History of Japanese Art

Customer Reviews:

Useful for Art History Students.......2007-01-26

Depending on what your intended usage for this book will be, this book may be somewhat helpful. I needed this for an art history class my senior year of college as an art history major. Thing is, the class was pretty ridiculous. It was supposed to be an introductory class into the art of japanese art & tradition, but the professor spoke more of Chinese art & traditions.

This book will give you a pretty thorough knowledge in Japanese Art, as well as some of its culture, more through the introductions of the eras and periods and through its pictures. But that's it, do not buy this if you're looking for a complete knowledge, because that's not what it is. Also, if you are looking for early (i.e. ancient!) japanese history, there really isn't any, in this book or just in general.

Definitely buy it here on Amazon, because I found it to be a lot cheaper in comparison to my friends who had spent a fortune on it through eBay and the university bookstores. You may also want to get a soft cover if you want to sell it back later on or use it solely for class, because it's such a heavy book (I have the hard cover). My intent was to keep the book, because it's such a nice book to have in anyone's collection.

If you do purchase it, you will not be let down. It's a great buy.

good comprehensive book.helped in class.......2006-02-24

very good book decent photos, covered a good amount of information . Got for my history of japanese painting class helped out

History of Japanese Art (Trade) (2nd Edition).......2005-09-18

Excellent - Just what I thought it would be.

"The authority" on Japanese art in English.......2000-09-05

There are a number of books on Japanese art in English, but many spend a great deal of time on one particular period (usually the period the author prefers) and writes about the rest as though they were "add-ons". Mason's work is concise as well as informative about a broad range of topics, and will serve as a good stepping stone or introduction for those looking to get in to the world of Japanese art. The general volume dedicated to each time period shows a fair balance, and it is easy to see how earlier movements in art and design influenced later developments, from prehistoric times to the modern era.

If there are any problems to be sited with the text, it is that it is getting a little old. Since 1993 (the most recent edition) there have been many advances in art history in Japan (particularly regarding prehistoric art and society), and many of the newer focuses in the art history comunity (such as Edo period printed matter, particularly picture inserts) will not be reflected in the text.

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Tattoos of the Floating World: Ukiyo-E Motifs in Japanese Tattoo

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Japanese Art as Tattoo and Vice Versa
tops on the cultural context of the japanese tattoo
Masterful Examination of Floating World Arts

Tattoos of the Floating World: Ukiyo-E Motifs in Japanese Tattoo
Takahiro Kitamura , and Katie M. Kitamura
Manufacturer: KIT Publishers
ProductGroup: Book
Binding: Paperback

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ASIN: 9074822452

Book Description

This unique book by tattoo artist Takahiro Kitamura (Horitaka, a pupil of Horiyoshi III) discusses the art of the Japanese tattoo in the context of Ukiyo-e, concentrating on the parallel histories of the woodblock print and the tattoo. Through high quality illustrations it shows that the Japanese tattoo is highly reliant on and linked to the woodblock print and that it deserves a position among the other art forms. A range of typical ukiyo-e motifs in the Japanese tattoo are discussed and illustrated by the original Japanese prints, and sketches, drawings and tattoos by tattoo master Horiyoshi III. The book ends with a special essay by Don Ed Hardy.

Customer Reviews:

Japanese Art as Tattoo and Vice Versa.......2005-05-12

Never has a book demonstrated so well the relationship between Japanese wood block prints and tattoos. Despite the seeming deluge of complex images that appear in large Japanese tattoos and body suits, the elements and themes are actually not that many and are readily recognized with practice. Tattoo artists will pour over this volume and collectors (both book and tattoo) shouldn't be without it.

tops on the cultural context of the japanese tattoo.......2003-07-09

Takahiro Kitamura's "Tattoos of the Floating World" is far from a be-all and end-all guide to Japanese tattoos. However, it is for the moment without peer in providing a cultural context, and it thus adds depth to a reading of many other favorites, including Fellman's "The Japanese Tattoo," Addiss' "Japanese Ghosts and Demons," and Klompmakers' "Of Brigands and Bravery: Kuniyoshi's Heroes of the Suikoden."

In this slender volume, Kitamura's primary focus is the linkage of the woodblock printing tradition of the Edo period (1615-1868) to the development of the tattoo as art. With such a focus, afficionados of the print artists Kuniyoshi, Kunisada, and Kunichika will find many illustrations to delight them, and there are as well photographs of the current artistry being worked by tattoo masters. Adding to the value of the book are a preface written by Donald Richie and an afterword by Don Ed Hardy. The first essay is elegiac and lyrical in tone; the second provides personal insights by a Western connoisseur of the tattoo art form.

The shortcomings of "Tattoos of the Floating World" concern what is not included. The book would have benefitted greatly from having an index as well as a more generously-executed glossary. Moreover, I regret that Kitamura, who as a tattoo artist is uniquely qualified to do so, did not more systematically and fully catalogue and explain the symbolism of Japanese tattoos.

Masterful Examination of Floating World Arts.......2003-05-03

Most tattoo afficianados are aware that Japanese tattoos are steeped in history and culture. But Tattoos Of The Floating World: Ukiy-o Motifs In The Japanese tattoo explores this history and culture in a way never done before. Takahiro Kitamura's research and unique insight combine to present the reader with not only a history of the Japanese tattoo, but also with an understanding of how it came to be, how it continued to maintain its traditions through centuries of persecution and cultural metamorphosis, and how it both influenced and was influenced by the contemporary arts of early Japan.

The first half of this excellent work explores the early history of the Floating World (as pleasure districts were known as Japan's Edo period), focusing on the "triumvirate of arts": ukiyo-e (wood block prints), irezumi (tattoos), and kabuki theatre. Ukiyo-e and irezumi are so closely intertwined that tattoos of the day were referred to as horimono (carved object) in deference to the process of carving a wood block print. Kabuki was the theatre of the people and expressed not only the history and mythology of Japan, but the people's innermost desires as well. Kitamura's exploration of the ways in which these three arts intertwined demonstrates his love of the topic and inspires a similar affection in the reader.

The latter half of Tattoos Of The Floating World details many of the themes so strongly connected with Japanese Tattoo today. Sections devoted to such heroes as Fudo Myoo, Fujin and Raijin, Kumonryu Shishin, and Tennin give a basic understanding of their characters themselves and their endurance as tattoo motifs. Details are also provided on such traditional images as dragons, koi, shunga, falcons, the Kurikaraken, tigers and the phoenix.

Illustrated throughout with ukiyo-e, original sketches by Horiyoshi III, and photographs by Jai Tanju, this work is as beautiful as it is educational. The pairing of sketches next to their finished tattoos highlights the artistry involved in Japanese tattoo while the presentation of ukiyo-e prints alongside tattoos of the same characters and motifs demonstrates the cultural and historic similarities.

Book Description

In eighteenth-century Japan, Tsunetomo Yamamoto created the Hagakure, a document that served as the basis for samurai warrior behavior. Its guiding principles greatly influenced the Japanese ruling class and shaped the underlying character of the Japanese psyche, from businessmen to soldiers.

Bushido is the first English translation of the Hagakure. This work provides a powerful message aimed at the mind and spirit of the samurai warrior. It offers beliefs that are difficult for the Western mind to embrace, yet fascinating in their pursuit of absolute service. With Bushido, one can better put into perspective Japan's historical path and gain greater insight into the Japan of today.

Customer Reviews:

Best Version on this Subject.......2007-07-22

I can't better the other review below except to say that this translation of the Bushido is far easier to read, understand, digest and put into daily practice than the hoards of other versions of "Hagakure: The Book of the Samurai by Tsunetomo Yamamoto" which this book is based upon.

Despite a totally different translation, nothing is lost when you put the two books side by side and compare them to each other.

By the way, the title "Bushi-do" does not mean "Hidden behind the Leaves", that is the translation of the "Hagakure". Any martial artist worth his salt will easily recognise the two parts of the word: Bushi (Warrior) & do (the way) - The Way of the Warrior (or Samurai).

Easy to Read - Difficult to Apply.......2007-07-19

Bushido: The Way of the Samurai (Square One Classics) is a superb little book that makes some important points. However, it is all too easy to take what it has to say out of context. The time and place to which it was literally relevant has long since passed. What it has to say about the values one should live by and how one should carry out their mission in life are, on the other hand, timeless.

The same can be said of another important Japanese classic: The Book of Five Rings. Both of these books are important from a philosophical point of view, but difficult to really understand for those who are not immersed in Japanese culture. Both spring from the philosophy of Zen and both do a good job of showing its application is a time of constant warfare and personal danger.

A good choice to put the advice of the Zen warriors into perspective is the book Bushido, the Soul of Japan which gives a broader look at the philosophy and its roots. What Zen is all about and how it may be applied in everyday life - how compatible it is with other philosophies and religions - is well presented.

All three of these books have been bound together into one book: The Samurai Series: The Book of Five Rings, Hagakure -The Way of the Samurai & Bushido - The Soul of Japan, which I can recommend without reservation. Together, these three books add up to much more than the sum of the parts. They are truly synergistic.

A Great Introduction to Bushido.......2007-03-14

If you want an easy to read book that gives you the basic precepts of Bushido, this will be the book for you.

idealized self aggrandisement that covers over ugly realities.......2007-03-13

This is one of those basic tracts that is given to those who move to Japan, as a view into how things are supposed to work. While it sounds very good when you read it - there are indeed wonderful codes to live by that are elegantly expressed - once you have lived there for a few months you see that it has less (and more) to do with everyday life than meets the eye.

Afterall, there are two levels when dealing with Japan: Tatemae, the syrupy feel-good version of things that saves everyone's "face", and Honne, which is the way people really feel about things; the former gets pounded into your head at the office, the latter you elicit slowly when you go to the bars after work and get drunk. However, Tatemae is a useful tool for bureaucracies, as it is the official way things are supposed to appear to function, complete with a code for the behavior that one should simulate, no matter how differently (or alienated) one feels underneath. The "Bushido" is the purest Tatemae, an instrument of control that is wielded but has little personal meaning beyond that. In my opinion - and I witnessed this often while living in Japan - all the talk of honor and value and loyalty is just that: mere words to mask brutal authoritarianism and mindless obedience to one's place in the hierarchy. As such, there are very interesting things to learn here about how people choose (or submit to a compulsion from without) to behave, but it will not teach the reader about how they feel inside.

Recommended, but don't take it at face value. I wish I could sound more inspired and interested about Japan, but having lived there, I know the ugliness underneath from experience.

Very Cool Stuff .......2007-01-14

The book is full of a collection of thoughs/ideas in the length of one to two paragraphs each. These ideas are passed on to us from some of the great Samurai containing their philosophy on life, death, honor etc.

Japanese Bookbinding: Instructions From A Master Craftsman

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Nothing New
At the Master's Feet
Lots of choices, clear directions
Japanese Bookbinding an excellent teaching tool
Excellent and complete resource on Japanese Bookbinding

Japanese Bookbinding: Instructions From A Master Craftsman
Kojiro Ikegami
Manufacturer: Weatherhill
ProductGroup: Book
Binding: Hardcover

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ASIN: 0834801965
Release Date: 1986-06-01

Book Description

A third-generation traditional bookbinder gives easy-to-follow instructions for making all the major, historically important styles of Japanese bindings as well as traditional book casesâthe custom-made folding boxes that afford handsome protection for Japan's exquisite books. The authoritative text, written by one of Japan's leading professional bookbinders, has been fully adapted for Western readers. Both American and Japanese suppliers of traditional tools and materials are provided and substitutes are recommended for items not readily available. For centuries the West has admired Japanese books, but only now can we make them ourselves and take full advantage of their creative possibilities. Stunning and practical, these bindings are ideal for preserving calligraphy, letters, artwork, and poems, for adding a distinctive touch to limited-edition books, and for use as diaries or gifts.

Customer Reviews:

Nothing New.......2006-08-17

I bought this book hoping for a new spin on Bookbinding lit. It turned out to be more of the same: lots more stab bindings. The explanations are vague as well. The chapter on Scroll-making was interesting, but overall, this book is not worth the price. If you have other bookbinding books, there's nothing new here.

At the Master's Feet.......2005-01-30

As an amatuer bookbinder with varying levels of attention span, I found this book really useful. The illustrations and directions are very clear and can be followed very closely or used as a jumping off point. It covers many styles of binding, tools and paper. I especially enjoyed the pictures where the bookbinder's foot is used to to hold something down leaving the hands free to work. Ever read a craft how-to book and thought...well I could do that if I had 3 hands?

Lots of choices, clear directions.......2004-07-12

This is an excellent introduction to the varied forms of Japanese bookbinding. As with so many other crafts in Japan, it is both like and very unlike matching Western craft.

First, there is the wide variety of different binding styles. Some are very distinctive. In the accordion and 'flutter' books, the first and last pages are bound to the covers. The rest of the pages are fan-folded, either one long strip or sheets pasted together. Other bindings, whether Chinese, Korean, or uniquely Japanese in style, tie or glue the pages into a more Western stack. The end of this book shows traditional outer covers for books, partial or complete boxes. The are made uniquely for each volume or set, to give it additional protection.

The tools, materials, and techniques are laid out clearly. The authors show first show the traditional craft, as it has been practiced since the Heian era (ca. 1000 AD). They also show how modern materials can be used instead of or in addition to the older ones. The technique for each binding or box is spelled out in clear pictures and text.

Clear technique is what makes this book. It gives the scholar a good understanding of how a master artisan would prepare or repair each artifact. It also gives the home crafter the ability to adapt classic techniques to modern uses, from keepsake albums to collections of a child's art. The structure of most Japanese books is simple enough for a child to imitate with some kind of success, even though the book's examples approach museum quality. With a little thought, the techniques can be adapted to almost any level of skill.

This is book is very enjoyable, even if you just read it. If you go ahead and try some of the techniques shown, you'll enjoy it even more. You may even get results that you'll enjoy for years to come.

//wiredweird

Japanese Bookbinding an excellent teaching tool.......2002-04-10

As a professional artist I found the step by step instructions and black and white photos and drawn illustrations to be exceptional. Each part of the craft of book making including the proper tools and glues for the job are described in easy detail. A variety of Japanese style books are included in this book. A valuable addition to the library of a paper craftsman.

Excellent and complete resource on Japanese Bookbinding.......2000-02-15

After a brief history of bookbinding in Japan, Ikegami gives wonderful details of the tools and methods of bookbinding. Covering the tools and materials, he not only shows and details the classical, but lists more accessible western tools and materials that can be used as well. Ikegami begins covering the actual methods of bookbinding with a section on the basic techniques used. What follow are detailed descriptions of the construction of 19 different book styles, grouped into categories ( Four-Hole, Accordian, Ledgers, Other.) The last chapters cover the construction of book cases and the book mending using Japanese techniques. Finally appendices include an extensive Selected reading list (with both English and Japanese titles), and a suppliers list. Throughout the book the numerous illustrations are extremely clear, and used to show the step by step construction of the books. The text accompanying them is detailed and clear. 8 pages of full page, color plates show each of the books described in the text.

Book Description

Japanese furniture has a rich heritage dating back to the seventh century. Masterful craftsmanship and aesthetic sensitivity evolved with this furniture's long history. Yet, as with much that is Japanese, these pieces find virtue in restraint. The work is compelling yet sedate, with an
understated simplicity distilled from a thousand years of knowledge and careful craftsmanship.

Though the West has long acknowledged the beauty and value of these objects, the history of their making--their milieu and craftsmanship-remain virtually unexplored. This volume, first published in 1986, fills that void. Author Kazuko Koizumi, a pioneer in the field, brings a thoroughness and warmth
to the subject. A wealth of illustrated material puts the pieces in context. A historical account, laced with centuries-old drawings, traces the evolution of furniture design through the lens of Japan's "floor-based" culture.

With 114 color plates and over 650 figures, Traditional Japanese Furniture documents and discusses the roots of more than eighty unique furniture types, including the many variations of the beloved tansu chest that has made its way into homes and museums around the world. Like many of the objects it
portrays, Traditional Japanese Furniture has found its place among collectors and enthusiasts, standing today as the definitive volume on the subject.

Customer Reviews:

This book has wonderful pictures and illustrations........1998-03-22

This book is a wonderful exaple of Japan's funiture and art. It shows the many aspects of this oritental country's splendid decorum.

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Japanese art observed by a Chinese art specialist
Great beginner's book for Japanese art
A Thorough Introduction
This is one of the best guid-book for beginners of art in Ja

Japanese Art (World of Art)
Joan Stanley-Baker
Manufacturer: Thames & Hudson
ProductGroup: Book
Binding: Paperback

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ASIN: 0500203261

Book Description

The uniqueness of Japanese culture rests on the fact that, throughout its history, Japan has continually taken, adapted, and transformed diverse influences from Korea, China, the South Seas, Europe, and the Americas into distinct traditions of its own. Extensively revised, updated, and expanded since its first publication, this authoritative survey of the arts of Japan from the prehistoric period to the present brings together the results of the most recent research on the subject. Profusely illustrated with examples from all the arts--painting, calligraphy, the decorative arts, and architecture--and with a wide-ranging bibliography, Japanese Art addresses itself equally to those who come to the subject for the first time and to the student. It is a concise overview of a fascinating and perplexing culture in which interest has never been greater than it is today.

Customer Reviews:

Japanese art observed by a Chinese art specialist.......2002-05-04

The author Joan Stanley-Baker earned her Ph.D. on Chinese art. Probably being aware of this, I felt that an outsider's view is rather strong in the book, as she discusses Japanese art in terms of the two axes of indigenous and imported traditions, and regards domestication as an important issue throughout. However, I found the introduction very interesting, especially her notes on the coexistence of contradictory aspects in Japanese art, such as complete mirroring of foreign elements and introspective and insular tendency. The following chapters are rather disappointing that her insights are not very well demonstrated in dealing with individual works of art. For comprehensive understanding of Japanese art, Penelope Mason's _History of Japanese Art_ is much better.

Great beginner's book for Japanese art.......2001-03-23

I found this to be a great book for learning about the different periods and art forms from Japan. The cultural periods from Prehistoric to Modern are covered, with stops in the Asuka, Heian, and very important Edo periods! Over 80 color illustrations from wall paintings to temple architecture to lacquered chests are presented for your viewing pleasure. The author has taken great care in describing whether an art form is native, imported, or has been modified and adopted into the culture (i.e. japanization). You'll find hundreds of illustrations but let me warn you THIS IS NOT A PICTURE BOOK! If you are looking for a book just to flip through to see nice pictures and also take a crash course on 'Japanese Art' then you most likely will have to look elsewhere. By reading this book from cover to cover you will gain a great understanding of Japanese art. Not every picture makes sense unless you read the accompanying paragraphs. If you do take your time you will come to appreciate the art of Japan and will gain a greater understanding of the people as well. My art & humanities teacher, a PhD, describes this book as "excellent and splendid". For her that is like putting Tom Selleck in front of her fireplace with a bottle of champagne. After reading this book I hope you will be equally excited. :)

A Thorough Introduction.......2000-08-09

This classic book in its new edition presents a thorough, level-headed introduction to the many varieties and periods of Japanese art. Individual chapters highlight the major works and offer both beginner and armchair expert a background to the development of each genre. Unfortunately, what is lacking -- and this is a critique of the publisher's investment in this fine work rather than of the author's efforts -- is a presentation in size and color that suits the written content. How can the stunning but subtle beauty that is typical of all Japanese art be properly displayed when the accompanying photographs are small sized and printed in black & white? This book is highly recommended as a comprehensive overview of Japanese art, but you will need to look elsewhere to see the art as it ought to be seen.

This is one of the best guid-book for beginners of art in Ja.......1998-12-06

Well, it is one of the best guid-book for the beginners who is interested in reading about Japanese art. My interest is in the Nanga and Ukiyo-e. I got the basic ideas about the two from this book. Then I started to read some other books about the two topics. If you have no previous knowledge about Japanese art, pls start from this book.

Splendors of Imperial Japan: Arts of the Meiji Period From the Khalili Collection (Nasser D. Khalili Collection of Japanese Art)

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Splendors of Imperial Japan: Arts of the Meiji Period From the Khalili Collection (Nasser D. Khalili Collection of Japanese Art)
Joe Earle
Manufacturer: The Khalili Collections
ProductGroup: Book
Binding: Paperback

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Japanese Cloisonné (V&a Far Eastern)

ASIN: 1874780196
Release Date: 2005-06-30

Book Description

Between 1868 and 1912, Japan's leaders built a constitutional nation-state, developed an up-to-date industrial infrastructure and won major wars against China and Russia. They also preserved and nurtured their country's art traditions, inspiring the creation of works whose beauty and quality astonished the nations of the civilized world. From 1873 onwards, Japan's ceramics, metalwork, enamels, lacquer and other decorative arts were presented at domestic and international expositions, while in the United States remarkable objects like those in the collection of Dr. Nasser Khalili helped define the American image of Japan's national character at a formative time in the history of both countries. The three largest expositions held in America during Japan's Meiji Period were the Centennial Exhibitions at Philadelphia in 1876, the World's Columbian Exposition at Chicago in 1893 and the Louisiana Purchase Exposition at St. Louis in 1904. This comprehensive catalogue is taken from the collection of Dr Khalili and covers the 44 years of this period from 1868 to 1912. It is organized both chronologically and by subject and document some of the finest pieces from the Early, Middle and Late Meiji Period with six special sections on Metalwork, 'Satsuma' ware, Lacquer, Enamels, Textiles and Porcelain.The Khalili Collection

The Unknown Craftsman: A Japanese Insight into Beauty

Average customer rating:

great for the study of craft in Japan
A book you HAVE to read, and you'll CRAVE to own...
Humble pie never tasted so good
More photos! More essays!
An Aesthetics Bible!

The Unknown Craftsman: A Japanese Insight into Beauty
Soetsu Yanagi , and Bernard Leach
Manufacturer: Kodansha International
ProductGroup: Book
Binding: Paperback

Decorative Arts | Design & Decorative Arts | Arts & Photography | Subjects | Books

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All Titles | Qualifying Textbooks - Fall 2007 | Stores | Books
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ASIN: 0870119486

Book Description

This book challenges the conventional ideas of art and beauty. What is the value of things made by an anonymous craftsman working in a set tradition for a lifetime? What is the value of handwork? Why should even the roughly lacquered rice bowl of a Japanese farmer be thought beautiful? The
late Soetsu Yanagi was the first to fully explore the traditional Japanese appreciation for "objects born, not made."

Mr. Yanagi sees folk art as a manifestation of the essential world from which art, philosophy, and religion arise and in which the barriers between them disappear. The implications of the author's ideas are both far-reaching and practical.

Soetsu Yanagi is often mentioned in books on Japanese art, but this is the first translation in any Western language of a selection of his major writings. The late Bernard Leach, renowned British potter and friend of Mr. Yanagi for fifty years, has clearly transmitted the insights of one of Japan's
most important thinkers. The seventy-six plates illustrate objects that underscore the universality of his concepts. The author's profound view of the creative process and his plea for a new artistic freedom within tradition are especially timely now when the importance of craft and the handmade
object is being rediscovered.

Customer Reviews:

great for the study of craft in Japan.......2007-05-12

This book was written by the father of the crafts movement in Japan, Yanagi Soetsu. He encouraged the Japanese to appreciate their national arts at a time of modernization and Westernization in Japan. The book covers areas of craft such as cermaics and lacquers.

A book you HAVE to read, and you'll CRAVE to own..........2006-01-18

This remarkable, must-have book is half superb pictures of various Oriental objects of manufacture become recognized as quintessentially "unselfconscious" objects of art (the one of the "top" teacup in Japan alone is worth the book's price), and half short but very eye-opening essays on various dimensions of beauty, creativity, and the aesthetic experience.

MUCH generally accepted superficiality (and downright phoniness) in the field of art appreciation is solidly debunked here (read the other reviews for more on the author's qualifications, plus some relatively piddling criticism from a few experts).

The pieces on the degeneration of the so-called "classic" Tea Ceremony and the cult of deliberate "beauty of ugliness" will provide much food for thought. Literally anyone interested in beauty and its representations will do very well indeed to acquire this truly irreplaceable read.

I too wish the book were 10 times as long! I believe it was out of print for awhile -- great to see it available new from Amazon at a reasonable price.

Oh -- on second thought, DO just buy this title, rather than borrow one first -- my copy is so heavily marked up that it would have been agony to have read a library copy....

Humble pie never tasted so good.......2003-03-26

Soon after getting into custom furniture and cabinetmaking as a profession, I had come to that point where I began to tie my sense of self-worth to what other people thought of my work. Even worse, I began to feel that I was in a competition with my fellow woodworkers. Not only did I want their approval, but I thought I must strive to be better than them or I wouldn't achieve distinction (and therefore success). Then, via my explorations into Buddhism, I came across this book. It presented me with a heaping, much-needed serving of humble pie by telling me things like:

"A beautiful work of art...is the work of a man who is not (bound to) either beauty and ugliness or even to himself."

Yanagi was talking about the craftsman of Japan's past who, working with "total disengagement", created some of the most beautiful art objects the world has ever seen. This work was never signed because these were the products of craftsman who "made no effort to express their individuality through the medium of things; (instead) they produced things through the medium of man". As my understanding of Buddhism deepened, so didn't the import of these words. The bottom line was that I relaxed, I let myself enjoy the process and I let the objects I made speak for themselves. Humble pie never tasted so good.

More photos! More essays!.......2000-11-29

There is only so much that can be done inside of a few hundred pages, but this book does try. Many examples of Yanagi's writings have been pulled together along with photographs of actual objects in order to give the reader a small feel for the philosophy that Yanagi and others hammered out starting around the 1920's.

For those unfamiliar with Yanagi Soetsu, he and other artists and thinkers of his time developed a philosophy called "Mingei" (folk-craft) in Japan. Similar to the arts and crafts movement in England and Europe, Mingei focuses on exploring the dimentions of beauty before something becomes "beautiful". A great deal of influence from people such as Bernard Leech and Suzuki Daisetsu went in to the creation of this "old yet new" way of looking at art and objects.

His way of looking at the "unknown craftsman", in other words the artist who merely makes to make and sell his works, but does not comprimise because he wishes only to sell and sell quickly, will appear new to many, but there are many patronizing overtones in Yanagi's arguments. This comes close to devolving into a sort of "noble-savage" way of looking at crafts made in traditional ways, and is sometimes criticized as being arrogant if not contradictory.

This book only scratched the surface of the world of Mingei, however, and an actual study would no doubt involve learning the Japanese language in order to follow not only Yanagi's essays, but also to be able to go and "experience" the art Yanagi devoted himself to inside of Japan. Yanagi's ideas, however, span much further than any one culture and many connected with Yanagi, particularly Hamada Shoji, came in contact with similar movements and ideas in their travels to mainland Asia, Europe, and North America. This book can be read, therefore, comfortably by most anyone interested in art and aesthetics.

An Aesthetics Bible!.......1999-12-08

Yanagi's words are so dense, packed, and rich with meaning. He has keen insights into what real 'seeing' is, and how necessary it is in discerning beauty. But Yanagi's words run beyond insight, and have some of that deep ring of eternal 'Truth' to them. I highly recommmend this book to anyone wanting to learn more about what true 'seeing' is, and how it relates to the perception of beauty.

The Japanese Sword: A Comprehensive Guide (Japanese Arts Library)

Average customer rating:

Sword Guru
very good
EVERYBODY CAN LEARN ABOUT JAPANESE STEEL WITH THIS BOOK
The Japanese Sword; K.Sato
A standard in any nihonto library!

The Japanese Sword: A Comprehensive Guide (Japanese Arts Library)
Kanzan Sato
Manufacturer: Kodansha International
ProductGroup: Book
Binding: Hardcover

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ASIN: 0870115626

Book Description

The Japanese sword combines unbreakability, rigidity, and lethal cutting power, and it is in the resolution of these conflicting practical requirements that it emerges as a triumph of the forger's art. The mystique of the sword lingers on in our age of mechanized combat, but the aesthetic
qualities for which swords are most valued by collectors today-the liveliness of the metal "skin," the confidence in every aspect of the design, the scrolling temper-line, the almost buoyant lightness of the hilt when the blade is held in the hand-all derive from what the Japanese sword demanded as
a symbol of strength and as a weapon. As an instrument of clear persuasion, no other blade anywhere has ever been its equal.

This volume, containing color and black-and-white plates, has been prepared as an introduction to the history and appreciation of the Japanese sword. Its author, until his death in 1978, was one of Japan's foremost sword experts, and his wide knowledge is here brought to bear on every aspect of
sword lore, including forging techniques and problems of appraisal. Looking over the 1,500 years of sword history in Japan, Kanzan Sato notes how the major developments-the shift from the early straight blades to the tachi, which were longer curved blades slung edge downwards at the waist, to the
familiar daisho pair of short and long swords worn by samurai until modern times-were the result of both technical innovation and changed fighting techniques. He examines the various fashions in sword mounts and the at times precious, highly decorated work of the smiths who specialized in sword
guards, or tsuba, during the Momoyama and Edo periods.

The centerpiece of this book, however, is a detailed examination of over a dozen of Japan's most revered blades, including the Kanehira and the Dojigiri by Yasutsuna, perhaps the two finest swords in Japan and as clear and beautiful today as when they were forged some 900 years ago. The discussion
of what makes these blades special and how they have been passed down for generations offers the reader a wealth of insight into the sword in Japan as heirloom and cultural treasure.

Customer Reviews:

Sword Guru.......2007-07-17

This book is exactly what the title says it is. It truly is a comprehensive guide to various japanese swords detailing the types and nomenclature of the swords.

very good.......2007-02-08

i loved this book it gave me all the information i needed on the art of the japanese swords.

EVERYBODY CAN LEARN ABOUT JAPANESE STEEL WITH THIS BOOK.......2006-03-17

IF YOU COLLECT JAPANESE SWORDS YOU MUST HAVE THIS EXCELLEBT BOOK

The Japanese Sword; K.Sato.......2004-09-14

An excellent introductory book. Pictures were of high quality which was surprising since they were not digital quality.

Definitions were clear and the glossary of terms was excellent.

A standard in any nihonto library!.......2004-01-14

The pictures in this book are stunning! A real tribute to the sword and their beauty. This is a great book for someone who is just beginning their study in nihonto, or for anyone who enjoys the awesome creations that man has achived, before the days of electricty and the power tool!

Wonderful book!

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