History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

William Shakespeare: A Compact Documentary Life (Oxford Paperbacks)

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Play it Again Sam
A scholarly yet compelling biography of this elusive figure.

William Shakespeare: A Compact Documentary Life (Oxford Paperbacks)
S. Schoenbaum
Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Paperback

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ASIN: 0195051610

Book Description

Covering 400 years of Shakespeare scholarship, Schoenbaum's now classic William Shakespeare: A Documentary Life received high acclaim from critics and scholars. The New York Review of Books called it "a masterpiece," and the Guardian labeled it "our best life of Shakespeare." Making the resources of the world's greatest Shakespeare collections more accessible to all readers, this updated "Compact Life" contains a refined and amplified version of the original text and fifty of the original documents reproduced in smaller format. Schoenbaum has incorporated new material into his narrative, including an eyewitness account, in harrowing detail, of a murder believed to have occurred in New Place, the house that Shakespeare bought in Stratford in 1597. He also provides a new postscript which includes newly-compiled information from recent research on Shakespeare.

Customer Reviews:

Play it Again Sam.......2000-05-15

I was a personal friend of Sam's in fact a neighbor of his in Maryland for 6 years. I spoke with him a week before he passed away and he was telling me that Shakespeare's Identity was still an elusive subject for him and other scholars. He felt that his book ,William Shakespeare : A Compact Documentary Life, a lifelong pursuit was a good primer for beginners but that he felt incomplete about it and wished he had another life to make changes. This I found powerful as he was willing to be open about this and not be stuck in being an expert. Although his research in this book carries influence as authoritarian on Shakespeare's life , Sam up till the end of his life was convinced there had to be more. His publisher of course was unwilling to consider a new revised edition. But one thing Sam stressed over and over in the book as well that it was important for teachers who used his research to be careful in not telling students this was the absolute Gospel on Shakespeare's life.

A scholarly yet compelling biography of this elusive figure........1999-09-30

Schoenbaum's book, which I have used to teach college courses for years, is rigorous and objective in its scholarship. He succeeds in separating the legend from the fact, and gives us the best possible view of the notoriously elusive "man who was Shakespeare." The text is eminently readable, and irresistably interesting.

Ottoman Women Builders: The Architectural Patronage of Hadice Turhan Sultan (Women and Gender in the Early Modern World)

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Ottoman Women Builders: The Architectural Patronage of Hadice Turhan Sultan (Women and Gender in the Early Modern World)
Lucienne Thys-Senocak
Manufacturer: Ashgate Publishing
ProductGroup: Book
Binding: Hardcover

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ASIN: 0754633101

LA's Early Moderns: Art, Architecture, Photography

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What a Scene!

LA's Early Moderns: Art, Architecture, Photography
Victoria Dailey , Natalie Shivers , and Michael Dawson
Manufacturer: Princeton Architectural Press
ProductGroup: Book
Binding: Paperback

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ASIN: 1890449164

Book Description

Galka Scheyer, Walter and Louise Arensberg, Richard Neutra, Rudolph Schindler, Will Connell, Lloyd Wright, Norman Bel Geddes, Edward Weston, John Cage, Anais Nin, Jake Zeitlin, Merle Armitage, Harriet and Sam Freeman, and several dozen other artists and designers--this was a circle, not just a loose network of acquaintances. The modernist pioneers of Los Angeles art and architecture made statements in their work and legacies, but they were every bit as much a community as they were individual satellites of expression. These people gathered in solidarity, they met as friends and lovers, and they shared excitement over their important breaks with tradition. In modest but lasting ways, they changed Los Angeles forever. There is history in that, and there is inspiration as well. This book is about a secret Los Angeles, a Los Angeles filled with optimism about a different kind of "city of the future."

Customer Reviews:

What a Scene!.......2006-06-25

The Los Angeles story has many parts, some better known than others. Writers have carefully detailed the city's social and environmental challenges, and Hollywood has never lacked for attention. But this book tells a fresher story about a relatively small but energetic group of Los Angeles painters, architects, and photographers whose early 20th-century modernism retains an extraordinary vitality. With its copious photos and illustrations (many in color), this book documents the lives and work of that scene's major figures (Edward Weston, Will Connell, Richard Neutra, Rudolph Schindler, etc.) along with dozens of others who made significant contributions to the modernist project. USC historian William Deverell provides a trenchant introduction. Highly recommended.

Ysengrimus: Text With Translation, Commentary, and Introduction (Mittellateinische Studien Und Texte Bd 12)

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To take is the law, to give the exception.

Ysengrimus: Text With Translation, Commentary, and Introduction (Mittellateinische Studien Und Texte Bd 12)
J. Mann , and 12th Cent Nivardus
Manufacturer: Brill Academic Publishers
ProductGroup: Book
Binding: Library Binding

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ASIN: 9004081038

Book Description

The Ysengrimus is the first fully-fledged medieval beast-epic, and the poem in which Reynard the Fox makes his first appearance on the stage of world literature. It thus occupies a key position in the long and fertile tradition of medieval beast-literature, but it also claims attention as a masterpiece in its own right, the work of one of the most daring and original satirists of the Middle Ages. Despite its importance, the Ysengrimus has been comparatively neglected because of its linguistic difficulties. Jill Mann eases these difficulties by presenting an English translation alongside the Latin text, and accompanying it with a detailed commentary. A full- length introduction offers an original account of the poem which shows how literary structure and historical dimensions are fused into an original satiric vision of compelling power. This book will not only interest medieval Latin specialists, but will make this major text accessible to those working on the related vernacular traditions. Its analysis of the poem's allusions to contemporary persons and events will also be of considerable interest to historians of twelfth-century Flanders.

Customer Reviews:

To take is the law, to give the exception........2002-12-03

This epic is one of the most cynical and grim satires ever written.
Ysengrimus is the prototype of the monk disguised as a wolf. Christ was a shepherd for his sheep, the monks are wolves.
With a strong and blasphemous vocabulary, Nivardus insults relentlessly the Church and her representatives: 'They sell human beings for money, and even God'.
'You may commit what sins you want, you will be absolved if you can pay'.
What only counts for the monk Ysengrimus is power and money. If you have them you stay above the law; if you don't, you are lost.
But Nivardus takes revenge on the corrupt and wicked Ysengrimus through the hands of his nephew, Reinaert, the fox, who exploits in a gruesome manner the craving for power and money of his uncle. Ultimately, the Monk's skin is stripped off and his corps is thrown to the swine.

Apparently, this is the first time that the character of Reinaert, the fox, appears in the medieval literature. Here he is the avenger of the righteous, the poor, the real Christians.

In the latter works, Reinaert is portrayed as a cunning and cynical exploiter of human weaknesses. The social criticism of the Church disappeared. In this way, one could say that the author of the second Reinaert (Van den Vos Reinaerde) took revenge on the Ysengrimus by painting the fox as a not reliable and immoral character.

Book Description

This beautifully illustrated and exquisitely designed volume of paintings, sculpture, medals, and drawings celebrates the extraordinary flowering of female portraiture, mainly in Florence, beginning in the latter half of the fifteenth century. Included are many of the finest portraits of women (and a few of men) by Filippo Lippi, Domenico Ghirlandaio, Antonio Pollaiuolo, Botticelli, Verrocchio, and Leonardo da Vinci--whose remarkable double-sided portrait of Ginevra de' Benci, which departs notably from tradition, is the focus of special attention.

It was in Florence during this period that portraiture expanded beyond the realm of rulers and their consorts to encompass women of the merchant class. This phenomenon, long known to scholars, is here presented to a larger audience for the first time. The catalogue, which accompanies an exhibition at the National Gallery of Art, traces how the humanist praise of women influenced and enlivened their depiction. It also considers how meaningful costumes and settings were chosen. Works from outside Florence by such masters as Pisanello, Rogier van der Weyden, and Ercole Roberti shed additional light on the evolution of female portraiture during the century from c. 1440 to c. 1540.

An introduction by editor and exhibition organizer David Alan Brown and four engaging essays by other experts on Renaissance art--Dale Kent, Joanna Woods-Marsden, Mary Westerman Bulgarella and Roberta Orsi Landini, and Victoria Kirkham--perfectly complement the more than one hundred illustrations, which include ninety-seven full-color plates. The catalogue entries are concise while revealing the key aspects of each portrait--from style and sources to ongoing scholarly debates. This elegant, enlightening book is itself a telling portrait not only of the art but also of the broader issues of women's freedom, responsibility, and individuality in a most exceptional era.

EXHIBITION SCHEDULE

National Gallery of Art, Washington, D.C.
September 30, 2001-January 6, 2002

Women, Art, And Architecture in Northern Italy, 1520ÃÂ1580: Negotiating Power (Women and Gender in the Early Modern World) (Women and Gender in the Early Modern World)

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Women, Art, And Architecture in Northern Italy, 1520ÃÂ1580: Negotiating Power (Women and Gender in the Early Modern World) (Women and Gender in the Early Modern World)
Katherine A. McIver
Manufacturer: Ashgate Publishing
ProductGroup: Book
Binding: Hardcover

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ASIN: 0754654117

Early American Southern Homes (Architectural Treasures of Early America, Vol 8)

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Early American Southern Homes (Architectural Treasures of Early America, Vol 8)

Manufacturer: Main Street Pr
ProductGroup: Book
Binding: Hardcover
ASIN: 1555620485

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Early Modern Architecture
Barbara Borngasser
Manufacturer: Feierabend Verlag, Ohg
ProductGroup: Book
Binding: Hardcover

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ASIN: 3899850297

Book Description

A new age dawns at the beginning of the 15th century in Italy: the Renaissance. With Florentine beginnings, it blossoms in Rome and reaches a further highpoint in the Palladian Villas of the Veneto. Medieval Castles are transformed into modern mansions, and the houses of the rich become palaces. The Italian Renaissance radiates throughout Europe. The age of the Baroque also begins in Italy, finding its architectural highpoint in Versailles and other European royal residences, as well as the cloisters and churches of southern Germany and Austria. All this, and more, is to be found in this volume.

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