Book Description
During and following WWII, a special multinational group of more than 350 men and women served behind enemy lines and joined frontline military units to ensure the preservation, protection, liberation and restitution of the world's greatest artistic and cultural treasures. This "band of unsung heroes," formally referred to as the Monuments, Fine Arts and Archives (MFAA) section, or commonly referred to as the "Monuments Men," worked tirelessly to track down, identify and catalogue millions of priceless works of art and irreplaceable cultural artifacts, including masterpieces by Da Vinci, Michelangelo, Rembrandt and Vermeer, that had been stolen by Hitler and the Nazis.
The story of the Monuments Men, including their heroics and exploits in rescuing and safeguarding many of the world's greatest artworks for the benefit of mankind, has never before been fully revealed until now, with the publication of
Rescuing Da Vinci, an exhaustively researched historical account written by Robert M. Edsel. Mr. Edsel can best be described as a successful athlete and business entrepreneur turned modern day "Indiana Jones." Mr. Edsel has dedicated the last five years of his life to painstaking and far-reaching research to unravel the secrets of the Monuments Men and, in so doing, to make the world aware of their unprecedented contributions, both during and after WWII, and to ensure that these unsung heroes receive appropriate recognition from the United States government, as well as the broad public.
The detailed documentation, inventories and photographs developed and catalogued by the Monuments Men during and following World War II, have made possible, and continue to make possible, the restitution of stolen artworks of to rightful owners and their descendents. Long after WWII, many Monuments Men went on to become renowned directors and curators of preeminent international cultural institutions, including the National Gallery of Art, the Metropolitan Museum of Art, the Museum of Modern Art, the Toledo Museum of Art and the Nelson-Atkins Museum of Art, among many others, as well as professors at esteemed universities such as Harvard, Yale, Princeton, New York University, Williams College and Columbia University. Others became founders, presidents, and members of associations such as the New York City Ballet, the American Museum Association, the American Association of Museum Directors, the Archaeological Institute of America, the Society of Architectural Historians, the American Society of Landscape Architects, the National Endowment for the Humanities and the National Endowment for the Arts, as well as respected architects, archivists, artists and musicians.
"Mr. Edsel's book is captivating in several respects, from the graphic, garish reminders of the faces of the great plunderers, to the singular beauty of the art they sought to steal. And it is a high and overdue memorial to the "Monuments Men," who did the herculean job of tracking down and repatriating the great art." -- William F. Buckley Jr.
Customer Reviews:
SPOILS OF WAR.......2007-09-21
This is one of the most fascinating books i have ever read. The period images are amazing, just the photo of italian masons bricking up Michaelangelo's iconic David is worth the purchase. After reading this book I was stunned that so few art treasures were destroyed. I had no idea that much of the treasures at the National Gallery of Art in D.C. was stored at Biltmore because of its remote setting. I was also blown away to see the images of workman removing winged victory from the Louvre, I just had no idea all of this went on leading up to the war and during the war. The German pillaging of the great European art treasures is disgusting of course, especially the art they looted from the weathy Jewry like the Rothchilds and others, some of which even to this day are trying to get back art work that is rightly theirs. I highly recommend this great book to anyone interested in art, history, art history, or frankly has an inquisive mind. I want to thank the authors for a job well done.
What were they thinking!!.......2007-08-10
This was a fascinating and disturbing account of the massive Nazi looting and subsequent recovery by the Allies. It is a story told mostly by pictures to the tune of about 20 pages of pictures for each page of print. It is promoted by the publisher as the biggest non-told story of WWII and he might be right; it diminished the German war effort and probably shortened the War. It was also about the massive and admirable effort by the so-called Allied `Monuments Men' to recover and redistribute the loot back to their rightful owners after the War.
Germany stole millions of art objects from occupied countries, and even from its own ally Italy, on the pretext of saving it from the `barbarian' invaders from the West. Monuments weighing tons, like the `Burghers of Calais' from France and the `Winged Lion' from atop the column in Florence's San Martin Square, were somehow lifted and hauled away. Also, 5000 church bells were stolen from Europe and 300 trolley cars were removed from Amsterdam. In short, they looted everything they could get their hands on, and they were good at it. There are good pictures of the bells and the trolley cars.
In Slavic countries such as Russia and Poland, the plundering was accompanied by an attempted systematic destruction of the culture itself; `inferior races' in Hitler's mind didn't deserve a history. The siege of Russia was particularly bad; 6000 hospitals were destroyed, and 86,000 elementary and secondary schools were destroyed. Decency had taken a long vacation in Germany.
Hitler was a master at destroying things. He destroyed a lot of Europe and Russia, and even extended his `scorched earth' policy to his own country when Germany was near defeat. Thankfully, that order was not faithfully carried out.
How could a country justify destroying the culture of another country? What were the people of Germany thinking when they elected this maniac as Chancellor in the 1930's? Why did they blindly follow him?
What were they thinking!!
I recommend this book.......2007-05-13
If you enjoy WWII history and art, this is a book that should be in your collection. It is full of wonderful photos that you will not find elsewhere. If you have ever wondered about what happened to the great masterpieces of art during WWII, this is the book to buy. Amazon also has a great price.
Great Book!.......2007-04-14
What a great story. Incredible photos too. Quality of the pages is very good. I'm actually surprised it's only $35 after getting it.
surprising.......2007-04-04
This book which is generously pictorial made me think about aspects of WW2 that had never occurred to me.
Amazon.com
Film Directing Shot by Shot offers a good introduction to the rudiments of film production. Steven D. Katz walks his readers through the various stages of moviemaking, advising them at every turn to visualize the films they wish to produce. Katz believes that one of the chief tasks of filmmaking is to negotiate between our three-dimensional reality and the two-dimensionality of the screen. He covers the number of technical options filmmakers can use to create a satisfying flow of shots, a continuity that will make sense to viewers and aptly tell the film's story. Katz provides in-depth coverage of production design, storyboarding, spatial connections, editing, scene staging, depth of frame, camera angles, point of view, and the various types of stable compositions and moving camera shots.
Book Description
A complete catalogue of motion picture techniques for filmmakers. It concentrates on the 'storytelling' school of filmmaking, utilizing the work of the great stylists who established the versatile vocabulary of technique that has dominated the movies
since 1915. This graphic approach includes comparisons of style by interpreting a 'model script', created for the book, in storyboard form.
Customer Reviews:
Chicken scratches vs. Detailed Storyboards.......2007-08-19
I have used this book numerous times for my teachings in which students go through the process of making a short film with certain limitations being imposed. It is part of a process that I call "fast filmmaking". I like the examples that Katz presents, specifically that it is not the quality of the drawing, but how the drawing communicates the director's vision to the rest of the crew. I will usually have a student "explain" their storyboard to the class, and it is amazing how a few chicken scratches can give as much details as a fully detailed storyboard. Kudos to Katz for explaining the creative aspect of directing, and Michael Weise Productions for publishing these types of books.
of moderate interest to readers of video magazines.......2007-08-13
as a long-time reader of videographer's magazines, I didn't find much of interest in this book. If I were new to the trade, I'd probably have found it more useful. For that reason, I gave it a rather high rating of 4 stars
Mind-opening, even if you aren't interested in directing.......2007-06-30
I've worked in the graphics design business for years, but more recently I've grown interested in working with video, primarily shorts and documentary work. I was looking for a book that could help teach me the "language" of motion and visual storytelling, and this book fit the bill. In fact, I found it to be incredibly inspiring as a student of art in general. It's extremely well-written, chock full of practical examples, and contains numerous time-worn techniques as well as cutting-edge experimentation. One funny thing: since it was written a few years before the desktop digital video revolution began, it talks about some of the difficult aspects of shooting which are now in many ways moot. But it's good to hear about the history of the craft.
If you have any interest in all in shooting, directing, or producing any kind of motion picture, show, or short, you'll definitely want to buy this book. However, be forewarned: you'll never be able to watch movies the same way again. You'll begin to pick up all the subtle nuances of filmmaking without even realizing it, so don't feel bad if you have to force yourself to re-engage with the actual story as you're watching!
Useful, pleasurable.......2007-05-07
I'm a college student, not at film school, who makes videos as a serious hobby. I thought this book was much better than other titles in the same market, because it's so specific. Instead of telling you what anyone with common sense knows, like "keep continuity" and "composition can affect the mood of a scene," this film lays it all out in detail. I recommend this for everyone who wants to improve. Even if you're not particularly interested in storyboarding, you'll learn how to think about your sequences in advance much better.
Learning the Rules Before You Break Them.......2007-01-13
Even though many of the great filmmakers may have not utilized storyboards, every one of them has pre-visualized their films.
Pre-visualization is the essence of what it means to be a director. A director can only be effective if he/she properly prepares for each scene. Even if one does not have every shot precisely planned out, they will still have an idea of the look and the flow of the process.
There are certainly many people who feel directing should be intuitive, that there should be no structure to the process or else creativity is stifled. This is a valid point from the perspective of the artist.
What is wonderful about this book is that it gives extensive insight into WHY one should cover a scene in a certain way. Directing as a profession requires a certain amount of preparation and PROOF that you have a handle on the film. Producers want reassurance that you have a vision worth pouring tens of millions of dollars into. Armed with the ability to properly express yourself in regard to your vision, you will have a much easier time convincing others to follow you.
So, in the end, if you are interested in studying the language of film and the methodology behind classic film composition and editing, then this book and the accompanying Film Directing: Cinematic Motion are essential.
Customer Reviews:
Fast Delivery, ok Product.......2007-07-24
Although I received this product in a timely manner, an entire chapter was missing from the book. I went ahead and kept it only b/c i did not have time to reorder another one due to my needing in for a class. Make sure to ask if any pages are missing!
Excellent Overview of Art and Art History.......2007-06-25
Excellent overview of art history, major movements, and various media. Both the western and global development of art are included.
The accompanying cd has artwork "flash cards" as well as video clips illustrating how various media are used.
This book was the required text for my university course, but I will also be using it with my children as a homeschool resource. Some discernment and parental input will be required using it with younger children.
Bad shipment.......2007-01-05
Received an opened package w/ no item enclosed. Have emailed this company several times about my problem w/no response. A total emails consisted of 5. They have NEVER responded. Please choose another company to order from. It will save you time and money.
Art was Boring........2005-08-03
Until I got this book for Fine art appreciation, I didnt think much about art. Now I cant hardly put it down, which is good considering that I have to read the whole thing for class. I cant think of a better way to present the material.
very pleased.......2005-05-29
I was under stress to get this book asap for my summer semester class, I explained this to the seller and she ups'd to me and took on the expense herself. EXTREMELY GENEROUS!!! definately a great seller my highest recommendations
Book Description
From 828, when Venetian merchants carried home from Alexandria the stolen relics of St. Mark, to the fall of the Venetian Republic to Napoleon in 1797, the visual arts in Venice were dramatically influenced by Islamic art. Because of its strategic location on the Mediterranean, Venice had long imported objects from the Near East through channels of trade, and it flourished during this particular period as a commercial, political, and diplomatic hub. This monumental book examines Venice's rise as the "bazaar of Europe" and how and why the city absorbed artistic and cultural ideas that originated in the Islamic world.
Venice and the Islamic World, 828–1797 features a wide range of fascinating images and objects, including paintings and drawings by familiar Venetian artists such as Bellini, Carpaccio, and Tiepolo; beautiful Persian and Ottoman miniatures; and inlaid metalwork, ceramics, lacquer ware, gilded and enameled glass, textiles, and carpets made in the Serene Republic and the Mamluk, Ottoman, and Safavid Empires. Together these exquisite objects illuminate the ways Islamic art inspired Venetian artists, while also highlighting Venice's own views toward its neighboring region. Fascinating essays by distinguished scholars and conservators offer new historical and technical insights into this unique artistic relationship between East and West.
Customer Reviews:
The Silk Road Adorned.......2007-05-13
For centuries The Most Serene Republic of Venice was the the western terminus of the fabled Silk Road. The city's warehouses were the repository of every luxury that Persia, India, China, Siam, the Levant, Byzantium, and the Ottomans had to offer. This book is a wonderful companion to the Met's glittering exhibition of art, illuminated manuscripts and decorative objects, which give a sense of Venice's singular place in the history of the Mediterranean. Viva San Marco!
Venice and Islam.......2007-05-13
This book is excelent. This book is the catalog of the exhibiton that
is on tne Metropolitan Museum of New York.
A scholarly catalogue.......2007-04-19
This book is the catalogue for a traveling exhibition held at the Institut du Monde Arabe in Paris in 2006 and at the Met in New York in 2007. It is a very complete study of the influence of the islamic world on the Republic of Venice, encompassing all forms of art, painting, architecture, ceramics, textiles, engravings, books, and even religious artefacts (mosque lamps for example). All these works of art are the results of intense cultural and economic exchange between both worlds and the catalogue emphasizes this very well. A scholarly publication well served by wonderful illustrations. A very detailed checklist of all the works in the exhibition (medium, dimensions, location) makes this book a definite reference on the subject.
Book Description
In 1999, after a series of wildly adventurous jobs around the world, Sam Sheridan found himself in Australia, loaded with cash and intent on not working until he’d spent it all. It occurred to him that, without distractions, he could finally indulge a long-dormant obsession: fighting. Within a year, he was in Bangkok training with the greatest fighter in muay Thai (Thai kickboxing) history and stepping through the ropes for a professional bout. That one fight wasn’t enough. Sheridan set out to test himself on an epic journey into how and why we fight, facing Olympic boxers, Brazilian jiu-jitsu stars, and Ultimate Fighting champions. Along the way, Sheridan delivers an insightful look at violence as a career and a spectator sport, a behind-the-pageantry glimpse of athletes at the top of their terrifying game. An extraordinary combination of gonzo journalism and participatory sports writing, A Fighter’s Heart is a dizzying first-hand account of what it’s like to reach the peak of finely disciplined personal aggression, to hit—and be hit.
Customer Reviews:
Gimme a Break.......2007-10-02
Alright, I'm picking on one little thing here. I didn't much care for this guy's portrayal of Deerfield on page 4. I was there when he was - not everyone who lived in a dorm was some "rich" person, as if that's bad anyway. Get over yourself, Sam, and feel fortunate that you received the great education that you did.
A World Of Hurt.......2007-08-23
A Fighter's Heart isn't something that I expected it to be. While I was aware that it is a book that deals with MMA (mixed martial arts) from the author's perspective, I didn't expect it to thoroughly go on about trips to Thailand, the home of Muay Thai, journeys out west with boxing professionals, and South American & Japan jaunts focused more on Brazilian Jui Jitsu. Sam Sheridan's writing style can match the layman and his interest in combat sports. In all, a very interesting read.
A trip through the world of fighting.......2007-07-31
The book is a vicarious journey through the world of fighting. With the rise in popularity of MMA, such themes are catching on and reflected in TV shows such as the History Channel's "Human Weapon."
The author travels around the world to practice and compete in various forms of martial arts. He goes to Thailand for Muay Thai, Iowa for MMA (from Pat Miletich of UFC fame), Rio de Janeiro (Brazil) for Jiu Jitsu, New York (Manhattan) for Tai Chi, and California (Oakland) for boxing. He also travels back to Thailand for Zen meditation, as well as a stint in Hollywood as an extra in an action film starring Paul Walker.
On a higher level, the book attempts to answer philosophical questions as to why humans are attracted to violence. Part of the answer may be cultural, as societies with martial cultures have tended to conquer those without through the ages.
Overall, a good read if you have any interest in martial arts.
Beautifully written book.......2007-07-09
A Fighter's Heart is a beautifully written book on a challenging subject. Sam Sheridan is a sensitive and intelligent tough guy who has left no stone unturned in this startling investigation of martial arts, the human spirit ("Gameness") and violence in general.
I like this book........2007-06-08
This is a book about traveling as much as it is about fighting. Felt like i was in Thailand reading the book. An easy read.
Book Description
For 1,600 years its message lay hidden. When the bound papyrus pages of this lost gospel finally reached scholars who could unlock its meaning, they were astounded. Here was a gospel that had not been seen since the early days of Christianity, and which few experts had even thought existed–a gospel told from the perspective of Judas Iscariot, history’s ultimate traitor. And far from being a villain, the Judas that emerges in its pages is a hero.
In this radical reinterpretation, Jesus asks Judas to betray him. In contrast to the New Testament Gospels, Judas Iscariot is presented as a role model for all those who wish to be disciples of Jesus. He is the one apostle who truly understands Jesus.
This volume is the first publication of the remarkable gospel since it was condemned as heresy by early Church leaders, most notably by St. Irenaeus, in 180. Hidden away in a cavern in Middle Egypt, the codex (or book) containing the gospel was discovered by farmers in the 1970s. In the intervening years the papyrus codex was bought and sold by antiquities traders, hidden away, and carried across three continents, all the while suffering damage that reduced much of it to fragments. In 2001, it finally found its way into the hands of a team of experts who would painstakingly reassemble and restore it.
The Gospel of Judas has been translated from its original Coptic in clear prose, and is accompanied by commentary that explains its fascinating history in the context of the early Church, offering a whole new way of understanding the message of Jesus Christ.
Customer Reviews:
Religious.......2007-09-17
After reading this book and knowing what I know from many gospels, I
find this book very hard to believe. It just is far to away from all
the other gospels out there. I have read the "Other Bible" and many
of the gospels not found in the Bible of today, but none talk like the
gospel of Judas. I do not know who actually wrote this book, but I
would not put a whole lot of faith in it as truth. Why would Jesus
want to be crucifed in order to go back to the spirit world. I can
think of a lot of ways to kill yourself that are less painful. To
think Jesus wanted Judas to turn him in, so that he could be killed,
so he could go back to heaven, is just plain stupid. Jesus could
have just drank poison to do that. No one would ask for such a
painful death as crucifixion.
The Gospel of Judas: Fascinating and Controversial.......2007-09-03
A Review of The Gospel of Judas, edited by Rodolphe Kasser, Marvin Meyer, and Gregor Wurst, with comments by Bart D. Ehrman. (Washington, D.C.: National Geographic, 2006).
Humankind is often left with evolved systems of belief and organized religion, which are the products of those who have had the greatest political power. This is undoubtedly the case with Western Christianity. As recent discoveries have unequivocally shown, many alternate versions and constructs of today's multifaceted Christian heritage have been silenced or vilified over the ages. The Nag Hammadi Library, discovered in the late 1940's, brings to light some of these long forgotten and contested versions. Careful study of these and other documents demonstrate the great diversity of thought and conflicting testimonials, exhibited by earliest followers of Jesus. There has also been a trail of conflict and difficulty regarding scholarly and universal access to the Library for a good number of years.
With the access to an unquestionably authentic Coptic document called the Gospel of Judas, scholars again have the ability to explore historical diversity. Initial scholarly analysis has just surfaced in a recent book published under the auspices of National Geographic. This work, compiled by Kasser, et. al. is obviously written for the general public, although annotations and endnotes bring it to the depth of academic study usually shared by Early Christian Studies experts. Judas, the traditionally portrayed betrayer of Jesus, is presented in this lost Gospel as the handmaiden of salvation. However, it is not a salvation directed toward enabling the sacrifice of Jesus. In the contemporary version of Christianity with us today, Jesus dies to free men from their sins and therefore, to win the possibility of eternal life for those believers in and followers of his teachings. Rather, in this Gospel, Judas enables the soul of Jesus, a divine entity in human guise, to rid itself of its "mortal coil," and to rejoin with the highest, unnamable divine entity beyond this world.
The mythology of this particular Gospel is charged with a form of proto-Gnosticism: a term which conjures up debate among scholars, because it has been primarily defined through attacks by heresy seekers from the early, organized church. Gnosticism is a term derived from the sense of knowing as in "being aware" or enlightened. As one piece of the evolutionary puzzle, this Gospel shows the use of Sethian Gnosticism in early Christian thinking and how this thinking relates to evolving Jewish beliefs and to Greek writings (both Neo and Middle-Platonic).
To move this term from Platonism and to "Christianize it" within the Gospel of Judas (as Dr. Meyer writes) is to see the point Jesus makes in the Gospel: we are not the bodies we are in; nor are we defined by our existence in a mortal and often corrupt world. Rather, to know in the depths of our soul that we are mirrors of the divine is to know our true nature. Judas alone understands this and aids Jesus in his quest to reach his divinity by handing Jesus over to be killed. The other disciples do not understand this, and therefore cannot do what Jesus has asked of Judas.
Parallel to the publication of the Kasser book is a rather "polemic" review written by Dr. James Robinson. Robinson's critique is both critical and troubling. According to Robinson, as with the Dead Sea Scrolls and the Nag Hammadi Library, document dealers, middlemen and scholars have not always been as forthright as one would hope. Robinson contends that National Geographic and the editors of The Gospel of Judas seem to gloss over questions of proper legal ownership by Frieda Tchacos, whose name now labels the Judas Gospel and three other manuscripts ("Codex Tchacos"). The Maecenas Foundation, which currently holds the manuscript, may also have had intentions more directed at profit than preservation. These and other circumstances, Robinson claims, have limited the accessibility of this discovery.
As they broadcast their findings, and as scholars assist one another in the universal quest for knowledge, some things seem to fall short in the intensive drive to procure rare manuscripts. It is often difficult to secure a manuscript from a seller, especially when confounding circumstances may often result in its slipping away. This manuscript surfaced in 1983, and scholars are both critical and defensive about interactions surrounding it then, as they are now. Maltreatment of the manuscript by greedy and ignorant handlers almost destroyed the Judas Gospel. Knowing document fragility and how dealers can keep works out of reach, scholars are often hard pressed, whenever a document surfaces, to do all they can to get the work into safe keeping, before it is invariably destroyed. What drives any scholar, we would hope, is first and foremost, proper stewardship. In the real world, the best and most ethical approach to procurement often requires compromise.
The reader, who senses the undercurrent of frustration by any and all scholars during this document's long history of neglect and evasion, should credit all (current critics and scholars alike) with a driving desire and effort to get the truth of the manuscript out where it belongs. For their best efforts in a long history of difficult circumstances, all deserve our gratitude.
An Interesting Dip Into Unknown Waters.......2007-08-23
This book, edited by Kasser, Meyer and Wurst, seemed fairly repetitive, given the limited amount of material they had to work with; however, it does add to our knowledge of early Christianity. Whether it holds up to scholarly scrutiny however, remains to be seen......
Hmmmmm...........2007-07-03
I will give this 4 stars since it was very well written; however, I still feel it is missing a piece of the puzzle. How could there have been time for Judas to have developed a following in order for someone to have written "the gospel of Judas", when he killed himself shortly after betraying Jesus? He certainly didn't write it, as it was written after he died. I'm a big fan of the Gnostic Gospels, but this one doesn't make sense. Again, very well researched and written, but...
Early Christianity.......2007-05-13
This gives a more detailed commentary on the Judas Gospel than is possible in a TV show or magazine article, and of course the footnotes lead one on to a more detailed study!
Book Description
Angels and Demons and The Da Vinci Code, by author Dan Brown, have deceived millions of people across the world with a plethora of lies about the one true God, Christianity, the Holy Bible, and the Christian Church. Dan Brown has achieved this by presenting the elements in his novels under the guise of fiction, while at the same time, claiming that they are factual. But even Brown's "facts," which he maintains are historically informed, are full of inaccuracies and historical discrepancies. What Dan Brown is describing in Angels and Demons and The Da Vinci Code can most certainly not be categorized as fiction, because in reality, the core and foundation of his writing is Theological and Christological. However, the Theology and Christology which Dan Brown has incorporated into his novels is a false Theology and Christology?-?it is grossly distorted and stridently far from the truth. This apologetic work sets out to provide the true Theological and Christological teachings of the Holy Orthodox Church in response to the deceptions in the selected writings of Dan Brown.
Customer Reviews:
Makers of Modern Strategy .......2005-09-22
"Makers of Modern Strategy" is a scholarly collection of high quality papers on strategy since Machiavelli to the present nuclear age. The beauty of the book is that one can focus on the era that one is interested in. There is no need to read the book cover to cover as the various essays are stand alone although they are presented sequentially and related papers are adjacent to each other. I have read and re-read some of the papers. The book is about strategy and the realities of war. The essays are clearly balanced and not biased. The phenomenon of war was clearly explained from the studies of past wars. It is clear that war has been a fundamental reality of social and political existence from an early stage of political organisation to the present times. The tragic aspects of war and the intellectual and emotional disturbances it creates could be discerned from the essays.
The book is divided into the following five parts:
Part One: The Origins of Modern War.
Part Two: The Expansion of war
Part Three: From the Industrial Revolution to the First World War.
Part Four: From the First to the Second World War.
Part Five: Since 1945.
The eminent contributors include Peter Paret, Felix Gilbert, John Shy, Gordon A. Craig, Maurice Matloff, Condoleezza Rice, Lawrence Freadman, Michael Carver and D. Clayton James. Their essays showed the role of force in the relations between states. It is now very clear to me that war has always been a compound of many elements ranging from politics to technology, to human emotions under extreme stress. Strategy is one of the critical elements of war.
The various essays trace the ideas and actions of past generations, as they used war to achieve their national goals, an analysis of military thought and policy in the recent past and present
My favourite part is Part Two. Here three great historical figures are highlighted namely Napoleon, Jomini and Clausewitz. I can now see the genius of Napoleon as one of the greatest soldiers in history in its proper strategic context. I think history need to rescue Jomini from the obscurity he is now relegated since it is largely him who has clearly related the greatness of Napoleon and the attempt to reduce war to some sort of science.
Makers of Modern Strategy add immense value to any study of warfare and strategy. I recommend it to Army Staff Colleges and those studying military history at postgraduate level.
Mandatory Reading for Army Staff Majors.......2002-03-13
As the title indicates, the Army's Command & General Staff College requires students to read Makers of Modern Strategy in the core history class. Professors can make best use of this book as a supplement. As other reviewers have noted, the chapters are disjointed with each other. Taken separately, however, many of the chapters help the history student or enthusiast to develop a depth of understanding on a particular subject. Authors such as John Shy, Douglas Porch, Michael Howard, and Condoleeza Rice, just to name a few, explore many of the strategic issues involved with the evolution of military thought.
From Machiavelli and Clausewitz to strategies of world wars and colonial wars, Makers of Modern Strategy adds value to any serious study of warfare. The high quality academic research and thought that underlies many of the articles is worth the price of the book. Highly recommended.
Good general military history overview........2001-03-05
One of the essentials, a good starting point for the study of military history and strategy.
Still, this is a good book............2000-08-12
Although I agree with the reviewer preceeding me that this might not be as strong of a book as was the masterpiece which preceeded it (by Earle), it is still a strong book and does (generally) what it sets out to do: to provide an accounting of major developments in military thought (i.e. western military thought) from the Renassance to the modern age.
As a text or as a reference, this is still a powerful and useful book. Each of the chapters discusses a major figure's thought in a fashion that can be dealt with easily in a sitting: for those people who don't want to sit and sort through Jomini (though everyone reading this should sit down with Clausewitz! ) or Douhet, to see their rights and wrongs....
I like this book. I bought my copy for $8.00 in NYC and have had it with me through a number of moves since....
Newer is Not Necessarily Better.......2000-07-18
This second version of the book is disappointing. I would have thought that it being edited by an historian as good as Peter Paret would have improved on the original, which was edited by Robert Earle. However, it is weaker both in scholarship and accuracy, especially John Shy's essay on Jomini. Old myths are resurrected about the Swiss renegade whose own works are generally historically inaccurate.
Many of the older, more professional, historians, who are unfortunately no longer with us were much more careful in their research and writing, hunting down sources that newer historians either refuse to look for or refuse to use. they also were more blunt, calling a spade a spade, and weren't worried about offending people or in 'revisionist' (read inaccurate) history. Political correctness was unknown to these stalwarts.
Books of this type are highly useful. If you are looking for this particular volume, get the first version edited by Earle, even if you have to go looking in second hand book stores or on the internet in used book services. I did, and it is well worth the effort.
Book Description
This study of major military innovations in the 1920s and 1930s explores differences in innovating exploitation by the seven major military powers. This volume of comparative essays investigates how and why innovation occurred or did not occur, and explains much of the strategic and operative performance of the Axis and Allies in World War II.
Customer Reviews:
Some good information, but lacking in many areas.......2006-08-14
The book does provide detailed footnotes as it is a series of essays where the writer of each "chapter" presents their viewpoint and analysis. However, this book provides no tables or charts to support any of the analysis or discussions presented. It would have been very helpful if there were a table or chart comparing each nation's "innovation" in each category described in this book, examples: armored warfare, strategic bombing, carrier development, etc.
What is most lacking in this book it that it focuses primarily on the US, Britain, and Germany, limited on Japan (amphibious assault and aircraft carrier development but nothing on their armor and combined arms tactics) and nothing significant on France, Italy, and Russia, who are mentioned merely in passing. This is the most glaring weakness of this book. Russia developed the T-34 tank, had a sizeable navy, large industrial base, naval infantry, paratroopers, cavalry, and actually trained with the Germans in the 1930's. The Italians were on the winning side of World War One, developed a large navy, their own tanks, and an ambitious goal to dominate the Mediterranean Sea, but they too are not mentioned.
It is important to learn how each of these major combatant nations developed as each had their own policies that led to successes and failures. An example is in amphibious landings, where the writer presents a view that the US was the most developed in the world during the interwar period. If that is the case, then why didn't the US attempt an amphibious assault prior to 1943 and why were the casualties so high in the first assault experienced at Tarawa? If the US was amphibious warfare strategy and doctrine was the most developed, then why did the British conduct the disastrous raid on Dieppe in 1943 as a rehearsal, wouldn't the US have enough experience in northern Africa, Sicily, and Anzio in 1943? The writer's claim is not supported through citing successful battles or numbers of equipment produced.
Another question is why weren't the British, Germans, Italians, and Russians mentioned or compared to in amphibious warfare? If Italy wanted to control the Med, wouldn't they have developed some type of doctrine or equipment? The Germans thought about invading England, what kind of equipment did they have and how would they have executed the invasion? The Russian Naval Infantry, what was their doctrine? The Japanese amphibious landing is well researched and presented, but again, no tables or charts are presented to summarize the writer's viewpoint.
Russia's development during the interwar period is very critical as the equipment developed during the period was superior or at least equal to the German equipment. The T-34 tank's only weakness in 1941 was the lack of radio equipment along with the doctrine of dispersing the tanks instead of massing them into large formations. If one reads other WW2 history books, one learns that the Germans were only able to defeat the T-34 tank in 1941 with better unit maneuver and with greater numbers. German anti-tank weapons had no effect with the German tanks undergunned and under ranged. The largest caliber on a German tank in 1941 being the short barreled 75mm mounted on the Panzer MK IV and the StugIII (which was an assault gun found in anti-tank battalions).
Another glaring omission in this book is there are no discussions on anti-weapons or counter munitions designed to defeat the innovations being developed in the interwar period, the lone exception being the torpedo and US artillery proximity fuses. There are no discussions on the bazooka, anti-tank rifles, anti-tank guns, shaped charges, depth charges, or anti-aircraft guns. Obviously the Germans had planned for anti-aircraft defense, otherwise they would not have developed the 88mm gun nor would have the deployed it so close to the front line troops. Rommel was able to repulse the British armor counterattacks at Arras, France in 1940 only with the 88mm anti-aircraft gun. This experience influenced him to utilize this weapon in a dual purpose anti-tank role in the desert. The British had attacked him in Arras with heavily armored Matilda tanks, armed with a 2-pound anti-tank gun, but no high explosive rounds against infantry. These cases are extremely relevant and important discussions into the interwar period.
Why did the British choose not to equip their tanks with HE rounds? Why didn't the Germans equip their Panzer MKIV and StugIII tanks with long barrel 75mm guns from the start? Why didn't the Russians equip their early T-34 tanks without universal radios (only the platoon leader had a radio)?
How was the Sherman tank developed and doctrinally planned to be utilized, a vehicle with an underpowered 75mm gun, prone to catching on fire, and a narrow track base not suited for cross country mobility (as described in the book Death Traps, Belton Cooper)? At the end of WW2, the US might have gotten directly into war against the Russians? How would the Sherman tank fared in the vast Russian muddy steppes and marshes and no highways? The Germans learned the hard way fighting against the T-34 an incorporated many of the features (wide track base and sloped armor) into the Tiger and Panther tanks. Was the Sherman tank designed to be an infantry support vehicle with anti-tank battalions designed to defeat enemy armor? What calibers of weapons were they equipped with and how were they to be employed? None of these questions are answered in this book.
Overall the book does provide some information that is interesting, such as the German night bombing tactics, use of the Stuka dive bomber to provide precision bombing, and the lack of reliable and powerful aircraft engines that prevented German strategic bomber development. However, the lack of direct comparisons (such as comparing the T-34 vs the Panzer Mark IV vs the Sherman Tank in armor thickness and armament range, penetrating power), lack of tables (such as showing the range and capacity of the Japanese aircraft carrier vs the US and British), charts (comparing the number of tanks and tank regiments fielded by Russia, Germany, England, France, Italy, US, and Japan in 1939), and complete omissions of the Italians and Russians is glaring and detracts to what could have been a well rounded and educational book.
Given the Editors' strong professional and education backgrounds, expected a lot more information from this book. Recommend borrowing this book from the library rather than purchasing it.
Military Innovation in the Interwar Period.......2005-08-26
This book is a necessary for those who want to understand the relationship between development of technology and military innovation. It is not an easy book to read, but contains tremendous amount of information along with accurate historical records. Must for military tacticians and historians alike.
Essential Addition to the Study of the Inter-war Period.......2005-01-15
The acclaimed scholarly team of Williamson Murray and Allan R. Millett have edited an anthology of essays encompassing the technological innovations in weaponry during the 1920's and 1930's. These innovations span the research and developments of all the major belligerents that play a major role in the coming global conflict. Each scholar was instructed to compare and contrast his or her topic country with two other countries making this work not only a significant contribution in and of itself, but also a vital comparative study as well. In addition, the researchers were asked to structure their essays around three concepts: the strategic framework of the period, the organizational factors of the institutions under study, and the doctrinal framework of the services. Many of the contributing factors to victory and defeat in World War II are covered within the pages of this important work. Williamson Murray takes a look at "Armored Warfare: The British, French and German Experiences," and "Strategic Bombing: The British, American and German Experiences." Richard R. Muller examines "Close Air Support: The German British and American Experiences, 1918-1941." Geoffrey Till discusses "Adopting the Aircraft Carrier: The British, American, and Japanese Case Studies." But perhaps the most important chapter is Allan R. Millett's "Assault From the Sea: The Development of Amphibious Warfare Between the Wars-the American, British, and Japanese Experiences." Millett compared the development of amphibious doctrine in Japan, Britain, and the United States. The author concludes the U. S. led the way in amphibious warfare doctrine, initiating combined arms operations between air, sea and land that would prove to be a critical advantage in the pacific campaign. According to Millett, Japan started out impressively as was evident by its ever-expanding Pacific empire in the 1930's. Since every landing force became an isolated island garrison, however, Japan's whole amphibious program literally faded away. Great Britain, on the other hand, never had the economic resources necessary to implement a successful amphibious program. Millett concludes that factors such as budget and innovative foresight are vital contributing factors in technological innovation. The author is also quick to point out that in many cases, new weapons become obsolete as soon as hostilities begin. Generally, books of essays are usually disjointed and inconsistent. The guidelines and structure the editors have chosen have tied all the chapters in this book together nicely. This is arguably the best work on the inter-war period to emerge in years. Highly recommended.
Great historic analysis on military innovations.......2001-09-18
It is a very good review on how things developed between world wars. It provides a good insight of the thinking of the different countries and how they coped with their doctrines and how much they took an advantage of the WWI experiences.
I am rating 4 stars because actually I would like much more information rather than 30 pages on each subject.
Readable and Good.......2001-07-15
This is an anthology of various articles. Generally anthologies are the pits as they tend to lack a central them and the quality will vary. These articles are generally by the authors and as such they are of an even standard.
There are a number of chapters that discuss a range of issues from the use of Tanks to the development of the Aircraft Carrier.
The book is interesting although the area covered is naturally enormous and the amount of space that can be devoted to complex subjects is naturally limited. Despite this most of the essays are interesting and not only for what they say. In the first essay about the development of armored warfare by way of an aside the writer attacks Gueridian as a sycophant and also as a person whose reputation was largely the result of self publicity. Later the English theorists Fuller and Liddell Hart are critiqued as presenting overly schematic histories of the First World War which warped the truth to fit in with their own theories. Interestingly the essay then goes on to suggest that the first world war infantry battles were so complex that even now we struggle to understand them and for that reason it was no surprise that Douglas Haig had the problems that he did.
All in all an interesting book although again very much a starting point for the issue it covers.
Amazon.com
Scott McCloud's Understanding Comics was published in 1993, just as "Comics Aren't Just for Kids Anymore!" articles were starting to appear and graphic novels were making their way into the mainstream, and it quickly gave the newly respectable medium the theoretical and practical manifesto it needed. With his clear-eyed and approachable analysis--done using the same comics tools he was describing--McCloud quickly gave "sequential art" a language to understand itself. McCloud made the simplest of drawing decisions seem deep with artistic potential.
Thirteen years later, following the Internet evangelizing of Reinventing Comics, McCloud has returned with Making Comics.
Designed as a craftsperson's overview of the drawing and storytelling decisions and possibilities available to comics artists, covering everything from facial expressions and page layout to the choice of tools and story construction, Making Comics, like its predecessors, is also an eye-opening trip behind the scenes of art-making, fascinating for anyone reading comics as well as those making them. Get a sense of the range of his lessons by clicking through to the opening pages of his book, including his (illustrated, of course) table of contents (warning: large file, recommended for high-bandwidth users):
Book Description
Scott McCloud tore down the wall between high and low culture in 1993 with Understanding Comics, a massive comic book about comics, linking the medium to such diverse fields as media theory, movie criticism, and web design. In Reinventing Comics, McCloud took this to the next level, charting twelve different revolutions in how comics are generated, read, and perceived today. Now, in Making Comics, McCloud focuses his analysis on the art form itself, exploring the creation of comics, from the broadest principles to the sharpest details (like how to accentuate a character's facial muscles in order to form the emotion of disgust rather than the emotion of surprise.) And he does all of it in his inimitable voice and through his cartoon stand–in narrator, mixing dry humor and legitimate instruction. McCloud shows his reader how to master the human condition through word and image in a brilliantly minimalistic way. Comic book devotees as well as the most uninitiated will marvel at this journey into a once–underappreciated art form.
Customer Reviews:
Fun to read and very informative.......2007-08-25
I read Understanding Comics and liked it so much I decided to check this book out as well, and found it to be even more enjoyable. McCloud's artwork is very fun and whimsical, his writing is humorous and he puts many concepts about the writing and drawing of comics in very easy-to-understand language. I never thought about making comics before, but this volume was so inspiring I'm convinced it might be fun to try!
A Great Learning Tool.......2007-08-15
If you've ever wondered about the finer points of crafting a comic this is the book for you. This is not a how to draw book and if thats what you are looking for than this isn't for you. It IS a very intelligent and thought provoking insight into the story telling aspects of the creation of comics. This is a MUST HAVE for anyone serious about comics.
Scott McCloud is the Alton Brown of Comics.......2007-08-07
Alton Brown is not a world-class chef but 'Good Eats' is indispensible educational television. It's the same thing with Scott McCloud, reviewers who say he hasn't produced anything earth shaking in the comics medium are missing the point. Making Comics is a wide-ranging, free-wheeling and passionate examination of what makes comics (and much visual art) tick, and provides a toolbox we can use to create our own stories. This is the best thing since Understanding Comics and goes more into the details of visual storytelling, the chapter on facial expressions alone is worth the price of admission. I want to send this book to Edward Tufte. Anyone interested in visual communication needs to read this book, and that goes double for aspiring comics creators.
Must-Have for Aspiring Artists.......2007-07-05
You need to own Understanding Comics to accompany this one. Understanding Comics: The Invisible Art
Making Comics is a complete book that refers to many of the topics that Understanding Comics expands upon. It is a great starting point for aspiring artists to look at approaching their own comic. McCloud explains the mutlitude of styles involved and how each of them works to engage the reader. He is truly a master of his craft.
He strips away the layers of superhero masculine fantasy to reveal comics as a storytelling vehicle. Not your typical how-to-draw book.
Review of book.......2007-05-28
Excellent book - very well presented and detailed. Well worth the price. Our kids (9 and 7) are using it to create better comics
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- Space Mission Analysis and Design, 3rd edition (Space Technology Library) (Space Technology Library)
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Books Index
Books Home
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General
| History & Criticism
| Arts & Photography
| Subjects
| Books
The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War
Museum of the Missing: A History of Art Theft
The Medici Conspiracy: The Illicit Journey of Looted Antiquities--From Italy's Tomb Raiders to the World's Greatest Museums
The Rescue Artist : A True Story of Art, Thieves, and the Hunt for a Missing Masterpiece
The Power of Art
