Customer Reviews:
Not for a diversity class.......2007-09-09
This text is required reading for a master's level diversity course. I think it would be an excellent choice for an ENGLISH class, but think it is a poor choice for a diversity class. . .
Amazon.com
Composition teachers throughout the English-speaking world have been pushing this book on their students since it was first published in 1957. Co-author White later revised it, and it remains the most compact and lucid handbook we have for matters of basic principles of composition, grammar, word usage and misusage, and writing style.
Book Description
This is the braille version of the timeless reference book. According to the St. Louis Dispatch, this "excellent book, which should go off to college with every freshman, is recognized as the best book of its kind we have." It should be the ". . . daily companion of anyone who writes for a living and, for that matter, anyone who writes at all" (Greensboro Daily New). "No book in shorter space, with fewer words, will help any writer more than this persistent little volume" (The Boston Globe). Two volumes in braille.
Customer Reviews:
The Elements of Style.......2007-09-25
The book was in wonderful condition. It arrived in a timely manner. I would buy from you again.
Great guide for writers of all ages.......2007-09-25
My son's teacher recommended this book when he was in middle school. He still refers to it in college as he pursues his writing career. My daughter needed her own copy for school because her brother wouldn't give his up! You really can't go wrong with this book.
Good book........2007-09-07
It is good book, but you might find some styles are repeating with other books. It is good to learn from this author, but I also suggest learn more from other authors, too.
Read it, Then Read It Again.......2007-09-06
This itsy bitsy tome is an ageless classic. I read it for the first time 20 years ago. Despite having never found grammar interesting before, I became hooked on the sharp little lessons. I read it again, to both delight and edification. And I'll read it once more, to remind myself of the rules that make English what it is and to smile at Prof. Strunk, long gone but very much alive in these pugnacious 80 pages. He's somehow managed to boil down the bones of the language and give you the absolute essentials. If you haven't read it, you're in for a treat and a pleasant surprise, especially if you don't care for grammar. This is truly short and sweet.
Elements of Style review.......2007-09-05
This is an excellent book. All authors (or soon to be authors) should consider adding it to their core readings.
Rick.
Product Description
Some Instructions on Writing and Life
Amazon.com
Think you've got a book inside of you? Anne Lamott isn't afraid to help you let it out. She'll help you find your passion and your voice, beginning from the first really crummy draft to the peculiar letdown of publication. Readers will be reminded of the energizing books of writer Natalie Goldberg and will be seduced by Lamott's witty take on the reality of a writer's life, which has little to do with literary parties and a lot to do with jealousy, writer's block and going for broke with each paragraph. Marvelously wise and best of all, great reading.
Customer Reviews:
Best of the Bunch.......2007-09-22
Unassuming and astonishing. Of all the books on writing I have read, and I have read a truckload, this one delivers more good advice than any other.
Here's the odd thing, though: when I first tried to read this a few years ago, I didn't get very far. I thought the writer was far too full of herself for her or my good. Then I picked the book up again recently and it blew me away. Maybe a lot of books are like that--you just have to be ready for them.
just what I was looking for.......2007-08-16
This book puts in a nutshell all the answers I as a budding writer was looking for. Take notes as you read and laugh!
A Writer's World.......2007-08-06
What type of book is "Bird by Bird: Some Instructions on Writing and Life" by Anne Lamott? It's one of those rare books that makes you want to start reading it all over again just as soon as you finish. In a word, wonderful. Better than that, "Bird by Bird" has something to teach, or at least some helpful advice about writing, writers, and getting published. It's all there: the anxiety, the yearning, the misplaced thought, the jealously, the longing, the joy. The words here don't really do it justice. However favorable an impression you may have at this moment in time, at this point in the review, know this: The book is so much better than what I can describe, and when you actually sit down and read this book (and you should), you will say to yourself, "I didn't know it would be this good!"
Lamott is the published author of eight books, including her most famous novel "Traveling Mercies." If you've never read any Anne Lamott, join the club, but don't let it stop you from getting this book. "Bird by Bird" is a series of discussions about writing and the writing life that reflect some of what Lamott teaches in her UC-Davis writing classes. And yet, there is so much more. She has infused her lessons with charm and grace, with stories of her family and her teaching, and above all, with her own day-to-day writing life. If you've ever wondered how a real author, a published author, goes about creating the magic, Lamott is ready to let you peak in. She talks about real writing tricks that work. She starts with the basics. She confronts her own inner demons and all those internal voices that tell every author his or her work just isn't good enough, and tells you how to get past them and write anyway.
A little bit about the title, which I know must be making you wonder at this point. "Bird by Bird" refers to a story she tells about her brother and her father (another writer). Her brother was then a 10-year old who hadn't done his report on birds the night before it was due at school (although he'd had 3 months to complete it...sound familiar?). He had worked himself up into a panic, wondering how he could possibly accomplish his monumental task. Finally, Lamott's father sits down beside her brother, puts an arm around his shoulder, and says, "Bird by bird, buddy, just take it bird by bird."
This gem of a book is filled with so many wonderful stories, so much humor and pathos, so many identifiable writer crises that you will be astonished at how effortlessly Lamott has accomplished her goal--helping us become better writers. I've never read a book about writing that was so practical, so humane, so lovingly created. This is the most practical guide to writing I've ever read, yet it's never (no, not once) boring. She never gets bogged down in detail. Her writing never wavers. It's an amazing book on those counts alone. That it has so much to teach as well truly makes it a treaure, a golden egg.
Interesting and Informative.......2007-07-21
I expected this book to be informative and was not disappointed. The fact it was also entertaining was a bonus. The author's empathy for other writers was refreshing, as well. I appreciated the many tips sprinkled throughout and would recommend this book to anyone who likes to write.
A good read, but..............2007-07-05
This book is a good read, but don't count on it to get you through the difficult task of writing your first book, which is what I am doing. Bird by Bird, for me, was an uninspiring, scatter-brained collection of stories about past failures, and hoped-for successes. It lacked substance. To be honest, it caused me to lose focus and really threw me off course. To get back to the basics, I purchased another book from Amazon, Stephen Hawley, Writing Instructions for Middle School. Sounds elementary, but it cleansed my head of Bird by Bird and I finished my first book. If you want to read a story, buy Bird by Bird. If you want writing instructions, buy Stephen Hawley's book.
Average customer rating:
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Get Writing: Sentences and Paragraphs
Mark Connelly
Manufacturer: Heinle
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Get Writing: Paragraphs and Essays
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Writer's Resources Now? for Connelly's Get Writing: Sentences and Paragraphs
ASIN: 0155063162 |
Book Description
Become a better writer with GET WRITING: SENTENCES AND PARAGRAPHS! With guided questions and revisions, a handbook reference section, and a focus on real world writing, this developmental English text provides you with the tools you need to succeed. With features such as Personal Tutor with SMARTHINKING, an online synchronous tutoring that gives you the opportunity to have an experienced writer guide you through the writing process, improving your writing skills has never been easier.
Book Description
This best-selling writing guide integrates purpose, process, and rhetorical strategies into every chapter, offering readers the clearest explanation of writing.
In addition to emphasizing critical reading, every major chapter contains professional and student samples, rhetorical techniques, journal exercises, reading and writing activities, collaborative activities, peer-response guidelines, and revision suggestions. A student essay in each chapter contains writing process materials (outlines, audience analysis, interview notes, drafts, revision plans, etc.).
For high school and college students.
Customer Reviews:
The Great Book.......2000-05-05
I found this book great referance for people who want to learn a attractive style of writing.
It suitable for both beginer and advanced.
Great Book for College Writers.......1999-01-22
This is a great book for college writers. This book helps to understand more about the different types of essays. This book is mainly used for college for classes Composition I and II english classes including Oakton Community College.
Book Description
The expert advice students need is just one click away with the new e-book for A Writer's Reference, Sixth Edition. Cross-references between the companion site's Writing, Grammar, and Research exercises and relevant e-book content help students learn how to work with their handbook to improve their writing. Interactive "Citation at a glance" boxes provide a dynamic guide to citing sources. The new e-book allows students to bookmark the sections they use most often, add their own examples and notes, and print any material they might need when not online. Instructors can add their own content to the e-book, including documents and images, to share with their students. "MLA Papers" is available for preview. Please note that any changes, including bookmarks and notes, will not be saved in this preview version.
To request instructor access, click on the link below:
http://bcs.bedfordstmartins.com/Login/login/loginbcs.aspx?isbn=0312472307
Customer Reviews:
A writer's reference.......2007-10-01
This book is required for my online English Composition and it has been helpful for online editing and critiquing. Best part is that Amazon shipped it fast so I got it in one day!
Excellent Reference.......2007-10-01
I am currently enrolled in graduate school, and the professors are very strict with written reports and proposals. The Writer's Reference is an excellent tool to use as a guide in APA, MLA, and Chicago style format. I have to use the APA format for school and the information within the guide is easy to read and very user friendly. I am doing very well with my written assignments and I truly love Ms. Hacker's reference materials she is excellent with details. I recommend this as a must buy for any grad student.
Good Book Good Quality.......2007-09-24
I was very pleased with how fast I received my book. I needed it for my English class and it was in great condition. I would definitly buy here again.
A Writers Reference.......2007-09-10
I purchased this book for our daughter for college. It was in excellent shape and we were very pleased with our purchase
Excellent Reference Book.......2007-09-09
This was another required book for my English 101 class. It's a great reference book even if you don't need it for your English class. I recommend it to anyone who wants to write and cite properly. Definitley will not resell this book!
Book Description
The Fifteenth Edition is available in book form, on CD-ROM for Windows, and as a subscription Web
site. The same content from The Chicago Manual of Style is in all three versions.
In the 1890s, a proofreader at the University of Chicago Press prepared a single sheet of typographic fundamentals intended as a guide for the University community. That sheet grew into a pamphlet, and the pamphlet grew into a book—the first edition of the Manual of Style, published in 1906. Now in its fifteenth edition, The Chicago Manual of Style—the essential reference for authors, editors, proofreaders, indexers, copywriters, designers, and publishers in any field—is more comprehensive and easier to use than ever before.
Those who work with words know how dramatically publishing has changed in the past decade, with technology now informing and influencing every stage of the writing and publishing process. In creating the fifteenth edition of the Manual, Chicago's renowned editorial staff drew on direct experience of these changes, as well as on the recommendations of the Manual's first advisory board, composed of a distinguished group of scholars, authors, and professionals from a wide range of publishing and business environments.
Every aspect of coverage has been examined and brought up to date—from publishing formats to editorial style and method, from documentation of electronic sources to book design and production, and everything in between. In addition to books, the Manual now also treats journals and electronic publications. All chapters are written for the electronic age, with advice on how to prepare and edit manuscripts online, handle copyright and permissions issues raised by technology, use new methods of preparing mathematical copy, and cite electronic and online sources.
A new chapter covers American English grammar and usage, outlining the grammatical structure of English, showing how to put words and phrases together to achieve clarity, and identifying common errors. The two chapters on documentation have been reorganized and updated: the first now describes the two main systems preferred by Chicago, and the second discusses specific elements and subject matter, with examples of both systems. Coverage of design and manufacturing has been streamlined to reflect what writers and editors need to know about current procedures. And, to make it easier to search for information, each numbered paragraph throughout the Manual is now introduced by a descriptive heading.
Clear, concise, and replete with commonsense advice, The Chicago Manual of Style, fifteenth edition, offers the wisdom of a hundred years of editorial practice while including a wealth of new topics and updated perspectives. For anyone who works with words, whether on a page or computer screen, this continues to be the one reference book you simply must have.
What's new in the Fifteenth Edition:
* Updated material throughout to reflect current style, technology, and professional practice
* Scope expanded to include journals and electronic publications
* Comprehensive new chapter on American English grammar and usage by Bryan A. Garner (author of A Dictionary of Modern American Usage)
* Updated and rewritten chapter on preparing mathematical copy
* Reorganized and updated chapters on documentation, including guidance on citing electronic sources
* Streamlined coverage of current design and production processes, with a glossary of key terms
* Descriptive headings on all numbered paragraphs for ease of reference
* New diagrams of the editing and production processes for both books and journals, keyed to chapter discussions
* New, expanded Web site with special tools and features for Manual users. Sign up at
www.chicagomanualofstyle.orgFor information and special discounts on future electronic Manual of Style products.
Customer Reviews:
Everything!.......2007-09-02
For a writer, the Chicago Manual of Style answers every question about writing and publishing you may have and many more that you haven't thought of. I look up one item and continue reading. Great resource for writers.
Absolutely necessary for a writer or editor.......2007-08-23
The Chicago Manual of Style is a basic requirement for reference when editing for any academic press or dealing with works that require adherence to scholarly formats. There are a few instances where the Manual ducks responsibility and leaves matters up to individual authors and editors, but overall it gives succinct guidelines that make sense. Used in tandem with the online Chicago Manual it helps immensely in dealing with thorny issues of syntax and style.
a must need.......2007-08-17
This is a must need for those that are wanting to be authors.
Save time and editing by doing it right first.
Ernie P Moose.......2007-08-13
Still the standard for editors and copy editors. The 15th edition is much more geared than previous editions for those working on a computer and doing research on the internet. However, do not throw away your copy of the 14th edition, for to make room for new material in the 15th edition much of the detailed advice on punctuation and and usage in the 14th edition has been omitted from the 15th edition.
A must for every bookshelf.......2007-08-09
This book tells you everything you need to know to properly edit a written piece. It also explains the process of publishing, parts of a book, and gives tips to every person involved in the publishing process (author, editor, typesetter, publisher, etc.). The more recent editions (15 and up) give additional information about publishing in electronic formats (e-book, print-on-demand, and web publishing). A must for every bookshelf.
Amazon.com
Writing for the screen is quirky business. A writer must labor meticulously over his or her prose, yet very little of that prose is ever heard by filmgoers. The few words that do reach the audience, in the form of the characters' dialogue, are, according to Robert McKee, best left to last in the writing process. ("As Alfred Hitchcock once remarked, 'When the screenplay has been written and the dialogue has been added, we're ready to shoot.' ") In Story, McKee puts into book form what he has been teaching screenwriters for years in his seminar on story structure, which is considered by many to be a prerequisite to the film biz. (The long list of film and television projects that McKee's students have written, directed, or produced includes Air Force One, The Deer Hunter, E.R., A Fish Called Wanda, Forrest Gump, NYPD Blue, and Sleepless in Seattle.) Legions of writers flock to Hollywood in search of easy money, calculating the best way to get rich quick. This book is not for them. McKee is passionate about the art of screenwriting. "No one needs yet another recipe book on how to reheat Hollywood leftovers," he writes. "We need a rediscovery of the underlying tenets of our art, the guiding principles that liberate talent." Story is a true path to just such a rediscovery. In it, McKee offers so much sound advice, drawing from sources as wide ranging as Aristotle and Casablanca, Stanislavski and Chinatown, that it is impossible not to come away feeling immeasurably better equipped to write a screenplay and infinitely more inspired to write a brilliant one.--Jane Steinberg
Book Description
Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese and David Bowie are just a few of his celebrity alumni. Writers, producers, development executives and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience.
In Story, McKee expands on the concepts he teaches in his $450 seminars (considered a must by industry insiders), providing readers with the most comprehensive, integrated explanation of the craft of writing for the screen. No one better understands how all the elements of a screenplay fit together, and no one is better qualified to explain the "magic" of story construction and the relationship between structure and character than Robert McKee.
Customer Reviews:
Recommended by son, to mom and now you.......2007-09-23
Transforming a lifetime of short stories to screenplays has become my focus. Struggling with story, my son told me he had a teacher in film school suggest this book. It helped him. Now its helping me. Hopefully, you'll be next. Screenplays are perplexing if you've always written in short story or book form. McKee assists in making the necessary thought revisions you must in order to succeed.
A must read book.......2007-08-02
I bought this book three years ago, I keep referring to it whenever I am stuck in a script problem.I like the scene structure part very much, it is very focused, easy and helpful.
This is not a kind of book that you would read in the bus station or in one session.It is a lifetime friend once you decided to be a screenwriter.I am strongly convinced that "Story"is most useful for film and TV writers and not for any other writing genre.
Buy it, read it, re-read it and start writing knowing that it is a long journey.
There is only one way and that is McKee's way because he says so.......2007-07-30
If you can look past the contradictions, McKee's enormous ego, and writing as coherent and clear as that in Dianetics, you will occasionally find a helpful insight in this book.
Write the truth..........2007-06-26
In my experience books tested and proven before being written tend to be the best. A prime example - Angela's Ashes, won the Pulitzer Prize, fine tuned by the author McCourt doing a one man show talking about his wicked cruel childhood, growing up in Limerick, Ireland.
In the same way, Story evolved out of McKee giving lectures, and now, he continues to spread the word.
McKee is definitely an antagonist as opposed to a protagonist, and in person a funny and engaging fellow, and an excellent teacher. As you might expect, he does know how to tell a funny story, and he had a little fun at the expense of some of the sacred cows in the industry. I particularly liked his rant about Roger Ebert, who took his name in vain once but never again.
Anyway, the book shines a bright light on the elements of story. Conflict is to story what sound is to music. Story trumps dialogue in importance. Setups, payoffs, turning points, structure, inciting incident, protagonist vs antagonist, resonating and contrasting subplot, negation of the negation. Emotional value of scenes. Arc of the character. Act structure, rhythm and pacing. Text and subtext, beats, exposition. Character, dimension, step outline. All this and so much more.
Perhaps the most important single thing I learned from McKee is..treatment. The character treatment may be twice as long as the screenplay. This is the key difference between aspiring screenwriters, and successful ones.
I open my book, and look at his personal inscription to me, which I am sure he has written to many others... "Write the truth." I will, Mr McKee, I will.
If you were to find this review helpful, please click yes.
THE book for understanding story.......2007-06-24
If one were to read Joseph Campbell's, A Hero With a Thousand Faces, and Story, you would have the foundations (not formula) for understanding why story telling is such a powerful medium for communicating eternal truths. McKee says all people have an insatiable appetite for story. We can't get enough of them.
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