Average customer rating:
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Furniture 2000: Modern Classics and New Designs in Production (Schiffer Design Book)
Leslie A. Pina
Manufacturer: Schiffer Publishing
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Binding: Hardcover
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ASIN: 0764304968 |
Book Description
Many of the great modern classic furniture designs of the twentieth century are still in production and available to the public in America and abroad. There are also many recent designs destined to become classics, because they share many of the same qualities of modern furniture already in museum collections and sought after by collectors. This volume, with 600 color photographs and detailed captions of a representative sample of the best modern furniture available, is the first source book to focus only on designs that are currently in production, and to present them in full color. It is both a history of modern design and an international shopping catalog. The indexes of 250 designers and companies and the list of sources will enable the reader to locate each item for purchase or for additional information. This book will serve as an indispensable and handy reference for decorators, interior designers, architects, and collectors, plus acquaint the general public with extraordinary designs that are generally only known to the trade.
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- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
- History as Science Fiction
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History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
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Similar Items:
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History: Fiction or Science? Chronology 2 (Chronology)
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History: Fiction or Science? Astronomical methods as applied to chronology. Ptolemy's Almagest. Chronology III
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Discovering the Mysteries of Ancient America: Lost History And Legends, Unearthed And Explored
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They Cast No Shadows: A Collection of Essays on the Illuminati, Revisionist History, and Suppressed Technologies
ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Book Description
In the middle of the twentieth century, Denmark, Sweden, Norway, and Finland, four countries with a total population no larger than New York City, impacted the world of design to a degree never before seen and unlikely to be repeated. Scandinavian Modern design already had a solid domestic audience, and the Post-World War II American consumer was ready for the distinctive style and the fine quality it offered. With a focus on more than 60 designers, this extensively researched book presents the furniture and household objects especially those of wood and metal. of the Scandinavian Modern style, beginning in the 1930s and culminating in the 1970s. Hundreds of photographs and a comprehensive introduction, historical timeline, and appendices of furniture makers and designers, distributors, and sources are included. Detailed captions with current prices, a large bibliography, and an index make this book a valuable reference and a must for all collectors, dealers, and researchers of Scandinavian design.
Book Description
A comprehensive guide to the most influential furniture and lighting designs of the twentieth and twenty-first centuries, updated and expanded.
Over 2,000 important pieces arranged by type of furniture or fixture make this book the go-to guide for students and historians of modern furniture, as well as an essential tool for interior designers. Each entry gives the details of the design: date, model name or number, manufacturer, materials, and dimensions. 1892 photographs.
Customer Reviews:
Excellent Reference of Modern Furniture.......2007-02-06
This is the best compendium of pictures and details about the Modern Furniture movement!
one of the most authoritative guides to furniture and lighting designs of the 20th and 21st centuries in print.......2006-04-27
The third edition of Jerryll Habegger and Joseph H. Osman's SOURCEBOOK OF MODERN FURNITURE should be on the reference shelves of ANY serious interior design collection. Appearing in its third revised edition, SOURCEBOOK provides one of the most authoritative guides to furniture and lighting designs of the 20th and 21st centuries in print, pairing color photos with features of works by hundreds of notable designers. Photos arranged by type of furniture or fixture make it simple for quick look-ups, while lists of suppliers and indexes of designers and manufacturers provide invaluable cross-referencing.
new edition.......2004-07-21
did not someone write that they are coming out with a new edition in fall 2004? this is the only problem with this edition. it is not updated. soon to be resolved it seems.
When the best gets better!!!.......2003-08-13
As predicted, the 3rd edition is OFF THE HOOK!!! The 3rd edition, published in 2005, has close to 700 new entries. Nearly half of the photos are in color and the authors have included web site information for manufacturers. This latest edition is in the collection of prominent museums and academic institutions across the globe, especially universities which have significant design and architecture programs. This is certainly a must have edition for the intellectually astute connoisseur of furniture and design.
BTW, many of the listed reviews are referring to the 2nd edition which is now 10 years old!!! Check to be sure which edition other reviewers are referring to before making a purchase decision...you wouldn't want to miss out!!
Odd Criteria for "Modern".......2003-07-10
I was disappointed with the book and returned it. Nothing by Robsjohn Gibbings. Nothing by Harvey Probber. Only a single piece by Wormley. Only two by Finn Juhl. Instead, the selection seems weighted heavily toward austere Italian designs of metal and glass, esp. those produced in the 1960s and later. I did not expect the editors to show such a lack of interest in wood. And given the book's definitive-sounding title, I did not expect them to adopt such an rigid and uninteresting definition of "modern."
Book Description
This stylish collector's guide is the first to acknowledge the highly collectible 'modern' furniture made by the Heywood-Wakefield company. Vintage advertisements, photos, and catalogs are featured in addition to the identification section. Virtually every piece of modern furniture the company produced between 1936 and 1965 is illustrated and identified by model number, description, and years manufactured. 2004 values. REVIEW: This book is an industry standard on Heywood-Wakefield Modern Furniture. It answers many questions about the furniture and helps readers appreciate the beauty of its fine craftsmanship.
Customer Reviews:
Very good reference.......2005-08-30
This book is everything I wanted. The illustrations are bery good and informative.
THE must-have book for Heywood-Wakefield collectors.......1999-09-15
I have just started collecting Heywood-Wakefield furniture. I began after seeing a show on Home and Garden TV Network on the reissued Heywood-Wakefield line currently being manufactured. I ordered a catalog from them, visited their web site, then started looking for dealers here in Dallas. Long story short, I found a gentleman here in Dallas who buys and sells antique Heywood-Wakefield pieces. I looked at what he had to offer, and ended up spending a small fortune on several pieces for my bedroom and living room. He swore by this book. This is the Heywood-Wakefield collector's Bible. It has a comprehensive list of nigh every piece Heywood-Wakefield made from about the '20s on. It has pictures of all the pieces, comments on the piece's designer(s), history, and most importantly, an updated (1999) pricing list. Buy this, and you and your dealers will always "be on the same page," literally, when it comes to discussing pieces. This is especially helpful to those who are buying from dealers cross-country. A definite must-have!!!
Average customer rating:
- Can't find its niche
- Discussion of the Arts and Crafts Lifestyle
|
The Arts and Crafts Lifestyle and Design
Wendy Hitchmough
Manufacturer: Watson-Guptill Publications
ProductGroup: Book
Binding: Hardcover
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Beautiful Necessity, The (pb)
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Inside the Bungalow: America's Arts and Crafts Interior
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ASIN: 0823003140 |
Book Description
A grand tour of grand estates shows the classic lines, exquisite craftsmanship, timeless beauty, and sublime color that exemplified the revolutionary Arts and Crafts movement at the dawn of the twentieth century. Its impact on home furnishings of the day is fully detailed in this gloriously illustrated volume-a timely release in view of the current huge revival in popularity of the movement's artistic ideas and standards, including today's trend toward clean, uncluttered interiors. In radical reaction to strict Victorian dictates and grandiose home interiors, visionary designers, led by William Morris, urged a return to the simpler vernacular traditions and emphasis on craftsmanship that had been submerged by the industrial age. The movement spread from England and became international in scope, challenging mass production by substituting simple elegance, originality, and superior quality in all areas of home design. This book takes readers on a room-by-room inspection of the movement's foremost examples, visiting such signature estates as the Gamble House in Pasadena, California, and Standen in East Grinstead, West Sussex, England. Diverse domestic spaces are explored through outstanding original photography and compelling text, revealing how a room's function determined the selection and placement of furniture, textiles, wallpaper, ceramics, and other objects. Profiling the works of Morris, Green and Green, Edwin Lutyens, Gustav Stickley, C.F.A. Voysey, Philip Webb, and Frank Lloyd Wright, among others, this handsome volume explores the individual interpretations that gave the style its enduring substance.
Customer Reviews:
Can't find its niche.......2003-07-11
Wendy Hitchmough's "The Arts & Crafts Lifestyle and Design" is a frustrating, yet beautiful-looking book that covers the Arts & Crafts movement by focusing on how it was influenced by changes in popular culture, the advent of scientific "modernity", and anti-Victorian backlash.
The book's layout focuses on each room in the home and why it evolved in the Arts & Crafts style. Taking references from the era's periodicals that covered the style, "The Craftsman" and "The House", Hitchmough provides historical background that seeks to makes sense of the style. Simplicity of design evolved from anti-Victorianism. Cues from nature came from the burgeoning naturalist and conservation movements, along with interest in all things Asian. Older building practices were combined with new advances.
The lifestyle portions of the book point out how radically different from Victorian ideals was the new movement. The roles of the master and mistress of the home showed them as more at tune with the outside world, more aware of personal health and fitness, and far more sexually aware (more about this further on.) How the Arts & Crafts home functioned from day to day is discussed in detail, as well.
The book covers the style as best portrayed in Britain and the United States. Designers from both sides of the pond are detailed. The lush photography of Martin Charles wraps up the pretty package.
But there are distinct problems with the book. It doesn't have a real niche. It's too wordy and historical to be a good coffee table book. The layout of chapters by room, while possibly good for highlighting the lifestyle choices, makes this a hard book to use as a reference manual for the style. There are glaring limitations, too. Far too much focus is given to a few designers and homes that drove the movement - it is not as broad an overview of all designers and practices as one would like. And while the lifestyle portions are interesting, there seems to be an overt focus on sexuality that I found peculiar for a book of this type.
In short, I believe the book tries to accomplish too much and therefore fails to excel in any one aspect. By trying to shoehorn several books into one, the author has given us the average of other works. And that is less than fully satisfying for those of us looking for more in-depth analysis.
Still, for anyone seeking an overview of Arts & Crafts design and concepts as espoused in the lifestyle of the era, this is as good a place to start as any. The quality and design of the book raise it an extra star, saving it from being merely fair.
Discussion of the Arts and Crafts Lifestyle.......2000-12-21
The Arts and Crafts Lifestyle and Design is a historical perspective on the design principles and the lifestyle (i.e. how the houses were used) by people involved in this design movement. It is very well written with wonderful photographs. It is, however, organized in a manner as to make using this book for research on the artists or the designs difficult. Rather than highlighting individual artists of the movement and their work, it is arranged by the basic rooms of the houses. For example, dining rooms are discussed using various designers and houses. I would have found it more useful had the individual houses or each artist been discussed more and in the same location in the book. The book does bring to light the changes in the structure of Victorian society and houses with that of the Arts and Crafts Movement.
Book Description
Gustav Stickley (1858-1942) founded his own design company, Craftsman Workshops, with his brother in upstate New York in 1898. The company was highly successful through the 1920s and eventually became a national enterprise with retail stores in New York, Boston, and Washington, DC. Although influenced by the British Arts and Crafts movement and Continental Art Nouveau, Stickley advocated the creation of a distinctive American style that would integrate furnishings, architecture, handicrafts, and principles of harmonious living; he believed that well-designed furnishings could help "make life better and truer by its perfect simplicity." This book is a critical study of Stickley's life and enterprise. It focuses on his furniture making, drawing from primary research, interviews, and correspondence to describe both how Stickley approached his craft throughout the arc of his career, and what makes the individual pieces distinguished and valuable. Separate chapters are included on Stickley's most important collaborator, Harvey Ellis; on his business venture in New York City; and on his utopian family homestead in rural New Jersey, Craftsman Farm. Rare archival photographs, advertisements and pages from early catalogues and "The Craftsman" magazine, family snapshots, and extensive archival and new photographs of Stickley furniture, metalwork, and decorative objects provide a rich visual context. At the pinnacle of his career, Stickley was a nationally known maker of furniture, metalwork, and textiles; he was also a successful retailer, the publisher of an influential monthly journal called "The Craftsman", and an advocate for affordable, bungalow-style "Craftsman" houses who sold house plans through his magazine and store. Many of his furniture designs became icons of American decorative arts; among the classic pieces illustrated with specially commissioned colour photographs in this book are his Morris chair, fall-front desks, various settles, leaded-glass lanterns, 510 bookcase, and 967 sideboard. Such pieces are now coveted by collectors, and Stickley's successor firm, the Stickley Furniture Company, is producing reissues of his designs. As revealed in this book, Stickley was not a solitary purveyor of the American Arts and Crafts aesthetic but more broadly a representative figure in American business history, an early proponent of what we now call branding and lifestyle. "The Craftsman" magazine (published from 1903 to 1918) and the numerous furniture catalogues he issued on a regular basis functioned as effective advertising, helping not only to establish the company's name but also to shape public opinion about the value of design. Stickley's business ventures dovetailed well with the revival of traditional handicrafts that was gaining momentum in the United States and Britain around the turn of the century. One of the central aims of this book is to identify the creative individuals - artists, craftsmen, architects, writers, editors, and illustrators - who worked with Stickley and to give them the recognition they deserve; biographies of 17 collaborators are collected in an appendix. The book also includes a chronology of Stickley's life and career, a visual chronology of the evolution of the fall-front desk, and a complete bibliography.
Customer Reviews:
A must have for any Gustav Stickley collector.......2004-04-13
I am usually the kind of buyer that likes a lot of illustrations in a book to keep my interest. While the author includes many quality photos in this book his detailed knowledge of Gustav Stickley was more than enough to keep me interested. David Cathers has done his research well and gives a very detailed history of this great American craftsman. Even readers not familiar with this Gustav Stickley or the Arts & Crafts movement will find this book easy to read and understand. Overall a must have companion to David Cathers earlier "Stickley Style" which happens to be loaded with beautiful illustrations.
Book Description
Furnishing the 18th Century is a collection of original essays that delves into the history of furniture, examining every day items such as tea tables, jewelry boxes, dressers and sofas to uncover the social practices of the 18th century, including tea drinking, gambling, prostitution, conversation, and letter writing, both in Europe and in the colonies. The essays take serious consideration of what the furniture of one's house has to say about 18th century taste, social hierarchies, consumerism, gender, and even sex.
Average customer rating:
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Hardstones: The Gilbert Collection
Anna Maria Massinelli
Manufacturer: Philip Wilson Publishers
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Pietra Dure: The Art of Semiprecious Stonework (Getty Trust Publications: J. Paul Getty Museum)
ASIN: 0856675105 |
Book Description
The technique of Hardstone mosaic was developed in the sixteenth century under the patronage of the Grand Dukes of Tuscany, in parallel with the revival of Roman mosaics made from tiny tesserae. Complex images were created from a matrix of coloured marbles and semiprecious stones, selected and cut with breathtaking craftsmanship. During the seventeenth century the technique was used in the production of some of the most magnificent luxury objects in Italy; in the eighteenth century, panels of landscapes, birds and flowers were incorporated into furniture and snuffboxes. This gave way in the nineteenth century to the production of pictures in extraordinarily convincing imitation of oil paintings.
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With roots in prewar Germany, modernism leapt to popularity in postwar America. Advocated by architects Ludwig Mies van der Rohe and Walter Gropius (who fled the encroaching Nazi movement and settled in the U.S.), modernism blended functionality with frugality. Between 1945 and 1960, architects like Frank Lloyd Wright and designers like George Nelson revolutionized the home landscape. Today, modernism is experiencing a resurgence in popularity. Filled with incredible photographs of classic modern homes and beautifully spare rooms, Retro Modern is well researched and admirably demonstrates the intersection of history, society, and the arts.
The clean, cool lines of modern architecture was a direct rebuttal to the neoclassical styles that came before. Rooms flowed into one another and often included floor-to-ceiling glass walls to open the house to the natural world. "The new structures placed emphasis on efficiency and function, as well as informality and comfort," says author Lisa Skolnik. Inside, bold, spare furnishings like low-slung sofas and ovoid glass coffee tables were arranged with minimum clutter and often featured built-in furniture to keep the space open and airy. Clocks, lamps, and glassware took on asymmetrical and free-form shapes; most popularly, kidneys, amoebas, and boomerangs. That lime-green Egg chair of grandma's--which you thought hideous as a child--would now be snapped up in a second by a savvy collector.
A paean to midcentury America and Europe, a nod to designers and architects whose influence is still felt today, and an inspiration to aficionados, Retro Modern is as clear and streamlined as the movement it celebrates. --Dana Van Nest
Customer Reviews:
I love this book but be aware it's mostly pictures........2002-06-14
I picked this book up on a whim at a local book store, so I had an opportunity to look through it before buying. You should be aware that it's mostly pictures, with relatively little text aside from the captions. However, if what you want is a book of photos of Modern architecture and furniture, it's superb.
There is a seemingly endless series of photos showing various diverse interpretations of the Modern style, with excellent captions explaining the details of architecture, furniture, and decoration. It both looks at rooms as a whole and at details in specific, in separate sections of the book. The rooms shown are almost universally stylish and inspiring to the budding home decorator. The book shows furniture and design from throughout the Modern period, ranging from the 1920's through the 1970's, and also shows how Modern pieces can be blended smoothly with Contemporary designs of today.
As it is largely a photo book, I should comment that the paper and printing quality are excellent, with superb color, fine detail, and gorgeous glossy pages.
If you like the modern style and are looking for some inspiration on how to decorate your home, this is a wonderful book to have, and in my opinion [inexpensive] for its quality. If you're looking for a reference book with long discussions of the style and its influences, this is not the book you're looking for.
Nice picture book, but really lacks documentation.......2002-05-27
I purchased this book thinking I could use it as a reference book for my Master's thesis paper on Art Nouveau's influence on the De Stijl and Bauhaus movements. I was wrong. This book contains a lot of really nice photos, but there is very little description about the photos. It even lacks identification of many of the subjects in the photos. If you're looking for a "pretty book" this is it, if you want an informative book look for Stephen Escritt's "Art Nouveau."
Great photos and styling..........2001-06-01
Not much substance for anyone looking to use this as a reference (I recommend Taschen's series for this) but the layouts and photography are superb. There is a wide range of furniture and accessories illustrated with many of the "famous" designs being shown in quite interesting arrangements.
Definitely for the afficianado, this is something you flip through for inspiration when trying to decide how to reupholster that old Danish chair you found at a yard sale.
A definite for retro afficionados.......2000-09-28
A definite for retro afficionados
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