Amazon.com
Fans of The New Yorker will be dazzled by The Complete New Yorker, a collection that includes
every page of every issue, from full-color covers to spot drawings, from poetry to Profiles, from cartoons to advertisements--all on
8 searchable DVDs. No need to save old issues, with this package, you'll have every article, cartoon, illustration, and advertisement, as it appeared in print, at your fingertips. The Complete New Yorker covers the magazine's entire history, from February 1925 to February 2005, providing a detailed yet panoramic history of the life of the city, the nation, and the world.
With The Complete New Yorker, you'll be able to:
Browse by Cover (click to zoom):
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Search by Keyword (click to zoom):
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View Entire Articles (click to zoom):
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Search the archives for your favorite articles, cartoons, covers, and
see them exactly as they appeared in print:
(October 13, 1934):
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(August 31, 1946)
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(September 23, 1961):
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(July 22, 1974):
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(September 10, 2001):
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Book Description
EVERY PAGE OF EVERY ISSUE
ON 8 DVD-ROMS, WITH A COMPANION BOOK OF HIGHLIGHTS.
A cultural monument, a journalistic gold mine, an essential research tool, an amazing time machine.
What has the New Yorker said about Prohibition, Duke Ellington, the Second World War, Bette Davis, boxing, Winston Churchill, Citizen Kane, the invention of television, the Cold War, baseball, the lunar landing, Willem de Kooning, Madonna, the internet, and 9/11?
Eighty years of The New Yorker offers a detailed, entertaining history of the life of the city, the nation, and the world since 1925.
Every article, every cartoon, every illustration, every advertisement, exactly as it appeared on the printed page, in full color. Flip through full spreads of the magazine to browse headlines, art work, ads, and cartoons, or zoom in on a single page, for closer viewing. Print any pages or covers you choose, or bookmark pages with your own notes.
Our powerful search environment allows you to home in on the pieces you want to see. Our entire history is catalogued by date, contributor, department, and subject.
4, 109 ISSUES. HALF A MILLION PAGES. YOURS TO SEARCH AND SAVOR.
Customer Reviews:
this version is outdated!.......2007-09-16
Buy the 9 DVD set directly from the New Yorker at half the price. I discovered this AFTER I bought from Amazon and when I pointed this out, they were of no help. Amazon basically told me it was my problem - caveat emptor!
6 stars for content; 1 star for presentation.......2007-08-12
To have finger-tip access to the complete contents of the New Yorker magazine throughout its entire publication history, even with the inconvenience of swapping discs, is a dream come true. One cannot have any criticism that the content of this product is an incredible value--the asking price is entirely fair.
The proprietary client that users are forced to access the contents through, however, is among the worst pieces of software design I have ever seen. The various panes, for example, cannot be resized, so that the abstract view, in most cases, is cut off. The `Article Abstract' pane is always 756 pixels wide and 88 pixels high, no matter how long the abstract is. Only by clicking in the abstract pane and using the up and down arrows can one view the full text of the abstract.
The client was designed by Bondi Digital Publications, whose slick website proudly claims credit for it. Bondi's developers should be forced to crawl on their knees from Manhattan to Murray Hill to beg forgiveness for their programming sins. I purchased and installed the 1.1 DVD, but the client remains the same DOS 5.1-era obscenity it was before.
The index is also less than trustworthy. Touted by its developer, Innodata Isogen, as "99.995% accurate," it has, in fact, some gaping flaws. From a fairly thorough browse through most of 1933's issues, for example, I found that no material beyond page 40 of most issues was actually captured by the indexing engine. So, despite the fact that virtually every issue included a "Books" section, according to the index, only four 1933 issues contained this section (and only one in 1932 and only nine in 1931). Clifton Fadiman wrote most of the main reviews in the "Books" section in 1934, yet there is a gap from the 17 Feb to the 9 June issue where no author is credited. Such omissions mean that serious researchers should think twice before relying on the search tool. I suspect the true accuracy figure is under 95%, which is pretty poor by today's standards.
It's a real shame that the management of the New Yorker didn't put this product into the hands of a technical team of the caliber of the one that implemented their website. The net result of their poor choice of subcontractors is akin to taking the Hope Diamond and wrapping it up in a used Big Mac wrapper.
Wow! A Great Gift for any New Yorker Fan!.......2007-05-24
First, I applaud the guys at the New Yorker for bringing this remarkable gift of the last 80 years on 8 CDs. You can reprint or print as often and as much as you want. I have to say that I didn't care for the book included. But this is truly a complete New Yorker with ads, indexes, authors, dates, subjects, etc. I have to say since I'm a big fan of Janet Flanner's who wrote Letters from Paris from 1925 to 1975. Fortunately, I don't have to spend a fortune seeking New Yorker magazines for a lot more money. It's easy to install and easier to use all the time. I love it. It's the perfect gift for anybody who loves to read, for any New Yorker fan, or anybody who has acquired the New Yorker Taste. It's not for everybody but it's for me.
I have to say that was the main purpose behind this purchase was the opportunity to have the magazine without collecting too much dust and space as magazines have been known to do. As a fan of Janet Flanner for the last couple of years, this complete New Yorker edition on dvd and book is fabulous and quite a bargain. I'm so glad that I got it and now I can print as much without having to go elsewhere to get the magazine editions. Janet Flanner was one of the most important voices of the last century and more so was that she was the voice of Paris from the American point of view from 1925 to 1975. Her name was synomous with New Yorker and the Letters from Paris edition. I am so happy to receive this wonderful item at a fraction of the price and be able to use it on my computer. I wonder what Janet would say about today's technology, the smoking ban everywhere but home, and the state of Paris, London, Rome, and New York City today. I won't say that Janet was a New Yorker because her heart was truly in Paris where she spent most of her life. We were very lucky to have her there reporting from 1925 until 1975. She was there between two World Wars. I think some of her finest writing came about during World War II and afterwards until she was no longer to write. I have to say that I think Paris changed after World War II. It wasn't so much about the lost generation of American expatriates like Flanner, her partner Solita Solano, Natalie Clifford Barney, Gertrude Stein, Alice B. Toklas, Ernest Hemingway, Sylvia Beach etc. who relocated. Sure the hardcore expatriates like Flanner stayed behind but the change in Paris was obvious after the war. Nothing after the war was ever the same. In a way, all of Europe lost it's innocence during World War II and even Janet probably fondly remembered days before the war that ripped everybody apart. Nothing is for sure, nothing can last forever, maybe that's what Genet would say today.
Anyway, the product is excellent. There are a couple of pages missing in old issues but the quality is adequate. You get 80 years of print on 8 compact discs which I found accessible and easy to use on my computer. The first disc is to install the information which includes by author, subject, title, year, etc. This index is invaluable tool. It would also be a great addition to the schools for students to research. They have a wide variety of literature like cartoons, poems, short stories, non-fiction, profiles, reporter at large series etc. It would be a terrible shame not take the opportunity to buy this treasure.
20th century in a box!.......2007-05-13
Name a subject and the Complete New Yorker addresses it ...and probably from many perspectives and in every decade! This collection is a goldmine of research and personal library of literature.
how about it mac users?.......2007-05-01
all of the problems listed in all of the, amazon, reviews dealing with computer problems seem to be software conflict with various hardware suppliers. all of the, mac, users seem happy with the product. is this true mac users?
Average customer rating:
- Greene & Greene: Masterworks
- Greene + Greene...defining Arts & Crafts
- Craftsman style ideas
- Wait for a better quality edition !
- A more Graceful & Beautiful way of living
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Greene and Greene: Masterworks
Bruce Smith , and
Alexander Vertikoff
Manufacturer: Chronicle Books
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Greene & Greene: Creating a Style
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Greene & Greene
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Shop Drawings for Craftsman Interiors: Cabinets, Moldings & Built-Ins for Every Room in the Home (Shop Drawings series)
ASIN: 0811818780 |
Amazon.com
With Gustav Stickley and Frank Lloyd Wright, Charles Sumner Greene and brother Henry Mather Greene defined the Arts & Crafts movement in America. From their offices in Pasadena, they created "Ultimate Bungalows," finely crafted homes characterized by the integration of architecture and interior design into a harmonious whole. Though both brothers had long and distinguished careers, the highpoint of their work came between 1903 and 1909, when they created such lasting masterpieces as The Gamble House in Pasadena, the Pratt House in Ojai, and the Thorsen House in Berkeley. Greene & Greene: Masterworks presents their work in this era in loving detail. Bruce Smith, who wrote the text for the book, is an authority on the Arts & Crafts movement, and is currently working on a biography of Charles Greene. Alexander Vertikoff's lush photography is the perfect accompaniment to the text, beautifully capturing the sweeping grandeur of each house as well as capturing the subtle details that make each Greene & Greene home a treasure. After an overview of the Arts & Crafts movement and a brief biography of the of the brothers, the book turns its attention to various details that characterized the brothers' style. In the section on entryways, for instance, they point out that
Rarely in a Greene and Greene house is there an abrupt division between inside and out. One enters by transitions, in stages. Brick steps my lead up from the garden to a porch. Shelter comes from a gabled overhang or sleeping porch that extends from above--one is covered but still able to feel the breeze. The pattern in the door's art glass evokes the natural world being left behind. Stepping inside, one still does not feel totally enclosed; across the entrance hall are doorways framing a vista of gardens beyond.
After exploring the details, they move on to the houses themselves, looking at 24 houses ranging from the modest, unassuming Brandt-Serrurier House in Altedena--a single story cottage built in 1905--to their greatest creation, The Gamble House in Pasadena. A short history and examination of details is given to each house, but by and large the houses are allowed to speak for themselves through dazzling photos. One of the most striking features of each house is the honey-colored light that fills each room as it pours through Japanese-inspired stained glass chandeliers and is reflected from rich mahogany and teak floors and furniture. To walk through a Greene & Greene house was to walk through a work of fine art. As Henry Greene said, "The idea was to eliminate everything unnecessary, to make the whole as direct and simple as possible, but always with the beautiful in mind as the first goal." As Greene & Greene: Masterworks clearly shows, they succeeded brilliantly. --Laszlo Simonyi
Book Description
In the first decades of the 20th century, Charles Sumner Greene and Henry Mather Greene almost single-handedly defined the Arts and Crafts aesthetic in America as the architectural firm Greene & Greene. The only full-color survey of the firm's greatest works-including several newly restored to their original grandeur-Greene & Greene reveals the consummate artistry that ensured the brothers' place among the most brilliant of American architects. An in-depth tour of 25 magnificent homes, this book examines the creative evolution of their style. From the Gamble House in Pasadena, California whose director contributes the book's foreword to lesser-known gems throughout the state, Greene & Greene is a wonderful introduction to the brothers' work, and a warm homage to the charms of this refined domestic architecture.
Customer Reviews:
Greene & Greene: Masterworks.......2007-01-06
Excellent! The best book on this subject I've ever seen...
Greene + Greene...defining Arts & Crafts.......2006-08-20
Superb photoraphic illustration depicts the design genius of the Greene brothers. A comprehensive study of leading architects of the Arts & Crafts movement...a high compliment to the monumental craftsmanship of those who executed their designs.
Craftsman style ideas.......2006-07-31
The book is beautiful, filled with both architectural ideas and furnishing ideas for items done in the craftsman style. I purchased the book for these ideas and was delighted with all the pictures. Some of the stonework illustrated is breathtaking in its beauty.
Wait for a better quality edition !.......2006-03-01
We were very disappointed at the quality of printing, inferior paper stock, and lack of clarity in the photographs. At the "coffee table" price we were expecting much higher resolution in the color photographs and better quality paper.
A more Graceful & Beautiful way of living.......2005-06-20
A great coffee table book about some of the most (to my mind) beautiful houses to come out of America. The photos alone are worth the price. You can also get some great ideas out of this book when you or "the Boss" decide to upgrade your digs.
Customer Reviews:
Bible of Italian Glass.......2006-08-15
This book is awesome! I have just started collecting Murano glass and wanted a book to compare for the real thing or fake. This book was recommended by an avid collector and has become my bible. Well set out and the pictures and descriptions are extremely usefull.
Italina Glass: Century 20.......2006-08-02
As usual Lesli Pina has put together a wonderful reference for mid century glass collectors. The only comment I would make to improve this book, is that there are not price estimates with every photo. However, this is the exception as over 90% of the photos contain pricing.
Best book for General Murano Glass in the US.......2006-03-30
I strongly recommend Leslie Pina's book to collectors of Murano glass in the US. While other books have pictures of the more elite museum pieces, Leslie Pina's book has hundreds of pictures of glassware that we see most often. It is a valuable reference in learning to identify and appraise the work of the quality artisans -- Fratelli Toso, Dino Martens, Salviati, Venini, Seguso, Campanella, Cenedese, and others. It is the most useful book on Murano glass that I own.
Average customer rating:
- Good but could have been Great
- All you ever wanted to know about fashion
- Complete and beautiful guide!
- fantastic
- A mini lexicon perfect for any fashionista!
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The Fashion Book
Editors of Phaidon Press
Manufacturer: Phaidon Press
ProductGroup: Book
Binding: Hardcover
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Fashion Now 2
ASIN: 071483808X |
Amazon.com
James Abbe, a 1920s fashion photographer, and Zoran, the designer whose simple, monochromatic clothes were extremely popular in the 1970s, anchor the 500 entries in this massive encyclopedia of fashion. Each designer, photographer, model, or icon gets a page with a large photo and informative but short caption. This has the wonderful effect of weighting each entry equally, thereby devoting the same amount of space to Charles Revson, creator of the Revlon cosmetics empire and relative makeup newcomer François Nars, pioneering clothing designer Mariano Fortuny and contemporary favorite Tom Ford.
Clearly, a good set of eyes edited this book. It's a tall order to choose just one image to define the many facets of a designer, model, or photographer. The choices made here are excellent and often surprising. The indomitable Coco Chanel demonstrates the ease of movement her designs afforded women by briskly swinging her arm out to one side, while Kate Moss is shown at the height of her waifdom, likely the mode in which she will best be remembered. Model Linda Evangelista is pictured with curly locks of hair. It's obvious, too, that the editors employed the haphazard juxtaposition created by the alphabetical organization. Facing entries, no matter how seemingly incongruous, are united by a visual theme, to spectacular effect. The ovals made by the either screaming or yawning mouths of Kurt Cobain and his infant daughter are mirrored in a 1937 Jean Cocteau illustration of an Elsa Schiaparelli design. A model in a 1930s outfit by John-Frederics faces a portrait of post-punk design queen Betsey Johnson, whose floral outfit echoes the flowery silhouette behind the model. A troika of Robert Lee Morris bracelets matches the arcs of a bombed-out London building in a 1941 Beaton photo of a Digby Morton design. The vibrant prints of Emilio Pucci and Lilly Pulitzer fall together naturally.
The reams of fabulous images and the inventive design alone make The Fashion Book a treat at any cost, but the low price-to-size ratio (like its cousins The Art Book and The Photography Book) makes it a real steal.
Book Description
Hailed by Vogue as 'the fashion bible' and by Elle as 'the ultimate fashion reference book', The Fashion Book takes a fresh look at the fashion world and the people who created it. Now available in a pocket-sized mini format, this inspirational reference work covers the whole industry - from pioneering designers, including Coco Chanel and Issey Miyake, to influential photographers such as Richard Avedon and Helmut Newton and the people they photographed. Easy to use and filled with beautiful and memorable images, it is an A to Z guide to 500 key individuals - clothes and accessory designers, photographers, models and those iconic celebrities who instigated or symbolize a whole fashion movement. It cuts through the usual classifications and creates juxtapositions that make fascinating and unlikely partnerships. Each entry is illustrated with a photograph or drawing which shows a quintessential aspect of their work or style. An accompanying text describes where they fit into the fashion story and includes essential biographical information. In addition, a comprehensive cross-referencing system and glossary help to explain the many collaborations and techniques used in the fashion business. Exceptional value for money, this handy new mini edition is a must for all followers of fashion.
Customer Reviews:
Good but could have been Great.......2007-07-09
I bough the mini-edition of the Fashion book,it's really small and compact although in relation to the size it has, it's quite complete and worth the money.
There is a small description per page of an icon,photographer, editor, designer etc., with some interesting facts or quotations made by /or on behalf of them.
However as said by other reviewers as some pictures are really nice and accurate, like Burberry's, Coco Chanel and Pierre Cardin some other pictures(leaving beside quality of image) were not representative enough of the work or the personality of who was being highlighted, like Dolce & Gabbana`s., which picture of a leopard dress looks more like a Roberto Cavalli's design or Iman which is portrayed in black and white which makes her look more like a pale geisha than the ebony-black beauty she is.
Misses as well some of my favorite icons (Just to name a few):
Anna Wintour Editor of Vogue Magazine.
Old Hollywood's Icons (Cary Grant, Fred Astaire)
Designers like Liz Claiborne, Roberto Cavalli
Patricia Fields Sex & city Stylist genius.
Present Pop Culture influences (Kylie Minogue)
Gianni Versace is on the book but Donatella is just ignored.
It would have been a five star book if they and some others have been included as well.
All you ever wanted to know about fashion.......2007-06-13
The Fashion Book is a first-class encyclopedia on fashion as a whole. The cross-references going with each entry make this book an even more entertaining and fascinating source of information as it reveals the entity fashion from different perspectives.
Complete and beautiful guide!.......2007-05-24
This book is a must have as a reference book. It has all the important names in fashion industry and a great editorial design that makes it hard to put it down. Although the size is a little bit tiring ("mini edition"...mmm, kind of says it all!), the pictures couldn't been better.
fantastic.......2006-11-08
This is a flawless example of beautiful, mesmeric art. Not only does this book capture the ongoing development of fashion through the years, it presents the designers, photographers, makeup artists, and even fashion retailers who made these pieces come to life. Phaidon has always impressed me with the quality of their books, along with the meticulousness they put into choosing the perfect photos for their final product.
A mini lexicon perfect for any fashionista!.......2006-01-10
This is a great referance book for anyone who loves fashion. It's an A-Z book of designers, illustrators, icons, photographers etc. Just about everyone is in here. This is a great book, because it's very inexpensive, small and great because you can look up just about anyone you would like. There are great pictures, and great informative blurbs, including birth and death dates and information about just what made the person so influential. If you love fashion/ fashion history, go out and get this book!
Book Description
Thomas Pynchon’s Gravity’s Rainbow (1973), set in an alternative-universe version of World War II, has been called a modern Finnegan’s Wake for its challenging language, wild anachronisms, hallucinatory happenings, and fever-dream imagery. With Pictures Showing What Happens on Each Page of Thomas Pynchon's Novel Gravity's Rainbow, artist Zak Smith at once eases and expands readers’ experience of the book. A leading exponent of punk-based, DIY art, Smith here presents his most ambitious project to date — an art book exactly as long as the work it’s interpreting: 760 drawings, paintings, photos, and less definable images in 760 pages. Extraordinary tableaux of the detritus of war — a burned-out Königstiger tank, a melted machine gun — coexist alongside such phantasmagoric Pynchon inventions as the “stumbling bird” and “Girgori the octopus.” Smith has stated his aim to be “as literal as possible” in interpreting Gravity’s Rainbow, but his images are as imaginative and powerfully unique as the prose they honor.
Customer Reviews:
like looking at the Grand Canyon for the first time.......2007-08-15
I just saw the Zak Smith exhibit at the Walker Art Center in Minn. where I had gone to see the "Picasso in America". But this Gravity's Rainbow page-by-page is, by far, the reason to go to the Walker right now. Mindboggling. Buy the book and picture each page lined up like a grid covering an entire wall. The Pynchon book is quite challenging to read so try to imagine Zak Smith capturing the concept of each and every page with a drawing or picture. Number 404 looks like an inch thick melted white plastic mess--does anyone know what happened in the book on this page? I noticed that one of the "tags" for this product is "genius." Believe it.
And If You Think The Book Is Great...........2007-06-05
If you live anywhere near Minneapolis get yourself over to the Walker Art Center, where every single one of Zak Smith's drawings/paintings/sculptures (yes, some are three dimensional) for this project are displayed on one wall. (All are in the permanent collection of the Walker.) How do I know it's all 750+ artworks? Because I counted. 45 columns by 17 rows. You could spend hours staring at them and not exhaust this monumental project. I'm not sure how long they'll remain on display so don't put it off.
Buy it..........2007-03-28
Zak Smith a genious, and this book the best.
if you like concept ilustration, you'll love it...
and the prize it's great!
Overwhelming .......2007-01-18
I am at a loss for words.
It's one of the most beautiful things i've seen in years.
Book Description
Every quilter will want to possess this stunning anthology, which features 10 years worth of the most innovative pieces chosen for the Quilt National biennial exhibition--the top showcase for modern quilt artists. Acclaimed author Robert Shaw, a widely recognized expert on American folk art, introduces the volume and provides both a beautifully illustrated history of the art quilt movement and a special section on building, displaying, and caring for collection of quality pieces. The techniques and materials featured in these 400 spectacular quilts are as varied as the people who created them, and through spectacular color photographs and artists' discussions, readers will discover how the boundaries of traditional quilt-making have expanded in the last decade.
Customer Reviews:
Art Quilts-The good, the bad, there is no ugle.......2007-06-01
This is the companion book to the PBS dvd, The Art of Quilting. If you do traditional quilting, this is not for you. For you who crazy quilt or art quilt, this is eye candy over the top. Many of the quilts were featured in the PBS dvd. But there is so much more in the book. This is the book to pick up when you are feeling "quilter's block". The beautiful pictures will inspire your creative side. The pictures are well done, in color and beautiful. This book will get worn since you will looking at it again and again.
Gorgeous photos of stunning quilts.......2007-05-20
Amazing inspirational book for quilters. This is one you'll turn to again and again before you reach for the fat quarters! Well worth the money.
Art Quilts.......2007-05-09
This is a large book, and page after page shows absolutely stunning quilts. I gave a copy to my friend for her birthday, and although it wasn't expensive, she kept commenting on the pleasure it gave her.
Art Quilts: Celebration: 400 Stunning Contemporary Designs.......2006-08-11
I loved it and so does everyone I show it to! It gives you so many ideas for your own projects and is visually simulating no matter what type of artist you are.
Art Quilts: A Celebration of 400 Contemporary Designs.......2006-07-10
I am really disappointed in this book; it is not what I expected. It has a lot of pictures, as promised but, I do not like hardly any of the designs (only 1 in the whole book that I think is rather nice). I also assumed that some instructions on techniques would be included--they're not.
Book Description
The rags-to-riches story of Coco Chanel plays out in a wonderful picture-book biography as full of style and spirit as its heroine.
Gabrielle "Coco" Chanel was always different. And she vowed to prove that being different was an advantage! Poor, skinny, and orphaned, Coco stubbornly believed that she was as good as the wealthier girls of Paris. Tapping into her creativity and her sewing skills, she began making clothes that suited her (and her pocketbook) — and soon a new generation of independent working women craved her sleek, comfortable, and practical designs. Now an icon of fashion and culture, Coco Chanel continues to inspire young readers, showing just how far a person can come with spunk, determination, and flair.
Customer Reviews:
REVELING IN CORSET-LESS CHIC .......2007-05-08
As Maurice Chevalier sang, "Thank Heaven for little girls" . . . at least we can thank Heaven for one who grew up with an independent spirit, and an imagination for corset-Less chic. Coco Chanel (1883-1971) said "In order to be irreplaceable, one must always be different." The book's end papers reproduce other quotations from this fashion icon, including "Fashion is made to become unfashionable!"
Elizabeth Matthews has written a perfect Springtime fancy, and the pen & ink illustrations are every bit as lively, just right for introducing children & their very willing parents to a story about the little girl Coco who overcame her tough childhood with sewing skills learned in a Catholic orphanage. She could hold her own with snobby students of privilege and learned much by watching her peers. She later hung fabric on mannequin forms and basted in her relaxed styles which brought her fashion immortality.
The author, who graduated from the prestigious Rhode Island School of Design, chose Chanel as her somewhat innovative subject for children's picture books. Matthews is sure to have studied much about Coco Chanel and her clever "inventions" of the cartigan suit, and in 1926 "the little black dress." Reviewer mcHaiku isn't quite as old as the famed Chanel No. 5; it contained more than 80 ingredients, a new fact about 'parfum' for this reader. Chanel epitomizes a certain fortitude & determination that we hope young readers will try to replicate.
Perhaps they will remember another of her sayings: "INNOVATION! One cannot be forever innovating. I want to create CLASSICS."
Applause! Applause!.......2007-03-23
Children's non-fiction books have come a long way, not just in style but in subject matter. How great that Candlewick saw fit to publish a picture book biography of, astonishingly, someone the average child is probably unfamiliar with -- a woman who died long before the child was born, from a country not much studied in grade schools, representing a profession hardly mentioned at all: fashion designer. But Elizabeth Matthews, through text and pictures, has made Coco Chanel someone little girls (and open-minded little boys?) can identify with. Chanel's story is a literal rags-to-riches tale, and Matthews' enchanting art work captures her heroine's style and joie de vivre (not to mention chutzpah, to mix linguistic tags) beautifully. The cover image itself could be posted on a little girl's bedroom wall. And underneath, perhaps, the words "Dare to be Different. Like Coco."
CHARMINGLY ILLUSTRATED STORY OF THE FAMED COURTIER'S LIFE.......2007-02-28
First time children's book author/illustrator Elizabeth Matthews could haven't chosen a better subject than Coco Chanel. A graduate of the Rhode Island School of Design Matthews obviously has an appreciation of Chanel's numerous contributions and reflects that feeling in this charmingly illustrated story of the famed courtier's life.
Orphaned at the age of 12, Chanel and her two sisters were relegated to an orphanage. It was a mixed blessing because it was there that Chanel learned to sew. She had a lively imagination and often dreamed of being with a family again and being accepted by a society that now ignored her because she had no position, no funds.
Later, at the age of 18 she was dispatched as a charity case to Notre Dame, a finishing school. There the difference between rich and poor was more marked than ever so Chanel learned how to emulate the wealthy - she studied their manners, and the way they walked.
Upon leaving Notre Dame Chanel found work at a tailoring shop. Even then she was determined to better herself. Obviously, she couldn't afford to dress the way the rich women did, the ones she wanted to accept her. So, she made a life altering decision - she would deliberately be different. She made her own dresses, very unlike the corseted gowns the wealthy ladies wore. She carried this off with style and a touch of arrogance.
When a wealthy young man fell in love with her he bought her a small shop in Paris - the rest is fashion history.
"Different Like Coco" is not only an entertaining story for young readers but is also an example of how someone can "embrace their uniqueness and dream big."
- Gail Cooke
Wonderful.......2007-02-23
This is an adorable book for any little girl or boy who loves fashion. A great story with wonderful illustrations!
Average customer rating:
- Art-lovers for life
- A pleasure to read and a pleasure to see.
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The Great Migration: An American Story
Manufacturer: HarperTrophy
ProductGroup: Book
Binding: Paperback
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ASIN: 0064434281 |
Book Description
Around the time of WWI, large numbers of African Americans began leaving their homes in the rural South in search of employment in the industrial cities of the North. In 1940, Lawrence chronicled their journey of hope in a flowing narrative sequence of paintings."This stirring picture book brings together the sixty panels of Lawrence's epic narrative Migration series, which he created in 1940-1941. They tell of the journey of African-Americans who left their homes in the South around World War I and traveled in search of better lives in the northern industrial cities. Lawrence is a storyteller with words as well as pictures: his captions and introduction to this book are the best commentary on his work. A poem at the end by Walter Dean Myers also reveals [as do the paintings] the universal in the particulars." --BL.
Notable Children's Books of 1994 (ALA)
1993 Books for Youth Editors' Choices (BL)
1994 Teachers' Choices (IRA)
Notable 1994 Childrens' Trade Books in Social Studies (NCSS/CBC)
1994 Carter G. Woodson Outstanding Merit Book (NCSS)
1994 Books for the Teen Age (NY Public Library)
Customer Reviews:
Art-lovers for life.......2002-10-02
Parents hoping to introduce their children to modern American art could do worse than to buy this edition reproducing 60 paintings by Jacob Lawrence (1917-2000), one of the finest African American artists in U.S. history.
First published for children in a 1993 limited edition, with a poem by Walter Dean Myers, this volume reproduces the Great Migration series that Lawrence created in 1940 and 1941 to tell the story of the African American migration north, from the plantations and cotton fields of the antebellum era.
Begun within a year after Lawrence completed a magnificent Harriet Tubman series, these tempura colored, poster paint works made Jacob Lawrence's career. It's easy to see why. Bold and unforgiving, these vibrant works grew from Lawrence's own childhood migration--from Atlantic City, New Jersey to Easton, Pennsylvania, to Philadelphia and finally, at 13, to Harlem--his exposure to African-American culture and his intensive training in the Utopia Children's House and New Deal-sponsored Harlem Art Workshop of the 1930s.
At that time, the WPA was still funding public art murals, but Lawrence was too young to gain a commission. Instead, he determined to show the African-American struggle for freedom in real-life stories that would tie the past to the present.
From 1938 to 1941, he used the New York public library for research, creating in swift succession five series of paintings telling the stories of Toussaint L'Ouverture, Tubman, Frederick Douglass, John Brown, and The Migration of the Negro.
In the last of these, Lawrence hoped to speak artistically of a mass escape from the rural, discriminatory and unjust South--a region of poverty and illiteracy--into an anxious era of hope and expectation in the North. The paintings depicted passage, with railways, train cars, suitcases, and hordes of people constantly in motion. Their visages and body language spoke in terms of expectation and fear. Lawrence wove bold colors and themes throughout the series, thereby joining the paintings into a unit.
In a documentary shown in a museum tour of Lawrence's work, the artist said he "didn't think in terms of history in that series. ...It was like I was doing a portrait of something." Portraits were "a portrait of myself, a portrait of my family, a portrait of my peers."
Lawrence's extraordinary talent was recognized when he was only 24, with the 1941 exhibition of these paintings in the downtown gallery of art dealer Edith Halpert, who had beforehand exclusively shown the work of white artists. So breathtaking were the paintings (as they remain), they instantly transported Lawrence across the U.S. racial divide of that era, making him deservedly famous. The Philips Gallery in Washington D.C. purchased the odd-numbered paintings; the Museum of Modern Art in New York took the even ones.
Treat your kids to this triumph of the human spirit, and to the fine accompanying Myers poem. These paintings make children into art-lovers, for life. Alyssa A. Lappen
A pleasure to read and a pleasure to see........2000-06-13
I checked this book out from the library over a year ago and knew from the illustration that Jacob Lawrence was a special person. I was drawn to the illustration because it is soothing. His illustration style is flat, yet there is a world of depth. It is the kind of art that I could have on my wall and never tire of. I remember more the art than the story. The art told a story. This book is as much for adults as it is for children. Since hearing that Jacob Lawrence died...I instantly felt the need to get one of his books for my home library.
Book Description
The formula for Hollywood success has long baffled even its greatest visionaries. For every blockbuster there are countless flops. Directors, producers, and actors who achieve great success with one film often suffer abject humiliation on the next. After all, George Lucas may have created the Star Wars franchise, but he also created Howard the Duck. Now Peter Bart, the editor-in-chief of Variety, co-host of Sunday Morning Shootout, and the former studio executive whose hits include The Godfather and Rosemary's Baby, presents a fascinating look at the hits that sizzle and the flops that fizzle.
In Boffo, Peter Bart reveals the backlot secrets behind the biggest hits and misses in both film and television: how movies with the biggest stars and budgets turned out to be bombs and how unknowns with no studio support overcame great adversity to make cinematic history. In so doing, Bart tells the history of pop culture itself. He looks at the mega successes of today, from The Lord of the Rings trilogy to the CSI phenomenon, the smashes of the past including Easy Rider, American Graffiti, and All in the Family, as well as the progenitor of all blockbusters, Birth of a Nation. Bart offers his signature straight-shooting analysis of the silk purses and the sows' ears of the entertainment world.
Customer Reviews:
A 'must' for any film director, producer, or Hollywood wannabe........2006-10-15
BOFFO! HOW I LEARNED TO LOVE THE BLOCKBUSTER AND FEAR THE BOMB comes from the editor-in-chief of Variety and co-host of AMC's Sunday Morning Shootout, and provides a vivid, experienced look at Hollywood, using nearly thirty hits from film, TV and theatre to examine the making of blockbusters and the lessons they hold for any would-be hit maker. From budget concerns to anticipating changes in audience tastes, BOFFO covers pitfalls as well as successes and is a 'must' for any film director, producer, or Hollywood wannabe.
Diane C. Donovan
California Bookwatch
Mini "making of" documentaries.......2006-08-22
Think of each of these essays as half hour VH1 specials on "The Making of . . ." a series of unexpected and unlikely hits. It seems hard to believe that all of the films, TV shows, plays, and personalities here (CSI, All in the Family, The Godfather, Lord of the Rings, Oprah, Cats, and more) - things that are American media icons - were once turned down, cut back, and, once they were finally allowed to begin, had so many chips stacked against them (organized crime wasn't so sure they wanted anyone making THE GODFATHER), that it's a miracle any of them saw the light of day. Andrew Lloyd Webber was about to pull the plug on CATS a week before it opened. How each of these productions and people eventually made it to the top makes for fascinating reading.
A real grab-bag.......2006-06-12
Peter Bart admits that the book is a grab-bag of essays on blockbuster movies, TV series and stage shows. I found it entertaining enough, but I'm not sure I got much out of it. He basically presents the history of a couple of dozen shows, several of which have already been chronicled in longer, more informative books (Casablanca, I Love Lucy, King Kong, etc.). This book is not unlike a Reader's Digest version of famous show business stories. I did find one item that I think is a mistake. In his "I Love Lucy" chapter, he writes that William Frawley and Lucille Ball hated each other. I've never read that before. I think he meant to write that Vivian Vance and Frawley hated each other.
Book Description
The past decade has seen an extraordinarily intense period of experimentation with computer technology within the performing arts. Digital media has been increasingly incorporated into live theater and dance, and new forms of interactive performance have emerged in participatory installations, on CD-ROM, and on the Web. In Digital Performance, Steve Dixon traces the evolution of these practices, presents detailed accounts of key practitioners and performances, and analyzes the theoretical, artistic, and technological contexts of this form of new media art.
Dixon finds precursors to today's digital performances in past forms of theatrical technology that range from the deus ex machina of classical Greek drama to Wagner's Gesamtkunstwerk (concept of the total artwork), and draws parallels between contemporary work and the theories and practices of Constructivism, Dada, Surrealism, Expressionism, Futurism, and multimedia pioneers of the twentieth century. For a theoretical perspective on digital performance, Dixon draws on the work of Walter Benjamin, Roland Barthes, Jean Baudrillard, and others.
To document and analyze contemporary digital performance practice, Dixon considers changes in the representation of the body, space, and time. He considers virtual bodies, avatars, and digital doubles, as well as performances by artists including Stelarc, Robert Lepage, Merce Cunningham, Laurie Anderson, Blast Theory, and Eduardo Kac. He investigates new media’s novel approaches to creating theatrical spectacle, including virtual reality and robot performance work, telematic performances in which remote locations are linked in real time, Webcams, and online drama communities, and considers the "extratemporal" illusion created by some technological theater works. Finally, he defines categories of interactivity, from navigational to participatory and collaborative. Dixon challenges dominant theoretical approaches to digital performance--including what he calls postmodernism’s denial of the new--and offers a series of boldly original arguments in their place.
Books:
- The Doubtful Guest
- The Draw 50 Way: How to Draw Cats, Puppies, Horses, Buildings, Birds, Aliens, Boats, Trains and Everything Else Under the Sun (Draw 50)
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- The Measure of a Man: A Spiritual Autobiography (Oprah's Book Club)
- The Measure of a Man: A Spiritual Autobiography (Oprah's Book Club)
- The Mermaid Chair
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