroughs.

Pinocchio's Progeny: Puppets, Marionettes, Automatons, and Robots in Modernist and Avant-Garde Drama (PAJ Books)

Average customer rating:

Best Book Ever
Best Book Ever

Pinocchio's Progeny: Puppets, Marionettes, Automatons, and Robots in Modernist and Avant-Garde Drama (PAJ Books)
Harold B. Segel
Manufacturer: The Johns Hopkins University Press
ProductGroup: Book
Binding: Paperback

General | Performing Arts | Arts & Photography | Subjects | Books

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ASIN: 0801852625

Book Description

While Carlo Collodi's internationally revered Pinocchio may not have been the single source of the modernist fascination with puppets and marionettes, the book's appearance on the threshold of the modernist movement heralded a new artistic interest in the making of human likenesses. And the puppets, marionettes, and other forms that figure so vividly and provocatively in modernist and avant-garde drama can, according to Harold Segel, be regarded as Pinocchio's progeny.

Segel argues that the philosophical, social, and artistic proclivities of the modernist movement converged in the discovery of an exciting new relevance in the puppet and marionette. Previously viewed as entertainment for children and fairground audiences, puppets emerged as an integral component of the modernist vision. They became metaphors for human helplessness in the face of powerful forces -- from Eros and the supernatural to history, industrial society, and national myth. Dramatists used them to satirize the tyranny of bourgeois custom and convention, to deflate the arrogance of the powerful, and to breathe new life into a theater that had become tradition-bound and commercialized.

Pinocchio's Progeny offers a broad overview of the uses of these figures in European drama from 1890 to 1935. It considers developments in France, Spain, Italy, Austria, Germany, Sweden, Russia, Poland and Czechoslovakia. In his introduction, Segel reviews the premodernist literary and dramatic treatment of the puppet and marionette from Cervantes' Don Quixote to the turn-of-the- century European cabaret. His epilogue considers the appearance of puppets and marionettes in postmodern European and American drama by examining works by such dramatists as Jean-Claude Van Itallie, Heiner Müller, and Tadeusz Kantor.

Customer Reviews:

Best Book Ever.......2002-04-26

This is an amazing book, not to be taken lightly as the cover suggests. The writing displays a certain amount of eloquence that only a brilliant writer like Harold Segal could pull off successfully. Thank you, Harold, for this essential piece of literature.

Best Book Ever.......2002-04-26

This book is amazing. It covers every aspect of avant-garde puppetry with a certain amount of eloquence only a brilliant writer could display.

Film Posters of the Russian Avant-Garde (Jumbo)

Average customer rating:

With art this grand, maybe communism wasn't such a bad idea
Fun and informative
A superlative survey of pre-Communist Russian graphics.

Film Posters of the Russian Avant-Garde (Jumbo)
Susan Pack
Manufacturer: Benedikt Taschen Verlag
ProductGroup: Book
Binding: Hardcover

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ASIN: 3822889288

Customer Reviews:

With art this grand, maybe communism wasn't such a bad idea.......2006-08-18

If you're a graphic designer, you only need browse this excellent book for a moment or two to realize that Russian artists in the 1920's and 30's knew more about how to make a great poster than any American has ever known before or since.

Every poster designer and film buff loves American designer Saul Bass and I'm no exception, but Bass borrowed a lot from these early Russian designers like Rodchenko, and its no wonder--they were an incredible wellspring of creativity. Open any single page in this collection and you'll find a hundred great ideas regarding use of color, perspective, and mixing photography with illustration. Every designer should have this book at hand for reference. Unfortunately many of these early films have been lost or destroyed over time, but one wonders if the best part hasn't been saved--these glorious posters. I can't say enough good things about this book.

Fun and informative.......2001-12-04

I'm not a collector of Russian/Soviet film posters, so all the liner notes could be complete bullocks, but the book is brilliantly large and appears to really want to give the straight story (for instance it gives the title that the artists gave the posters not the movie title associated w/ it). I've only seen a few of the movies it covers so I bought it solely for the art. If you're a fan of the clean Bauhaus style this book is for you.

A superlative survey of pre-Communist Russian graphics........1998-07-14

Susan Pack's overview of the Russian avant-garde film poster, is a visual delight, and a welcome addition to the library of anyone interested in graphic design. This book is a handsome collection of pre-Communist posters from such notable graphic artists as the Stenberg brothers, and Alexander Rodchenko, as well as many other lesser known, yet talented artisans. Anyone familiar with Russian graphics of this period are in for a treat, and those seeing them for the first time will soon become addicted to their graphic impact, and innovative type treatments. A friend I've shown it to has warned me to keep an eye on it, lest it mysteriously disappear!

Book Description

Critics hailed previous editions of Visionary Film as the most complete work written on the exciting, often puzzling, and always controversial genre of American avant-garde film. This book has remained the standard text on American avant-garde film since the publication of its first edition in 1974. Now P. Adams Sitney has once again revised and updated this classic work, restoring a chapter on the films of Gregory J. Markopoulos and bringing his discussion of the principal genres and major filmmakers up to the year 2000.

The Return of the Real: Art and Theory at the End of the Century (October Books)

Average customer rating:

How can this be anything but five stars!
excellent analysis ensured by rich Aesthetic knowledge
Very productive reading
interesting essays, but ...
helpful and interesting book

The Return of the Real: Art and Theory at the End of the Century (October Books)
Hal Foster
Manufacturer: The MIT Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0262561077

Book Description

In The Return of the Real Hal Foster discusses the development of art and theory since 1960, and reorders the relation between prewar and postwar avant-gardes. Opposed to the assumption that contemporary art is somehow belated, he argues that the avant-garde returns to us from the future, repositioned by innovative practice in the present. And he poses this retroactive model of art and theory against the reactionary undoing of progressive culture that is pervasive today.

After the models of art-as-text in the 1970s and art-as-simulacrum in the 1980s; Foster suggests that we are now witness to a return to the real -- to art and theory grounded in the materiality of actual bodies and social sites: If The Return of the Real begins with a new narrative of the historical avant-garde; it concludes with an original reading of this contemporary situation -- and what it portends for future practices of art and theory, culture and politics.

Customer Reviews:

How can this be anything but five stars!.......2000-07-27

Granted, I'm not a Phd. in art history, so I can't claim how much of Foster's thinking is his own and how much he "borrows," but these essays, all interrelated and commenting on each other, carefully dissect postwar art, culture, politics, theory. I've read these essays four or five times and come away with a different insight on art each time. The definite highlight for me was the essay on traumatic realism (which ranges from the opposing simulacral and ideological readings of Warhol, to the tearing of the screen in Cindy Sherman, to the abject in art, to the opposing needs to deconstruct the subject and also reaffirm the subject in racial/sexual/cultural discourse.) Whew! It's a daring essay and is the rosetta stone, I think, of the entire book. His insight on the loss of critical distance (which accounts for why the Left and Right sound so much alike these days)needs to be heeded. Long live all the October writers!

excellent analysis ensured by rich Aesthetic knowledge.......1999-12-18

A quite interesting book about visual arts since '1960 written by the author and editor of "Anti-Aesthetics".@Especially the analysis of the recent relationship between Art and Anthropology/Ethnography is unique and suggestive.

Very productive reading.......1999-11-25

The book is full of productive suggestions for writing on contemporary visual arts. For a foreign reader, it provides a cogent overview of different moments in recent art; a fine sampling of commentary on theoretical writing, and valuable insight into current art criticism in the U.S. "The Return of the Real", meaning by that the Lacanian "Real", is a thought-provoking, stimulating idea that runs through the book and has refreshed my own critical work. I am indebted to this book.

interesting essays, but ..........1999-09-26

Foster is a good synthesizer on contemporary art, but ... when you read the footnotes, it feels like he's doin a lot of borrowing from other, less known work. And he never really discusses about the art he mentions, it's all allusions and side comments. And photos of pieces he never even mentions in the text. Still, it's about the best book-lentgh work I can think of on this, and some of the essays are killer.

helpful and interesting book.......1999-07-20

It's a little conplex but appliavle to many kinds of contemporary art theories.

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