Average customer rating:
|
The Eucharist in Romanesque France: Iconography and Theology
Elizabeth Saxon
Manufacturer: Boydell Press
ProductGroup: Book
Binding: Hardcover
 General
| Architecture
| Professional & Technical
| Subjects
| Books
General
| History & Criticism
| Arts & Photography
| Subjects
| Books
General
| Arts & Photography
| Subjects
| Books
Prayerbooks
| Worship & Devotion
| Christianity
| Religion & Spirituality
| Subjects
| Books
Hymnals
| Worship & Devotion
| Christianity
| Religion & Spirituality
| Subjects
| Books
General
| Religion & Spirituality
| Subjects
| Books
General
| France
| Europe
| History
| Subjects
| Books
All Titles
| Qualifying Textbooks - Fall 2007
| Stores
| Books
ASIN: 1843832569 |
Book Description
During the Romanesque period in France, and accelerated by a growing introspection and consciousness of self-identity, a penitential focus was given to eucharistic piety. Population increase and prosperity brought greater tithe income to the Church, allowing new discipline and religious regulation in respect of the sacraments. The aim of this book is to bring together aspects of the multi-faceted penitential-eucharistic devotion, as revealed in theological writings and Mass commentaries, in Gregorian reform, in heretical circles both clerical and popular and in works of art, so that the reader can contemplate, through a wider juxtaposition than that usually practicable in more detailed specialised scholarship, something of the mood of the period. Just as the new scholastic writings impressed by their innovative creativity, the best late eleventh- and twelfth-century art was astonishingly vital and the comparison of art and textual works is central to the volume. Dr Elizabeth Saxon has recently retired from the staff of the Open University.
Average customer rating:
- Doing Levert?
- Great resource!!
|
Romanesque & Gothic France: Art and Architecture
Viviane Minne-Seve , and
Herve Kergall
Manufacturer: Harry N. Abrams
ProductGroup: Book
Binding: Hardcover
General
| Architecture
| Professional & Technical
| Subjects
| Books
European
| International
| Architecture
| Professional & Technical
| Subjects
| Books
Religious Buildings
| Building Types & Styles
| Architecture
| Professional & Technical
| Subjects
| Books
General
| History & Periods
| Architecture
| Professional & Technical
| Subjects
| Books
Gothic
| History & Periods
| Architecture
| Professional & Technical
| Subjects
| Books
Gothic
| Schools, Periods & Styles
| Arts & Photography
| Subjects
| Books
Romanesque
| Schools, Periods & Styles
| Arts & Photography
| Subjects
| Books
European
| Regional
| History & Criticism
| Arts & Photography
| Subjects
| Books
Religious
| Arts & Photography
| Subjects
| Books
General
| Sculpture
| Arts & Photography
| Subjects
| Books
General
| Arts & Photography
| Subjects
| Books
General
| France
| Europe
| History
| Subjects
| Books
Similar Items:
-
Romanesque Churches of France: A Traveller's Guide
ASIN: 0810944367 |
Book Description
This superbly illustrated book is the only one of its kind to trace the history of Romanesque and Gothic architecture and sculpture in all of France, focusing especially on the exalted ecclesiastical structures-and the splendid sculpture, painting, illuminated manuscripts, and stained glass made for these churches, monasteries, abbeys, and cathedrals-created by inspired "builders for God."
Touring France province by province, the authors discuss the landmarks of the period, such as Notre-Dame, Cluny, and the Cathedral of Chartres, all of which reflect the religious intensity of the medieval world. Whether exploring the religious history of Catholic France, the historical development of Romanesque and Gothic styles, or the lives and works of the builders and artists who sought to glorify God, this lavishly illustrated, carefully researched book is invaluable for scholars yet accessible for the general reader.
VIVIANE MINNE-SÈVE has taught at the Ecole d'Architecture in Geneva and is currently a professor at the Institut Suprieur de Tourisme in Paris. She specializes in the Romanesque period and has contributed to several Swiss and Italian publications.
HERVÉ KERGALL is a sculptor and a specialist in Gothic art who has written for many exhibition catalogues, often on the working methods of architects of the Romanesque and Gothic periods.
300 illustrations in full color, 50 maps, floor plans, and diagrams, 101/2 x 121/2"
Customer Reviews:
Doing Levert?.......2006-01-16
This is really helpful if you're doing your Levert project. I know that there are some of you out there who know what I'm talking about. So have fun! It's due in two days! Yay!
Great resource!!.......2001-02-01
I was recently doing a school report on cathedrals in france and i came acrosss this little gem. It is packed with information on both romanesque and gothic architectural styles and is not only educational but also very intriguing. After doing my report, i continued to read this book and to learn more about architecture. I reccomend this book because it is both informative and well written.
Book Description
The early middle ages were an exciting period in the history of European architecture, culminating in the development of the Romanesque style. Major architectural innovations were made during this time including the medieval castle, the church spire, and the monastic cloister. By avoiding the traditional emphasis on chronological development, Roger Stalley provides a radically new approach to the subject, exploring issues and themes rather than sequences and dates. In addition to analysing the language of the Romanesque, the book examines the engineering achievements of the builders, and clearly how the great monuments of the age were designed and constructed. Ranging from Gotland to Apulia, the richness and variety of European architecture is explored in terms of the social and religious aspirations of the time. Symbolic meanings associated with architecture are also thoroughly investigated. Written with style and humour, the lively text includes many quotations from ancient sources, providing a fascinating insight into the way that medieval buildings were created, and in the process enlivening study of this period.
Customer Reviews:
Early Medieval Architecture.......2005-09-19
The text arrived in good shape, and was just as described. What kept this from being a 5-star review was the sluggishness of the delivery, some 3 1/2 weeks after being ordered.
comprehensive and entertaining.......2003-01-07
Mr. Stalley has written an excellent piece of work by combining the architecture in the early middle ages with its historical context. The content is entertaining and informative. It starts by describing the origin of the basilicas, their evolution along time and the influence that the medieval society (either royal, secular, or religious) had on both, design and construction, of these outstanding long lasting works.
Flagship Volume in New Art History Series.......2000-04-24
Published last year, this is one of the initial volumes to appear in the extremely good, new "Oxford History of Art" series, which almost outdoes even the recent "Everyman Art Library", which it resembles. Both series are an attempt to make available up-to-the-moment overviews of selected areas of the history of building, sculpture, painting, and photography. Whereas the Everyman series seems to be open-ended, Oxford have divided their survey of world art into categories by area and/or subject, although only a handful of titles have appeared to date.
Both series are superbly well printed and illustrated; each includes maps, charts, timelines, and bibliographies. What Thames and Hudson's "World of Art" series did well for several decades, these two series are now achieving in a more strictly periodizing form, with greater emphasis on method and, in the case of Oxford, on Theory.
In both the Oxford and Everyman series, the most fascinating volumes are those which treat subjects broken down or combined in unusual ways. Thus, Alison Cole's "Art of the Italian Renaissance Courts" (l995) seeks to compare Naples, Urbino, Milan, Ferrara, and Mantua--- bringing relative clarity to a topic that most surveys tend to gloss over. Similarly, Loren Partridge's Everyman "The Renaissance in Rome" (1996) treats the Quattrocento and Cinquecento in the Eternal City, chapter by chapter, in terms of urban planning, churches, palaces, altarpieces, chapel decorations, and halls of state--- all in a single volume.
Before Stalley, the two Oxford volumes I had read were Jas Elsner's "Imperial Rome and Christian Triumph" and Craig Clunas's "Art in China". Both are by younger scholars and are massively imbued with new (politically correct) art history. Yet both books are filled with challenging and brilliant examples and new information. In fact, the China volume is written (like all of Clunas's work) from a perspective that is truly revolutionary in Chinese studies. At the end of the day, both Elsa and Clunas are so skilled, both as writers and historians, that even the jargon of the new art history is eclipsed by the sheer quality of the two works.
Roger Stalley, Professor of the History of Art, at Trinity College, Dublin, writes clearly, penetratingly, and without jargon. "Early Medieval Architecture" is deftly constructed, and the author claims that his chapters may be read "in almost any order". This may indeed be the case (I read straight through and could scarcely put the book aside). It comes, of course, as no small recommendation that Stalley was a student of Peter Kidson's.
What makes "Early Medieval Architecture" unique is the editorial decision to relegate the entire topic of "late" medieval building to a separate volume by Nicola Coldstream. Therefore, hardly a mention is made of "Gothic--- the question that Stalley addresses being: "What is Romanesque?" Like its subject the book is suitably austere, yet it is not without personality. The endnotes are unobtrusive, and there is a state- of-the-art Bibliographic Essay. All this is supplemented by some 150 varied and informative photographs and redrawn plans and building sections. There is virtually no attention to sculpture, as befits a scholar whose interests and sympathies are Cistercian; however, there is a sensitive underlying concern with the "language of architecture" itself, such that the book would give pleasure to any working architect.
Stalley has given us ten chapters starting with "The Christian Basilica", where his subject overlaps slightly with that of the Elsner's book. Appropriately, the argument returns again and again to Rome. The next chapter is an exercise in setting forth the architecture of the Carolingian Renaissance, where light is shed in an area of architectural history that for the novice is more typically hedged with exceptions and speculation. A third chapter pursues the "iconography of architecture" in Rome, Milan, Ravenna, and Jerusalem, as well as lesser-known places.
Chapter 4 is devoted to secular architecture and is somewhat revisionist in tone. The very fact that such an exercise is provided bodes well for the clarity of Stalley's enterprise, and there are numerous photographs throughout the book that succeed in demonstrating a relationship between ecclesiastical buildings and the architecture of feudalism.
Chapters 5 and 6 treat, respectively, the patron-as-builder and the builder-as-engineer. In this, the architectural expertise of certain early patrons is stressed, while the engineering argument is soft peddled, in the sense that techniques of vaulting are not allowed to dominate a more all-embracing explanation of the general integrity of the building fabric. As the author reminds us, the story of vaulting has too often been permitted to get out of hand, leading the discussion of early medieval structure well beyond what is warranted by evidence and probably away from what must have been the original aims and concerns of early medieval builders themselves, whether "engineers" or not.
Chapters 7 and 8 deal with the influences of pilgrimage and monasticism on early medieval building. Here a number of relevant statistics and medieval texts are cited that raise the discussion well above what is ordinarily expected to suffice the undergraduate reader. For example, the names of the seven major services or "offices" of Benedictine communal worship are set out and, where needed, explanation is offered. The discussion of the famous St. Gall plan is commendable in its detail, while the full-page photographic detail of the plan is printed in color to show the use of red ink on parchment. Included here is mention and illustration of the recently restored Cistercian abbey church at Fontenay, which as a caption points out, may reflect the destroyed mother house at Clairvaux.
The final two chapters are a magisterial recapitulation of the "Language of Architecture", starting off "During the course of the eleventh century a new architectural language emerged in western Europe...", and of its subsequent diversity throughout Europe. In summary, this is an exciting book that matches some of the recent strides forward in early medieval social and political history and provides a superlative discussion of a topic that has rarely been so coherently presented and illustrated in a single volume.
David B. Stewart, Tokyo Institute of Technology
Average customer rating:
- An Instant Classic!
- Best Ever
|
Pictorial Narrative In The Romanesque Cloister: Cloister Imagery and Religious Life in Medieval Spain (Hermeneutics of Art)
Pamela A. Patton
Manufacturer: Peter Lang Publishing
ProductGroup: Book
Binding: Hardcover
General
| Architecture
| Professional & Technical
| Subjects
| Books
Religious Buildings
| Building Types & Styles
| Architecture
| Professional & Technical
| Subjects
| Books
Medieval
| Schools, Periods & Styles
| Arts & Photography
| Subjects
| Books
Romanesque
| Schools, Periods & Styles
| Arts & Photography
| Subjects
| Books
General
| Sculpture
| Arts & Photography
| Subjects
| Books
General
| Arts & Photography
| Subjects
| Books
Spain
| Europe
| History
| Subjects
| Books
All Titles
| Qualifying Textbooks - Fall 2007
| Stores
| Books
ASIN: 0820472689 |
Customer Reviews:
An Instant Classic!.......2005-11-28
This book exposed me, in quite dramatic form, to the incredible cloister imagery of Medieval Spain. This is the single finest book, of the genre, that I've ever had the privilege of perusing, and peruse it I most certainly did.
The author's personal journey through the trials and tribulations of a life spent with her older brother Dave speaks volumes about the lengths she must have gone through, and the obstacles she's overcome to publish this masterwork. Kudos!
Best Ever.......2004-11-23
Beautifully written and photographed. The ultimate guide to Spanish cloister art. Author/Photographer Pamela Patton is a genius, and is not afraid to show the influence of her smarter brother Dave. A must buy for everyones Christmas list!!!!
Customer Reviews:
They write with a letter xalled carolingia.......1999-06-15
This book talk about the carolingio art and this art happen in the Carlomagno's dinasty. This art is a part of the pre-romanesque art. This period of the art dissapeared when Carlosmagno finish his dinasty and then come other periods of art. This is very interesting because talk about a very important period in the history of art. Well I want to review this book.
Book Description
The Cloisters is the branch of The Metropolitan Museum of Art devoted to the art and architecture of medieval Europe. This splendid new guide, richly illustrated with more than 175 color pictures, offers a broad introduction to the remarkable history of The Cloisters as well as a lively and informative discussion of the treasures within.
Assembled with Romanesque and Gothic architectural elements dating from the twelfth through the fifteenth century, The Cloisters is itself a New York City landmark, overlooking sweeping vistas of the Hudson River in Upper Manhattan. Long cherished as a world-class museum, it also contains beautiful gardens featuring plants, fruit trees, and useful herbs familiar from the collection’s medieval tapestries and other works of art. Among the masterworks of medieval religious and domestic life housed in The Cloisters are exceptional examples of carved ivory, illuminated manuscripts, stained glass, silver- and goldsmiths’ work, and tapestries, including the famous Unicorn in Captivity.
Enriched by the latest scholarship from The Cloisters’ expert staff of curators, educators, and horticulturalists, this volume will stand as the definitive source on the collection for years to come.
Book Description
Medieval architecture comprises more than the traditional image of Gothic cathedrals and the castles of chivalry. A great variety of buildings - synagogues, halls, and barns - testifies to the diverse communities and interests in western Europe in the centuries between 1150 and 1550. This book looks at their architecture from an entirely fresh perspective. It shifts the emphasis away from such areas as France towards the creativity of other regions, including central Europe and Spain. It treats the subject thematically, seeking what all buildings, both religious and secular, have in common, and how they reflect the material and spiritual concerns of the people who built and used them. It considers how and why, after four centuries of shaping the landscapes and urban patterns of Europe, medieval styles were superseded by classicism.
Customer Reviews:
Belongs in the Medievalist's or Art Student's Library.......2007-05-30
Part of the Oxford History of Art Series, this text on medieval architecture by Nicola Coldstream is an excellent survey of the development of architectural forms throughout the medieval period. Designed for the art major who is taking courses on architectural forms and history, the text provides a well-rounded presentation on the subject. Commencing with the derivation of the word "gothic," the book goes on to describe gothic's subsequent development as an architectural form through some five hundred years, and presents the differentiating features of the early, high, and late gothic, the flamboyant, and the rayonnant forms.
After this orientation to the term "gothic," the text moves into a section on "Structure and Design," which covers floor plan design, architectural models, the role of the architect, and constructive geometry. A large section of the book covers the symbiotic roles of patrons and builders. Later sections of the book cover issues such as architectural space and representational art in great detail. Numerous full-color diagrammatic images support the text, and maps are also used as needed, making this book quite an impressive introductory text to the subject that should orient any reader to the subject.
It is rare to find a book on such a theme that is simultaneously printed on high-quality semi-gloss paper, presented with the majority of its images in full color, be small enough to comfortably hold, and at the same time, be reasonably priced. This book, however, fits the bill admirably. The only small quibble would be that not ALL the photos are color. The majority indeed are, but it is unfortunate that, in an attempt, no doubt, to keep the cost down, a number of the photos are reproduced only in black and white. Nevertheless, and especially when one considers the price, it is pleasing to find the majority of photos are in color, and reproduced in good quality, as well. I highly recommend this book as an outstanding part of the library of a medievalist, an art scholar, or simply anyone interested in the emergence of gothic architecture. That the book is available at less than $15 is simply incredible.
Book Description
Approximately 2,025 years ago, an aged Roman architect named Vitruvius wrote down on ten scrolls everything he knew about architecture. He presented this work, known today as "Ten Books on Architecture," to Emperor Augustus in the hope of changing what he perceived as a rampant lack of professionalism and educational rigor in the practice of architecture. The "Ten Books," the most comprehensive architectural book written in antiquity and the only such work to survive, is a seminal volume in Western culture and continues to be an important resource.
"Viturvius on Architecture" presents not only a new translation of the five books most relevant to contemporary architecture but also new drawings and watercolors that illustrate, for the first time since ancient days, Vitruvis's methods of proportion and composition. Architect and educator Thomas Gordon Smith re-created these finely detailed illustrations directly from the text. Also included are many photographs of historic architecture from Greece, Italy, Turkey, and throughout the Mediterranean region. This new edition of an ancient tome is intended for practical application, as an indispensable reference for classical studies, and as an incontrovertible example of the enduring value of the architecture of antiquity for contemporary education and practice.
Customer Reviews:
Romanesque: Architecture, Sculpture, Painting.......2003-05-07
Excellent, a trully work of art. This book digs down into the core of the post-classic period of the plastic arts. A delightful and resourceful acquisition of any scholar artist or architect with interest in the origins of building forms, natural lighting, and a three-dimensional space.
great for the coffee table.......2000-02-03
As the holidays approach and you find yourself entertaining more at home, it's time to start thinking about a new book to add to your coffee table, or to toss under the tree of a fellow Italiaphile. "Romanesque" is not only a substantial book with beautiful pictures it's also a complete resource for understanding the building style most representative of the Middle Ages. As Romanesque architecture, art and sculpture is not restricted to Italy, this book also extends to show examples of this style from Germany, France, Spain, Portugal, Great Britan, and even Scandinavia!
A must-have for fans of Romanesque architecture!.......1999-12-09
Although I am no great architectural authority, I love the Romanesque and have had the pleasure of visiting many churches while travelling in rural France. Like a 12th century pilgrim, I even made the journey to Compostela in Spain. This book, however, made me feel like I only scratched the surface -- what amazing (and uncelebrated) Romanesque buildings there are ALL OVER Europe! I am newly amazed at how diverse the Romanesque style can be. The author and photographer undertook a daunting project, documenting hundreds of structures (practically every building of note, it seems). The quality of this book is staggering -- you would think it should sell for a lot. But as detailed as some of the academic articles can be, the book is never dull or pedantic -- partly because the photography is so terrific and compelling. This book is magical. A GREAT bargain, a great gift, and highly recommended.
A must have Architecture book at a great price........1999-03-31
This is a large "coffee table" size book that covers the Romansque Period to an exhaustable amount. It covers architecture, scuplture, and paintings for the professional and the layperson. This book is a bargain at $39.98. Most books of this size and contents cost over $100.00. This book will make a wonderful gift or an great addition to any library.
Books:
- The Finest Houses Of Paris
- The Glass Castle: A Memoir
- The House on Mango Street
- The Magic of Believing
- The Measure of a Man: A Spiritual Autobiography (Oprah's Book Club)
- The Now Habit: A Strategic Program for Overcoming Procrastination and Enjoying Guilt-Free Play
- The Outermost House: A Year of Life On The Great Beach of Cape Cod
- The Quilter's Legacy (Elm Creek Quilts Novels)
- The Simple Home: The Luxury of Enough (American Institute Architects)
- The Solar House: Passive Heating and Cooling
Books Index
Books Home
Recommended Books
- No Other Way Out: State and Revolutionary Movements, 1945-1991
- History: Fiction or Science
- Asian Pacific Phycology in the 21st Century: Prospects and Challenges
- Diode Lasers and Photonic Integrated Circuits
- Cultural Amnesia: Necessary Memories from History and the Arts
- History: Fiction or Science
- ER Vet : Diary of an Animal Doctor
- Matière d'art / A Matter of Art: Architecture contemporaine en Suisse / Contemporary Architec
- Architecture and Meaning on the Athenian Acropolis
- No Small Thing
