Still Sheisty, Part 2

Average customer rating:

Better Than The First

About Still Sheisty, Part 2

SHEISTY AS HELL!!!

A Good Read

Exlposive

Still Sheisty, Part 2
T. N. Baker
Manufacturer: Triple Crown Publications
ProductGroup: Book
Binding: Paperback

Contemporary | General | Literature & Fiction | Subjects | Books
Anthologies | Genre Fiction | Literature & Fiction | Subjects | Books
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Sheisty Sheisty

Grimey: The Sequel to Blinded...

Blinded: An Urban Tale!...

A Hustler's Wife

Chyna Black

ASIN: 0976234904

Book Description

Some things change - and then again, some things don't. You can never take the hood out of the homegirl.

In this sequel to T.N. Baker's Sheisty, we find Epiphany, Keisha and Shana still trickin' for dough, still running off at the mouth and still being Sheisty. However, as they will soon see, what goes around will come around, and you can't stay in drama forever. It will all come to a head - one way or another.

Will death really come knocking on Epiphany's door?

Does Keisha give up her good girl image for good?

Will Shana find herself in a situation that will claim her man and her freedom?

Still Sheisty will live up to its predecessor, all that and then some. So get ready for the drama.

Customer Reviews:

Better Than The First.......2007-08-13

OMG!!!!! This book is so so good and full of drama. I was mad about how Keisha the good girl went out in the end though. Great book!

About Still Sheisty, Part 2.......2007-08-11

This book was a lil longer than the first of course but I also enjoyed reading this book!

SHEISTY AS HELL!!!.......2007-07-13

WOw i love how this book sums up the first one u really get to see how everything with he girls played out and how freinds can be sheisty as hell!!!!

A Good Read.......2007-07-13

I enjoy the second book it was well written. It basically ended very well. I would recommend book 1 & 2.

Exlposive.......2007-06-22

Wow I can't believe howthis book ended all I can say is I was speachless. And that LEA girl I would kill her if I could I had to remember it was a book. Go get it you won't be mad.

Windows on Nature: The Great Habitat Dioramas of the American Museum of Natural History

Average customer rating:

Monuments to Wilderness
Beautiful.
great nature book
unbeatable and unique book on the Museum
What a Gem!

Windows on Nature: The Great Habitat Dioramas of the American Museum of Natural History
Stephen Christopher Quinn
Manufacturer: "Harry N. Abrams, Inc."
ProductGroup: Book
Binding: Hardcover

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ASIN: 0810959402

Book Description

New York City's American Museum of Natural History is a national treasure, attracting four million visitors annually. Its dioramas-a dazzling mixture of nature, science, and art-have inspired young and old alike, and are world-renowned examples of the unique diorama craft: art in the service of science. Now, in the only book of its kind, readers get an insider's view of these "windows on nature," witnessing their creation step by meticulous step.

More than forty of the museum's finest dioramas are featured here, depicting the fauna and flora of myriad ecological environments. Stephen Quinn, a diorama artist at the museum, introduces the explorers, naturalists, painters, sculptors, taxidermists, and conservationists behind these three-dimensional marvels, and explains how their collaborations make the displays so lifelike. This enchanting book is the perfect gift for nature lovers, art enthusiasts, and museum goers everywhere.

Customer Reviews:

Monuments to Wilderness.......2007-09-16

There is nowhere beneath a roof, anywhere on earth, that means more to me than the great diorama halls of The American Museum of Natural History. It is stunning (and, really, rather sad) that it has taken this long for a popular book to be written about these magnificent works of art and science, but at least it has been done well. (It is also gratifying to see the book getting such good--and well deserved--reviews here.)

For many millions of people habitat dioramas have been their first taste of the beauty, calm, and nobility of wild creatures and wild places. More people are familiar with nature documentaries these days, and since I love good documentaries too I can't really complain about that. Nonetheless there are some things that habitat dioramas, when done well, can convey that the flickering image, even on an IMAX screen, just can't. No medium portrays the spacious calm of wild country, and the simple dignity of wild animals, better than dioramas. It's also important to remember the valuable record dioramas can provide: many of the dioramas in this book are of places no longer wild.

Stephen Quinn's credentials for writing this book are probably as good as anyone alive. He started as an artist for the museum and has been an important force in helping keep the medium alive through the dark years of the 60s to 80s, when across the U.S. it was frequently neglected, if not despised, by curators though not, blessedly, by the general public. Things are at least somewhat better now, and Mr. Quinn is now project manager for exhibitions at the museum. He has done a fine job with this book. The text is engaging and informative and the photos are big and beautiful.

I do have a few quibbles. He sometimes uses the word "captured" for animals collected (read killed) for the dioramas. I'm sympathetic with why he felt he had to do that, given what he's trying to do with the book and given the cultural forces with which he must contend. The moral issues behind hunting and museum collection are complex and beyond what a book like this could be expected to cover. Nonetheless, animals are never "captured" for taxidermy.

I should hasten to add that animals do not need to be killed specifically for taxidermy. Many if not most animals mounted for museums in the last few decades died in zoos, were hit by automobile traffic, etc. That generally was not a realistic option at the time these dioramas were created.

My other reservation is deeper, but harder to articulate, and I don't have a real solution to it. I also know that a lot of readers will be unsympathetic with it. I'm not completely comfortable with "behind the scenes" stuff in anything other than technical manuals, trade magazines, etc. The people who made these dioramas were of course just people but had high ideals (ideals that Mr. Quinn without question shares) and they wanted the dioramas to be about their _subjects_. His behind the scenes writing will engage people more with the medium and is interesting in itself, no argument. But how much does it really help to have people thinking "I wonder if that rock in Diorama Z is the one that employees used to go to make out behind on their lunch hour."?

I don't know the answer, and so I can't really fault the author. I also recognize that many of the reviewers here loved that aspect of the book. My hope, and I'm sure it's the author's as well, is that it will all stay in perspective. Let's hope that's right. It would be very sad to see dioramas become the subject of the kind of psychologizing and trivializing that permeates the world of "fine" art.

That said, this is a beautiful and well-written book about a noble, if often neglected, realm of art and natural history. If you've read through a long review like this one about a book on this subject, I promise you won't regret owning it.

Beautiful........2007-05-12

Stephen Christopher Quinn, Windows on Nature: The Great Habitat Dioramas of the American Museum of Natural History (Abrams, 2006)

Dioramas are amazing things. Looking at them may not make it seem so, but that, more than anything, is testament to the artistry practiced by the men and women who construct them. Windows on Nature goes behind the scenes of the construction of the dioramas at the Museum of Natural History in New York City.

This is a coffee-table book, so there are a large number of excellent pictures of the dioramas themselves accompanying the text on how they were created. Both are as fantastic as they are fascinating. If you're a fan, this is a must-have. ****

great nature book.......2007-01-16

This was a gift for my mother who visited this museum years ago. It brought back great memories we had when we went. The book was very well done.

unbeatable and unique book on the Museum.......2006-07-26

I am not a scientist nor museum professional, simply a museumgoer. This book is a clear and attractive presentation about the dioramas that have helped define this wonderful museum for decades. Anyone who has ever visited the American Museum of Natural History will be captivated by the behind-the-scenes perspective presented. Understanding this background adds depth to our appreciation of the habitats. Quinn must have dug up old diaries, records and I wonder if he even listened in on some conversations as well because he offers little known factoids which are fascinating to read about and which enhance our experience as a museumgoer. I highly recommend this volume to anyone who has visited the museum. For those who have not visited, the book provides a wonderful view of what you've been missing!

What a Gem!.......2006-06-04

I found this treasure at my local bookstore (could have got it cheaper here!), looked it over, walked away, came back and looked again, walked away again, but couldn't find anything else I wanted as badly. It is an elegant masterpiece. I happen to thrill at anything remotely connected to taxidermy, but this book will also interest those who like nature, museums, or art.

This book is specifically about the dioramas of one museum, but in telling how they were constructed - taxidermy, foreground, and background painting - it is enlightening to anyone who loves natural history museums in general. There are color photos of the dioramas today, and black-and-whites of the artists working on various stages of their development decades ago. The step-by-step pictures of how a huge elephant mount is put together are nothing short of fascinating. Then, in addition, there are behind the scenes stories about how each diorama came together, and some hair-raising tales of specimen collecting in Africa.

If I have a complaint, it is this: the author has written the text as if only addressing fellow New Yorkers, assuming his readers have already been to this museum and seen these dioramas in person. "Think back to your memories of visits to the grand diorama galleries of the American Museum of Natural History in New York City." I can't help but feel a bit excluded, having never been there, although I am perfectly able to appreciate the exhibits based on the museums I have had the pleasure to visit. Perhaps he underestimated the broader appeal this book would have, but at any rate he unknowingly sparks a desire in the rest of us to try to get there someday!

Hudson River School Visions: The Landscapes of Sanford R. Gifford

Average customer rating:

Revisiting Sanford Robinson Gifford
Definitive coverge of Hudson River School artist

Hudson River School Visions: The Landscapes of Sanford R. Gifford

Manufacturer: Metropolitan Museum of Art
ProductGroup: Book
Binding: Hardcover

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ASIN: 0300101848

Book Description

Sanford Robinson Gifford was a leading Hudson River School artist. His love of nature first surfaced as a youth growing up in Hudson, New York, and, together with his admiration for the works of Thomas Cole, inspired him to become a landscape painter. Influenced as well by J. M. W. Turner and by trips to Europe in the 1850s, Gifford's art was termed "air painting," for he made the ambient light of each scene-color saturated and atmospherically enriched-the key to its expression. Gifford was a founder of The Metropolitan Museum of Art. At the time of his death, he was so esteemed by the New York art world that the Museum mounted an exhibition of his work-its first accorded an American artist-and published a Memorial Catalogue that for nearly a century remained the principal source on the artist. Now, to coincide with a long-overdue exhibition of Gifford's work, an important new book is being issued. This volume features essays examining Gifford's position in the Hudson River School, his Catskill and Adirondack subjects, his patrons, and his adventures as a traveler both at home and abroad. More than seventy of the artist's best-known sketches and paintings are discussed and reproduced in color.

Customer Reviews:

Revisiting Sanford Robinson Gifford .......2005-12-15

One of the American masters of landscape painting in the nineteenth century was Sanford Robinson Gifford, and though he was highly celebrated in his lifetime, his name appears now only occasionally when the topic of the Hudson River School of art is discussed. This excellent monograph, which accompanied an exhibition of his work in 2003 - 2004, serves to restore the reputation of one of our less widely known artists who captured Americana on canvas and was an important leader of the Hudson River School of painting.

More than seventy reproductions of Gifford's paintings and drawings grace the pages of this book - scenes of the Adirondacks and Catskills, luminous river scenes filled with the transparency of fog and light. But the book also serves as an historical document with photographs and information about Gifford and his travels abroad with the obvious influence of JMW Turner. His perception and use of ambient light so distinct to the Hudson River Valley are both discussed and illustrated.

This is a fine monograph of an important artist: it is also a superb study in art history of one of the most eloquent schools of painting in American history. Recommended. Grady Harp, December 05

Definitive coverge of Hudson River School artist.......2004-05-10

150 pages of the book are devoted to the works on display at the exhibition (I saw it at the Amon Carter). Since most of the works belong to private collectors, once the exhibition finishes at the National Gallery in Washington, this book will be the only place you will be able to look at the body of Gifford's work. The plates are excellent. If you like other Hudson River School painters, you will want this book.

Impressions of New York: Prints from the New-York Historical Society

Average customer rating:

An outstanding tribute which works as well alone as with the exhibit

Impressions of New York: Prints from the New-York Historical Society
Marilyn Symmes
Manufacturer: Princeton Architectural Press
ProductGroup: Book
Binding: Hardcover

General | Architecture | Professional & Technical | Subjects | Books

Reference | Architecture | Professional & Technical | Subjects | Books

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ASIN: 1568984928

Book Description

From its birth as a remote trading outpost on the fringes of the Dutch empire to its current status as the so-called Capital of the World, New York has always captivated visual artists. The extraordinary prints collected by the New-York Historical Society over the course of its history vividly preserve these impressions on paper. In this handsome volume more than 150 of these views of the city -- including two spectacular gatefold panoramas -- speak eloquently of the surging power of this dynamic urban center. At the same time, they present an intimate portrait of everyday life as it has been lived and savored in this great city for more than three centuries.
The companion to an exhibition celebrating the New-York Historical Society's bicentennial anniversary, this beautifully printed volume presents a full range of historic images, from 1672 to the present. In the lively essay and information-filled captions, curator and historian Marilyn Symmes tells the unique stories behind the people and places, parks and buildings, streets and neighborhoods, parades and events depicted in each image -- in essence, the story of New York City itself.

Customer Reviews:

An outstanding tribute which works as well alone as with the exhibit.......2005-12-05

Impressions Of New York: Prints From The New York Historical Society serves a dual purpose: it provides a companion to an exhibition celebrating the Historical Society's bicentennial anniversary, gathering a selection of historic images of the city from 1672 to present; and it also serves as a stand-alone volume capturing the images and written stories of the people and places of the city. Each duotone print or illustration is centered on a full page with a facing page describing history and painting origin. An outstanding tribute which works as well alone as with the exhibit.

Average customer rating:

Sort of a Chris Van Allsburg feel

Still New York
Ric Burns
Manufacturer: Vendome Press
ProductGroup: Book
Binding: Hardcover

General | History & Criticism | Arts & Photography | Subjects | Books

Themes | History & Criticism | Arts & Photography | Subjects | Books

Watercolor | Painting | Arts & Photography | Subjects | Books

Landscape Painting | Instructional & How-To | Arts & Photography | Subjects | Books

Watercolor Painting | Instructional & How-To | Arts & Photography | Subjects | Books

General | Arts & Photography | Subjects | Books

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ASIN: 0865651655

Book Description

Virtuoso watercolorist Rick Brosen has been wandering the streets of New York City for most of his life. His paintings capture a city void of urban bustle and noise, a "still" New York in every sense of the word.

Brosen knows the city's hidden jewels-the elegant statues in vest-pocket West Side parks, the terra-cotta ornamentation on Harlem bow-front row houses, and the haunting emptiness of the surviving cast-iron market buildings along the Hudson. He also knows its major landmarks-the Statue of Liberty, Grand Central Station, and Ellis Island, to name but a few. Alongside Brosen's luminous paintings, best-selling author and award-winning documentary filmmaker Ric Burns and New York Times journalist Alan Feuer retrace the origins and growth of this ever-changing city from Tribeca and SoHo through Midtown and on to Central Park and up to the Cloisters, revealing-with Brosen's watercolors-its favorite places and hidden treasures.

Customer Reviews:

Sort of a Chris Van Allsburg feel .......2006-12-28

It's extremely well-executed photo realism with pencil + watercolor, and
the artist has chosen buildings/scenes which are architecturally strong
and visually rich so as to let his technique really shine. However, the
real strength, I think, is actually the artist's ability to impart a
dreamlike quality (reminiscent of children's book illustrator Chris Van
Allsburg). This elevates the book to a whole different, more evocative
level, so that you stop marveling at the technique and start thinking of
the subject matter itself. Anyone who loves New York should love this
book.

Average customer rating:

It reads with the drama of fiction but is based on fact, which is even more intriguing

Twenty-One Elephants and Still Standing
April Jones Prince
Manufacturer: Houghton Mifflin
ProductGroup: Book
Binding: Hardcover
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ASIN: 061844887X

Book Description

After fourteen years of construction, the Brooklyn Bridge was completed, much to the delight of the sister cities it connected: Brooklyn and New York City. Fireworks and top hats filled the air in celebration when the magnificent bridge opened in 1883. But some wondered just how much weight the new bridge could hold. Was it truly safe? One man seized the opportunity to show people in Brooklyn, New York and the world that the Brooklyn Bridge was in fact strong enough to hold even the heaviest of passengers. P. T. Barnum, creator of "The Greatest Show on Earth," would present a show too big for the Big Top and too wondrous to forget.

Customer Reviews:

It reads with the drama of fiction but is based on fact, which is even more intriguing.......2005-11-04

It took fourteen years of construction to build the Brooklyn Bridge, connecting Brooklyn and New York - but some wondered how much weight the new bridge could safely handle. One man decided to show them it was strong enough to hold even the heaviest passenger -- and demonstrated this with elephants. The man's name? P.T. Barnum. It reads with the drama of fiction but Twenty-one Elephants And Still Standing is based on fact, which is even more intriguing.

Average customer rating:

Still Moving
Steven Higgins
Manufacturer: The Museum of Modern Art, New York
ProductGroup: Book
Binding: Hardcover

Futurism | Schools, Periods & Styles | Arts & Photography | Subjects | Books

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ASIN: 0870703269
Release Date: 2006-10-15

Book Description

Founded in 1935, The Museum of Modern Art's Department of Film and Media is home to one of the most important moving-image archives in the world. Still Moving: The Film and Media Collections of The Museum of Modern Art marks the first time that MoMA has published a volume dedicated exclusively to these holdings. Drawn primarily from the Museum's vast library of film stills, the nearly 500 images in this book represent just a fraction of the department's renowned archive, including one of the world's most important collections of international silent cinema; classic early sound films from the United States, Great Britain, France, Germany, Italy, Russia, and Japan; extensive holdings of documentary and animation shorts and feature films; significant examples of Hollywood filmmaking from studios such as Warner Brothers, RKO, MGM, Twentieth Century-Fox, and Paramount; and more recent works by leading independent and avant-garde film and media artists. Reflecting the Museum's mandate to acquire, preserve, and make available the finest works of film and media from around the world, Still Moving also serves as a stunning visual catalogue of the art and history of the moving image. Receiving special attention in the catalogue are certain key collections within the archive, among them those of the Edison Company, the Biograph Company, D.W. Griffith, Douglas Fairbanks, David O. Selznick, Joseph Cornell, and Andy Warhol. The book closes with a photo-essay covering the Celeste Bartos Film Preservation Center, the Museum's state-of-the-art film, media, and special-collections storage facility, which opened in 1996 and has since become the model for moving-image preservation worldwide.

Landscape Wallcoverings (Cooper Hewitt National Design Museum, Smithsonian Institution)

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Landscape Wallcoverings (Cooper Hewitt National Design Museum, Smithsonian Institution)
Joanne K. Warner
Manufacturer: Scala Publishers
ProductGroup: Book
Binding: Paperback

General | Design & Decorative Arts | Arts & Photography | Subjects | Books

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General | Interior Design | Home & Garden | Subjects | Books

ASIN: 1857592395

Book Description

An exciting new series on decorative arts, showcasing the tremendous collections of the Cooper-Hewitt, National Design Museum. It has been published to coincide with the opening of an exhibition of wallcoverings at the Cooper- Hewitt, in April 2001, it will be a vital source book for students of the applied arts. The author

COMES THE MILLENNIUM: IT'S STILL TOUGH TO BE JEWISH!

Average customer rating:

Vivid, Vibrant, a Must-Read.

COMES THE MILLENNIUM: IT'S STILL TOUGH TO BE JEWISH!
Sidney I. Silverman
Manufacturer: Xlibris Corporation
ProductGroup: Book
Binding: Paperback

General | Ethnic & National | Biographies & Memoirs | Subjects | Books

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Book Description

The stories, beginning over 100 years ago, when Sokolka, Poland, my father escaped via and underground route, from his forced conscription into the Czar's Russian Army. The stories continue through the ensuing decades after he immigrated to America. The anecdotes describe how the family coped with ever the present stress and accommodations about their Jewishness. The tales reflect how my wife and I, collectively shared the joy and sadness in our family affairs, our career choices and achievements. Told in chronological order, the stories from my birth to the 20th century reveal the foibles, the fortuitous events and experiences during the many years when I was an officer in the U.S army. The experience describe when I was a clinician, an educator and research scientist, I relate how I encountered and coped with both professional accolades and overt anti-semitism from medical and dental colleagues here in America and abroad. The stories end with an ambiguous tale of the concerns of Jews in America, in Israel and in the world at large.

Customer Reviews:

Vivid, Vibrant, a Must-Read........2006-10-17

Vivid, vibrant tales, by a master story-teller of his family's event-packed journey through the 20th century--with roots in fin-de-19th- siecle Poland--.that will make you laugh and cry. And think about being a Jew in a different light. Dr. Silverman, a true Renaissance man--NYU professor, biomedical research scientist, sculptor, writer, activist and philanthropist--portrays his experiences as a boy in his father's grocery store, a young man in love at first sight with the talented woman who would be his wife for over 65 years, a chief of dental clinics on an army base in World War II, a devoted father, an inspiring mentor. Peopled with irascible, eccentric, yet mostly loveable characters, "Comes the Millenium: It's Till Tough to Be Jewish" is a memoir that mirrors the sometimes-subtle, sometimes-blatant anti-semitism found in unexpected places. A must-read for Jewish Americans. For all Americans.--Fred L. Kessner, book maven (Valley Stream, New York)

Still the Promised City?: African-Americans and New Immigrants in Postindustrial New York

Average customer rating:

Good Example of Competition Model

Still the Promised City?: African-Americans and New Immigrants in Postindustrial New York
Roger Waldinger
Manufacturer: Harvard University Press
ProductGroup: Book
Binding: Paperback
Similar Items:

ASIN: 0674000722

Book Description

Still the Promised City? addresses the question of why African-Americans have fared so poorly in securing unskilled jobs in the postwar era and why new immigrants have done so well. Does the increase in immigration bear some responsibility for the failure of more blacks to rise, for their disappearance from many occupations, and for their failure to establish a presence in business?

The two most popular explanations for the condition of blacks invoke the decline of manufacturing in New York and other major American cities: one claims that this decline has closed off job opportunities for blacks that were available for earlier immigrants who lacked skills and education; the other emphasizes "globalization"--the movement of manufacturing jobs offshore to areas with lower labor costs. But Roger Waldinger shows that these explanations do not fit the facts. Instead, he points out that a previously overlooked factor--population change--and the rapid exodus of white New Yorkers created vacancies for minority workers up and down the job ladder. Ethnic succession generated openings both in declining industries, where the outward seepage of whites outpaced the rate of job erosion, and in growth industries, where whites poured out of bottom-level positions even as demand for low-level workers increased. But this process yielded few dividends for blacks, who saw their share of the many low-skilled jobs steadily decline. Instead, advantage went to the immigrants, who exploited these opportunities by expanding their economic base.

Waldinger explains these disturbing facts by viewing employment as a queuing process, with the good jobs at the top of the job ladder and the poor ones at the bottom. As economic growth pulls the topmost ethnic group up the ladder, lower-ranking groups seize the chance to fill the niches left vacant. Immigrants, remembering conditions in the societies they just left, are eager to take up the lower-level jobs that natives will no longer do. By contrast, African-Americans, who came to the city a generation ago, have job aspirations similar to those of whites. But the niches they have carved out, primarily in the public sector, require skills that the least educated members of their community do not have. Black networks no longer provide connections to the lower-level jobs, and relative to the newcomers, employers find unskilled blacks to be much less satisfactory recruits. The result is that a certain number of well-educated blacks have good middle-class jobs, but many of the less educated have fallen back into an underclass. Grim as this analysis is, it points to a deeper understanding of America's most serious social problem and offers fresh approaches to attacking it.

Customer Reviews:

Good Example of Competition Model.......2000-09-30

This is a good example of the competition model for race relations. But, it could go further into the analysis of broader patterns of discrimination in the marketplace.

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