History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

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with a sort of esprit ...
I.N.R.I.
Making christianity vogue...

I.N.R.I.
Bettina Rheims , and Serge Bramly
Manufacturer: Monacelli
ProductGroup: Book
Binding: Hardcover

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ASIN: 1580930433

Customer Reviews:

with a sort of esprit ..........2005-07-27

Like Renaissance artists who transposed the Jesus-story to Florence, the famous French Photographer Bettina Rheims (* December 18, 1952, Neuilly-sur-Seine, Paris, descendant of Amschel Moses Rothschild) and Serge Bramly (* January 31, 1949, Tunisia, now french philosopher and scientist of art history) tried to ignore the visual traditions, largely that of the Renaissance, willing to create a new modern iconography by turning the subject to photography. A little bit irritating, because the project is fluctuating between serious art and stylistic kitsch, influenced by quotations of art-history and, on the other hand, influenced by modern advertising camerawork. Illustrating the 'Xmas-scene in the stable to Bethlehem they try an optical translation into our present: Jesus is born in the location of an automobile repair workshop illuminated by the pair of headlights of a small transporter van. Instead of a donkey a cat watches the birth, mother Maria sits easily dressed not on straw but on a cement bag, in place of shepherds some garage-mechanics hurried in, who present daisy-flowers to Mary, taking care not to stamp into the puddles of oil on the floor. Of course it is an impressive, strange attack on our figurative conception traditions, which can be forgotten not easily. We see the naked-dancing Salome with the bloody head of the Johannes on the tray; we see Mary Magdalene with legs spread, breasts exposed and stiletto heels; we see locations in the Hospital Cochin, others on the isle Mallorca - and after all (or at first?) we are shocked by Jesus hanging on the cross as a naked young woman, clad only in a loincloth - seen on the book cover; but if you are looking inside, you will notice, that the woman is crucified on the left cross of three, the middle-cross is empty, on the right side you will notice a man. But please consider: Jesus' crucifixion is a symbol for every human being, women inclusive. Nevertheless it provoked just enough outrage in Europe. However I think this project shows an acceptable way of searching for a new kind of modern iconography. Between all infuriated sacrilege-sensitive souls of the political correctness-wing you can find some amusing stories of art-reception: The models, actors and musicians, posing for the great last evening diner-scene - they a few weeks later established a music group with the name "12 Apostles". Bettina Rheims and Serge Bramly linked gravity and irony, majesty and triviality - maybe this is the sort of esprit, which can only prosper in France ...

I.N.R.I........2000-12-08

The cover of this book will make some outraged at first but I strongly recommend they read the text and then view the photos again. Unlike some photographers who use modern religious images to purposely provoke Christians this book is provocative yet very respectful of religion. The ancient telling of Christs life is beautifully shown in the setting of today with thought provoking images ranging from angels to his birth.Good view.

Making christianity vogue..........1999-10-28

That's right, this is Christ's life and gospels portrayed as if it were for a special millenial edition of Vogue. Quick summary: lots of dramatic stills of beautiful, androgenous, young adults playing the roles of Christ, Mary, the Apostles, Judas, etc. in contemporary settings like a garage (aka, the manger) or a ghetto in the USA.

Book Description

Every year millions of people flock to New York City, drawn to its unparalleled theaters, museums, restaurants, and sights. While much has been written about these topics, one of the city's greatest attractions has gone largely unheralded: its characters. Among the masses, there are some that stand out from the crowd, a special group of New Yorkers that gives this city its flavor and makes it such a vibrant, exciting, and unique place. New York Characters is a tribute to these people. Celebrated in both pictures and words, Gillian Zoe Segal's subjects include neighborhood fixtures, prominent celebrities, famous personalities, and the truly eccentric. Among the extraordinary New Yorkers you'll meet are Guardian Angel founder Curtis Sliwa; Ken Krisses, the president of the Coney Island Polar Bear Club; the "real" Kramer, on whom the Seinfeld character is based; sports fanatics Dancin' Larry and Fireman Ed; restauranteurs Elaine Kaufman and Sylvia Woods; Dr. Jonathan Zizmor, the "subway" dermatologist; and Jimmy Breslin, the legendary newspaperman. Segal has photographed sixty-six such characters in his or her own distinctive environment. Accompanying the striking portraits are colorful profiles of each individual. The foreword by George Plimpton, a "New York character" himself, is a tribute to Segal's extraordinary work and her fascinating collection of New Yorkers. 66 b/w photographs.

Customer Reviews:

New York Characters.......2002-02-01

If you are a New Yorker, a former New Yorker, or someone new to the City, you should own this book. The photography is both penetrating and compelling, and the characters featured are truly fascinating. It's like the Zagat of New York people. I hope the author comes to Los Angeles to do a book on characters here (there are plenty)!

Fun game with this book........2001-12-15

I got a copy of this book and the other night three friends and I made a bet as to who had seen the most "characters" in real life. Sad to say I was not the winner but did pretty well with 24 and came in second. Anyway, it's a great book and a kick to get the real stories behind some of the interesting people we see around town. Highly recommended.

For New Yorkers and Non New Yorkers Alike.......2001-12-03

If you admire great photography and exquisite prose and feel the slightest attachment (or wish you did) to New York, then Gillian Segal's book is for you. I moved from New York a little over ten years ago and was determined to keep in touch with the city I love. However, it was only a matter of time before I lost touch with what really made New York special: the people's unique personalities. Gillian's book has allowed me to reestablish contact with the city that I still like to call home. Now, when my colleagues in Providence ask me what to do in New York, I no longer provide them with a mundane and outdated list of restaurants and sites. Instead, I refer them to Mrs. Segal's book. I inform them that in its pages is where they can find the real New York. Everything from great food, The Egg Cake Lady, to a wonderful opera on 57th street, performed by Opera Man, to a great jogging partner, the Mayor of the Reservoir (he is featured on the cover) can be found in "New York Characters".

New York Characters- A Must Buy!.......2001-12-01

Gillian Zoe Segal's book, New York Characters, is outstanding- the best photography book I've ever seen/read! The photographs featuring prominent New Yorkers are incredible. Each one captures the true essence of the "character" and truly comes to life on the page. The characters are all photographed in their natural environment, and as Segal points out and demonstrates in her book it is New York's characters that make "it the greatest city in the world". In addition to her photographic genius, Segal writes beautifully. The vignettes's about the characters are intersting, informative, humorous, and touching. No coffee table should be without a copy of New York Characters. It makes the perfect holiday gift for New Yorkers as well as out-of-towners because everyone loves or has an interest in New York, right? Furthermore, all of the proceeds of the book sales are going to the September 11th fund. So what could be more gratifying than supporting the city's recovery effort by buying this wonderful book for yourself, for your friends, for your family...? I feel confident in saying that anyone who picks up New York Characters will enjoy it immensely. What will Segal do next? I can't wait....

New York Characters- A Must Buy!.......2001-12-01

The TWA Terminal: The Building Block Series

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Good quality and price, good value
fantastic but small

The TWA Terminal: The Building Block Series

Manufacturer: Princeton Architectural Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 1568981821

Amazon.com

Eero Saarinen's TWA Terminal is another of his inspired essays in sweepingly curved building forms, this time celebrating flight. Paradoxically, while the terminal's layout and equipment were technically advanced and carefully thought-out, its form was arbitrarily sculptural rather than structurally rational. The explosive growth of passenger traffic overloaded the capacity of a building whose form defied expansion. Today, the TWA Terminal can be seen as a monument to a simpler, more intimate, and more gracious era of commercial flight. The terminal is just one of the modernist icons that preeminent architectural photographer Ezra Stoller documented in a career that spanned more than half a century. Now retired, Stoller has been reassembling his work for permanent (rather than periodical) publication. The TWA Terminal is one of a series published by Princeton Architectural Press that presents individual buildings in depth in a small-size volume. The photographs are not only stunning, they have particular documentary value in that Stoller shot them when the buildings were new--in this case, 37 years ago.

The series has been designed for relative affordability, and its subjects are well chosen. Each volume includes a very brief preface by Stoller setting out his relationship to the building and a fairly short critical, historical, analytical essay. Buttressed by about a dozen endnotes, the essays occupy a middle ground between informal and scholarly writing. They are followed by 50 to 60 duotone photos and a few plan drawings. This is an expert look at an extraordinary building and well worth readers' serious attention. --John Pastier

Book Description

The Building Blocks series presents icons of modern architecture as interpreted by the most significant architectural photographers of our time. The first four volumes feature the work of Ezra Stoller, whose photography has defined the way postwar architecture has been viewed by architects, historians, and the public at large. The buildings inaugurating this series-Eero Saarinen's TWA Terminal, Wallace Harrison's United Nations complex, Le Corbusier's Chapel at Ronchamp, and Paul Rudolph's Yale Art and Architecture Building-all have bold sculptural presences ideally suited to Stoller's unique vision. Each cloth-bound book in the series contains at least 80 pages of rich duotone images. Taken just after the completion of each project, these photographs provide a unique historical record of the buildings in use, documenting the people, fashions, and furnishings of the period. Through Stoller's photographs, we see these buildings the way the architects wanted us to know them. In the preface to each volume Stoller tells of his personal relationship with the architect of each project and recounts his experience photographing it. Brief introductions reveal the unique history of each building; also included are newly drawn plans.

Customer Reviews:

Good quality and price, good value.......2002-11-21

It's an extraordinary building, and the photography is of a quality worthy of the architecture.
If I could change this book, I would make it larger. Its small page size means you have to look closely to see the images well. I would rather it be big enough to be a coffee table book, and would be willing to pay more. Otherwise, it's an excellent photo-documentary of a brilliant and facinating building. I keep it visable on my desk.

fantastic but small.......2000-03-28

i just bought this book and essentially it's great, and i recommend it. if you are familiar with the TWA terminal at JFK airport you'll be shocked at the loss of grandeur time has inflicted upon the interior. the pictures will show you the full beauty of the architecture which has been diluted over the decades by disrepair, clutter, and restructuring. in any case, the photos themselves are a stunning compliment to the marvelous, chic design on display. The images echo the sleek modernist space station in "2001", but with an exacting, crisp interlocking of elements. which brings me to the drawback--the photos are too small by far, and often spread over the center crease--and this is not a book that folds flat open easily. i'm sure there are other books with these pictures, but i don't know what they are. if you research it, bear in mind that this book does contain a preface and article that are quite illuminating, and the compact nature of the book does make it kind of darling.

The United Nations (Building Block Series)

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The United Nations (Building Block Series)
Jane C. Loeffler
Manufacturer: Princeton Architectural Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 156898183X

Amazon.com

The United Nations needs no introduction, but most people probably don't realize that the building itself is the product of a team of 11 design architects from as many countries (plus several other consultants from even more places), including French superstar Le Corbusier. It was as unprecedented an experiment in large-scale architectural modernism as it was in international governance. And although most readers know its exterior appearance, few are aware of its varied and often dramatic interior public spaces. The UN building is just one of the modernist icons that preeminent architectural photographer Ezra Stoller documented in a career that spanned more than half a century. Now retired, Stoller has been reassembling his work for permanent (rather than periodical) publication. The United Nations is one of a series published by Princeton Architectural Press that presents individual buildings in depth in a small-size volume. The photographs are not only stunning, they have particular documentary value in that Stoller shot them when the buildings were new--in this case, 47 years ago.

Book Description

The Yale Art + Architecture Building (Building Block Series)

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The Yale Art + Architecture Building (Building Block Series)

Manufacturer: Princeton Architectural Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 1568981856

Amazon.com

The Art + Architecture Building at Yale University is Paul Rudolph's undoubted masterpiece, and it was highly influential in its time. The structure is solid, muscular, spatially complex, and strongly textured, built in a period when simplicity, lightness, smoothness, and transparency ruled the day, and it emboldened other architects to explore similar avenues of expression. Rudolph's career peaked quickly, but he and his remarkable building for Yale are clearly undervalued. Rudolph's building is just one of the modernist icons that preeminent architectural photographer Ezra Stoller documented in a career that spanned more than half a century. Now retired, Stoller has been reassembling his work for permanent (rather than periodical) publication. The Yale Art + Architecture Building is one of a series published by Princeton Architectural Press that presents individual buildings in depth in a small-size volume. The photographs are not only stunning, they have particular documentary value in that Stoller shot them when the buildings were new--in this case, 36 years ago.

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Portraits Of The New Architecture
Paul Goldberger , and Richard Schulman
Manufacturer: Amazon Remainders Account
ProductGroup: Book
Binding: Hardcover
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ASIN: B000H305TG

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Fabulous Gift
Manhattan Skyscrapers: Revised
Highly recommended for any fan of Manhattan or urban architectural style
Highly recommended for any fan of Manhattan or urban architectural style
For all who love New York....

Manhattan Skyscrapers
Eric Nash
Manufacturer: Princeton Architectural Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 1568981813

Amazon.com

Whether or not New York City, in all its teeming chaos, strikes readers as exciting or abominating, its superb urban architecture is undeniable. Life in the Big Apple is so fast-paced that most of the time the buildings that fill the island go unnoticed. Manhattan Skyscrapers offers the chance to leisurely peruse the stunning skyline, one building at a time, by compiling 75 of the most noteworthy towers in Manhattan (and one in Brooklyn). Spanning about a 100-year history and organized in chronological order, the book treats each skyscraper to its own section replete with photographs, commentary, and history. And the shifting architectural styles are fascinating to see in one volume. These tall buildings can appear intimidating, dwarfing the people who live in their midst, but this book offers readers an intimacy with these immense structures. There are details here that readers could easily miss in person; for instance, built into the lobby of the gothic-style Woolworth Building of 1913 are gargoyles depicting F.W. Woolworth counting his fortune and the builder in a monk's hood. The photographs are beautiful, with clear perspectives that seem almost impossible to get on the crowded streets of New York. --J.P. Cohen

Book Description

The city of New York is the city of skyscrapers. Every first-time visitor to Manhattan experiences the awe of gazing up at the soaring stone, steel, and glass towers of Wall Street or Midtown, and wonders how those structures came to be built. Manhattan Skyscrapers answers the question by presenting the 75 most significant tall buildings that make up the city's famous skyline. From Louis Sullivan's Bayard-Condict Building of 1898 on Bleeker Street to the Conde Nast tower currently rising above Times Square, Manhattan Skyscrapers lavishly presents over a hundred years of New York's most interesting and important tall buildings. Author Eric P. Nash profiles familiar skyscrapers such as the Woolworth Building, the Empire State Building, the Chrysler Building, the World Trade Towers, the AT&T (now Sony) Building, and the Seagram Building, while also championing several often-overlooked yet significant structures, such as the McGraw- Hill, the Metropolitan Life Insurance, and the Fred F. French Buildings. Nash's writing strikes an elegant balance between history, archi-tectural evaluation, and intelligent guidebook. For each building, Nash identifies the building style, gives the overall profile and image of the building, and discusses its construction; also included are quotes from the buildings' architects and the architectural critics of the time. Each skyscraper is illustrated with full-page color photo-graphs by noted photographer Norman McGrath as well as architectural drawings and plans, archival images of the original interiors, postcards, and other ephemera. Manhattan Skyscrapers is essential reading-or an ideal gift-for anyone interested in the buildings that make New York the ultimate skyscraper city.

Customer Reviews:

Fabulous Gift.......2007-06-15

My nephew just completed his masters degree in architecture and is now working in New York City. He loved receiving this book as a gift from us. The photographs and text are very well done.

Manhattan Skyscrapers: Revised.......2006-06-28

Excellent photos but too much emphasis on the newest boxy glass cubes.

Highly recommended for any fan of Manhattan or urban architectural style.......2006-01-09

The city of New York hosts some of the most memorable skyscrapers in the world: for those unable to personally visit, Manhattan Skyscrapers provides a newly revised, expanded edition to present over eighty of the best of Manhattan's skyscrapers. Though full-page color portraits of each are packed into each feature, equally striking is the blend of historical background, architectural insight and details Nash provides in each accompanying description. A 'then and now' feel is created by the color contemporary photo facing a page of vintage or black and white illustration. Highly recommended for any fan of Manhattan or urban architectural style.

Highly recommended for any fan of Manhattan or urban architectural style.......2006-01-09

For all who love New York...........2005-10-12

"Manhattan Skyscrapers", a book first offered in 1999, has been updated since 9/11, but the central thrust remains......there is no other place on earth that gives us so many tall buildings on such small parcels of land. As one who has worked at the Empire State Building for a dozen years, "Manhattan Skyscrapers" makes me want to see as many of these wonders as I can.

This is a coffee table book to be sure, but that doesn't take anything away from the richness of Norman McGrath's often stunning photographs and the accompanying descriptions by author Eric P. Nash. Beginning with the 1896 American Tract Society Building (hardly a skyscraper by today's standards) the reader is treated to a chronological trip up and down Manhattan. There are many old black and white photos that are included, giving us a perspective on how the city has evolved architecturally. (Yes, there is a section on the twin towers, as there should be)

I was particularly enamored of the older buildings, especially the Flatiron Building (1902) with its one-of-a-kind design but the newer buildings, such as Citicorp Center, the W.R. Grace Building and the oddly suggestive Lipstick Building also warrant attention. Having viewed the outside of these marvels of creation it would be nice to see a book about the interiors of some of them.....the lobby of the Empire State Building, for one.

Nash and McGrath have compiled a gem of a book. I encourage readers to have a look and take your time with it. It's worth every page turn.

Little Girl in a Red Dress with Cat and Dog

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Imagination
Ce livre est une oeuvres d'art! A work of art!
A charming story and museum quality illustrations!

Little Girl in a Red Dress with Cat and Dog
Nicholas B. A. Nicholson
Manufacturer: Viking Juvenile
ProductGroup: Book
Binding: Hardcover
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The Cat Who Wouldn't Come Inside: Based on A True Story

ASIN: 0670871834

Book Description

That's me over the fireplace. When I was a little girl and living with my parents on the farm, Mr. Ammi Phillips came, and I sat for a portrait. Well, I almost sat. In those days, I couldn't sit still for long. The arrival of a travelling painter is cause for great delight when the young narrator is looking for someone to play with. She's too young to help the cook, her brothers, her sisters, her father and mother. But what else can she do? Sit for a painting, of course! But it's not as easy as it looks--sitting still isn't as much fun as playing with her cat and dog. Or is it? The original Girl in Red with Her Cat and Dog by Ammi Phillips might have been painted in much the same setting as this striking book. Cynthia von Buhler's illustrations, reminiscent of nineteenth century American folk art--together with Nicholas B. A. Nicholson's engaging story and helpful background note--will appeal to children and collectors alike.

Customer Reviews:

Imagination.......2000-03-14

This book is my favorite gift for a child. I have even bought copies for adults.It's a wonderful tool for showing a child the joy of imagination. The author tells a charming story about a little girl in a real painting. Could it be true? The illustrator,magically brings the painting to life.Not only does the little girl in the red dress pose with her cat and dog but she throws the dog a stick, she stirs the cooks's soup, she eats a cherry tart. In a very subtle way the book teaches a child to open their minds as well as their eyes. To search for more than what their eyes see. In the book, the little girl looks out a window, at a peaceful country scene below and waits for something exciting to happen. I wonder if she is looking down at us now. If she knows her picture hangs in a museum and that a delightful story has been written about her. I think she does.

Ce livre est une oeuvres d'art! A work of art!.......1998-12-04

J'adore ce livre! Un conte a charmant. Les illustrations sont tres belles! Elles devraient etre dans un musee! Ce livre est un grand accomplissement. Merci beaucoup! I adore this book. A charming story and beautiful illustrations. This book is a grand accomplishment! Thank you!

A charming story and museum quality illustrations!.......1998-12-04

This book is a work of art! A charming story of historical interest with museum quality illustrations! This book is the perfect introduction to fine art for a child. Everyone who sees this book falls in love with it ! It is a favorite of my daughter's and mine. Maybe someday I will dress my young daughter in a red dress and have an artist - preferably Cynthia von Buhler - paint her in the folk style of the book!

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The fatal touch of the hemline of fame

Fifty New York Artists
Richard Marshall
Manufacturer: Chronicle Books
ProductGroup: Book
Binding: Paperback

General | Architecture | Professional & Technical | Subjects | Books

Modern | Schools, Periods & Styles | Arts & Photography | Subjects | Books

General | Arts & Photography | Subjects | Books

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The fatal touch of the hemline of fame.......1998-06-18

Robert Mapplethorpe's obsessive quest for fame is chronicled in this anthem to the the artist's pathetic bid for acceptance by the high-born and the low-brow of the New York art world of the 1970s and 1980s. His almost complete absence of formal training as a photographer finds a suitable literary parallel in his botched efforts to provide satisfying responses to inquiries, critical and otherwise, regarding his work. For example, the artist's gutter-level vocabulary and way of life , despite critical sanitization by the late curator Richard Marshall, have long since lost the luster they had back in the days when he was bedding men, women, and children en route to the retrospective held shortly before his death from AIDS in 1989. And documentation of the response to his work -- initially hailed as a restoration of classicism -- has not found favor in the more recent appraisals of his work, which have determined his work be the product of a very clever, knowing food stylist. Nevertheless, there are plenty of Yale graduates to be pawed over. Jennifer Bartlett, Richard Serra, and the son of Brice Marden (presented in a manner similar to the late artist's early experiments with child pornography) have had their hemlines brushed by Mapplethorpe. And there are better-known products of "tinytown," e.g., the New York art world who should have known better: Lee Krasner, Alice Neel, and Willem DeKooning. It is a sorry claim to fame, one predicated upon little more than proximity to talent and ambition measured by the size of the bank account of the photographer's late boyfriend -- and the size of that boyfriend's dingus. Still, this book provides the casual reader with a sense of how the late Bullwhipple saw himself: educated and worthy of serious appraisal. Better yet, it inspires the reflective reader to wonder why and who would ever bother to allow him to ever graze a hemline -- of any kind.

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