History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

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In the footsteps of the Renaissance Traveller
A remarkable guide to Rome

Palladio's Rome
Andrea Palladio , Vaughan Hart , and Peter Hicks
Manufacturer: Yale University Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0300109091

Book Description

Andrea Palladio (1508–1580), one of the most famous architects of all time, published two enormously popular guides to the churches and antiquities of Rome in 1554. Striving to be both scholarly and popular, Palladio invited his Renaissance readers to discover the charm of Rome’s ancient and medieval wonders, and to follow pilgrimage routes leading from one church to the next. He also described ancient Roman rituals of birth, marriage, and death. Here translated into English and joined in a single volume for the first time, Palladio’s guidebooks allow modern visitors to enjoy Rome exactly as their predecessors did 450 years ago.
Like the originals, this new edition is pocket-sized and therefore easily read on site. Enhanced with illustrations and commentary, the book also includes the first full English translation of Raphael’s famous letter to Pope Leo X on the monuments of ancient Rome. For architectural historians, tourists, and armchair travelers, this book offers fresh and surprising insights into the antiquarian and ecclesiastical preoccupations of one of the greatest of the Renaissance architectural masters.

Customer Reviews:

In the footsteps of the Renaissance Traveller.......2006-06-30

This book serves as a wonderful guide to a neglected side of Rome. Palladio's two guidebooks to the 'City of Wonders' published in 1554 were addressed to both his fellow architects and to religious tourists. He leads the reader into the ruins through the walls and gates, moves on to the roads, bridges, sewers and aqueducts, and then to the circuses, triumphal columns, arches and, finally, the temples. By using its useful annotated maps on site, this book allows the reader to follow in the footsteps of the Renaissance tourist. A reviewer in the New York Times described it as "A fascinating snapshot of Rome a century before the Baroque architects got their hands on it."

A remarkable guide to Rome.......2006-06-29

By using this book modern readers can get an extraordinary view of Rome, following in the footsteps of Palladio, the Renaissance master architect, as he takes them round the churches and antiquities. Just the right size to fit in your pocket, will change the way you see the 'eternal city'.

Giovanni Battista Piranesi, a Critical Study: with a List of His Published Works and Detailed Catalogues of the Prisons and the View of Rome

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Evocative drawings...almost dreamlike

Giovanni Battista Piranesi, a Critical Study: with a List of His Published Works and Detailed Catalogues of the Prisons and the View of Rome
Arthur M. Hind
Manufacturer: Martino Publishing
ProductGroup: Book
Binding: Hardcover

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Giovanni Battista Piranesi

ASIN: 1578981743

Book Description

Reprint of the 1922 edition. Cloth, Octavo. xii, 96pp. Frontispiece and 146 illustrations. Piranesi (1720-1778), Italian engraver and architect, is best known for his etchings of ancient and baroque Rome and the grandiose architectural constructions of his own imagination. In 1745 Piranesi's first real success came with his Carceri d' Invenzione, or Imaginary Prisons, 16 large plates that are often considered his masterpieces. Piranesi's next enterprise was to record the ruins of ancient Rome. It was to be the biggest project of his life. In 1756 Piranesi published his Roman Antiquities, four huge volumes containing over 200 folio plates. Hind's work is still one of the standard works on Piranesi. In all Hind describes 146 of Piranesi's work, including all the views of Rome, and the Carceri. Hind is invaluable for information on watermarks and states of each etching. He also provides information on dimensions, numbering, and publishers. Hind also provides a complite list of all the known works of Piranesi. He also provides a bibliography, and index, and illustrations of 124 the views of Rome.

Customer Reviews:

Evocative drawings...almost dreamlike.......2006-12-04

While Piranesi is well known for his bizarre prison design sketches, his drawings of ancient Rome are even better I feel.

This book includes a few dozen highly detailed sketches of ancient Rome as it looked when he visited in the 1700s. The area was filled with these fantastical buildings, almost 2000 years old, overgrown and desolate but amazingly intact. If you've ever wondered what the ancient world looked like before the industrial age when museums absorbed everything...this is the one to read.

The Four Books of Architecture (Dover Pictorial Archives)

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A classic
must have for your library

The Four Books of Architecture (Dover Pictorial Archives)
Andrea Palladio
Manufacturer: Dover Publications
ProductGroup: Book
Binding: Paperback

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ASIN: 0486213080

Book Description

Exemplary reprint of l6th-century classic. Covers classical architectural remains, Renaissance revivals, classical orders, more. 1738 Ware English edition. 216 plates. "...a new and splendid edition of what has probably been the most influential book published in the history of architecture since its first appearance in 1570." — Art in America.

Customer Reviews:

A classic.......2006-11-10

This book belongs in all of the architecture libraries of the world. It is a book that is a classic, a "must have" for all the professionals in the field. It requires a bit of concentration to read, because it is written in an "old fashioned" way, where some of the letters look a bit odd for the modern eyes ( the letters "s" in a lot of the words look like an "f", which reminds you of the german "ß"). But other than that, I think it is a wonderful book, carefully illustrated. I gave one as a gift for an architect friend, and he has been enjoying it a lot.

must have for your library.......2000-04-03

The four books of andrea palladio is a must have for the interior design library. The father of architecture's designs are the cornerstone of good classical design. Even though he is so widely copied he has never been equaled. This is a very good value for his works.

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Vitruvius on Architecture
Thomas Gordon Smith
Manufacturer: Monacelli
ProductGroup: Book
Binding: Paperback

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ASIN: 1885254989

Book Description

Approximately 2,025 years ago, an aged Roman architect named Vitruvius wrote down on ten scrolls everything he knew about architecture. He presented this work, known today as "Ten Books on Architecture," to Emperor Augustus in the hope of changing what he perceived as a rampant lack of professionalism and educational rigor in the practice of architecture. The "Ten Books," the most comprehensive architectural book written in antiquity and the only such work to survive, is a seminal volume in Western culture and continues to be an important resource.

Book Description

Traditionally a critical component of the education of any architect was to draw the ruins of ancient Rome, reconstructing either from ancient sources or, more often, pure fantasy, what the original structures must have looked like. From this training emerged generations of architects imbued
with the aesthetic ideals that would form the Neoclassical and Beaux-Arts building styles.

In this magnificently printed volume are reproduced some of the most extraordinarily handsome drawings of the ruins of ancient Rome made by French "Prix de Rome" architects from 1775 through 1925. Accompanied by text that explains how the Prix de Rome was awarded and the significance of the prize in
the history of architecture, as well as how the study of ancient models formed the basis for nineteenth- and early twentieth-century architectural styles, these drawings provide an invaluable understanding of how the modern imagination recorded and transformed ancient fragments into a modern
architectural idiom.

Louis Kahn to Anne Tyng: The Rome Letters, 1953-1954

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Louis Kahn to Anne Tyng: The Rome Letters, 1953-1954

Manufacturer: Rizzoli International Publications
ProductGroup: Book
Binding: Hardcover

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ASIN: 0847820092
Release Date: 1997-12-15

Book Description

After maintaining a professional and personal relationship with Louis Kahn for seven years, Anne Griswold Tyng departed in the autumn of 1953 for Rome. During her year in Italy, where their daughter was born, Kahn wrote weekly to Tyng, and his correspondence to her is published here for the first time. The fifty-three letters document not only their intense private relationship, but also give a vibrant account of the experience of a brilliant young architect on the cusp of achieving international renown.

Anne Tyng's introduction and epilogue frame Kahn's letters within the contexts of both their personal histories. Tyng's account of her own extraordinary life-- growing up as the child of missionaries in China, fleeing political turmoil on the eye of the Communist Revolution-- although factual, often reads like adventure fiction, and reveals Tyng to be a gifted writer. She also records the sequence of Kahn's and her work together, including their collaboration on such seminal works as the Yale University Art Gallery and the Trenton Bathhouse, as well as her independent architectural projects.

Kahn's letters, together with Anne Tyng's intimate essays, vividly capture the professional politics of the modern architecture scene-- such prominent figures as Philip Johnson, Eero and Aline Saarinen, Vincent Scully, George Howe, Pier Luigi Nervi, and Robert Venturi make appearances-- and illuminate the creative processes at work in the early stages of Kahn's emergence as one of the most influential architects of the twentieth century.

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The Danteum
Thomas L. Schumacher
Manufacturer: Princeton Architectural Press
ProductGroup: Book
Binding: Paperback

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ASIN: 1878271822

Book Description

In 1938, Mussolini's Fascist government commissioned the team of Giuseppe Terragni and Pietro Lingeri to design the Danteum, a "temple to the greatest of Italian poets." In this acclaimed book, Thomas Shumacher traces Terragni's fanatical, often mystical, pursuit of the poet and explains how this unbuilt project succeeds as an architectural translation of the Divine Comedy -- one that mirrors the poem in structure, theme, and rhythm. Original sketches and renderings complement Schumacher's analysis and provide a complete record of the Danteum.

" The Danteum [is a] beautifully presented book [that] invites us to study the Danteum in its entirety....The book demonstrates that architecture can transcend the realm of the physical; Schumacher's Danteum brings together different moments of history into one timeless and universal whole." -Progressive Architecture
"The most penetrating study of Terragni's architecture to appear in English to date....The fact that the Danteum was conceived as both a monument to the Divine Comedy and a transformation of a literary work into architectural form makes it a particularly appropriate vehicle for investigating structural parallels in different media...and excellent presentation of a provocative project." –JSAH

Vitruvius: Writing the Body of Architecture

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Guaranteed to bore the heck...

Vitruvius: Writing the Body of Architecture
Indra Kagis McEwen
Manufacturer: The MIT Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0262134152

Book Description

Vitruvius's De architectura is the only major work on architecture to survive from classical antiquity, and until the eighteenth century it was the text to which all other architectural treatises referred. While European classicists have focused on the factual truth of the text itself, English-speaking architects and architectural theorists have viewed it as a timeless source of valuable metaphors. Departing from both perspectives, Indra Kagis McEwen examines the work's meaning and significance in its own time.

Vitruvius dedicated De architectura to his patron Augustus Caesar, the first Roman emperor, whose rise to power inspired its composition near the end of the first century B.C. McEwen argues that the imperial project of world dominion shaped Vitruvius's purpose in writing what he calls "the whole body of architecture." Specifically, Vitruvius's aim was to present his discipline as the means for making the emperor's body congruent with the imagined body of the world he would rule.

Each of the book's four chapters treats a different Vitruvian "body." Chapter 1, "The Angelic Body," deals with the book as a book, in terms of contemporary events and thought, particularly Stoicism and Stoic theories of language. Chapter 2, "The Herculean Body," addresses the book's and its author's relation to Augustus, whose double Vitruvius means the architect to be. Chapter 3, "The Body Beautiful," discusses the relation of proportion and geometry to architectural beauty and the role of beauty in forging the new world order. Finally, chapter 4, "The Body of the King," explores the nature and unprecedented extent of Augustan building programs. Included is an examination of the famous statue of Augustus from Prima Porta, sculpted soon after the appearance of De architectura.

Customer Reviews:

Guaranteed to bore the heck..........2003-10-02

out of any reader who thinks s/he loves architecture, confusing architecture's greasy, grimy engine of manifestation as a 'built thing' with the SPECTACLE of architecture. The book deals with the ten books by V. It has a lot of Latin, with references to contemporary intellectual influences, namely Stoicism and Pythagoreanism. As much as I respect the author's labor, I must admit, she does get a little dry at times being so sincere (read pedantic) to her calling as a scholar. There is a bit more information than any thinking practitioner of architecture would really need. But then, any thinking architect will know what to cull from this rich feast/tour of the post Civil War Augustan Roman imperium.
So as to not repeat the content of the existing review, I shall speak more of how this book is relevant now by reminding the reader that the structure of the American Imperium is not all that different from the Roman. Just as it was true of Rome, it is still true today that all 'avante-gardes,' despite their rhetoric, work to actually further the Work of Empire. In fact, their very podium on which they utter their battle cries is built into the very structure of Empire.
The current fascination with the idea of 'body' can be, it turns out, traced back to V himself, who was among the very first to use the term 'corpus' to refer to his writing, as well as to architecture. By corpus, he meant 'whole' as opposed to fragments, and there were many commentaries at the time lying about on many a topic, but all in fragments. So V sets out to put it all together into a co-ordinated whole. According to the author, ORDINATIO is a word that crops up often in V's 10 Books but not as often as RATIO. The book makes it clear why these terms do not carry the meaning when translated into Order and Reason, respectively. This is where the author's surgical description of the Roman conception of the world comes in handy as well as fascinating.
The author, unlike the reviewer, finds her own conclusion "unsettling": namely that architecture as V defines it for the rest of the Western world henceforth (V distinguished it from 'building') is, by fate, inextricably tied to IMPERIUM. That is, Architecture IS the shadow of IMPERIUM.
As the archetype of Empire's Architect, V speaks for all architects who serve Empire, all Empires everywhere. While this book makes the modest claim to be looking only at the 10 Book's Roman context, the content, if read carefully, will reveal how V's "prophecy" about architecture is coming to fulfillment more today than ever before now that architecture can move so much faster and shift shape with digital ease, having long ago jettisoned the baggage of the 'perfect proportion/body.'
V was the first to write about the central role of machines (especially machines of war (killing) and spectacle (laughter and forgetting)) in architecture. Le Corbusier was perhaps the last "classical" architect to bring the circle of fate to its point of origination with his saying that, "A house is a Machine for Living in."

An Architect's Rome (Bulfinch Architecture/Travel Series)

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Everyone traveling to Rome must read this book
This book needs to be reprinted!
Excellent guide to walking tours of Rome and its architectur

An Architect's Rome (Bulfinch Architecture/Travel Series)
John M., Jr. McGuire
Manufacturer: Bulfinch Pr
ProductGroup: Book
Binding: Paperback

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ASIN: 0821219545

Customer Reviews:

Everyone traveling to Rome must read this book.......1999-02-19

As an architect, I appreciate John McGuire's personal descriptions of my favorite places in Rome. The illustrations are some of the best I have ever seen. This past Christmas, I gave this book to several friends as a bon voyage gift. We spent the morning over coffee discussing how well Rome is described in this book. Anyone interested in Rome would enjoy reading this book.

This book needs to be reprinted!.......1999-02-19

I am sorry to see that this book is no longer in print. Before a trip to Rome, I purchased 'An Architect's Rome' and read it from cover to cover. Reading 'An Architect's Rome' helped me plan my trip and as I read my enthusiasm for Rome increased. By the time I arrived in Rome I felt as if I knew the city and was returning to visit my favorite places. The author transfered his love for the city to me. On the author's recommendation I took the Ostia Antica day trip and thoroughly enjoyed the day. This is the best book on Rome that I have read.

Excellent guide to walking tours of Rome and its architectur.......1998-11-09

I visited Rome three years ago, and saw most of what McGuire describes and illustrates with excellent pen and ink sketches and water colors. If I had the book then, I could have saved time, seen more, and I think, appreciated what I did see and visit to a greater extent. I am an architect. Perhaps this is why I so enjoyed McGuire's book. Most people who visit Rome do so because of its remarkable architecture. This volume will enhance their visit.

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